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Bobbie

Gin you're gangin' doon the city
Come next Sabbath afternoon,
An' you'll catch a glimpse o' Tartan
An' you'll hear a skirlin' tune;
An' you'll see a crowd o' laddies
Lookin' verra dour an' staid,
Wi' just here an' there a Cairngorn,
An' a wee tiny speck o' plaid;
Dinna think from their expression
They are on some mission sad
For their thoughts are back wi' Bobbie,
Wi' the braw, brave ploughman lad.

Once again they'll see him treadin'
Dreary-eyed behind the plough,
With his thoughts amonsgt the angels
And a brave light on his brow.
Once again they'll see him sparking
By the burnside and the glen,
Wi' another sort of angel
An' a sonsy lass ye ken.
Aye, a thousand sober Scotsmen
On the Sabbath afternoon,
Will be back again with Bobbie
With a graceless, godlike gloom.

But they'll not tell of his tailin's;
He was human, he was young,
But they'll join him in his dreaming,
And the rare brave songs he sung
Singing songs of bonny Scotland,
That will never fade with time:
Noble thoughts of truth and beauty
That is genius put in rhyme
And they'll love him for his dreaming
Aye, and for his failin's, too,
When their thoughts go back to Bobbie,
Sweetest singer Scotland knew

poem by Clarence Michael James Stanislaus Dennis
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The Libelle of Englyshe Polycye

Here beginneth the Prologe of the processe of the Libelle of Englyshe polycye, exhortynge alle Englande to kepe the see enviroun and namelye the narowe see, shewynge whate profete commeth thereof and also whate worshype and salvacione to Englande and to alle Englyshe menne.

The trewe processe of Englysh polycye
Of utterwarde to kepe thys regne in rest
Of oure England, that no man may denye
Ner say of soth but it is one the best,
Is thys, as who seith, south, north, est and west
Cheryshe marchandyse, kepe thamyralte,
That we bee maysteres of the narowe see.

For Sigesmonde the grete Emperoure,
Whyche yet regneth, whan he was in this londe
Wyth kynge Herry the vte, prince of honoure,
Here moche glorye, as hym thought, he founde,
A myghty londe, whyche hadde take on honde
To werre in Fraunce and make mortalite,
And ever well kept rounde aboute the see.

And to the kynge thus he seyde, 'My brothere',
Whan he perceyved too townes, Calys and Dovere,
'Of alle youre townes to chese of one and other
To kepe the see and sone for to come overe,
To werre oughtwardes and youre regne to recovere,
Kepe these too townes sure to youre mageste
As youre tweyne eyne to kepe the narowe see'.

For if this see be kepte in tyme of werre,
Who cane here passe withought daunger and woo?
Who may eschape, who may myschef dyfferre?
What marchaundy may forby be agoo?
For nedes hem muste take truse every foo,
Flaundres and Spayne and othere, trust to me,
Or ellis hyndered alle for thys narowe see.

Therfore I caste me by a lytell wrytinge
To shewe att eye thys conclusione,
For concyens and for myne acquytynge
Ayenst God, and ageyne abusyon
And cowardyse and to oure enmyes confusione;
For iiij. thynges oure noble sheueth to me,
Kyng, shype and swerde and pouer of the see.

Where bene oure shippes, where bene oure swerdes become?
Owre enmyes bid for the shippe sette a shepe.
Allas, oure reule halteth, hit is benome.

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poem by Anonymous Olde English
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The Canterbury Tales; The Clerkes Tale (a)

THE CLERKES TALE - PROLOGUE

Heere folweth the Prologe of the clerkes tale of Oxenford.

'Sire clerk of Oxenford,' oure Hooste sayde,
'Ye ryde as coy and stille as dooth a mayde,
Were newe spoused, sittynge at the bord.
This day ne herde I of youre tonge a word.
I trowe ye studie about som sophyme;

But Salomon seith, `every thyng hath tyme.'
For Goddes sake, as beth of bettre cheere;
It is no tyme for to studien heere,
Telle us som myrie tale, by youre fey.
For what man that is entred in a pley,

He nedes moot unto the pley assente;
But precheth nat as freres doon in Lente,
To make us for oure olde synnes wepe,
Ne that thy tale make us nat to slepe.
Telle us som murie thyng of aventures;

Youre termes, youre colours, and youre figures,
Keep hem in stoor, til so be that ye endite
Heigh style, as whan that men to kynges write.
Speketh so pleyn at this tyme, we yow preye,
That we may understonde what ye seye.'

