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The End of Joi

They climbed the trees . . . As was told before,
The Glugs climbed trees in the days of yore,
When the oldes tree in the land to-day
Was a tender little seedling - Nay,
This climbing habit was old, so old
That even the cheeses could not have told
When the past Glug people first began
To give their lives to the climbing plan.
And the legend ran
That the art was old as the mind of man.

And even the mountains old and hoar,
And the billows that broke on Gosh's shore
Since the far-off neolithic night,
All knew the Glugs quite well by sight.
And they tell of a perfectly easy way:
For yesterday's Glug is the Glug of to-day.
And they climb the trees when the thunder rolls,
To solemnly salve their shop-worn souls.
For they fear the coals
That threaten to frizzle their shop-worn souls.

They climbed the trees. 'Tis a bootless task
To say so over again, or ask
The cause of it all, or the reason why
They never felt happier up on high.
For Joi asked why; and Joi was a fool,
And never a Glug of the fine old school
With fixed opinions and Sunday clothes,
And the habit of looking beyond its nose,
And treating foes
With the calm contempt of the One Who Knows.

And every spider who heaves a line
And trusts to his luck when the day is fine,
Or reckless swings from an awful height,
He knows the Glugs quite well by sight.
'You can never mistake them,' he will say;
'For they always act in a Gluglike way.
And they climb the trees when the glass points fair,
With circumspection and proper care,
For they fear to tear
The very expensive clothes they wear.'

But Joi was a Glug with a twisted mind
Of the nasty, meditative kind.
He'd meditate on the modes of Gosh,
And dared to muse on the acts of Splosh;
He dared to speak, and, worse than that,
He spoke out loud, and he said it flat.

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Joi, The Glug

The Glugs abide in a far, far land
That is partly pebbles and stones and sand,
But mainly earth of a chocolate hue,
When it isn't purple or slightly blue.
And the Glugs live there with their aunts and their wives,
In draughty tenements built like hives.
And they climb the trees when the weather is wet,
To see how high they can really get.
Pray, don't forget,
This is chiefly done when the weather is wet.

And every shadow that flits and hides,
And every stream that glistens and glides
And laughs its way from a highland height,
All know the Glugs quite well by sight.
And they say, 'Our test is the best by far;
For a Glug is a Glug; so there you are!
And they climb the trees when it drizzles or hails
To get electricity into their nails;
And the Glug that fails
Is a luckless Glug, if it drizzles or hails.'

Now, the Glugs abide in the Land of Gosh;
And they work all day for the sake of Splosh.
For Splosh the First is the Nation's pride,
And King of the Glugs, on his uncle's side.
And they sleep at night, for the sake of rest;
For their doctors say this suits them best.
And they climb the trees, as a general rule,
For exercise, when the weather is cool.
They're taught at school
To climb the trees when the weather is cool.

And the whispering grass on the gay, green hills
And every cricket that skirls and shrills,
And every moonbeam, gleaming white,
All know the Glugs quite well by sight.
And they say, 'It is safe, the text we bring;
For a Glug is an awfully Glug-like thng.
And they climb the trees when there's sign of fog,
To scan the land for a feasible dog.
They love to jog
Through dells in quest of the feasible dog.'

Now the Glugs eat meals three times a day
Because their fathers ate that way.
And their grandpas said the scheme was good
To help the Glugs digest their food.
And it's wholesome food the Glugs have got,
For it says so plain on the tin and pot.

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The Stones of Gosh

Now, here is a tale of the Glugs of Gosh,
In the end of the year umteen;
Of the Glugs of Gosh and their great King Splosh,
And Tush, his virtuous Queen.
And here is a tale of the Oglike Ogs,
In their neighbouring land of Podge;
Of their sayings and doings and plottings and brewings,
And something about Sir Stodge.
Wise to profundity,
Stout to rotundity,
That was the Knight Sir Stodge.

