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The Joy Ride

Ah Gawd! It makes me sick to think
Of what I 'eard an' seen;
Poor 'Arry like a wet rag flung
Across the wrecked machine;
An' Rose, 'er far all chiner-white
Against the gory green.

Now 'Arry Cox 'e drives a car
For Doctor Percy Gray.
Ses 'e to me: 'On Sund'y nex'
The Doc. will be away.
'Ow is it for a little trip
To Fernville for the day?

'I know two bonzer girls,' 'e ses;
'Fair 'otties, both, they are.
There's Rose who serves behind the joint
In Mudge's privit bar,
An' Lena Crump who jerks the pump
Down at the Southern Star.'

Now, who'd refuse a Sund'y trip
With girls an' all give in?
The car was there an' oil to spare.
To rat would be a sin!
An' who'd refuse a dropp o' booze
When pals is flush o' tin?

Wot all the courts an' papers say
Can't add to my distress....
Rose, with the blood upon 'er face
An' on 'er crumpled dress!
An' that poor champ who got the bump
Ah, Gawd! 'E was a mess!

The girls 'ad stout at ten mile out,
An' we was drinkin' beer.
I swear they lies like 'ell who ses
That we was on our ear!
For, or we was both, I take me oath,
As sober as me here.

Now, Lena was a dashin' piece,
'Igh-spirited an' flash.
'Twas plain enough to me that day
That 'Arry'd done 'is dash.
An' Rose - (Ah! how 'er eyes did stare)
Rose was my speshul mash.

It's easy now fer folks to talk

[...] Read more

poem by Clarence Michael James Stanislaus Dennis
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Dr. Beat

Doctor, Ive got this feelin deep inside of me, deep inside of me
I just cant control my feet when I hear the beat, when I hear the beat
Hey doctor, could you give me somethin to ease the pain
cause if you dont help me soon gonna lose my brain
Gonna go insane
I just dont know, dont know
How Im gonna deal with you
Doc, doc, doc, doc, doctor beat
I just dont know, dont know
Wont you help me doctor beat
Doc, doc, doc, doc, doctor beat
Wont you help me doctor beat
(repeat previous line 3 times)
Say, say, say, doctor
I got this fever that I cant control
That I cant control
Music makes me move my body
Makes me move my soul
Makes me move my soul
Doc, you better give me somethin
cause Im burnin up
Yes, Im burnin up
Doc, youve got to find a cure
Or were gonna die
Yes, were gonna die
I just dont know, dont know
How Im gonna deal with you
Doc, doc, doc, doc, doctor beat
I just dont know, dont know wont you help me doctor beat
Doc, doc, doc, doc, doctor beat
Wont you help me doctor beat
(repeat line 3 times)
Doctor doctor, wont you please help me
You gotta help me, you gotta help me
If you got trouble, cant stop your feet
Pay a little visit to doctor beat
Doc, doc, doc, doc, doctor beat
Wont you help me doctor beat
(repeat line 3 times)

song performed by Gloria Estefan
Added by Lucian Velea
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You Look Good In Rags

Yeah yeah
Yeah
I've seen cool, I've seen cold
I've seen the women up front, way down below
Ladies of the evening screaming, some were like vipers
I've seen 'em dressed real tight, act real loose
I've seen 'em strutting good stuff, I've seen 'em all used
With thousand dollar faces and worth every penny they spend there
But you look good in rags
With dirt in your hair
Yeah you look good in rags babe
Oh, I don't care
(Ah, you look good)
Yes you look good in rags
With bones in your hair
Ah, you look good in anything
Ooh, I don't care
Now I've seen class, I've seen tack
I've seen 'em walking down the street with smoke in their stacks
And pouring into limos, they wake up in millionaires' bedrooms
I've seen their hair cut short, black and sleek
Tied in 20 thousand knots so ultra neat
Swearing by the Harper's Bazaar, like it equalled the Bible
But you look good in rags
With dirt in your hair
Yeah you look good in rags babe
Aw, I don't care
Yeah Yeah, you look good
Oh you look good in rags
With dirt in your hair
Ah yeah, you look good in anything
Forget about Vogue or them hundred dollar jeans,
You make a 2 dollar T-shirt obscene.
Rag
Rag
Rag
Rag
Rag
Rag
Rag
Rag
Rag
Rag
Rag
Rag
Rag
Rag
Rag
Rag
Rag

