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The Swagman

Oh, he was old and he was spare;
His bushy whiskers and his hair
Were all fussed up and very grey
He said he'd come a long, long way
And had a long, long way to go.
Each boot was broken at the toe,
And he'd a swag upon his back.
His billy-can, as black as black,
Was just the thing for making tea
At picnics, so it seemed to me.

'Twas hard to earn a bite of bread,
He told me. Then he shook his head,
And all the little corks that hung
Around his hat-brim danced and swung
And bobbed about his face; and when
I laughed he made them dance again.
He said they were for keeping flies -
"The pesky varmints" - from his eyes.
He called me "Codger". . . "Now you see
The best days of your life," said he.
"But days will come to bend your back,
And, when they come, keep off the track.
Keep off, young codger, if you can.
He seemed a funny sort of man.

He told me that he wanted work,
But jobs were scarce this side of Bourke,
And he supposed he'd have to go
Another fifty mile or so.
"Nigh all my life the track I've walked,"
He said. I liked the way he talked.
And oh, the places he had seen!
I don't know where he had not been -
On every road, in every town,
All through the country, up and down.
"Young codger, shun the track," he said.
And put his hand upon my head.
I noticed, then, that his old eyes
Were very blue and very wise.
"Ay, once I was a little lad,"
He said, and seemed to grow quite sad.

I sometimes think: When I'm a man,
I'll get a good black billy-can
And hang some corks around my hat,
And lead a jolly life like that.

poem by Clarence Michael James Stanislaus Dennis
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Using Boot Camp

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poem by Caasder Fronds
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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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poem by Gilbert Keith Chesterton
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Billy Barlow In Australia

When I was at home I was down on my luck,
And I earned a poor living by drawing a truck;
But old aunt died, and left me a thousand—"Oh, oh,
I'll start on my travels," said Billy Barlow.
Oh dear, lackaday, oh,
So off to Australia came Billy Barlow.
When to Sydney I got, there a merchant I met,
Who said he would teach me a fortune to get;
He'd cattle and sheep past the colony's bounds,
Which he sold with the station for my thousand pounds.
Oh dear, lackaday, oh,
He gammon'd the cash out of Billy Barlow.
When the bargain was struck, and the money was paid,
He said, "My dear fellow, your fortune is made;
I can furnish supplies for the station, you know,
And your bill is sufficient, good Mr. Barlow."
Oh dear, lackaday, oh,
A gentleman settler was Billy Barlow.
So I got my supplies, and I gave him my bill,
And for New England started, my pockets to fill;
But by bushrangers met, with my traps they made free,
Took my horse and left Billy bailed to a tree.
Oh dear, lackaday, oh,
"I shall die of starvation," thought Billy Barlow.

At last I got loose, and I walked on my way;
A constable came up, and to me did say,
"Are you free?" Says I, "Yes, to be sure; don't you know?"
And I handed my card, "Mr. William Barlow."
Oh dear, lackaday, oh,
He said, "That's all gammon," to Billy Barlow.
Then he put on the handcuffs, and brought me away
Right back down to Maitland, before Mr. Day.
When I said I was free, why the J.P. replied,
"I must send you down to be i—dentified."
Oh dear, lackaday, oh,
So to Sydney once more went poor Billy Barlow.
They at last let me go, and I then did repair
For my station once more, and at length I got there;
But a few days before, the blacks, you must know,
Had spear'd all the cattle of Billy Barlow.
Oh dear, lackaday, oh,
"It's a beautiful country," said Billy Barlow.

And for nine months before no rain there had been,
So the devil a blade of grass could be seen;
And one-third of my wethers the scab they had got,
And the other two-thirds had just died of the rot.
Oh dear, lackaday, oh,
"I shall soon be a settler," said Billy Barlow.

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poem by Andrew Barton Paterson
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poem by Rwetewrt Erwtwer
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poem by Caasder Fronds
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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;

Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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poem by Robinson Jeffers
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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poem by Robert Browning from The Ring and the Book
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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poem by Robert Browning (1871)
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The Old Manor House

AN old house, crumbling half away, all barnacled and lichen-grown,
Of saddest, mellowest, softest grey,—with a grand history of its own—
Grand with the work and strife and tears of more than half a thousand years.