This worthy clerk benignely answerde,
'Hooste,' quod he, 'I am under youre yerde.
Ye han of us as now the governance;
And therfore wol I do yow obeisance
As fer as resoun axeth, hardily.

I wol yow telle a tale, which that I
Lerned at Padwe of a worthy clerk,
As preved by his wordes and his werk.
He is now deed, and nayled in his cheste;
I prey to God so yeve his soule reste.

Fraunceys Petrark, the lauriat poete,
Highte this clerk, whos rethorike sweete
Enlumyned al Ytaille of poetrie,
As Lynyan dide of philosophie,
Or lawe, or oother art particuler.

But deeth, that wol nat suffre us dwellen heer
But as it were a twynklyng of an eye,
Hem bothe hath slayn, and alle shul we dye.
But forth to tellen of this worthy man,

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poem by Geoffrey Chaucer
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I Saw It Myself (Short Verse Drama)

Dramatis Personae: Adrian, his wife Ester, his sisters Rebecca and Johanna, his mother Elizabeth, the high priest Chiapas, the disciple Simon Peter, the disciple John, Mary Magdalene, worshipers, priests, two angels and Jesus Christ.

Act I

Scene I.- Adrian’s house in Jerusalem. Adrian has just returned home after a business journey in Galilee, in time to attend the Passover feast. He sits at the table with his wife Ester and his sisters, Rebecca and Johanna. It’s just before sunset on the Friday afternoon.

Adrian. (Somewhat puzzled) Strange things are happening,
some say demons dwell upon the earth,
others angelic beings, miracles take place
and all of this when they had put a man to death,
had crucified a criminal. Everybody knows
the cross is used for degenerates only!

Rebecca. (With a pleasant voice) Such harsh words used,
for a good, a great man brother?
They say that without charge
he healed the sick, brought back sight,
cured leprosy, even made some more food,
from a few fishes and loafs of bread…

Adrian. (Somewhat harsh) They say many things!
That he rode into Jerusalem
to be crowned as the new king,
was a rebel against the state,
even claimed to be
the very Son of God,
now that is blasphemy
if there is no truth to it!

Johanna. I met him once.
He’s not the man
that you make him, brother.
There was a strange tranquilly to Him.
Some would say a divine presence,
while He spoke of love that is selfless,
visited the sick, the poor
and even the destitute, even harlots.

Adrian. (Looks up) There you have it!
Harlots! Tax collecting thieves!
A man is know by his friends,
or so they say and probably
there is some truth to it.

Ester. Husband, do not be so quick to judge.
I have seen Him myself, have seen
Roman soldiers marching Him to the hill
to take His life, with a angry crowd
following and mocking Him.

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poem by Gert Strydom
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

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poem by Conrad Potter Aiken
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Gettin In Tune

Im singing this note cause it fits in well
Im singing this note cause it fits in well
With the chords Im playing
With the chords Im playing
I cant pretend theres any meaning here
I cant pretend theres any meaning here
Or in the things Im saying
Or in the things Im saying
But Im in tune
But Im in tune
Right in tune
Right in tune
Im in tune
Im in tune
And Im gonna tune
And Im gonna tune
Right in on you
Right in on you
Right in on you
Right in on you
Right in on you
Right in on you
I get a little tired of having to say
I get a little tired of having to say
do you come here often?
Do you come here often?
But when I look in your eyes and see the harmonies
But when I look in your eyes and see the harmonies
And the heartaches soften
And the heartaches soften
Im getting in tune
Im getting in tune
Right in tune
Right in tune
Im in tune
Im in tune
And Im gonna tune
And Im gonna tune
Right in on you (right in on you)
Right in on you (right in on you)
Right in on you (right in on you)
Right in on you (right in on you)
Right in on you
Right in on you
Ive got it all here in my head
Ive got it all here in my head
Theres nothing more needs to be said
Theres nothing more needs to be said
Im just bangin on my old piano
Im just bangin on my old piano