[...] Read more

song performed by Alice Cooper
Added by Lucian Velea
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Le Mendiant

C'était quand le printemps a reverdi les prés.
La fille de Lycus, vierge aux cheveux dorés,
Sous les monts Achéens, non loin de Cérynée,

Errait à l'ombre, aux bords du faible et pur Crathis,
Car les eaux du Crathis, sous des berceaux de frêne,
Entouraient de Lycus le fertile domaine.
Soudain, à l'autre bord,
Du fond d'un bois épais, un noir fantôme sort,
Tout pâle, demi-nu, la barbe hérissée:
Il remuait à peine une lèvre glacée,
Des hommes et des dieux implorait le secours,
Et dans la forêt sombre errait depuis deux jours;
Il se traîne, il n'attend qu'une mort douloureuse;
Il succombe. L'enfant, interdite et peureuse,
A ce hideux aspect sorti du fond des bois,
Veut fuir; mais elle entend sa lamentable voix.
Il tend les bras, il tombe à genoux; il lui crie
Qu'au nom de tous les dieux il la conjure, il prie,
Et qu'il n'est point à craindre, et qu'une ardente faim
L'aiguillonne et le tue, et qu'il expire enfin.

'Si, comme je le crois, belle dès ton enfance,
C'est le dieu de ces eaux qui t'a donné naissance,
Nymphe, souvent les voeux des malheureux humains
Ouvrent des immortels les bienfaisantes mains,
Ou si c'est quelque front porteur d'une couronne
Qui te nomme sa fille et te destine au trône,
Souviens-toi, jeune enfant, que le ciel quelquefois
Venge les opprimés sur la tête des rois.
Belle vierge, sans doute enfant d'une déesse,
Crains de laisser périr l'étranger en détresse:
L'étranger qui supplie est envoyé des dieux.'

Elle reste. A le voir, elle enhardit ses yeux,
. . . . . . . . et d'une voix encore
Tremblante: 'Ami, le ciel écoute qui l'implore.
Mais ce soir, quand la nuit descend sur l'horizon,
Passe le pont mobile, entre dans la maison;
J'aurai soin qu'on te laisse entrer sans méfiance.
Pour la douzième fois célébrant ma naissance,
Mon père doit donner une fête aujourd'hui.
Il m'aime, il n'a que moi: viens t'adresser à lui,
C'est le riche Lycus. Viens ce soir; il est tendre,
Il est humain: il pleure aux pleurs qu'il voit répandre.'
Elle achève ces mots, et, le coeur palpitant,
S'enfuit; car l'étranger sur elle, en l'écoutant,
Fixait de ses yeux creux l'attention avide.
Elle rentre, cherchant dans le palais splendide
L'esclave près de qui toujours ses jeunes ans

[...] Read more

poem by Andre Marie de Chenier
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The White Cliffs

I
I have loved England, dearly and deeply,
Since that first morning, shining and pure,
The white cliffs of Dover I saw rising steeply
Out of the sea that once made her secure.
I had no thought then of husband or lover,
I was a traveller, the guest of a week;
Yet when they pointed 'the white cliffs of Dover',
Startled I found there were tears on my cheek.
I have loved England, and still as a stranger,
Here is my home and I still am alone.
Now in her hour of trial and danger,
Only the English are really her own.

II
It happened the first evening I was there.
Some one was giving a ball in Belgrave Square.
At Belgrave Square, that most Victorian spot.—
Lives there a novel-reader who has not
At some time wept for those delightful girls,
Daughters of dukes, prime ministers and earls,
In bonnets, berthas, bustles, buttoned basques,
Hiding behind their pure Victorian masks
Hearts just as hot - hotter perhaps than those
Whose owners now abandon hats and hose?
Who has not wept for Lady Joan or Jill
Loving against her noble parent's will
A handsome guardsman, who to her alarm
Feels her hand kissed behind a potted palm
At Lady Ivry's ball the dreadful night
Before his regiment goes off to fight;
And see him the next morning, in the park,
Complete in busbee, marching to embark.
I had read freely, even as a child,
Not only Meredith and Oscar Wilde
But many novels of an earlier day—
Ravenshoe, Can You Forgive Her?, Vivien Grey,
Ouida, The Duchess, Broughton's Red As a Rose,
Guy Livingstone, Whyte-Melville— Heaven knows
What others. Now, I thought, I was to see
Their habitat, though like the Miller of Dee,
I cared for none and no one cared for me.