Such delicate, tender, russet tones of colour on its gables slept,
With streaks of gold betwixt the stones, where wind-sown flowers and mosses crept:
Wild grasses waved in sun and shade o'er terrace slab and balustrade.

Around the clustered chimneys clung the ivy's wreathed and braided threads,
And dappled lights and shadows flung across the sombre browns and reds;
Where'er the graver's hand had been, it spread its tendrils bright and green.

Far-stretching branches shadowed deep the blazoned windows and broad eaves,
And rocked the faithful rooks asleep, and strewed the terraces with leaves.
A broken dial marked the hours amid damp lawns and garden bowers.

An old house, silent, sad, forlorn, yet proud and stately to the last;
Of all its power and splendour shorn, but rich with memories of the past;
And pitying, from its own decay, the gilded piles of yesterday.

Pitying the new race that passed by, with slighting note of its grey walls,—
And entertaining tenderly the shades of dead knights in its halls,
Whose blood, that soaked these hallowed sods, came down from Scandinavian gods.

I saw it first in summer-time. The warm air hummed and buzzed with bees,
Where now the pale green hop-vines climb about the sere trunks of the trees,
And waves of roses on the ground scented the tangled glades around.

Some long fern-plumes drooped there—below; the heaven above was still and blue;
Just here—between the gloom and glow—a cedar and an aged yew
Parted their dusky arms, to let the glory fall on Margaret.

She leaned on that old balustrade, her white dress tinged with golden air,
Her small hands loosely clasped, and laid amongst the moss and maidenhair:
I watched her, hearing, as I stood, a turtle cooing in the wood—

Hearing a mavis far away, piping his dreamy interludes,
While gusts of soft wind, sweet with hay, swept through those garden solitudes,—
And thinking she was lovelier e'en than my young ideal love had been.

Tall, with that subtle, sensitive grace, which made so plainly manifest
That she was born of noble race,—a cool, hushed presence, bringing rest,
Of one who felt and understood the dignity of womanhood.

Tall, with a slow, proud step and air; with skin half marble and half milk;
With twisted coils of raven hair, blue-tinged, and fine and soft as silk;
With haughty, clear-cut chin and cheek, and broad brows exquisitely Greek;

With still, calm mouth, whose dreamy smile possessed me like a haunting pain,
So rare, so sweet, so free from guile, with that slight accent of disdain;

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poem by Ada Cambridge
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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poem by Robert Browning from The Ring and the Book
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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poem by Robert Browning from The Ring and the Book
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The Loves of the Angels

'Twas when the world was in its prime,
When the fresh stars had just begun
Their race of glory and young Time
Told his first birth-days by the sun;
When in the light of Nature's dawn
Rejoicing, men and angels met
On the high hill and sunny lawn,-
Ere sorrow came or Sin had drawn
'Twixt man and heaven her curtain yet!
When earth lay nearer to the skies
Than in these days of crime and woe,
And mortals saw without surprise
In the mid-air angelic eyes
Gazing upon this world below.

Alas! that Passion should profane
Even then the morning of the earth!
That, sadder still, the fatal stain
Should fall on hearts of heavenly birth-
And that from Woman's love should fall
So dark a stain, most sad of all!

One evening, in that primal hour,
On a hill's side where hung the ray
Of sunset brightening rill and bower,
Three noble youths conversing lay;
And, as they lookt from time to time
To the far sky where Daylight furled
His radiant wing, their brows sublime
Bespoke them of that distant world-
Spirits who once in brotherhood
Of faith and bliss near ALLA stood,
And o'er whose cheeks full oft had blown
The wind that breathes from ALLA'S throne,
Creatures of light such as still play,
Like motes in sunshine, round the Lord,
And thro' their infinite array
Transmit each moment, night and day,
The echo of His luminous word!