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song performed by Who
Added by Lucian Velea
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Laking Marikina, Part 2

Isang paraiso no'n ang Ilog Marikina
Daming binubuhay, daming umaasa
Malinis na tubig, siya'ng pinagkukunan,
Inumin sa banga, panligo sa tapayan
Tumana sa baybay, daming binubuhay
Palakaya sa tubig, iba't-iba ang paraan
Sa inyo ko'y babanggitin, anu-ano ang pangalan

BINGWIT

Ang Bingwit ay isang panghuli ng isda
Na may tangkay, pisi, pabigat at taga
Sa Ingles siya ay rod, hook, line and sinker
Bingwit or Fishing Rod, parehong may pain
Pain namin no'n ay hipon at bulate
Sari-saring isda ang nangahuhuli
Biya, hito, kanduli, minsa'y bakule
Bingwit ay di pare-pareho ang gamit
Merong sa tubig lang ay inilalawit
Merong hinihila matapos ihagis
Para ng isda ang pain ay mapansin
Akala niya'y buhay, agad sasagpangin
Ang tawag namin sa ganitong paraan
Ay di namimingwit, kundi nanggagalay

PATUKBA

Patukba ay parang bingwit na maliit
Maikli ang pisi, ang tangkay ay siit
Tangkay ay matulis para maitusok
Pag iniuumang na sa tabi ng ilog
Sa dulo ng tangkay doon nakalawit
Ang pising sa dulo, taga'y nakakabit
Kung ito'y iumang ay sa dakong hapon
Pain ay palaka, kuliglig o suhong
IIwang magdamag hanggang sa umaga
ang oras na dapat sila'y pandawin na
Ang paing sa tubig ay kakawag-kawag
Ng bulig o dalag gustong sinisiyab
Ang aking patukba'y tatlumpu ang bilang
Di marami, di kaunti, lang ay katamtaman
Sa bilang na ito, bawat pag-uumang
Ang dalag kong huli'y naglalaro sa siyam
Ang paing kuliglig saan kinukuha?
Sa ilalim ng yagit sa bukid/tumana
Ang suhong naman ay sa mga putikan
Sa tabi ng ilog, kahit na nga saan
Ang palaka naman ay sa mga lawa, Sa bukid, sa ilog at lugar na basa

KITANG

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poem by Pacific Hernandez
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Lament for Ignacio Sánchez Mejías

1. Cogida and death

At five in the afternoon.
It was exactly five in the afternoon.
A boy brought the white sheet
at five in the afternoon.
A frail of lime ready prepared
at five in the afternoon.
The rest was death, and death alone.

The wind carried away the cottonwool
at five in the afternoon.
And the oxide scattered crystal and nickel
at five in the afternoon.
Now the dove and the leopard wrestle
at five in the afternoon.
And a thigh with a desolated horn
at five in the afternoon.
The bass-string struck up
at five in the afternoon.
Arsenic bells and smoke
at five in the afternoon.
Groups of silence in the corners
at five in the afternoon.
And the bull alone with a high heart!
At five in the afternoon.
When the sweat of snow was coming
at five in the afternoon,
when the bull ring was covered with iodine
at five in the afternoon.
Death laid eggs in the wound
at five in the afternoon.
At five in the afternoon.
At five o'clock in the afternoon.

A coffin on wheels is his bed
at five in the afternoon.
Bones and flutes resound in his ears
at five in the afternoon.
Now the bull was bellowing through his forehead
at five in the afternoon.
The room was iridiscent with agony
at five in the afternoon.
In the distance the gangrene now comes
at five in the afternoon.
Horn of the lily through green groins
at five in the afternoon.
The wounds were burning like suns
at five in the afternoon.
At five in the afternoon.

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poem by Federico García Lorca
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Santa Claus in the Bush

It chanced out back at the Christmas time,
When the wheat was ripe and tall,
A stranger rode to the farmer's gate --
A sturdy man and a small.
"Rin doon, rin doon, my little son Jack,
And bid the stranger stay;
And we'll hae a crack for Auld Lang Syne,
For the morn is Christmas Day."

"Nay noo, nay noo," said the dour guidwife,
"But ye should let him be;
He's maybe only a drover chap
Frae the land o' the Darling Pea.