III
A light blue carpet on the stair
And tall young footmen everywhere,
Tall young men with English faces
Standing rigidly in their places,
Rows and rows of them stiff and staid

[...] Read more

poem by Alice Duer Miller
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Margaret's Bridal Eve

I

The old grey mother she thrummed on her knee:
There is a rose that's ready;
And which of the handsome young men shall it be?
There's a rose that's ready for clipping.

My daughter, come hither, come hither to me:
There is a rose that's ready;
Come, point me your finger on him that you see:
There's a rose that's ready for clipping.

O mother, my mother, it never can be:
There is a rose that's ready;
For I shall bring shame on the man marries me:
There's a rose that's ready for clipping.

Now let your tongue be deep as the sea:
There is a rose that's ready;
And the man'll jump for you, right briskly will he:
There's a rose that's ready for clipping.

Tall Margaret wept bitterly:
There is a rose that's ready;
And as her parent bade did she:
There's a rose that's ready for clipping.

O the handsome young man dropped down on his knee:
There is a rose that's ready;
Pale Margaret gave him her hand, woe's me!
There's a rose that's ready for clipping.

II

O mother, my mother, this thing I must say:
There is a rose in the garden;
Ere he lies on the breast where that other lay:
And the bird sings over the roses.

Now, folly, my daughter, for men are men:
There is a rose in the garden;
You marry them blindfold, I tell you again:
And the bird sings over the roses.

O mother, but when he kisses me!
There is a rose in the garden;
My child, 'tis which shall sweetest be!
And the bird sings over the roses.

O mother, but when I awake in the morn!

[...] Read more

poem by George Meredith
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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

[...] Read more

poem by Robinson Jeffers
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Harry Rag

Ah, tom is young and tom is bold
Tom is as bold as the knights of old
But whenever he gets in a bit of a jam
Theres nothing he wont do to get a harry rag
Harry rag, harry rag
Do anything just to get a harry rag
And he curses himself for the life hes led
And rolls himself a harry rag and puts himself to bed
Ah, toms old ma is a dying lass
Soon they all reckon shell be pushing up the grass
And her bones might ache and her skin might sag
But still shes got the strength to have a harry rag
Harry rag, harry rag
Do anything just to get a harry rag
And she curses herself for the life shes led
And rolls herself a harry rag and puts herself to bed
Ah, bless you tax man, bless you all
You may take some but you never take it all
But if I give it all, I wont feel sad
As long as I got enough to buy a harry rag
Harry rag, harry rag
Do anything just to get a harry rag
And I curse myself for the life Ive led
And roll myself a harry rag and put myself to bed
Ah, the smart young ladies of the land
Cant relax without a harry in their hand
And they light one and they boast and brag
So content because they got a harry rag
Harry rag, harry rag
Do anything just to get a harry rag
And theyll light one and theyll boast and brag
So content because they got a harry rag
Harry rag, harry rag
Ill do anything just to get a harry rag
And I curse myself for the life Ive led
And roll myself a harry rag and put myself to bed

song performed by Kinks
Added by Lucian Velea
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Harry Rag

Ah, tom is young and tom is bold
Tom is as bold as the knights of old
But whenever he gets in a bit of a jam
Theres nothing he wont do to get a harry rag
Harry rag, harry rag
Do anything just to get a harry rag
And he curses himself for the life hes led
And rolls himself a harry rag and puts himself to bed
Ah, toms old ma is a dying lass
Soon they all reckon shell be pushing up the grass
And her bones might ache and her skin might sag
But still shes got the strength to have a harry rag
Harry rag, harry rag
Do anything just to get a harry rag
And she curses herself for the life shes led
And rolls herself a harry rag and puts herself to bed
Ah, bless you tax man, bless you all
You may take some but you never take it all
But if I give it all, I wont feel sad
As long as I got enough to buy a harry rag
Harry rag, harry rag
Do anything just to get a harry rag
And I curse myself for the life Ive led
And roll myself a harry rag and put myself to bed
Ah, the smart young ladies of the land
Cant relax without a harry in their hand
And they light one and they boast and brag
So content because they got a harry rag
Harry rag, harry rag
Do anything just to get a harry rag
And theyll light one and theyll boast and brag
So content because they got a harry rag
Harry rag, harry rag
Ill do anything just to get a harry rag
And I curse myself for the life Ive led
And roll myself a harry rag and put myself to bed

