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POW from Sheba's Dressing

Reminders of her ransack,
His collage of memories;
Like podcasts playing in his psyche;
Her flowing locks,
Pitch black with quaint curves,
Hugging the upper margin of her luscious hipbones;
Waltzing in the serenading breeze;
Her smile, like the advent of spring;
Amidst a Celtic winter-coated dawn;
Petite Dentile stubs that shimmer;
Like a string of white topazes;
Awakening spring time;
Her body, a luscious carpet;
In a Celtic glow, that ushers in, a scent of perfection;
Celtic clay immaculately molded by God's palms;
To conceive my goddess, Eve;
With a skip in her step, a gazelle's gait;
As I slurp the remnants of the droplets of liquid food;
That scatter inside the squalid margins of my plastic plate;
As I rest in my collage of memories;
Of her, my fleeting sylph;
Waiting to taste precious freedom;
As I gaze at her aura from behind my iron bars;
The only sanctuary left,
For a prisoner of war in Sheba's dressing.

poem by Dilantha Gunawardana
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University Of Central Florida Volleyball

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poem by Caasder Fronds
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Waltzing Matilda

Words and music: m. cowan
Roy sang this song whilst on an australian tour
It was taped by a fan and circulated.....
Once a jolly swagman, campd by a billabong,
Under the shade of a coolibah tree,
And he sang as he watchd and waited till his billy boiled,
Youll come a waltzing matilda with me.
Waltzing matilda, waltzing matilda,
Youll come a waltzing matilda with me,
And he sang as he sat and waited till his billy boiled,
Youll come a waltzing matilda with me.
Down came a jumbuck to drink at that billabong,
Up jumped the swagman and grabbed him with glee,
And he sang as he shaoved that jumbuck in his tucker bag,
Youll come a waltzing matilda with me.
Waltzing matilda, waltzing matilda,
Youll come a waltzing matilda with me,
And he sang as he shaoved that jumbuck in his tucker bag,
Youll come a waltzing matilda with me.
Up rode the squatter mounted on his thoroughbred,
Down come the troopers, one, two, three,
Whose that jolly jumbuck youve got in your tucker bag?
Youll come a waltzing matilda with me.
Waltzing matilda, waltzing matilda,
Youll come a waltzing matilda with me,
Whose that jolly jumbuck youve got in your tucker bag?
Youll come a waltzing matilda with me.
Up jumped the swagman, sprang into the billabong,
Drowning himself by the coolibah tree,
And his ghost may be heard as you pass by that billabong,
Youll come a waltzing matilda with me.
Waltzing matilda, waltzing matilda,
Youll come a waltzing matilda with me,
And his ghost may be heard as you pass by that billabong,
Youll come a waltzing matilda with me.

song performed by Roy Orbison
Added by Lucian Velea
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Tom Traubert's Blues

(Tom Waits)
Wasted and wounded
And it ain't what the moon did
I got what I paid for now
See you tomorrow
Hey Frank can I borrow
A couple of bucks from you
To go waltzing Matilda waltzing Matilda
You'll go waltzing Matilda with me
I'm an innocent victim
of a blinded alley
And I'm tired of all these soldiers here
No-one speaks English
And everything's broken
And my strength is soaking away
To go waltzing Matilda, waltzing Matilda
You'll go a waltzing Malitda with me
Now the dogs they are barking
and the taxi cab's parking
A lot they can do for me
I begged you to stab me
You tore my shirt open
And I'm down on my knees tonight
Old bushmills I staggered
You buried the dagger
Your silhouette window light
To go waltzing Matilda, waltzing Matilda
You'll go a waltzing Matilda with me
Now I've lost my St. Christopher
Now that I kissed her
And the one-arm bandit knows
And the maverick Chinaman
with the cold-blooded sigh
And the girls down by the striptease shows go
Waltzing Matilda, waltzing Matilda
You'll go a waltzing Matilda with me
No I don't want your sympathy
Fugitives say
that the streets aren't for dreaming now
Manslaughter dragnet
and the ghost that sells memories
Want a piece of the action anyhow
Go waltzing Matilda, waltzing Matilda
You'll go waltzing Matilda with me
And you can ask any sailor
And the keys from the jailor
And the old men in wheelchairs know
That Matilda's the defendant
She killed about a hundred
And she follows wherever you may go