"Wi' a drover's tales, and a drover's thirst
To swiggle the hail nicht through;
Or he's maybe a life assurance carle
To talk ye black and blue,"

"Guidwife, he's never a drover chap,
For their swags are neat and thin;
And he's never a life assurance carle,
Wi' the brick-dust burnt in his skin.

"Guidwife, guidwife, be nae sae dour,
For the wheat stands ripe and tall,
And we shore a seven-pound fleece this year,
Ewes and weaners and all.

"There is grass tae spare, and the stock are fat.
Where they whiles are gaunt and thin,
And we owe a tithe to the travelling poor,
So we maun ask him in.

"Ye can set him a chair tae the table side,
And gi' him a bite tae eat;
An omelette made of a new-laid egg,
Or a tasty bit of meat."

"But the native cats have taen the fowls,
They havena left a leg;
And he'll get nae omelette at a'
Till the emu lays an egg!"

"Rin doon, rin doon, my little son Jack,
To whaur the emus bide,
Ye shall find the auld hen on the nest,
While the auld cock sits beside.

"But speak them fair, and speak them saft,

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poem by Andrew Barton Paterson
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Yele

*tropical music playing in background*
Wyclef (echo):
Yo, yo, I wanna give a shout-out
To the world.
This is wyclef, cold-chillin
Out here with my pina-colada.
Yeah, baby.
Im in the islands, cold relaxin.
Right about now the carnivals
Gonna change phases.
If you got your ticket, man,
Youre allowed to come with me.
Yo, for right now Im gonna
Chill in the beach,
Check out the pretty girls
Layin back.
You know how we do, playa yo.
Im out here in the sun, baby,
Its all good!
Si ou gin zorey, tand,
Si ou gin bouche, pal.
Si pas ? a, pays en li va coul.
Quand quou yon bateau qui plein rfijis,
Si nou pas chch bon djie, encore !
Si ou gin zorey, tand,
Si ou gin bouche, pal.
Si pas ? a, pays nou libral coul.
Quand quou yon bateau qui plein rfijis,
Izrael chch bon djie, tand !
Dix milles cercueils, gad toutes cest ti-mounes.
P ap cri, mais yo pap rsucit.
Manman rl, mais cadav, pas ka tand !
Zinglin dou pass, mwen tand ? blo ! blo ! blo! blo ! ?
Lord...
Si ou gin zorey, tand,
Si ou gin bouche, pal.
Si pas ? a, pays nou li val coul.
Quand quou yon bateau qui plein rfijis,
Ha? tiens ! chch bon djie, encore!
Si ou gin zorey, tand,
Si ou gin bouche, pal.
Si pas ? a, pays nou libral coul.
Quand quou yon bateau qui plein rfijis,
Izrael chch bon djie.
Mwen con yon ha? tien.
Qui tap vend marijuana.
Police t quinbl,
Li dit cest poutet manman t gin canc ( li pas gin lagent!)
Counya li nan prison, (pou combien temps? )
Lap palm de rvolution (sans solutions!)

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song performed by Wyclef Jean
Added by Lucian Velea
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Yel

*Tropical music playing in background*
Wyclef (echo):
Yo, yo, I wanna give a shout-out
to the world.
This is Wyclef, cold-chillin'
out here with my pina-colada.
Yeah, baby.
I'm in the islands, cold relaxin'.
Right about now the carnival's
gonna change phases.
If you got your ticket, man,
you're allowed to come with me.
Yo, for right now I'm gonna
chill in the beach,
check out the pretty girls
layin' back.
You know how we do, playa yo.
I'm out here in the sun, baby,
it's all good!
Si ou gin zorey, tand,
Si ou gin bouche, pal.
Si pas a, pays en li va coul.
Quand quou yon bateau qui plein rfijis,
Si nou pas chch bon djie, encore !
Si ou gin zorey, tand,
Si ou gin bouche, pal.
Si pas a, pays nou libral coul.
Quand quou yon bateau qui plein rfijis,
Izrael chch bon djie, tand !
Dix milles cercueils, gad toutes cest ti-mounes.
P ap cri, mais yo pap rsucit.
Manman rl, mais cadav, pas ka tand !
Zinglin dou pass, mwen tand Blo ! Blo ! Blo! Blo !
Lord
Si ou gin zorey, tand,
Si ou gin bouche, pal.
Si pas a, pays nou li val coul.
Quand quou yon bateau qui plein rfijis,
Hatiens ! chch bon djie, encore!
Si ou gin zorey, tand,
Si ou gin bouche, pal.
Si pas a, pays nou libral coul.
Quand quou yon bateau qui plein rfijis,
Izrael chch bon djie.
Mwen con yon Hatien.
Qui tap vend Marijuana.
Police t quinbl,
Li dit cest poutet manman t gin canc ( li pas gin lagent!)
Counya li nan prison, (pou combien temps?)
Lap palm de rvolution (sans solutions!)