song performed by Morrissey
Added by Lucian Velea
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The More Modern Ballad of Chevy Chace

God prosper long our noble king,
Our liffes and safetyes all;
A woefull hunting once there did
In Chevy-Chace befall.

To drive the deere with hound and horne,
Erle Percy took his way;
The child may rue that is unborne
The hunting of that day.

The sout Erle of Northumberland
A vow to God did make,
His pleasure in the Scottish woods
Three summers days to take;

The cheefest harts in Chevy-Chase
To kill and beare away:
These tydings to Erle Douglas came,
In Scotland where he lay.

Who sent Erle Percy present word,
He wold prevent his sport;
The English Erle not fearing that,
Did to the woods resort,

With fifteen hundred bow-men bold,
All chosen men of might,
Who knew full well in time of neede
To ayme their shafts arright.

The gallant greyhounds swiftly ran,
To chase the fallow deere;
On Munday they began to hunt,
Ere day-light did appeare;

And long before high noone they had
An hundred fat buckes slaine;
Then having din'd, the drovyers went
To rouze the deare againe.

The bow-men mustered on the hills,
Well able to endure;
Theire backsides all, with speciall care,
That day were guarded sure.

The hounds ran swiftly through the woods,
The nible deere to take,
That with their cryes the hills an dales
An eccho shrill did make.

[...] Read more

poem by Anonymous Olde English
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L’Invention

O fils du Mincius, je te salue, ô toi
Par qui le dieu des arts fut roi du peuple-roi!
Et vous, à qui jadis, pour créer l'harmonie,
L'Attique et l'onde Égée, et la belle Ionie,
Donnèrent un ciel pur, les plaisirs, la beauté,
Des moeurs simples, des lois, la paix, la liberté,
Un langage sonore aux douceurs souveraines,
Le plus beau qui soit né sur des lèvres humaines!
Nul âge ne verra pâlir vos saints lauriers,
Car vos pas inventeurs ouvrirent les sentiers;
Et du temple des arts que la gloire environne
Vos mains ont élevé la première colonne.
A nous tous aujourd'hui, vos faibles nourrissons,
Votre exemple a dicté d'importantes leçons.
Il nous dit que nos mains, pour vous être fidèles,
Y doivent élever des colonnes nouvelles.
L'esclave imitateur naît et s'évanouit;
La nuit vient, le corps reste, et son ombre s'enfuit.

Ce n'est qu'aux inventeurs que la vie est promise.
Nous voyons les enfants de la fière Tamise,
De toute servitude ennemis indomptés;
Mieux qu'eux, par votre exemple, à vous vaincre excités,
Osons; de votre gloire éclatante et durable
Essayons d'épuiser la source inépuisable.
Mais inventer n'est pas, en un brusque abandon,
Blesser la vérité, le bon sens, la raison;
Ce n'est pas entasser, sans dessein et sans forme,
Des membres ennemis en un colosse énorme;
Ce n'est pas, élevant des poissons dans les airs,
A l'aile des vautours ouvrir le sein des mers;
Ce n'est pas sur le front d'une nymphe brillante
Hérisser d'un lion la crinière sanglante:
Délires insensés! fantômes monstrueux!
Et d'un cerveau malsain rêves tumultueux!
Ces transports déréglés, vagabonde manie,
Sont l'accès de la fièvre et non pas du génie;
D'Ormus et d'Ariman ce sont les noirs combats,
Où, partout confondus, la vie et le trépas,
Les ténèbres, le jour, la forme et la matière,
Luttent sans être unis; mais l'esprit de lumière
Fait naître en ce chaos la concorde et le jour:
D'éléments divisés il reconnaît l'amour,
Les rappelle; et partout, en d'heureux intervalles,
Sépare et met en paix les semences rivales.
Ainsi donc, dans les arts, l'inventeur est celui
Qui peint ce que chacun put sentir comme lui;
Qui, fouillant des objets les plus sombres retraites,
Étale et fait briller leurs richesses secrètes;
Qui, par des noeuds certains, imprévus et nouveaux,