[...] Read more

song performed by Rod Stewart
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The Princess (part 2)

At break of day the College Portress came:
She brought us Academic silks, in hue
The lilac, with a silken hood to each,
And zoned with gold; and now when these were on,
And we as rich as moths from dusk cocoons,
She, curtseying her obeisance, let us know
The Princess Ida waited: out we paced,
I first, and following through the porch that sang
All round with laurel, issued in a court
Compact of lucid marbles, bossed with lengths
Of classic frieze, with ample awnings gay
Betwixt the pillars, and with great urns of flowers.
The Muses and the Graces, grouped in threes,
Enringed a billowing fountain in the midst;
And here and there on lattice edges lay
Or book or lute; but hastily we past,
And up a flight of stairs into the hall.

There at a board by tome and paper sat,
With two tame leopards couched beside her throne,
All beauty compassed in a female form,
The Princess; liker to the inhabitant
Of some clear planet close upon the Sun,
Than our man's earth; such eyes were in her head,
And so much grace and power, breathing down
From over her arched brows, with every turn
Lived through her to the tips of her long hands,
And to her feet. She rose her height, and said:

'We give you welcome: not without redound
Of use and glory to yourselves ye come,
The first-fruits of the stranger: aftertime,
And that full voice which circles round the grave,
Will rank you nobly, mingled up with me.
What! are the ladies of your land so tall?'
'We of the court' said Cyril. 'From the court'
She answered, 'then ye know the Prince?' and he:
'The climax of his age! as though there were
One rose in all the world, your Highness that,
He worships your ideal:' she replied:
'We scarcely thought in our own hall to hear
This barren verbiage, current among men,
Light coin, the tinsel clink of compliment.
Your flight from out your bookless wilds would seem
As arguing love of knowledge and of power;
Your language proves you still the child. Indeed,
We dream not of him: when we set our hand
To this great work, we purposed with ourself
Never to wed. You likewise will do well,
Ladies, in entering here, to cast and fling

[...] Read more

poem by Alfred Lord Tennyson
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Seasonable Retour-Knell

SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS

Author notes

A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000

In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.

For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.

Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.

One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.

Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER

Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.

Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.

AUTUMN WINTER

Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.

Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,

[...] Read more

poem by Jonathan Robin
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A Country Path in Late Spring

The path of mossy ground nestled
In between maternal hedgerows,
That overgrew atop, dimming down
The brilliance of the day.
Embosomed, a calm-cool vision –
Abstract takes of nature, in
Leaf-spattered green shades;
Stem-speckled brown hues;
Shards of sunlight percolating
Through the random flaws to
Up glittering sprites upon the leaves.

And avian chatter bounced along the burrow,
Smattered by the crosstalk
Of busybody insects;
But outside the green comfort zone,
Other worlds of other sounds of other life
Otherwise gave a hint of
Other dozy goings on.

Hawthorn filled the air,
Filled the nose,
Filled the head –
Pungency had overpowered all –
Gave the late-spring-early-summer haze.

Here and there a break of colour:
Odd bluebells – escapees from nearby woods –
Blue-blushing bell faces glancing down,
Aware of their erectness in the stem;
The flaming wing of red admirals
Broke through a hedge hole to
Break up the calm backdrop,
While flitting blue tits gave
To greater-bodied animation.

Nature’s warm narration –
The undertones of life.