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song performed by Wyclef Jean
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15 Selected Love Poems in Scots

1.Ballad

Oh cauld's the doonrush o a burn
In winter's iron thraa,
Bit caulder still's a merriage bed
Fin luv has stolen awa.

Far niver gowden sun luiks doon,
Sae derk's the gairden booer¬
Bit derker yet's the hairt o man
Far skaith an sorra cooer.

Oh deep's a dreich an dowie loch
Far salmon niver sweems,
Bit deeper still's the cruel mire
That smores a bairn's dreams.

Oh I wad don the goun sae green,
Wi lilies hap ma head
An like Tam Lin the elfin knicht,
Step ower the burn o bluid
That rins between this eirdly warld
An kingdom o the fay,
Far niver mortal feet may gyang,
Nor mortal thochts bring wae.

2.Eve

Bird o Paradise,
Spirk o Original sin,
An efterthocht.
A rib o the yird
Rowed up in a cutty claith;
A wanton, a limmer,
The hurly-gush o the river's
Nae fur ye.

Strae-dallie, a peach, a leech,
Ye're the stank o a gairden puil!
Quine, ye're a chaip bawbee,
A vessel, a vassal haudin the
Wine o yer Lord's creation.
Spunk that kinnelt temptation,
Ye war framed fur the fire,
Fur the Fa,

Frae the verra first.
Ye an the serpent
Scapegoats.
Baith accurst.

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poem by Sheena Blackhall
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Salut Au Monde

O TAKE my hand, Walt Whitman!
Such gliding wonders! such sights and sounds!
Such join'd unended links, each hook'd to the next!
Each answering all--each sharing the earth with all.

What widens within you, Walt Whitman?
What waves and soils exuding?
What climes? what persons and lands are here?
Who are the infants? some playing, some slumbering?
Who are the girls? who are the married women?
Who are the groups of old men going slowly with their arms about each
other's necks?
What rivers are these? what forests and fruits are these?
What are the mountains call'd that rise so high in the mists?
What myriads of dwellings are they, fill'd with dwellers?

Within me latitude widens, longitude lengthens;
Asia, Africa, Europe, are to the east--America is provided for in the
west;
Banding the bulge of the earth winds the hot equator,
Curiously north and south turn the axis-ends;
Within me is the longest day--the sun wheels in slanting rings--it
does not set for months;
Stretch'd in due time within me the midnight sun just rises above the
horizon, and sinks again;
Within me zones, seas, cataracts, plants, volcanoes, groups,
Malaysia, Polynesia, and the great West Indian islands.

What do you hear, Walt Whitman?

I hear the workman singing, and the farmer's wife singing;
I hear in the distance the sounds of children, and of animals early
in the day;
I hear quick rifle-cracks from the riflemen of East Tennessee and
Kentucky, hunting on hills;
I hear emulous shouts of Australians, pursuing the wild horse;
I hear the Spanish dance, with castanets, in the chestnut shade, to
the rebeck and guitar;
I hear continual echoes from the Thames;
I hear fierce French liberty songs;
I hear of the Italian boat-sculler the musical recitative of old
poems;
I hear the Virginia plantation-chorus of negroes, of a harvest night,
in the glare of pine-knots;
I hear the strong baritone of the 'long-shore-men of Mannahatta;
I hear the stevedores unlading the cargoes, and singing;
I hear the screams of the water-fowl of solitary north-west lakes;
I hear the rustling pattering of locusts, as they strike the grain
and grass with the showers of their terrible clouds;
I hear the Coptic refrain, toward sundown, pensively falling on the

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poem by Walt Whitman
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The Mother's Lesson

Come hither an' sit on my knee, Willie,
Come hither an' sit on my knee,
An' list while I tell how your brave brither fell,
Fechtin' for you an' for me:
Fechtin' for you an' for me, Willie,
Wi' his guid sword in his han'.
Hech, but ye'll be a brave man, Willie,
Hech, but ye'll be a brave man!

