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The Bloke Wot Gits The Girls

'E passes by, each day, at ten
A bottle-shouldered yid
Wot looks as if 'e pushed a pen
An' drawes a weekly quid;
'E's always with some little lass;
(By cripes, 'e gets some pearls!)
We calls 'im, watchin' of 'em pass,
The bloke wot gits the girls.

An' strewth! it beats me outer sight
'Ow girls can stand 'im - straight!
'E don't go five-feet-two in height
Or eight-stun-two in weight;
'E couldn't swing a pick, - or scrap,
Soft 'ands an' sheeny curls!
'E's just a sorter - well, mishap,
The Bloke wot gits the girls.

But yet each day some bit o' fluff
Trips by, with this 'ere fraud,
A-breathin'-in 'is silly guff
As if 'e wos a gawd.
'E shoots 'is cuffs, 'e swings 'is canes,
'Is spiky mo 'e twirls,
'E seems to mesmerise the Janes,
The bloke wot gits the girls!

Well, tarts is tarts - it's 'ow they're built:
I s'pose their gawd is clo'es;
But 'im - the puffed-up piece o' gilt,
I'd like to punch 'is nose!
A-struttin', starin' round about
As if 'is kind was earls!
Cripes! 'Ow I'd like to pass 'im out
The bloke wot gits the girls!

poem by Clarence Michael James Stanislaus Dennis
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The Drummer

1
The drummer beats slowly, the drummer beats loud
As he beats of Humanity wrapped in a shroud.
Well he beats of the bone bags Dame Famine's designed
As she ravished and plagued us since dawn of mankind;
And he beats of Lord Boss letting oranges decay
While a child suffers scurvy and passes away;
And he beats of the beasts we've so needlessly slain
And of critters and creatures cast off in distain;
And he beats of combatants who're dying deceived
As the merchants of murder count profits received;
And he beats of the rape and the killing of war
And the mind blinding sorrow we blithely ignore.
He beats and he pounds till our consciences gnaw
And his fingers are battered and bloody and raw
And his hands are all broken and bleeding and raw.
2
The drummer beats slowly, the drummer beats loud
As he beats of abuse that we try to becloud.
Well he beats of the barons and princes and kings
Who have broken our backs while crushing our wings
And he beats of the bribes that the powerful make
To key politicians who fawn in their wake;
And he beats of the waifs bound and chained to machines
And of slaves in the fields and other such scenes;
And he beats of decrees stating all men are free
While ignoring the blacks and their agonised plea;
And he beats of the tyrants in clerical garb
Who have tortured with faggots and thumbscrews and barb.
He beats and he pounds till revealing the flaw
And his fingers are battered and bloody and raw
And his hands are all broken and bleeding and raw.
3
The drummer beats slowly, the drummer beats loud
As he beats of the strength of the rebels so proud.
Well he beats of the spirit the rack couldn't break,
And the flame of the flesh that was burned at the stake;
And he beats of the minds that could never be chained
By the faith that was living while ignorance reigned;
And he beats of the struggles when Spartacus rose
Having tired of shackles and slavery's woes;
And he beats of the women who'll die to be freed
And will never give up till they finally succeed;
And he beats of the progress outliving the jeers
So belying the pessimist's fatuous sneers.
He beats and he pounds till we stand back in awe
And his fingers are battered and bloody and raw
And his hands are all broken and bleeding and raw.
4
The drummer beats slowly, the drummer beats loud

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poem by Terry O'Leary
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Orlando Furioso Canto 20

ARGUMENT
Guido and his from that foul haunt retire,
While all Astolpho chases with his horn,
Who to all quarters of the town sets fire,
Then roving singly round the world is borne.
Marphisa, for Gabrina's cause, in ire
Puts upon young Zerbino scathe and scorn,
And makes him guardian of Gabrina fell,
From whom he first learns news of Isabel.

I
Great fears the women of antiquity
In arms and hallowed arts as well have done,
And of their worthy works the memory
And lustre through this ample world has shone.
Praised is Camilla, with Harpalice,
For the fair course which they in battle run.
Corinna and Sappho, famous for their lore,
Shine two illustrious light, to set no more.

II
Women have reached the pinnacle of glory,
In every art by them professed, well seen;
And whosoever turns the leaf of story,
Finds record of them, neither dim nor mean.
The evil influence will be transitory,
If long deprived of such the world had been;
And envious men, and those that never knew
Their worth, have haply hid their honours due.