[...] Read more

poem by Andre Marie de Chenier
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Ozymandias Ever Rising through the Winds of Time

Ozymandias Ever Rising through the Winds of Time

I met a poet from an online site
who said: 'Two vast and trunkless legs of stone
stand in my mind, yet find description quite
inadequate, half sunk beneath time flown.'
I answered: 'He whose sneer rei[g]ned cold command,
his sculptor too, are both to Lethe blown,
his passions mocked by who'd today demand
a résumé for tourists who bemoan
a lack of facts to show their pseudo friends
to back up their vacation time well spent,
and yet, and yet, so similar their ends
whose works turn sand when's finished sojourn lent.'
He came, he ruled, time fooled and conquered him,
trunk packed away museumwards on whim.

Nosy man dies as day draws down dark night,
knows he has but a finite span to moan
upon this Earth until, denied the right
of an extension to his lifelong loan.
Foreclosure comes whatever cash on hand
must crash to dust, call harvested; seeds sown
perhaps survive, migrate to other land,
there to engender likeness, throwback clone.
Thus who’d seek Ozymandias’ tale lends
an ear to fable, tables on hints sent
through centuries whose key stones make amends
for missing trunk, lost headstone’s argument.
When dunes into oases are restored,
may reader find true answer mind may hoard.

1 February 2009
Parody Ozymandias - Percy Bysshe SHELLEY 1792_1822 shel1_0001

Ozymandias

I met a traveller from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desert... Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed.

And on the pedestal these words appear:

[...] Read more

poem by Jonathan Robin
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Fourth Book

THEY met still sooner. 'Twas a year from thence
When Lucy Gresham, the sick semptress girl,
Who sewed by Marian's chair so still and quick,
And leant her head upon the back to cough
More freely when, the mistress turning round,
The others took occasion to laugh out,–
Gave up a last. Among the workers, spoke
A bold girl with black eyebrows and red lips,–
'You know the news? Who's dying, do you think?
Our Lucy Gresham. I expected it
As little as Nell Hart's wedding. Blush not, Nell,
Thy curls be red enough without thy cheeks;
And, some day, there'll be found a man to dote
On red curls.–Lucy Gresham swooned last night,
Dropped sudden in the street while going home;
And now the baker says, who took her up
And laid her by her grandmother in bed,
He'll give her a week to die in. Pass the silk.
Let's hope he gave her a loaf too, within reach,
For otherwise they'll starve before they die,
That funny pair of bedfellows! Miss Bell,
I'll thank you for the scissors. The old crone
Is paralytic–that's the reason why
Our Lucy's thread went faster than her breath,
Which went too quick, we all know. Marian Erle!
Why, Marian Erle, you're not the fool to cry?
Your tears spoil Lady Waldemar's new dress,
You piece of pity!'
Marian rose up straight,
And, breaking through the talk and through the work,
Went outward, in the face of their surprise,
To Lucy's home, to nurse her back to life
Or down to death. She knew by such an act,
All place and grace were forfeit in the house,
Whose mistress would supply the missing hand
With necessary, not inhuman haste,
And take no blame. But pity, too, had dues:
She could not leave a solitary soul
To founder in the dark, while she sate still
And lavished stitches on a lady's hem
As if no other work were paramount.
'Why, God,' thought Marian, 'has a missing hand
This moment; Lucy wants a drink, perhaps.
Let others miss me! never miss me, God!'

So Marian sat by Lucy's bed, content
With duty, and was strong, for recompense,
To hold the lamp of human love arm-high
To catch the death-strained eyes and comfort them,
Until the angels, on the luminous side

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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With Rose In Hand

Prayer is worth more than a rose
in my hand where love grows
for God and all he knows
The rose has a thorn
which Jesus felt on the crown he had worn.
the rose is red as the blood from his head
when he was crucifed before we were born.