Oh, the King was rich, and the Queen was fair,
And they made a very respectable pair.
And whenever a Glug in that peaceful land,
Did anything no one could understand
The Knight, Sir Stodge, he looked in a book,
And charged that Glug with a crime called Crook.
And the great Judge Fudge, who wore for a hat
The skin of a female tortoise-shell cat,
He fined that Glug for his actions rash,
And frequently asked to be paid in cash.
Then every Glug went home to rest
With his head in a bag and his toes to the west;
For they knew it was best,
Since their grandpas slept with their toes to the west.

But all of the tale that is so far told
Has nothing whatever to do
With the Ogs of Podge, and their crafty dodge,
And the trade in pickles and glue.
To trade with the Glugs came the Ogs to Gosh,
And they said in the mildest of tones,
'We'll sell you pianers and pickels and spanners
For seventeen shiploads of stones
Smooth 'uns or nobbly 'uns,
Firm 'uns or wobbly 'uns,
All that we ask is stones.'

And the King said, 'What?' and the Queen said, 'Why,
That is awfully cheap to the things I buy!
That grocer of ours in the light brown hat
Asks two-and-eleven for pickles like that!'
But a Glug stood up with a wart on his nose,
And he cried, 'Your Majesties! Ogs is foes!'
But the Glugs cried, 'Peace! Will you hold your jaw!
How did our grandpas fashion the law?'
Said the Knight, Sir Stodge, as he opened a book,
'If the goods were cheap then the goods they took.'
So they fined the Glug with the wart on his nose

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The Rhymes of Sym

Nobody knew why it should be so;
Nobody knew or wanted to know.
It might have been checked had but someone dared
To trace its beginnings; but nobody cared.
But 'twas clear to the wise that the Glugs of those days
Were crazed beyond reason concerning a craze.


They would pass a thing by for a week or a year,
With an air apathetic, or maybe a sneer:
Some ev'ryday thing, like a crime or a creed,
A mode or a movement, and pay it small heed,
Till Somebody started to laud it aloud;
Then all but the Nobodies followed the crowd.


Thus, Sym was a craze; tho', to give him his due,
He would rather have strayed from the popular view.
But once the Glugs had him they held him so tight
That he could not be nobody, try as he might.
He had to be Somebody, so they decreed.
For Craze is an appetite, governed by Greed.


So on Saturday week to the Great Market Square
Came every Glug who could rake up his fare.
They came from the suburbs, they came from the town,
There came from the country Glugs bearded and brown,
Rich Glugs, with cigars, all well-tailored and stout,
Jostled commonplace Glugs who dropped aitches about.


There were gushing Glug maids, well aware of their charms,
And stern, massive matrons with babes in their arms.
There were querulous dames who complained of the 'squash,'
The pushing and squeezing; for, briefly, all Gosh,
With its aunt and its wife, stood agape in the ranks
Excepting Sir Stodge and his satellite Swanks.


The Mayor of Quog took the chair for the day;
And he made them a speech, and he ventured to say
That a Glug was a Glug, and the Cause they held dear
Was a very dear Cause. And the Glugs said, 'Hear, hear.'
Then Sym took the stage to a round of applause
From thousands who suddenly found they'd a Cause.

We strive together in life's crowded mart,
Keen-eyed, with clutching hands to over-reach.
We scheme, we lie, we play the selfish part,

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The Debate

He was a Glug of simple charm;
He wished no living creature harm.
His kindly smile like sunlight fell
On all about, and wished them well.
Yet, 'spite the cheerful soul of Sym,
The great Sir Stodge detested him.

The stern Sir Stodge and all his Swanks -
Proud Glugs of divers grades and ranks,
With learning and attainments great
Had never learned to conquer hate.
And, failing in their A. B. C.,
Were whipt by Master Destiny.

'Twas thus that Gosh's famous schools
Turned out great hordes of learned fools:
Turned out the ship without a sail,
Turned out the kite with leaden tail,
Turned out the mind that could not soar
Because of foolish weights it bore.

Because there'd been no father Joi
To guide the quick mind of a boy
Away from thoughts of hate and blame,
Wisdom in these was but a name.
But 'mid the Glugs they count him wise
Who walks with cunning in his eyes.