III
To me it plainly seems, in this our age
Of women such is the celebrity,
That it may furnish matter to the page,
Whence this dispersed to future years shall be;
And you, ye evil tongues which foully rage,
Be tied to your eternal infamy,
And women's praises so resplendent show,
They shall, by much, Marphisa's worth outgo.

IV
To her returning yet again; the dame
To him who showed to her such courteous lore,
Refused not to disclose her martial name,
Since he agreed to tell the style be bore.
She quickly satisfied the warrior's claim;
To learn his title she desired so sore.
'I am Marphisa,' the virago cried:
All else was known, as bruited far and wide.

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poem by Ludovico Ariosto
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The Court Of Love

With timerous hert and trembling hand of drede,
Of cunning naked, bare of eloquence,
Unto the flour of port in womanhede
I write, as he that non intelligence
Of metres hath, ne floures of sentence;
Sauf that me list my writing to convey,
In that I can to please her hygh nobley.

The blosmes fresshe of Tullius garden soote
Present thaim not, my mater for to borne:
Poemes of Virgil taken here no rote,
Ne crafte of Galfrid may not here sojorne:
Why nam I cunning? O well may I morne,
For lak of science that I can-not write
Unto the princes of my life a-right

No termes digne unto her excellence,
So is she sprong of noble stirpe and high:
A world of honour and of reverence
There is in her, this wil I testifie.
Calliope, thou sister wise and sly,
And thou, Minerva, guyde me with thy grace,
That langage rude my mater not deface.

Thy suger-dropes swete of Elicon
Distill in me, thou gentle Muse, I pray;
And thee, Melpomene, I calle anon,
Of ignoraunce the mist to chace away;
And give me grace so for to write and sey,
That she, my lady, of her worthinesse,
Accepte in gree this litel short tretesse,

That is entitled thus, 'The Court of Love.'
And ye that ben metriciens me excuse,
I you besech, for Venus sake above;
For what I mene in this ye need not muse:
And if so be my lady it refuse
For lak of ornat speche, I wold be wo,
That I presume to her to writen so.

But myn entent and all my besy cure
Is for to write this tretesse, as I can,
Unto my lady, stable, true, and sure,
Feithfull and kind, sith first that she began
Me to accept in service as her man:

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poem by Anonymous Olde English
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The Play

Wot's in a name? -- she sez . . . An' then she sighs,
An' clasps 'er little 'ands, an' rolls 'er eyes.
'A rose,' she sez, 'be any other name
Would smell the same.
Oh, w'erefore art you Romeo, young sir?
Chuck yer ole pot, an' change yer moniker!'

Doreen an' me, we bin to see a show --
The swell two-dollar touch. Bong tong, yeh know.
A chair apiece wiv velvit on the seat;
A slap-up treat.
The drarmer's writ be Shakespeare, years ago,
About a barmy goat called Romeo.

'Lady, be yonder moon I swear!' sez 'e.
An' then 'e climbs up on the balkiney;
An' there they smooge a treat, wiv pretty words
Like two love-birds.
I nudge Doreen. She whispers, 'Ain't it grand!'
'Er eyes is shining an' I squeeze 'er 'and.

'Wot's in a name?' she sez. 'Struth, I dunno.
Billo is just as good as Romeo.
She may be Juli-er or Juli-et --
'E loves 'er yet.
If she's the tart 'e wants, then she's 'is queen,
Names never count ... But ar, I like 'Doreen!'

A sweeter, dearer sound I never 'eard;
Ther's music 'angs around that little word,
Doreen! ... But wot was this I starts to say
About the play?
I'm off me beat. But when a bloke's in love
'Is thorts turns 'er way, like a 'omin' dove.

This Romeo 'e's lurkin' wiv a crew --
A dead tough crowd o' crooks -- called Montague.
'Is cliner's push -- wot's nicknamed Capulet --
They 'as 'em set.
Fair narks they are, jist like them back-street clicks,
Ixcep' they fights wiv skewers 'stid o' bricks.

Wot's in a name? Wot's in a string o' words?
They scraps in ole Verona wiv the'r swords,
An' never give a bloke a stray dog's chance,
An' that's Romance.
But when they deals it out wiv bricks an' boots
In Little Lon., they're low, degraded broots.