[...] Read more

poem by Meg Harrison
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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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poem by Robinson Jeffers
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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;

Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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poem by Robinson Jeffers
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Tannhauser

The Landgrave Hermann held a gathering
Of minstrels, minnesingers, troubadours,
At Wartburg in his palace, and the knight,
Sir Tannhauser of France, the greatest bard,
Inspired with heavenly visions, and endowed
With apprehension and rare utterance
Of noble music, fared in thoughtful wise
Across the Horsel meadows. Full of light,
And large repose, the peaceful valley lay,
In the late splendor of the afternoon,
And level sunbeams lit the serious face
Of the young knight, who journeyed to the west,
Towards the precipitous and rugged cliffs,
Scarred, grim, and torn with savage rifts and chasms,
That in the distance loomed as soft and fair
And purple as their shadows on the grass.
The tinkling chimes ran out athwart the air,
Proclaiming sunset, ushering evening in,
Although the sky yet glowed with yellow light.
The ploughboy, ere he led his cattle home,
In the near meadow, reverently knelt,
And doffed his cap, and duly crossed his breast,
Whispering his 'Ave Mary,' as he heard
The pealing vesper-bell. But still the knight,
Unmindful of the sacred hour announced,
Disdainful or unconscious, held his course.
'Would that I also, like yon stupid wight,
Could kneel and hail the Virgin and believe!'
He murmured bitterly beneath his breath.
'Were I a pagan, riding to contend
For the Olympic wreath, O with what zeal,
What fire of inspiration, would I sing
The praises of the gods! How may my lyre
Glorify these whose very life I doubt?
The world is governed by one cruel God,
Who brings a sword, not peace. A pallid Christ,
Unnatural, perfect, and a virgin cold,
They give us for a heaven of living gods,
Beautiful, loving, whose mere names were song;
A creed of suffering and despair, walled in
On every side by brazen boundaries,
That limit the soul's vision and her hope
To a red hell or and unpeopled heaven.
Yea, I am lost already,-even now
Am doomed to flaming torture for my thoughts.
O gods! O gods! where shall my soul find peace?'
He raised his wan face to the faded skies,
Now shadowing into twilight; no response
Came from their sunless heights; no miracle,
As in the ancient days of answering gods.

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poem by Emma Lazarus
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The Parish Register - Part III: Burials

THERE was, 'tis said, and I believe, a time
When humble Christians died with views sublime;
When all were ready for their faith to bleed,
But few to write or wrangle for their creed;
When lively Faith upheld the sinking heart,
And friends, assured to meet, prepared to part;
When Love felt hope, when Sorrow grew serene,
And all was comfort in the death-bed scene.
Alas! when now the gloomy king they wait,
'Tis weakness yielding to resistless fate;
Like wretched men upon the ocean cast,
They labour hard and struggle to the last;
'Hope against hope,' and wildly gaze around
In search of help that never shall be found:
Nor, till the last strong billow stops the breath,
Will they believe them in the jaws of Death!
When these my Records I reflecting read,
And find what ills these numerous births succeed;
What powerful griefs these nuptial ties attend;
With what regret these painful journeys end;
When from the cradle to the grave I look,
Mine I conceive a melancholy book.
Where now is perfect resignation seen?
Alas! it is not on the village-green: -
I've seldom known, though I have often read,
Of happy peasants on their dying-bed;
Whose looks proclaimed that sunshine of the breast,
That more than hope, that Heaven itself express'd.
What I behold are feverish fits of strife,
'Twixt fears of dying and desire of life:
Those earthly hopes, that to the last endure;
Those fears, that hopes superior fail to cure;
At best a sad submission to the doom,
Which, turning from the danger, lets it come.
Sick lies the man, bewilder'd, lost, afraid,
His spirits vanquish'd, and his strength decay'd;
No hope the friend, the nurse, the doctor lend -
'Call then a priest, and fit him for his end.'
A priest is call'd; 'tis now, alas! too late,
Death enters with him at the cottage-gate;
Or time allow'd--he goes, assured to find
The self-commending, all-confiding mind;
And sighs to hear, what we may justly call
Death's common-place, the train of thought in all.
'True I'm a sinner,' feebly he begins,
'But trust in Mercy to forgive my sins:'
(Such cool confession no past crimes excite!
Such claim on Mercy seems the sinner's right!)
'I know mankind are frail, that God is just,
And pardons those who in his Mercy trust;

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poem by George Crabbe
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The Merry Sportsmen

'Arry an' me is bits of sports;
When the summer comes around
We gits our sweaters an' guns an' shorts
An' we seeks out 'untin' ground.
Tennis an' 'ikin' we reckons tame;
So we shuns the cissy push
An' goes in more for a 'e-man sport
Shootin', out in the bush.