His task well done, his three rhymes writ,
Sym rose at morn, and packed his kit.
'At last!' he cried. 'Off and away
To meet again the spendthrift Day,
As he comes climbing in the East,
To bless with largesse man and beast.

'Again the fields where wild things run!
And trees, all spreading to the sun,
Run not, because, of all things blest,
Their chosen place contents them best.
0 come, my little prick-eared dog!' . . .
But, 'Halt!' exclaimed his Nibs of Quog.

'Nay,' said the Mayor. 'Not so fast!
The day climbs high, but sinks at last.
And trees, all spreading to the sun,
Are slain because they cannot run.
The great Sir Stodge, filled full of hate,
Has challenged you to hold debate.

'On Monday, in the Market Square,

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Im A Legend Tonight

Ive been working at my job, slaving like a dog all day
And Ive been thinking about you, girl
And watching the minutes slip away
Yeah, and I know theres someone inside me that nobody sees
And I know in the darkness youre gonna be reaching for me
Im a legend tonight
Gonna make you feel right
When you reach for the light
Im a legend tonight
Im a legend tonight, legend
Gonna make you feel right, legend
When you reach for the light, legend
Im a legend tonight
You know they try to slow me, sometimes I think Im gonna stop
But I gotta keep on going, believing in 5 o clock, yeah
And on the edge of the darkness well be living in another world
And I know that a part of yous gonna be part of me, girl
Im a legend tonight, legend
Gonna make you feel right, legend
When you reach for the light, legend
Im a legend tonight, legend
Im a legend tonight, legend
Gonna make you feel right, legend
When you reach for the light, legend
Im a legend tonight
Look at me
I dont know what happens when the race is run
I dont know what tells me if Ive lost or won
But I know that Ill make it through the day alright
And girl, youre gonna find out
Im a legend tonight, legend
Gonna make you feel right, legend
When you reach for the light, legend
Im a legend tonight, legend
Im a legend tonight, legend
Gonna make you feel right, legend
When you reach for the light, legend
Im a legend tonight, legend
Im a legend tonight, legend
Gonna make you feel right, legend
When you reach for the light, legend
Im a legend tonight, legend
Im a legend tonight, legend
Gonna make you feel right, legend
When you reach for the light, legend
Im a legend tonight, legend

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Satan Absolved

(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.

[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.

Satan. Ye have in truth good cause.

Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.

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The Swanks of Gosh

Come mourn with me for the land of Gosh,
Oh, weep with me for the luckless Glugs
Of the land of Gosh, where the sad seas wash
The patient shores, and the great King Splosh
His sodden sorrow hugs;
Where the fair Queen Tush weeps all the day,
And the Swank, the Swank, the naughty Swank,
The haughty Swank holds sway
The most mendacious, ostentatious,
Spacious Swank holds sway.

'Tis sorrow-swathed, as I know full well,
And garbed in gloom and the weeds of woe,
And vague, so far, is the tale I tell;
But bear with me for the briefest spell,
And surely shall ye know
Of the land of Gosh, and Tush, and Splosh,
And Stodge, the Swank, the foolish Swank,
The mulish Swank of Gosh-
The meretricious, avaricious,
Vicious Swank of Gosh.

Oh, the tall trees bend, and green trees send
A chuckle round the earth,
And the soft winds croon a jeering tune,
And the harsh winds shriek with mirth,
And the wee small birds chirp ribald words
When the Swank walks down the street;
But every Glug takes off his hat,
And whispers humbly, 'Look at that!
Hats off! Hats off to the Glug of rank!
Sir Stodge, the Swank, the Lord High Swank!'
Then the East wind roars a loud guffaw,
And the haughty Swank says, 'Haw!'

His brain is dull, and his mind is dense,
And his lack of saving wit complete;
But most amazingly immense
Is his inane self-confidence
And his innate conceit.
But every Glug, and great King Splosh
Bowed to Sir Stodge, the fuddled Swank,
The muddled Swank of Gosh
The engineering, peeping, peering,
Sneering Swank of Gosh.