Wot's jist plain stoush wiv us, right 'ere to-day,

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poem by Clarence Michael James Stanislaus Dennis
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Pearl

Pearl of delight that a prince doth please
To grace in gold enclosed so clear,
I vow that from over orient seas
Never proved I any in price her peer.
So round, so radiant ranged by these,
So fine, so smooth did her sides appear
That ever in judging gems that please
Her only alone I deemed as dear.
Alas! I lost her in garden near:
Through grass to the ground from me it shot;
I pine now oppressed by love-wound drear
For that pearl, mine own, without a spot.

2
Since in that spot it sped from me,
I have looked and longed for that precious thing
That me once was wont from woe to free,
To uplift my lot and healing bring,
But my heart doth hurt now cruelly,
My breast with burning torment sting.
Yet in secret hour came soft to me
The sweetest song I e'er heard sing;
Yea, many a thought in mind did spring
To think that her radiance in clay should rot.
O mould! Thou marrest a lovely thing,
My pearl, mine own, without a spot.

3
In that spot must needs be spices spread
Where away such wealth to waste hath run;
Blossoms pale and blue and red
There shimmer shining in the sun;
No flower nor fruit their hue may shed
Where it down into darkling earth was done,
For all grass must grow from grains that are dead,
No wheat would else to barn be won.
From good all good is ever begun,
And fail so fair a seed could not,
So that sprang and sprouted spices none
From that precious pearl without a spot.

4
That spot whereof I speak I found
When I entered in that garden green,
As August's season high came round
When corn is cut with sickles keen.
There, where that pearl rolled down, a mound
With herbs was shadowed fair and sheen,
With gillyflower, ginger, and gromwell crowned,
And peonies powdered all between.

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poem by Anonymous Olde English
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The Faltering Knight

It knocks me can in, this ere game uv life,
A bloke gets born, grows up, looks round fer fun,
Dreams dilly dreams, then wakes to find a wife
An' fambly round 'im - all 'is young days done.
An', gazin' back, sees in 'is youth a man
Scarce reckernised. It fair knocks in me can!

Ther's me. I never seemed to mark no change
As I mooched on through life frum year to year;
An' yet, at times it seems to me dead strange
That me, uv old, is me, 'oo's sittin' 'ere.
Per'aps it ain't. 'E was a crook young coot,
While I'm a sturdy farmer, growin' froot.

But, all the same, 'e wouldn't back an' fill,
An' argue with 'imself, an' 'esitate,
Once 'e 'ad seen the way. 'E'd find the will
To go an' do the thing 'e 'ad to, straight.
That's 'ow I was; an' now-Ar, strike a light!
Life gits so mixed I can't git nothin' right.

But wot's the use? A bloke 'as got to own,
When once 'e 'as responsibility,
Ther's certin games is better left alone
Wot might be done if 'e was only free.
Ther's certin things - Oh, wot's the flamin' good?
A 'usband alwiz gits misun'erstood!

It's no use hintin'. If yeh want it straight,
Me an' me wife ain't seenin' eye to eye:
All ain't been peace an' 'armony uv late,
An' clouds is comin' up in our clear sky.
I ain't to blame, an' yet, no more's Doreen.
It's jist 'ard Fate 'as shoved 'is oar between.

All marrid blokes will understand me well.
I ain't addressin' no remarks to those
'0o've learnt but 'arf uv life. The things I tell
Is fer the ears uv fellermen that knows:
Them symperthetic 'usbands 'oo 'ave 'eard
The fog-'orn soundin' in the wifely word.

Fer when stern jooty grips a 'usband's 'eart
(That's me) an' eggs 'im on to start a scene
That's like to tear two 'appy lives apart,
In spite uv all 'er carin' (That's Doreen)
Why, there you 'ave a story that would make
A bonzer movie - with a bit uv fake.