Of Heaven they spoke and, still more oft,
Of the bright eyes that charmed them thence;
Till yielding gradual to the soft
And balmy evening's influence-
The silent breathing of the flowers-
The melting light that beamed above,
As on their first, fond, erring hours,-
Each told the story of his love,
The history of that hour unblest,
When like a bird from its high nest

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poem by Thomas Moore
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

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poem by Conrad Potter Aiken
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Rose Mary

Of her two fights with the Beryl-stone
Lost the first, but the second won.

PART I

“MARY mine that art Mary's Rose
Come in to me from the garden-close.
The sun sinks fast with the rising dew,
And we marked not how the faint moon grew;
But the hidden stars are calling you.
“Tall Rose Mary, come to my side,
And read the stars if you'd be a bride.
In hours whose need was not your own,
While you were a young maid yet ungrown
You've read the stars in the Beryl-stone.
“Daughter, once more I bid you read;
But now let it be for your own need:
Because to-morrow, at break of day,
To Holy Cross he rides on his way,
Your knight Sir James of Heronhaye.
“Ere he wed you, flower of mine,
For a heavy shrift he seeks the shrine.
Now hark to my words and do not fear;
Ill news next I have for your ear;
But be you strong, and our help is here.
“On his road, as the rumour's rife,
An ambush waits to take his life.
He needs will go, and will go alone;
Where the peril lurks may not be known;
But in this glass all things are shown.”
Pale Rose Mary sank to the floor:—
“The night will come if the day is o'er!”
“Nay, heaven takes counsel, star with star,
And help shall reach your heart from afar:
A bride you'll be, as a maid you are.”
The lady unbound her jewelled zone
And drew from her robe the Beryl-stone.
Shaped it was to a shadowy sphere,—
World of our world, the sun's compeer,
That bears and buries the toiling year.
With shuddering light 'twas stirred and strewn
Like the cloud-nest of the wading moon:
Freaked it was as the bubble's ball,
Rainbow-hued through a misty pall
Like the middle light of the waterfall.
Shadows dwelt in its teeming girth
Of the known and unknown things of earth;
The cloud above and the wave around,—
The central fire at the sphere's heart bound,
Like doomsday prisoned underground.

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poem by Dante Gabriel Rossetti
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Give Me No More Booty

Give me no more booty,
'Cause your booty is too good.
Ah
Booty is too good
Ah
Your booty is too good.

Give me no more booty,
'Cause your booty is too good.
I can never stop,
When you give it out a lot.

Give me no more booty,
'Cause your booty is too good.
Giving me so much,
Makes my head get such a rush.

I can't sustain my game with it!
Or sustain my need to be relieved.
I'm whipped!
Quick.

Give me no more booty,
'Cause your booty is too good.
Ah
Booty is too good
Ah
Your booty is too good.

Give me no more booty,
'Cause your booty is too good.
I can never stop,
When you give it out a lot.

I'm no beast to eatcha.
When you are in heat.
I'd rather just keep ya...
Between sheets,
Beneath.
Oh,
I'm no beast to eatcha.
When you are in heat.
I'd rather just keep ya...
Between sheets,
Beneath.
Oh,
But...
Give me no more booty,
'Cause your booty is too good.
Ah

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poem by Lawrence S. Pertillar
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University Of Central Florida Volleyball

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poem by Caasder Fronds
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Lara. A Tale

The Serfs are glad through Lara's wide domain,
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord--
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself;--that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest!--
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
'Yet doth he live!' exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwelling-place;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.

IV.
He comes at last in sudden loneliness,
And whence they know not, why they need not guess;

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poem by Byron
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Where's My Billy Goat Gone To?

'Twas a birthday gift Miss Posie had
When she was nine, and twenty:
Not of gold -- Oh, no! -- nor gem, nor pearl,
Tho' he who gave had plenty.
'Twas a gift she took so much to heart,
Her neighbors thought her silly;
'Twas a B-A-B-Y (Baby) Goat,
A snow-white Baby Billy!
Pretty little Billy, Billy -- Oh!
Where's my Billy Goat gone to?