Ye min' o' your ain brither dear, Willie,
Ye min' o' your ain brither dear,
How he pettled ye aye wi' his pliskies an' play,
An' was aye sae cantie o' cheer:
Aye sae cantie o' cheer, Willie,
As he steppit sae tall an' sae gran',
Hech, but ye'll be a brave man, Willie,
Hech, but ye'll be a brave man.

D'ye min' when the bull had ye doun, Willie,
D'ye min' when the bull had ye doun?
D'ye min' wha grippit ye fra the big bull,
D'ye min' o' his muckle red woun'?
D'ye min' o' his muckle red woun', Willie,
D'ye min' how the bluid doun ran?
Hech, but ye'll be a brave man, Willie,
Hech, but ye'll be a brave man.

D'ye min' when we a' wanted bread, Willie,
the year when we a' wanted bread?
How he smiled when he saw the het parritch an' a',
An' gaed cauld an' toom to his bed:
Gaed awa' toom to his bed, Willie,
For the love o' wee Willie an' Nan?
Hech, but ye'll be a brave man, Willie,
Hech, but ye'll be a brave man!

Next simmer was bright but an' ben, Willie,
Next simmer was bright but an' ben,
When there cam a gran' cry like a win' strang an' high
By loch, an' mountain, an' glen:
By loch, an' mountain, an' glen, Willie,
The cry o' a far forrin lan',
An' up loupit ilka brave man, Willie,
Up loupit ilka brave man.

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poem by Sydney Thompson Dobell
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The Canterbury Tales; the Seconde Nonnes Tale

The Prologe of the Seconde Nonnes Tale.

The ministre and the norice unto vices,
Which that men clepe in Englissh ydelnesse,
That porter of the gate is of delices,
To eschue, and by hir contrarie hir oppresse,
(That is to seyn by leveful bisynesse),
Wel oghten we to doon al oure entente,
Lest that the feend thurgh ydelnesse us shente.

For he, that with hise thousand cordes slye
Continuelly us waiteth to biclappe,
Whan he may man in ydelnesse espye,
He kan so lightly cacche hym in his trappe,
Til that a man be hent right by the lappe,
He nys nat war the feend hath hym in honde.
Wel oghte us werche, and ydelnesse withstonde.

And though men dradden nevere for to dye,
Yet seen men wel by resoun, doutelees,
That ydelnesse is roten slogardye,
Of which ther nevere comth no good encrees;
And seen that slouthe hir holdeth in a lees,
Oonly to slepe, and for to ete and drynke,
And to devouren al that othere swynke.

And for to putte us fro swich ydelnesse,
That cause is of so greet confusioun,
I have heer doon my feithful bisynesse,
After the legende, in translacioun
Right of thy glorious lyf and passioun,
Thou with thy gerland wroght with rose and lilie,
Thee meene I, mayde and martir, seint Cecilie.

Invocacio ad Mariam.

And thow that flour of virgines art alle,
Of whom that Bernard list so wel to write,
To thee at my bigynnyng first I calle,
Thou confort of us wrecches, do me endite
Thy maydens deeth, that wan thurgh hir merite

The eterneel lyf, and of the feend victorie,
As man may after reden in hir storie.

Thow mayde and mooder, doghter of thy sone,
Thow welle of mercy, synful soules cure,
In whom that God for bountee chees to wone,
Thow humble and heigh, over every creature
Thow nobledest so ferforth oure nature,

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poem by Geoffrey Chaucer
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The Lord of the Isles: Canto V.

I.
On fair Loch-Ranza stream'd the early day,
Thin wreaths of cottage-smoke are upward curl'd
From the lone hamlet, which her inland bay
And circling mountains sever from the world.
And there the fisherman his sail unfurl'd,
The goat-herd drove his kids to steep Ben-Ghoil,
Before the hut the dame her spindle twirl'd,
Courting the sunbeam as she plied her toil, -
For, wake where'er he may, Man wakes to care and coil.