But 'ere's the plot. When my pal, Ginger Mick,

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poem by Clarence Michael James Stanislaus Dennis
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A Pearls Worth

Silver pearls fall down her skin
She knows she must do it for she can't stay strong
For all she has to do is count to ten
She knows he's always wrong

Silver pearls fall down her face
In the dead of night, it is so dark
She stands in the room with fear, with hate
In her soul the pain he gave has left its mark

Silver pearls fall on the barrel
As she holds the gun in her hands
For long before this night their love grew stale
And oh how she thinks it is easy to hold life and death in her hands

Silver pearls fall over bruises, the pain
She bites her lip as she counts one... two
In her heart he's left the stain
She looks at his still body three... four

Silver pearls fall as she moves her hands
She walks to his side
In front of his face she stands
As her mind starts the chant 'he lied'

Silver pearls fall five... six
She holds the barrel to his head
Seven... Eight... she moves her feet just to stall
She knows it won't matter for she is already dead

Silver pearls shade her eyes
Nine... she counts on
her mind filled with his lies
Ten... her finger tightens as he opens his eyes

Silver pearls fall as she pulls the trigger, pulls the string
His eyes wonder, as he fades
His mouth moves, and she remembers the thing
Now she only see dark shades

Silver pearls fall as he leaves her, as she turns
Her daughter stands at the door at only six
Her hand turns
Her eyes search through the young girls eyes

Silver pearls fall as she mouths her last breath
The trigger is pulled as she sinks to her knees
The girls screams fill her mind, for she feels the hand of death
And only now she sees

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poem by Bethany Maxwell
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Hitched

An'—wilt—yeh—take—this—woman—fer—to—be
Yer—wed ded—wife?— . . . O, strike me! Will I wot?
Take 'er? Doreen? 'E stan's there arstin' me!
As if 'e thort per'aps I'd rather not!
Take 'er? 'E seemed to think 'er kind was got
Like cigarette-cards, fer the arstin'. Still,
I does me stunt in this 'ere hitchin' rot,
An' speaks me piece: 'Righto!' I sez, 'I will.'

'I will,' I sez. An' tho' a joyful shout
Come from me bustin' 'eart—I know it did
Me voice got sorter mangled comin' out,
An' makes me whisper like a frightened kid.
'I will,' I squeaks. An' I'd 'a' give a quid
To 'ad it on the quite, wivout this fuss,
An' orl the starin' crowd that Mar 'ad bid
To see this solim hitchin' up of us.

'Fer—rich-er—er—fer—poorer.' So 'e bleats.
'In—sick-ness—an'—in—'ealth,' . . . An' there I stands,
An' dunno 'arf the chatter I repeats,
Nor wot the 'ell to do wiv my two 'ands.
But 'e don't 'urry puttin' on our brands
This white-'aired pilot-bloke—but gives it lip,
Dressed in 'is little shirt, wiv frills an' bands.
'In sick-ness—an'—in—' Ar! I got the pip!

An' once I missed me turn; an' Ginger Mick,
'Oo's my best-man, 'e ups an' beefs it out.
'I will!' 'e 'owls; an' fetches me a kick.
'Your turn to chin!' 'e tips wiv a shout.
An' there I'm standin' like a gawky lout.
(Aw, spare me! But I seemed to be all 'ands!)
An' wonders wot 'e's goin' crook about,
Wiv 'arf a mind to crack 'im where 'e stands.

O, lumme! But ole Ginger was a trick!
Got up regardless fer the solim rite.
('E 'awks the bunnies when 'e toils, does Mick)
An' twice I saw 'im feelin' fer a light
To start a fag; an' trembles lest 'e might,
Thro' force o' habit like. 'E's nervis too;
That's plain, fer orl 'is air o' bluff an' skite;
An' jist as keen as me to see it thro'.

But, 'struth, the wimmnin! 'Ow they love this frill!
Fer Auntie Liz, an' Mar, o' course, wus there;
An' Mar's two uncles' wives, an' Cousin Lil,
An' 'arf a dozen more to grin and stare.
I couldn't make me 'ands fit anywhere!

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poem by Clarence Michael James Stanislaus Dennis
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The Sentimental Bloke

An'-wilt-yeh-take-this-woman-fer-to-be
Yer-wedded-wife? -... O, strike me! Will I wot?
Take 'er? Doreen? 'E stan's there arstin' me!
As if 'e thort per'aps I'd rather not!
Take 'er? 'E seemed to think 'er kind was got
Like cigarette-cards, fer the arstin'. Still,
I does me stunt in this 'ere hitchin' rot,
An' speaks me piece: 'Righto! ' I sez, 'I will.'