Copyright © Mark R Slaughter 2010

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poem by Mark R Slaughter
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The Georgics

GEORGIC I

What makes the cornfield smile; beneath what star
Maecenas, it is meet to turn the sod
Or marry elm with vine; how tend the steer;
What pains for cattle-keeping, or what proof
Of patient trial serves for thrifty bees;-
Such are my themes.
O universal lights
Most glorious! ye that lead the gliding year
Along the sky, Liber and Ceres mild,
If by your bounty holpen earth once changed
Chaonian acorn for the plump wheat-ear,
And mingled with the grape, your new-found gift,
The draughts of Achelous; and ye Fauns
To rustics ever kind, come foot it, Fauns
And Dryad-maids together; your gifts I sing.
And thou, for whose delight the war-horse first
Sprang from earth's womb at thy great trident's stroke,
Neptune; and haunter of the groves, for whom
Three hundred snow-white heifers browse the brakes,
The fertile brakes of Ceos; and clothed in power,
Thy native forest and Lycean lawns,
Pan, shepherd-god, forsaking, as the love
Of thine own Maenalus constrains thee, hear
And help, O lord of Tegea! And thou, too,
Minerva, from whose hand the olive sprung;
And boy-discoverer of the curved plough;
And, bearing a young cypress root-uptorn,
Silvanus, and Gods all and Goddesses,
Who make the fields your care, both ye who nurse
The tender unsown increase, and from heaven
Shed on man's sowing the riches of your rain:
And thou, even thou, of whom we know not yet
What mansion of the skies shall hold thee soon,
Whether to watch o'er cities be thy will,
Great Caesar, and to take the earth in charge,
That so the mighty world may welcome thee
Lord of her increase, master of her times,
Binding thy mother's myrtle round thy brow,
Or as the boundless ocean's God thou come,
Sole dread of seamen, till far Thule bow
Before thee, and Tethys win thee to her son
With all her waves for dower; or as a star
Lend thy fresh beams our lagging months to cheer,
Where 'twixt the Maid and those pursuing Claws
A space is opening; see! red Scorpio's self
His arms draws in, yea, and hath left thee more
Than thy full meed of heaven: be what thou wilt-
For neither Tartarus hopes to call thee king,

[...] Read more

poem by Virgil
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Waltzing Matilda

(sung by tico torres)
Wasted and wounded, it aint what the mood did,
Ive got what I prayed for now
Ill see you tomorrow, hey frank, can I borrow a couple of bucks from you
To go waltzing mathilda, waltzing mathilda,
Youll go waltzing mathilda with me
Im an innocent victim of a blinded alley
And Im tired of all these soldiers here
No one speaks english, and everythings broken, and my stacys are
Soaking wet to go waltzing mathilda, waltzing mathilda,
Youll go waltzing mathilda with me
Now I lost my saint christopher now that Ive kissed her
And the one-armed bandit knows
That the maverick chinaman with his cold-blooded style
And the girls stand by the strip-tease shows, go
Waltzing mathilda, waltzing mathilda,
Youll go waltzing mathilda with me
Now I dont want your sympathy, the fugitive says
That the streets aint for dreaming now
Manslaughter dragnets and the ghosts that sell memories,
Want a piece of the action anyhow
Go waltzing mathilda, waltzing mathilda,
Youll go waltzing mathilda with me
Its a battered old suitcase in a hotel someplace,
And a wound that will never heal
No prima donnas, the perfume is on
Its an old shirt thats stained with blood and whiskey
And goodnight to the street sweepers, the night watchmen, the flame
Keepers
Goodnight mathilda, too
And goodnight mathilda, too

song performed by Bon Jovi
Added by Lucian Velea
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The Four Seasons : Spring