In Gosh, sad Gosh, where the Lord Swank lives,
He holds high rank, and he has much pelf;
And all the well-paid posts he gives
Unto his fawning relatives,

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Quatrains Of Life

What has my youth been that I love it thus,
Sad youth, to all but one grown tedious,
Stale as the news which last week wearied us,
Or a tired actor's tale told to an empty house?

What did it bring me that I loved it, even
With joy before it and that dream of Heaven,
Boyhood's first rapture of requited bliss,
What did it give? What ever has it given?

'Let me recount the value of my days,
Call up each witness, mete out blame and praise,
Set life itself before me as it was,
And--for I love it--list to what it says.

Oh, I will judge it fairly. Each old pleasure
Shared with dead lips shall stand a separate treasure.
Each untold grief, which now seems lesser pain,
Shall here be weighed and argued of at leisure.

I will not mark mere follies. These would make
The count too large and in the telling take
More tears than I can spare from seemlier themes
To cure its laughter when my heart should ache.

Only the griefs which are essential things,
The bitter fruit which all experience brings;
Nor only of crossed pleasures, but the creed
Men learn who deal with nations and with kings.

All shall be counted fairly, griefs and joys,
Solely distinguishing 'twixt mirth and noise,
The thing which was and that which falsely seemed,
Pleasure and vanity, man's bliss and boy's.

So I shall learn the reason of my trust
In this poor life, these particles of dust
Made sentient for a little while with tears,
Till the great ``may--be'' ends for me in ``must.''

My childhood? Ah, my childhood! What of it
Stripped of all fancy, bare of all conceit?
Where is the infancy the poets sang?
Which was the true and which the counterfeit?

I see it now, alas, with eyes unsealed,
That age of innocence too well revealed.
The flowers I gathered--for I gathered flowers--
Were not more vain than I in that far field.

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The Seer

Somewhere or other, 'tis doubtful where,
In the archives of Gosh is a volume rare,
A precious old classic that nobody reads,
And nobody asks for, and nobody heeds;
Which makes it a classic, and famed thro' the land,
As well-informed persons will quite understand.

'Tis a ponderous work, and 'tis written in prose,
For some mystical reason that nobody knows;
And it tells in a style that is terse and correct
Of the rule of the Swanks and its baneful effect
On the commerce of Gosh, on its morals and trade;
And it quotes a grave prophecy somebody made.

And this is the prophecy, written right bold
On a parchment all tattered and yellow and old;
So old and so tattered that nobody knows
How far into foretime its origin goes.
But this is the writing that set Glugs agog
When 'twas called to their minds by the Mayor of Quog:


When Gosh groaneth bastlie thro Greed and bys plannes
Ye rimer shall mende ye who mendes pottes and pans.


Now, the Mayor of Quog, a small suburb of Gosh,
Was intensely annoyed at the act of King Splosh
In asking the Mayor of Piphel to tea
With himself and the Queen on a Thursday at three;
When the King must have known that the sorriest dog,
If a native of Piphel, was hated in Quog.

An act without precedent! Quog was ignored!
The Mayor and Council and Charity Board,
They met and considered this insult to Quog;
And they said, ' 'Tis the work of the treacherous Og!
'Tis plain the Og influence threatens the Throne;
And the Swanks are all crazed with this trading in stone.'

Said the Mayor of Quog: 'This has long been foretold
In a prophecy penned by the Seer of old.
We must search, if we'd banish the curse of our time,
For a mender of pots who's a maker of rhyme.
'Tis to him we must look when our luck goes amiss.
But, Oh, where in all Gosh is a Glug such as this?'

Then the Mayor and Council and Charity Board
O'er the archival prophecy zealously pored,
With a pursing of lips and a shaking of heads,

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The Growth of Sym

Now Sym was a Glug; and 'tis mentioned so
That the tale reads perfectly plain as we go.
In his veins ran blood of that stupid race
Of docile folk, who inhabit the place
Called Gosh, sad Gosh, where the tall trees sigh
With a strange, significant sort of cry
When the gloaming creeps and the wind is high.