Take my home! Take my farm!
Yes, me too (if you want to);
But tell me! tell me!
Where's my Billy Goat gone to?
Pretty little Billy, Billy -- Oh!
Where's my Billy Goat gone to?

When she tried to teach him how to read,
Twas only "baa" he'd utter;
As she coaxed him then with cake and cream,
He'd slyly turn to butt her.
Yet he taught himself a thousand tricks,
And many a curious caper;
He would clamber to her chimney top,
And dine there on brown paper.

When the winter came she bought him shoes,
And flannel red she ordered
For a Sunday suit, with trousers cut
Four-legged and embroidered
On the steeple soon in tatters hung,
They set the parson snarling;
And he called that goat Be-el-ze-bub --
The one that she called Darling.
Pretty little Billy, Billy -- Oh!
Where's my Billy Goat gone to?

He was fond of roaming on the rocks,
With workmen in the quarry;
And if there he found their luncheon pails,
Not he but they were sorry.
For he raised aloft his iron brow,
Despite the foreman's clamor;
And the pails, he crushed them one by one,
As with a blacksmith's hammer.
Pretty little Billy, Billy -- Oh!
Where's my Billy Goat gone to?

Then for pails replaced and pails concealed

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poem by Henry Clay Work
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The Rape of the Lock

Part 1

WHAT dire Offence from am'rous Causes springs,
What mighty Contests rise from trivial Things,
I sing -- This Verse to C---, Muse! is due;
This, ev'n Belinda may vouchfafe to view:
Slight is the Subject, but not so the Praise,
If She inspire, and He approve my Lays.
Say what strange Motive, Goddess! cou'd compel
A well-bred Lord t'assault a gentle Belle?
Oh say what stranger Cause, yet unexplor'd,
Cou'd make a gentle Belle reject a Lord?
And dwells such Rage in softest Bosoms then?
And lodge such daring Souls in Little Men?

Sol thro' white Curtains shot a tim'rous Ray,
And op'd those Eyes that must eclipse the Day;
Now Lapdogs give themselves the rowzing Shake,
And sleepless Lovers, just at Twelve, awake:
Thrice rung the Bell, the Slipper knock'd the Ground,
And the press'd Watch return'd a silver Sound.
Belinda still her downy Pillow prest,
Her Guardian Sylph prolong'd the balmy Rest.
'Twas he had summon'd to her silent Bed
The Morning-Dream that hover'd o'er her Head.
A Youth more glitt'ring than a Birth-night Beau,
(That ev'n in Slumber caus'd her Cheek to glow)
Seem'd to her Ear his winning Lips to lay,
And thus in Whispers said, or seem'd to say.

Fairest of Mortals, thou distinguish'd Care
Of thousand bright Inhabitants of Air!
If e'er one Vision touch'd thy infant Thought,
Of all the Nurse and all the Priest have taught,
Of airy Elves by Moonlight Shadows seen,
The silver Token, and the circled Green,
Or Virgins visited by Angel-Pow'rs,
With Golden Crowns and Wreaths of heav'nly Flowers,
Hear and believe! thy own Importance know,
Nor bound thy narrow Views to Things below.
Some secret Truths from Learned Pride conceal'd,
To Maids alone and Children are reveal'd:
What tho' no Credit doubting Wits may give?
The Fair and Innocent shall still believe.
Know then, unnumbered Spirits round thee fly,
The light Militia of the lower Sky;
These, tho' unseen, are ever on the Wing,
Hang o'er the Box, and hover round the Ring.
Think what an Equipage thou hast in Air,
And view with scorn Two Pages and a Chair.

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poem by Alexander Pope
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Lara

LARA. [1]

CANTO THE FIRST.

I.

The Serfs are glad through Lara's wide domain, [2]
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord —
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.

The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself; — that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest! —
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.

And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
"Yet doth he live!" exclaims the impatient heir,
And sighs for sables which he must not wear.

[...] Read more

poem by Byron
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