'I will,' I sez. An' tho' a joyful shout
Come from me bustin' 'eart-I know it did-
Me voice got sorter mangled comin' out,
An' makes me whisper like a frightened kid.
'I will,' I squeaks. An' I'd 'a' give a quid
To 'ad it on the quite, wivout this fuss,
An' orl the starin' crowd that Mar 'ad bid
To see this solim hitchin' up of us.

'Fer-rich-er-er-fer-poorer.' So 'e bleats.
'In-sick-ness-an'-in-'ealth,'... An' there I stands,
An' dunno 'arf the chatter I repeats,
Nor wot the 'ell to do wiv my two 'ands.
But 'e don't 'urry puttin' on our brands -
This white-'aired pilot-bloke - but gives it lip,
Dressed in 'is little shirt, wiv frills an' bands.
'In sick-ness-an'-in-' Ar! I got the pip!

An' once I missed me turn; an' Ginger Mick,
'Oo's my best-man, 'e ups an' beefs it out.
'I will! ' 'e 'owls; an' fetches me a kick.
'Your turn to chin! ' 'e tips wiv a shout.
An' there I'm standin' like a gawky lout.
(Aw, spare me! But I seemed to be all 'ands!)
An' wonders wot 'e's goin' crook about,
Wiv 'arf a mind to crack 'im where 'e stands.

O, lumme! But ole Ginger was a trick!
Got up regardless fer the solim rite.
('E 'awks the bunnies when 'e toils, does Mick)
An' twice I saw 'im feelin' fer a light
To start a fag; an' trembles lest 'e might,
Thro' force o' habit like. 'E's nervis too;
That's plain, fer orl 'is air o' bluff an' skite;
An' jist as keen as me to see it thro'.

But, 'struth, the wimmnin! 'Ow they love this frill!
Fer Auntie Liz, an' Mar, o' course, wus there;
An' Mar's two uncles' wives, an' Cousin Lil,
An' 'arf a dozen more to grin and stare.
I couldn't make me 'ands fit anywhere!

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poem by Clarence Michael James Stanislaus Dennis
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Confessio Amantis. Explicit Liber Tercius

Incipit Liber Quartus

Dicunt accidiam fore nutricem viciorum,
Torpet et in cunctis tarda que lenta bonis:
Que fieri possent hodie transfert piger in cras,
Furatoque prius ostia claudit equo.
Poscenti tardo negat emolumenta Cupido,
Set Venus in celeri ludit amore viri.

Upon the vices to procede
After the cause of mannes dede,
The ferste point of Slowthe I calle
Lachesce, and is the chief of alle,
And hath this propreliche of kinde,
To leven alle thing behinde.
Of that he mihte do now hier
He tarieth al the longe yer,
And everemore he seith, 'Tomorwe';
And so he wol his time borwe,
And wissheth after 'God me sende,'
That whan he weneth have an ende,
Thanne is he ferthest to beginne.
Thus bringth he many a meschief inne
Unwar, til that he be meschieved,
And may noght thanne be relieved.
And riht so nowther mor ne lesse
It stant of love and of lachesce:
Som time he slowtheth in a day
That he nevere after gete mai.
Now, Sone, as of this ilke thing,
If thou have eny knowleching,
That thou to love hast don er this,
Tell on. Mi goode fader, yis.
As of lachesce I am beknowe
That I mai stonde upon his rowe,
As I that am clad of his suite:
For whanne I thoghte mi poursuite
To make, and therto sette a day
To speke unto the swete May,
Lachesce bad abide yit,
And bar on hond it was no wit
Ne time forto speke as tho.
Thus with his tales to and fro
Mi time in tariinge he drowh:
Whan ther was time good ynowh,
He seide, 'An other time is bettre;
Thou schalt mowe senden hire a lettre,
And per cas wryte more plein
Than thou be Mowthe durstest sein.'

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poem by John Gower
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A Spring Song

The world 'as got me snouted jist a treat;
Crool Forchin's dirty left 'as smote me soul;
An' all them joys o' life I 'eld so sweet
Is up the pole.
Fer, as the poit sez, me 'eart 'as got
The pip wiv yearnin' fer -- I dunno wot.

I'm crook; me name is Mud; I've done me dash;
Me flamin' spirit's got the flamin' 'ump!
I'm longin' to let loose on somethin' rash....
Aw, I'm a chump!
I know it; but this blimed ole Springtime craze
Fair outs me, on these dilly, silly days.