Come, gentle Spring! ethereal Mildness! come,
And from the bosom of yon dropping cloud,
While music wakes around, veil'd in a shower
Of shadowing roses, on our plains descend.
O Hertford, fitted or to shine in courts
With unaffected grace, or walk the plain
With innocence and meditation join'd
In soft assemblage, listen to my song,
Which thy own Season paints; when Nature all
Is blooming and benevolent, like thee.
And see where surly Winter passes off,
Far to the north, and calls his ruffian blasts:
His blasts obey, and quit the howling hill,
The shatter'd forest, and the ravaged vale;
While softer gales succeed, at whose kind touch,
Dissolving snows in livid torrents lost,
The mountains lift their green heads to the sky.
As yet the trembling year is unconfirm'd,
And Winter oft at eve resumes the breeze,
Chills the pale morn, and bids his driving sleets
Deform the day delightless: so that scarce
The bittern knows his time, with bill ingulf'd,
To shake the sounding marsh; or from the shore
The plovers when to scatter o'er the heath,
And sing their wild notes to the listening waste
At last from Aries rolls the bounteous sun,
And the bright Bull receives him. Then no more
The expansive atmosphere is cramp'd with cold
But, full of life and vivifying soul,
Lifts the light clouds sublime, and spreads then thin,
Fleecy, and white, o'er all-surrounding heaven.
Forth fly the tepid airs: and unconfined,
Unbinding earth, the moving softness strays.
Joyous, the impatient husbandman perceives
Relenting Nature, and his lusty steers
Drives from their stalls, to where the well used plough
Lies in the furrow, loosen'd from the frost.
There, unrefusing, to the harness'd yoke
They lend their shoulder, and begin their toil,
Cheer'd by the simple song and soaring lark.
Meanwhile incumbent o'er the shining share
The master leans, removes the obstructing clay,
Winds the whole work, and sidelong lays the glebe
While through the neighbouring fields the sowe stalks,
With measured step, and liberal throws the grain
Into the faithful bosom of the ground;
The harrow follows harsh, and shuts the scene.
Be gracious, Heaven! for now laborious Man
Has done his part. Ye fostering breezes, blow!
Ye softening dews, ye tender showers, descend!

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poem by James Thomson
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Stiff Upper Lip

(young - young)
Well I was out on a drive
On a bit of a trip
Lookin for thrills
To get me some kicks
Now I warn you ladies
I shoot from the hip
I was born with a stiff
Stiff upper lip
Like a dog in a howl
I bite everything
And Im big and Im drawl
And Ill ball your thing
I keep a stiff upper lip
And I shoot from the hip
I keep a stiff upper lip
And I shoot
And I shoot
Shoot from the hip
Yeah I shoot from the hip
Now listen
Well Im workin it out
And Ive done everything
And I cant reform no
Can you feel my sting
Babe I keep a stiff upper lip
And I shoot from the hip, yeah
I keep a stiff upper lip
And I shoot
And I shoot
And I shoot, shoot, shoot
Shoot from the hip
Well Im out on the prowl
And Ill ball your thing
I got the teeth thatll bite you
Can you feel my sting
Babe I keep a stiff upper lip
And I shoot from the hip
I keep a stiff upper lip
And I shoot shoot shoot from the hip
I got a (stiff upper lip)
Better believe me (stiff upper lip)
Comin down (stiff upper lip)
See my (stiff upper lip)
Yeah I got a (stiff upper lip)
Stiff upper lip
Stiff upper lip
I got a stiff upper lip
I got a stiff upper lip
Stiff upper lip

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song performed by AC-DC
Added by Lucian Velea
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The Four Seasons : Autumn