When the deep shades creep and the wind is high
The trees bow low as the gods ride by:
Gods of the gloaming, who ride on the breeze,
Stooping to heaften the birds and the trees.
But each dull Glug sits down by his door,
And mutters, ' 'Tis windy!' and nothing more,
Like the long-dead Glugs in the days of yore.

When Sym was born there was much to-do,
And his parents thought him a joy to view;
But folk not prejudiced saw the Glug,
As his nurse remarked, 'In the cut of his mug.'
For he had their hair, and he had their eyes,
And the Glug expression of pained surprise,
And their predilection for pumpkin pies.

And his parents' claims were a deal denied
By his maiden aunt on his mother's side,
A tall Glug lady of fifty-two
With a slight moustache of an auburn hue.
'Parental blither!' she said quite flat.
'He's an average Glug; and he's red and fat!
And exceedingly fat and red at that!'

But the father, joi, when he gazed on Sym,
Dreamed great and wonderful things for him.
Said he, 'If the mind of a Glug could wake
Then, Oh, what a wonderful Glug he'd make!
We shall teach this laddie to play life's game
With a different mind and a definite aim:
A Glug in appearance, yet not the same.'

But the practical aunt said, 'Fudge! You fool!
We'll pack up his dinner and send him to school.
He shall learn about two-times and parsing and capes,
And how to make money with inches on tapes.
We'll apprentice him then to the drapery trade,
Where, I've heard it reported, large profits are made;
Besides, he can sell us cheap buttons and braid.'

So poor young Sym, he was sent to school,
Where the first thing taught is the Golden Rule.

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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who thennay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Gareth And Lynette

The last tall son of Lot and Bellicent,
And tallest, Gareth, in a showerful spring
Stared at the spate. A slender-shafted Pine
Lost footing, fell, and so was whirled away.
'How he went down,' said Gareth, 'as a false knight
Or evil king before my lance if lance
Were mine to use--O senseless cataract,
Bearing all down in thy precipitancy--
And yet thou art but swollen with cold snows
And mine is living blood: thou dost His will,
The Maker's, and not knowest, and I that know,
Have strength and wit, in my good mother's hall
Linger with vacillating obedience,
Prisoned, and kept and coaxed and whistled to--
Since the good mother holds me still a child!
Good mother is bad mother unto me!
A worse were better; yet no worse would I.
Heaven yield her for it, but in me put force
To weary her ears with one continuous prayer,
Until she let me fly discaged to sweep
In ever-highering eagle-circles up
To the great Sun of Glory, and thence swoop
Down upon all things base, and dash them dead,
A knight of Arthur, working out his will,
To cleanse the world. Why, Gawain, when he came
With Modred hither in the summertime,
Asked me to tilt with him, the proven knight.
Modred for want of worthier was the judge.
Then I so shook him in the saddle, he said,
"Thou hast half prevailed against me," said so--he--
Though Modred biting his thin lips was mute,
For he is alway sullen: what care I?'

And Gareth went, and hovering round her chair
Asked, 'Mother, though ye count me still the child,
Sweet mother, do ye love the child?' She laughed,
'Thou art but a wild-goose to question it.'
'Then, mother, an ye love the child,' he said,
'Being a goose and rather tame than wild,
Hear the child's story.' 'Yea, my well-beloved,
An 'twere but of the goose and golden eggs.'

And Gareth answered her with kindling eyes,
'Nay, nay, good mother, but this egg of mine
Was finer gold than any goose can lay;
For this an Eagle, a royal Eagle, laid
Almost beyond eye-reach, on such a palm
As glitters gilded in thy Book of Hours.
And there was ever haunting round the palm
A lusty youth, but poor, who often saw

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Seasonable Retour-Knell

SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS

Author notes

A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000

In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.

For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.

Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.

One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.

Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER


Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.

Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.


AUTUMN WINTER


Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.

Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,

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Ogs

It chanced one day, in the middle of May,
There came to the great King Splosh
A policeman, who said, while scratching his head,
There isn't a stone in Gosh
To throw at a dog; for the crafty Og,
Last Saturday week, at one,
Took our last blue-metal, in order to settle
A bill for a toy pop-gun.'
Said the King, jokingly,
'Why, how provokingly
Weird; but we have the gun.'

And the King said, 'Well, we are stony-broke.'
But the Queen could not see it was much of a joke.
And she said, 'If the metal is all used up,
Pray what of the costume I want for the Cup?
It all seems so dreadfully simple to me.
The stones? Why, import them from over the sea.'
But a Glug stood up with a mole on his chin,
And said, with a most diabolical grin,
'Your Majesties, down in the country of Podge,
A spy has discovered a very 'cute dodge.
And the Ogs are determined to wage a war
On Gosh, next Friday, at half-past four.'
Then the Glugs all cried, in a terrible fright,
'How did our grandfathers manage a fight?'

Then the Knight, Sir Stodge, he opened his Book,
And he read, 'Some very large stones they took,
And flung at the foe, with exceeding force;
Which was very effective, tho' rude, of course.'
And lo, with sorrowful wails and moans,
The Glugs cried, 'Where, Oh, where are the stones?'
And some rushed North, and a few ran West;
Seeking the substitutes seeming best.
And they gathered the pillows and cushions and rugs
From the homes of the rich and middle-class Glugs.
And a hasty message they managed to send
Craving the loan of some bricks from a friend.

On the Friday, exactly at half-past four,
Came the Ogs with triumphant glee.
And the first of their stones hit poor Mister Ghones,
The captain of industry.
Then a pebble of Podge took the Knight, Sir Stodge,
In the curve of his convex vest.
He gurgled 'Un-Gluggish!' His heart growing sluggish,
He solemnly sank to rest.
'Tis inconceivable,
Scarcely believable,

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Lancelot And Elaine

Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.

How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.

For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip ofwhy, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you seeits tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light thereno one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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The Castle Of Indolence

The castle hight of Indolence,
And its false luxury;
Where for a little time, alas!
We lived right jollily.

O mortal man, who livest here by toil,
Do not complain of this thy hard estate;
That like an emmet thou must ever moil,
Is a sad sentence of an ancient date:
And, certes, there is for it reason great;
For, though sometimes it makes thee weep and wail,
And curse thy star, and early drudge and late;
Withouten that would come a heavier bale,
Loose life, unruly passions, and diseases pale.
In lowly dale, fast by a river's side,
With woody hill o'er hill encompass'd round,
A most enchanting wizard did abide,
Than whom a fiend more fell is no where found.
It was, I ween, a lovely spot of ground;
And there a season atween June and May,
Half prankt with spring, with summer half imbrown'd,
A listless climate made, where, sooth to say,
No living wight could work, ne cared even for play.
Was nought around but images of rest:
Sleep-soothing groves, and quiet lawns between;
And flowery beds that slumbrous influence kest,
From poppies breathed; and beds of pleasant green,
Where never yet was creeping creature seen.
Meantime, unnumber'd glittering streamlets play'd,
And hurled every where their waters sheen;
That, as they bicker'd through the sunny glade,
Though restless still themselves, a lulling murmur made.
Join'd to the prattle of the purling rills
Were heard the lowing herds along the vale,
And flocks loud bleating from the distant hills,
And vacant shepherds piping in the dale:
And, now and then, sweet Philomel would wail,
Or stock-doves plain amid the forest deep,
That drowsy rustled to the sighing gale;
And still a coil the grasshopper did keep;
Yet all these sounds yblent inclined all to sleep.
Full in the passage of the vale, above,
A sable, silent, solemn forest stood;
Where nought but shadowy forms was seen to move,
As Idless fancied in her dreaming mood:
And up the hills, on either side, a wood
Of blackening pines, aye waving to and fro,
Sent forth a sleepy horror through the blood;
And where this valley winded out, below,
The murmuring main was heard, and scarcely heard, to flow.

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