The young green leaves is shootin' on the trees,
The air is like a long, cool swig o' beer,
The bonzer smell o' flow'rs is on the breeze
An 'ere's me, 'ere,
Jist mooching around like some pore, barmy coot,
Of 'ope, an' joy, an' forchin destichoot.

I've lorst me former joy in gettin' shick,
Or 'eadin' browns; I 'aven't got the 'eart
To word a tom; an' square an' all, I'm sick
Of that cheap tart
'Oo chucks 'er carcis at a feller's 'head
An' mauls 'im ... Ar! I wish't that I wus dead!...

Ther's little breezes stirrin' in the leaves,
An sparrers chirpin' 'igh the 'ole day long;
An 'on the air a sad, sweet music breaves
A bonzer song --
A mournful sorter choon thet gits a bloke
Fair in the brisket 'ere, an' makes 'im choke...

What is the matter wiv me? ... I dunno.
I got a sorter yearning 'ere inside,
A dead-crook sorter thing that won't let go
Or be denied --
A feelin' I want to do a break,
An' stoush creation for some woman's sake.

The little birds is chirpin' in the nest,
The parks an' gardings is a bosker sight,
Where smilin' tarts walks up an' down, all dressed
In clobber white.
An', as their snowy forms goes steppin' by,
It seems I'm seekin' something on the sly.

Somethin' or someone -- I don't rightly know;

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poem by Clarence Michael James Stanislaus Dennis
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Ginger's Cobber

''E wears perjarmer soots an' cleans 'is teeth,'
That's wot I reads. It fairly knocked me flat,
'Me soljer cobber, be the name o' Keith.'
Well, if that ain't the limit, strike me fat!
The sort that Ginger Mick would think beneath
'Is notice once. Perjarmers! Cleans 'is teeth?

Ole Ginger Mick 'as sent a billy-doo
Frum somew'ere on the earth where fightin' thick.
The Censor wus a sport to let it thro',
Considerin' the choice remarks o' Mick.
It wus that 'ot, I'm wond'rin' since it came
It didn't set the bloomin' mail aflame.

I'd love to let yeh 'ave it word fer word;
But, strickly, it's a bit above the odds;
An' there's remarks that's 'ardly ever 'eard
Amongst the company to w'ich we nods.
It seems they use the style in Ginger's trench
Wot's written out an' 'anded to the Bench.

I tones the langwidge down to soot the ears
Of sich as me an' you resorts wiv now.
If I should give it jist as it appears
Partic'lar folk might want ter make a row.
But say, yeh'd think ole Ginger wus a pote
If yeh could read some juicy bits 'e's wrote.

It's this noo pal uv 'is that tickles me;
'E's got a mumma, an' 'is name is Keith.
A knut upon the Block le used to be,
'Ome 'ere; the sort that flashes golden teeth,
An' wears 'or socks, an' torks a lot o' guff;
But Ginger sez they're cobbers till they snuff.

It come about like this: Mick spragged 'im first
Fer swankin' it too much abroad the ship.
'E 'ad nice manners an' 'e never cursed;
Which set Mick's teeth on edge, as you may tip.
Likewise, 'e 'ad two silver brushes, w'ich
'Is mumma give 'im, 'cos 'e fancied sich.

Mick pinched 'em. Not, as you will understand,
Becos uv any base desire fer loot,
But jist becos, in that rough soljer band,
Them silver-backed arrangements didn't soot:
An' etiket must be observed always.
(They fetched ten drinks in Cairo, Ginger says.)

That satisfied Mick's honour fer a bit,

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poem by Clarence Michael James Stanislaus Dennis
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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poem by Robert Browning from The Ring and the Book
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Termarter Sorce

It wasn't kid stakes. I 'ad no crook lurk
To act deceivin', or to treat 'er mean.
I'm old enough to know them games don't work
Not with Doreen.
Besides, deceit ain't in me bag uv tricks.
I got a few; but there is some that sticks.

Sticks in me gizzard. Some blokes sees no wrong
In workin' points, an' thinks it bonzer sport
To trifle with a wife's belief, so long
As they ain't cort.
But, when yeh play the game on dead straight lines,
It 'urts to be accused uv base designs.

It starts this mornin'. I wake with a tooth
That's squirmin' like a basketful uv snakes.
Per'aps I groan a bit, to tell the truth;
An' then she wakes,
An' arsts me wot I'm makin' faces for.
I glare at 'er, an' nurse me achin' jor.