Crown'd with the sickle and the wheaten sheaf,
While Autumn, nodding o'er the yellow plain,
Comes jovial on; the Doric reed once more,
Well pleased, I tune. Whate'er the wintry frost
Nitrous prepared; the various blossom'd Spring
Put in white promise forth; and Summer-suns
Concocted strong, rush boundless now to view,
Full, perfect all, and swell my glorious theme.
Onslow! the Muse, ambitious of thy name,
To grace, inspire, and dignify her song,
Would from the public voice thy gentle ear
A while engage. Thy noble cares she knows,
The patriot virtues that distend thy thought,
Spread on thy front, and in thy bosom glow;
While listening senates hang upon thy tongue,
Devolving through the maze of eloquence
A roll of periods, sweeter than her song.
But she too pants for public virtue, she,
Though weak of power, yet strong in ardent will,
Whene'er her country rushes on her heart,
Assumes a bolder note, and fondly tries
To mix the patriot's with the poet's flame.
When the bright Virgin gives the beauteous days,
And Libra weighs in equal scales the year;
From Heaven's high cope the fierce effulgence shook
Of parting Summer, a serener blue,
With golden light enliven'd, wide invests
The happy world. Attemper'd suns arise,
Sweet-beam'd, and shedding oft through lucid clouds
A pleasing calm; while broad, and brown, below
Extensive harvests hang the heavy head.
Rich, silent, deep, they stand; for not a gale
Rolls its light billows o'er the bending plain:
A calm of plenty! till the ruffled air
Falls from its poise, and gives the breeze to blow.
Rent is the fleecy mantle of the sky;
The clouds fly different; and the sudden sun
By fits effulgent gilds the illumined field,
And black by fits the shadows sweep along.
A gaily chequer'd heart-expanding view,
Far as the circling eye can shoot around,
Unbounded tossing in a flood of corn.
These are thy blessings, Industry! rough power!
Whom labour still attends, and sweat, and pain;
Yet the kind source of every gentle art,
And all the soft civility of life:
Raiser of human kind! by Nature cast,
Naked, and helpless, out amid the woods
And wilds, to rude inclement elements;
With various seeds of art deep in the mind

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poem by James Thomson
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The Dream

'TWAS summer eve; the changeful beams still play'd
On the fir-bark and through the beechen shade;
Still with soft crimson glow'd each floating cloud;
Still the stream glitter'd where the willow bow'd;
Still the pale moon sate silent and alone,
Nor yet the stars had rallied round her throne;
Those diamond courtiers, who, while yet the West
Wears the red shield above his dying breast,
Dare not assume the loss they all desire,
Nor pay their homage to the fainter fire,
But wait in trembling till the Sun's fair light
Fading, shall leave them free to welcome Night!

So when some Chief, whose name through realms afar
Was still the watchword of succesful war,
Met by the fatal hour which waits for all,
Is, on the field he rallied, forced to fall,
The conquerors pause to watch his parting breath,
Awed by the terrors of that mighty death;
Nor dare the meed of victory to claim,
Nor lift the standard to a meaner name,
Till every spark of soul hath ebb'd away,
And leaves what was a hero, common clay.

Oh! Twilight! Spirit that dost render birth
To dim enchantments; melting Heaven with Earth,
Leaving on craggy hills and rumning streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,
And, tho' such radliance round him brightly glows,
Marks the small spark his cottage window throws.
Still as his heart forestals his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life,
His rosy children, and his sunburnt wife,

To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past,
And those poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turn'd quietly aside;
But him they wait for, him they welcome home,
Fond sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
The frugal meal prepared, are all for him;
For him the watching of that sturdy boy,

[...] Read more

poem by Caroline Elizabeth Sarah Norton
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Those Hugging Touches I Thought Luscious

I don't get lonely,
But sometimes I wish for company.
I don't get lonely,
But sometimes there is a need in me...
A want,
For a kiss, a touch with a hug!

I don't get lonely,
But sometimes I wish for company.
I don't get lonely,
But sometimes there is a need in me...
A want,
For a kiss, a touch with a hug!

It's been so long,
I now admit I miss...
Those hugging touches I thought luscious,
Kissing with it!

It's been so long,
I now admit I miss...
Those hugging touches I thought luscious,
Kissing with it!

I don't get lonely but I do admit I miss,
Those hugging touches I thought luscious...
Kissing with it!

I don't get lonely but I do admit I miss,
Those hugging touches I thought luscious...
Kissing with it!