Week-end 'fore last we 'ad some fun
Close up to a record day;
For a real good bag fell to each gun
Pea-rific, that's to say.
But the gem of it all was that darn fool bird
I got while 'e's 'avin' a barf
At the edge of a pool. 'E looked absurd.
Chee! 'Arry an' me did larf!

By lunch I'd potted a decent bag:
Three parrots, a thrush an' a jack,
An' 'Arry, two wrens an' a lark an' a mag.
Then we camps at a creek near the track;
When up comes a coot in a rig absurd
Wot talks like some bug-'untin' fool.
But 'Arry sez, ''Ist!' An' 'e points to a bird
Wot is 'avin' a barf at a pool.

'Wot a charmin' pitcher!' this strange bloke said,
But I ups with me gun in a jiff
An', jist as the dicky-bird's duckin' 'is 'ead,
I skittles the beggar stiff.
Well, you should 'a' seen 'ow this strange bloke gapes:
Lip like a motherless colt.
An' eyes stickin' out like a couple o' grapes.
Chee! 'Arry an' me did larf!

'E goggles a bit, then 'e goes orf pop,
But we're two to 'is one, so we smiles.
Then he threatens to give us in charge to a cop.
Fat chance! There ain't one in miles!
Red robin it was. If you only 'ad seen!
Real trustful-like, 'avin' 'is barf,
When - Plunk! An' 'is blood spurts over the green.
Chee! Arry an' me did larf!

I can't stop larfin' whenever I think
Of that comedy there by the creek.
Singin' robin 'e was with a breast all pink.
(We are goin' again nex' week.)
There 'e was, splashin' all over the place,

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poem by Clarence Michael James Stanislaus Dennis
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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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poem by Gilbert Keith Chesterton
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Seventh Book

'THE woman's motive? shall we daub ourselves
With finding roots for nettles? 'tis soft clay
And easily explored. She had the means,
The moneys, by the lady's liberal grace,
In trust for that Australian scheme and me,
Which so, that she might clutch with both her hands,
And chink to her naughty uses undisturbed,
She served me (after all it was not strange,;
'Twas only what my mother would have done)
A motherly, unmerciful, good turn.

'Well, after. There are nettles everywhere,
But smooth green grasses are more common still;
The blue of heaven is larger than the cloud;
A miller's wife at Clichy took me in
And spent her pity on me,–made me calm
And merely very reasonably sad.
She found me a servant's place in Paris where
I tried to take the cast-off life again,
And stood as quiet as a beaten ass
Who, having fallen through overloads, stands up
To let them charge him with another pack.

'A few months, so. My mistress, young and light,
Was easy with me, less for kindness than
Because she led, herself, an easy time
Betwixt her lover and her looking-glass,
Scarce knowing which way she was praised the most.
She felt so pretty and so pleased all day
She could not take the trouble to be cross,
But sometimes, as I stooped to tie her shoe,
Would tap me softly with her slender foot
Still restless with the last night's dancing in't,
And say 'Fie, pale-face! are you English girls
'All grave and silent? mass-book still, and Lent?
'And first-communion colours on your cheeks,
'Worn past the time for't? little fool, be gay!'
At which she vanished, like a fairy, through
A gap of silver laughter.
'Came an hour
When all went otherwise. She did not speak,
But clenched her brows, and clipped me with her eyes
As if a viper with a pair of tongs,
Too far for any touch, yet near enough
To view the writhing creature,–then at last,
'Stand still there, in the holy Virgin's name,
'Thou Marian; thou'rt no reputable girl,
'Although sufficient dull for twenty saints!
'I think thou mock'st me and my house,' she said;
'Confess thou'lt be a mother in a month,

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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