That was no very 'appy mornin' song.
I ain't excusin' my end uv the joke;
But, after that, things seem to go all wrong.
She never spoke
One narsty word; but, while the chops she serves,
'Er shrieks uv silence fair got on me nerves.

She might 'ave arst wot ailed me. Spare me days I
She seen that I was crook. She seen me face
Swelled like a poisoned pup's. She only says,
'Please to say grace.'
I mumbles ... Then, in tones that wakes brute force,
She twitters, 'Will yeh take termarter sorce?'

I could n't eat no breakfast. Just the sight
Uv sweet things give me tooth a new, worse ache.
Sez she: 'You seem to lost yer apetite.
'Ave some seed cake.'
Seed cake! Gawstruth! I'm there in agerny,
An' she, 'oo swore to love, sits mockin' me.

At last, when our small son gits orf to school,
I goes an' sits down sulkin' on a couch.
''Ave you a toothache, Bill?' sez she, quite cool,
'Or jist plain grouch?
Yer face looks funny. P'raps yer gittin' fat.'
I glare at 'er an' answer, 'Huh!' . . like that.

That one word, 'Huh,' said in a certain way,

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poem by Clarence Michael James Stanislaus Dennis
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Confessio Amantis. Explicit Liber Secundus

Incipit Liber Tercius

Ira suis paribus est par furiis Acherontis,
Quo furor ad tempus nil pietatis habet.
Ira malencolicos animos perturbat, vt equo
Iure sui pondus nulla statera tenet.
Omnibus in causis grauat Ira, set inter amantes,
Illa magis facili sorte grauamen agit:
Est vbi vir discors leuiterque repugnat amori,
Sepe loco ludi fletus ad ora venit.

----------------------------------- ------------------------------------------------

If thou the vices lest to knowe,
Mi Sone, it hath noght ben unknowe,
Fro ferst that men the swerdes grounde,
That ther nis on upon this grounde,
A vice forein fro the lawe,
Wherof that many a good felawe
Hath be distraght be sodein chance;
And yit to kinde no plesance
It doth, bot wher he most achieveth
His pourpos, most to kinde he grieveth,
As he which out of conscience
Is enemy to pacience:
And is be name on of the Sevene,
Which ofte hath set this world unevene,
And cleped is the cruel Ire,
Whos herte is everemore on fyre
To speke amis and to do bothe,
For his servantz ben evere wrothe.
Mi goode fader, tell me this:
What thing is Ire? Sone, it is
That in oure englissh Wrathe is hote,
Which hath hise wordes ay so hote,
That all a mannes pacience
Is fyred of the violence.
For he with him hath evere fyve
Servantz that helpen him to stryve:
The ferst of hem Malencolie
Is cleped, which in compaignie
An hundred times in an houre
Wol as an angri beste loure,
And noman wot the cause why.
Mi Sone, schrif thee now forthi:
Hast thou be Malencolien?
Ye, fader, be seint Julien,
Bot I untrewe wordes use,
I mai me noght therof excuse:
And al makth love, wel I wot,

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poem by John Gower
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English Bards and Scotch Reviewers: A Satire

'I had rather be a kitten, and cry mew!
Than one of these same metre ballad-mongers'~Shakespeare

'Such shameless bards we have; and yet 'tis true,
There are as mad, abandon'd critics too,'~Pope.

Still must I hear? -- shall hoarse Fitzgerald bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch reviews
Should dub me scribbler, and denounce my muse?
Prepare for rhyme -- I'll publish, right or wrong:
Fools are my theme, let satire be my song.

O nature's noblest gift -- my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoom'd to aid the mental throes
Of brains that labour, big with verse or prose,
Though nymphs forsake, and critics may deride,
The lover's solace, and the author's pride.
What wits, what poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemn'd at length to be forgotten quite,
With all the pages which 'twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet's shall be free;
Though spurn'd by others, yet beloved by me:
Then let us soar today, no common theme,
No eastern vision, no distemper'd dream
Inspires -- our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.

When Vice triumphant holds her sov'reign sway,
Obey'd by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every clime;
When knaves and fools combined o'er all prevail,
And weigh their justice in a golden scale;
E'en then the boldest start from public sneers,
Afraid of shame, unknown to other fears,
More darkly sin, by satire kept in awe,
And shrink from ridicule, though not from law.