But other duties call'd each convent maid,
Roused by the summons of the moss-grown bell;
Sung were the matins, and the mass was said,
And every sister sought her separate cell,
Such was the rule, her rosary to tell.
And Isabel has knelt in lonely prayer;
The sunbeam, through the narrow lattice, fell
Upon the snowy neck and long dark hair,
As stoop'd her gentle head in meek devotion there.

II.
She raised her eyes, that duty done,
When glanced upon the pavement-stone,
Gemm'd and enchased, a golden ring,
Bound to a scroll with silken string,
With few brief words inscribed to tell,
'This for the Lady Isabel.'
Within, the writing farther bore,-
''Twas with this ring his plight he swore,
With this his promise I restore;
To her who can the heart command,
Well may I yield the plighted hand.
And O! for better fortune born,
Grudge not a passing sigh to mourn
Her who was Edith once of Lorn!'
One single flash of glad surprise
Just glanced from Isabel's dark eyes,
But vanish'd in the blush of shame,
That, as its penance, instant came.
'O thought unworthy of my race!
Selfish, ungenerous, mean, and base,
A moment's throb of joy to own,
That rose upon her hopes o'erthrown!-
Thou pledge of vows too well believed,
Of man ingrate and maid deceived,
Think not thy lustre here shall gain
Another heart to hope in vain!
For thou shalt rest, thou tempting gaud,
Where worldly thoughts are overawed,

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poem by Sir Walter Scott
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The Eternal Kansas City

Chorus (choir singing)
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city)?
(van singing)
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Train down to st. louis
Get me there alright
Over to the city there, you know that one
Where the farmers daughter digs the farmers son
Dig your charlie parker
Basie and young
Witherspoon and jay mcshann
They will come
Oooowoooowoooo
Chorus (van and choir in background)
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Lady liberty in waiting
You know she lights the way
Her name is billie, shes a holiday
And the city is eternal -- hey, cant you see?
Its inside of you and its inside of me
Oooowoooowoooo
Chorus (van and choir in background)
You know, you know the way to kansas city?
You know, you know the way to kansas city?
You know, you know the way to kansas city?
You know, you know the way to kansas city ?
You know...the way to kansas city
You know...the way to kansas city
Wild thing
You know the way to kansas city (choir only)
Thank you man (van)
You know the way to kansas city
Sing it (van)
You know the way to kansas city (van and choir)
Hit it (van)
You know...the way to kansas city
You know...the way to kansas city

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song performed by Van Morrison
Added by Lucian Velea
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The Regiment of Princes

Musynge upon the restlees bysynesse
Which that this troubly world hath ay on honde,
That othir thyng than fruyt of bittirnesse
Ne yildith naght, as I can undirstonde,
At Chestres In, right faste by the Stronde,
As I lay in my bed upon a nyght,
Thoght me byrefte of sleep the force and might. 1

And many a day and nyght that wikkid hyne
Hadde beforn vexed my poore goost
So grevously that of angwissh and pyne
No rycher man was nowhere in no coost.
This dar I seyn, may no wight make his boost
That he with thoght was bet than I aqweynted,
For to the deeth he wel ny hath me feynted.

Bysyly in my mynde I gan revolve
The welthe unseur of every creature,
How lightly that Fortune it can dissolve
Whan that hir list that it no lenger dure;
And of the brotilnesse of hir nature
My tremblynge herte so greet gastnesse hadde
That my spirites were of my lyf sadde.

Me fil to mynde how that nat longe agoo
Fortunes strook doun thraste estat rial
Into mescheef, and I took heede also
Of many anothir lord that hadde a fal.
In mene estat eek sikirnesse at al
Ne saw I noon, but I sy atte laste
Wher seuretee for to abyde hir caste.

In poore estat shee pighte hir pavyloun
To kevere hir fro the storm of descendynge 2
For shee kneew no lower descencion
Sauf oonly deeth, fro which no wight lyvynge
Deffende him may; and thus in my musynge
I destitut was of joie and good hope,
And to myn ese nothyng cowde I grope.

For right as blyve ran it in my thoght,
Thogh poore I be, yit sumwhat leese I may.
Than deemed I that seurtee wolde noght
With me abyde; it is nat to hir pay
Ther to sojourne as shee descende may.
And thus unsikir of my smal lyflode,
Thoght leide on me ful many an hevy lode.

I thoghte eek, if I into povert creepe,
Than am I entred into sikirnesse;

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poem by Thomas Hoccleve
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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What You Lookin At

Lyrics by Dan Colon
X-Factor Theme
Yo you dealin' with the X-Factor!
I got everything I ever wanted,
And I'll never give that back.
Well, I know you hate X-Factor, but you ain't gotta look at me like that,
I said you ain't gotta look at me like that.
What you lookin' at?
What you lookin' at?
What you lookin' at?
What you lookin' at?
You wanna rhyme pullin' stunts like that,
See never in my life could I front like that,
I ain't cut like that, I couldnt' run like that,
I'ma keep it non-fiction and take my hat,
Uhhh, Remember back when things looked grim,
I spent a lot of money and time on whimps,
I remember the crew, Remember the good times,
Remember the orange and I'll remember the sunshine,
It's all gone thats the thing of the past,
The fact remains that it moves real fast,
So while you sit around and hope things won't change,
I'll be sittin' pretty singing Hey Pac Wait!
I gotta' tell you baby, Life's been good to me,
And I know that makes you mad 'cause thats something you can't see.
I got everything I ever wanted,
And I'll never give that back.
Well, I know you hate X-Factor, but you ain't gotta look at me like that,
I said you ain't gotta look at me like that.
What you lookin' at?
What you lookin' at?
What you lookin' at?
What you lookin' at?
Yo hear me comin' off of songs of redemption,
I've been a prass for rast and attaption,
I've got your extention, but I'll probably never call,
I'm apalled by the things you done,
Left a trail of wrongs and can't account for one,
I get done and I'm glad, but it's a shame you waste it,
You want this so bad you can taste it!
Detroit love do you feel now!?
A stick can move can you feel now!?
I'm on a ride for the 2-triple-0,
Full flair your all american hero!
I gotta' tell you baby, Life's been good to me,
And I know that makes you mad 'cause thats something you can't see.
I got everything I ever wanted,
And I'll never give that back.
Well, I know you hate X-Factor, but you ain't gotta look at me like that,
I said you ain't gotta look at me like that.

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song performed by Uncle Kracker
Added by Lucian Velea
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Knyghthode and Bataile

A XVth Century Verse Paraphrase of Flavius Vegetius Renatus' Treatise 'DE RE MILITARI'

Proemium.
Salue, festa dies
i martis,
Mauortis! auete
Kalende. Qua Deus
ad celum subleuat
ire Dauid.

Hail, halyday deuout! Alhail Kalende
Of Marche, wheryn Dauid the Confessour
Commaunded is his kyngis court ascende;
Emanuel, Jhesus the Conquerour,
This same day as a Tryumphatour,
Sette in a Chaire & Throne of Maiestee,
To London is comyn. O Saviour,
Welcome a thousand fold to thi Citee!

And she, thi modir Blessed mot she be
That cometh eke, and angelys an ende,
Wel wynged and wel horsed, hidir fle,
Thousendys on this goode approche attende;
And ordir aftir ordir thei commende,
As Seraphin, as Cherubyn, as Throne,
As Domynaunce, and Princys hidir sende;
And, at o woord, right welcom euerychone!

But Kyng Herry the Sexte, as Goddes Sone
Or themperour or kyng Emanuel,
To London, welcomer be noo persone;
O souuerayn Lord, welcom! Now wel, Now wel!
Te Deum to be songen, wil do wel,
And Benedicta Sancta Trinitas!
Now prosperaunce and peax perpetuel
Shal growe,-and why? ffor here is Vnitas.

Therof to the Vnitee 'Deo gracias'
In Trinitee! The Clergys and Knyghthode
And Comynaltee better accorded nas
Neuer then now; Now nys ther noon abode,
But out on hem that fordoon Goddes forbode,
Periurous ar, Rebellovs and atteynte,
So forfaytinge her lyif and lyvelode,
Although Ypocrisie her faytys peynte.

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poem by Anonymous Olde English
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