Such is the force of wit! but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.

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poem by Byron
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To The Boys Who Took The Count

See, I'm writin' to Mick as a bloke to a bloke
To a cobber o' mine at the front
An' I'm gittin' full up uv the mullock they poke
At the cove that is bearin' the brunt.
Fer 'e mus'n't do this an' 'e shouldn't do that,
An' 'e's crook if 'e looks a bit shick,
An' 'e's gittin' too uppish, an' don't touch 'is 'at
But 'ere's 'ow I puts it to Mick.

Now it's dickin to style if yer playin' the game.
If it's marbles, or shinty, or war;
I've seen 'em lob 'ome 'ere, the 'alt an' the lame,
That wus fine 'efty fellers before.
They wus toughs, they wus crooks, they wus ev'ry bad thing,
But they mixed it as gentlemen should.
So 'ere's to the coot wiv 'is eye in a sling,
An' a smile in the one that is good.

It wus playin' the game in the oval an' ring
An' playin' fer orl it wus worth
That give 'em the knack uv a punch wiv a sting
When they fought fer the land uv their birth.
They wus pebs, they wus narks, they wus reel naughty boys,
But they didn't need no second 'int,
So ere's to the bloke wiv 'is swearin' an' noise,
An' 'is foot in a fathom uv lint.

There wus fellers I knoo in the soft days uv peace;
An' I didn't know much to their good;
An' they give more 'ard graft to the overworked p'leece
Than a reel puffick gentleman should.
They wus lookin' fer lash long before it wus doo;
When it come, they wus into it, straight.
So 'ere's to the bloke wiv 'is shoulder shot thro'
'Oo is cursin' the days 'e's to wait.

Ar, dickin to swank! when it comes to a mill,
It's the bloke wiv a punch 'oo's yer friend.
An' a coarse, narsty man wiv the moniker Bill
Earns the thanks uv the crowd in the end.
(An' when I sez 'earns' I am 'opin' no stint
Will be charged agin us by-an'-bye.)
So 'ere's to the boy wiv 'is arm in a splint
An' a 'don't-care-a-dam' in 'is eye.

'Cos the fightin's too far fer to give us a grip
Of the 'ell full uv slaughter an' noise,
There's a breed that gives me the particular pip
Be the way that they torks uv the boys.
0, they're coarse, an' they're rude, an' it's awful to liv

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poem by Clarence Michael James Stanislaus Dennis
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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poem by Robert Browning from The Ring and the Book
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The Assembly Of Ladies

In Septembre, at the falling of the leef,
The fressh sesoun was al-togider doon,
And of the corn was gadered in the sheef;
In a gardyn, about twayn after noon,
Ther were ladyes walking, as was her wone,
Foure in nombre, as to my mynd doth falle,
And I the fifte, the simplest of hem alle.

Of gentilwomen fayre ther were also,
Disporting hem, everiche after her gyse,
In crosse-aleys walking, by two and two,
And some alone, after her fantasyes.
Thus occupyed we were in dyvers wyse;
And yet, in trouthe, we were not al alone;
Ther were knightës and squyers many one.

'Wherof I served?' oon of hem asked me;
I sayde ayein, as it fel in my thought,
'To walke about the mase, in certayntè,
As a woman that [of] nothing rought.'
He asked me ayein—'whom that I sought,
And of my colour why I was so pale?'
'Forsothe,' quod I, 'and therby lyth a tale.'

'That must me wite,' quod he, 'and that anon;
Tel on, let see, and make no tarying.'
'Abyd,' quod I, 'ye been a hasty oon,
I let you wite it is no litel thing.
But, for bicause ye have a greet longing
In your desyr, this proces for to here,
I shal you tel the playn of this matere.—

It happed thus, that, in an after-noon,
My felawship and I, by oon assent,
Whan al our other besinesse was doon,
To passe our tyme, into this mase we went,
And toke our wayes, eche after our entent;
Some went inward, and wend they had gon out,
Some stode amid, and loked al about.

And, sooth to say, some were ful fer behind,
And right anon as ferforth as the best;
Other ther were, so mased in her mind,
Al wayes were good for hem, bothe eest and west.
Thus went they forth, and had but litel rest;

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poem by Anonymous Olde English
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Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.

Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.

Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.

1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.

Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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poem by Ella Wheeler Wilcox
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