Those hugging touches I thought luscious...
Kissing with it!

Those hugging touches I thought luscious...
Right now I know are missed.

poem by Lawrence S. Pertillar
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The Bridal of Pennacook

We had been wandering for many days
Through the rough northern country. We had seen
The sunset, with its bars of purple cloud,
Like a new heaven, shine upward from the lake
Of Winnepiseogee; and had felt
The sunrise breezes, midst the leafy isles
Which stoop their summer beauty to the lips
Of the bright waters. We had checked our steeds,
Silent with wonder, where the mountain wall
Is piled to heaven; and, through the narrow rift
Of the vast rocks, against whose rugged feet
Beats the mad torrent with perpetual roar,
Where noonday is as twilight, and the wind
Comes burdened with the everlasting moan
Of forests and of far-off waterfalls,
We had looked upward where the summer sky,
Tasselled with clouds light-woven by the sun,
Sprung its blue arch above the abutting crags
O'er-roofing the vast portal of the land
Beyond the wall of mountains. We had passed
The high source of the Saco; and bewildered
In the dwarf spruce-belts of the Crystal Hills,
Had heard above us, like a voice in the cloud,
The horn of Fabyan sounding; and atop
Of old Agioochook had seen the mountains'
Piled to the northward, shagged with wood, and thick
As meadow mole-hills,—the far sea of Casco,
A white gleam on the horizon of the east;
Fair lakes, embosomed in the woods and hills;
Moosehillock's mountain range, and Kearsarge
Lifting his granite forehead to the sun!

And we had rested underneath the oaks
Shadowing the bank, whose grassy spires are shaken
By the perpetual beating of the falls
Of the wild Ammonoosuc. We had tracked
The winding Pemigewasset, overhung
By beechen shadows, whitening down its rocks,
Or lazily gliding through its intervals,
From waving rye-fields sending up the gleam
Of sunlit waters. We had seen the moon
Rising behind Umbagog's eastern pines,
Like a great Indian camp-fire; and its beams
At midnight spanning with a bridge of silver
The Merrimac by Uncanoonuc's falls.

There were five souls of us whom travel's chance
Had thrown together in these wild north hills
A city lawyer, for a month escaping
From his dull office, where the weary eye

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poem by John Greenleaf Whittier
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And The Band Played Waltzing Matilda

When I was a young man I carried my pack
And I lived the free life of a rover
From the murrays green basin to the dusty outback
I waltzed my matilda all over
Then in nineteen fifteen my country said son
Its time to stop rambling cause theres work to be
Done
So they gave me a tin hat and they gave me a gun
And they sent me away to the war
And the band played waltzing matilda
As we sailed away from the quay
And amidst all the tears and the shouts and the
Cheers
We sailed off to gallipoli
How well I remember that terrible day
the blood stained the sand and the water
And how in that hell that they called suvla bay
We were butchered like lambs at the slaughter
Johnny turk he was ready, he primed himself well
He us with bullets, he rained us with
Shells
And in five minutes flat hed blown us all to hell
Nearly blew us right back to australia
But the band played waltzing matilda
As we stopped to bury our slain
And we buried ours and the turks buried theirs
Then started all over again
Now those to survive>
In <that> mad world of blood, death and fire
And for weeks I kept myself alive
the corpses around me piled higher>
Then a big turkish shell knocked me arse over tit
And when I woke up in my hospital bed
And saw what it had done, I wished I was
Dead
Never knew there were worse things than dying
no more Ill go waltzing matilda
<to> the green far and near
For to hump tent and pegs, a man needs two legs
No more waltzing matilda for me
So they collected the cripples, the wounded
Maimed
And they shipped us back home to australia
<the legless, the armless>, the blind insane
Those proud wounded heroes of suvla
And as our ship pulled into circular quay
I looked at the place where legs used to be
And thank christ there was nobody waiting for me
To grieve and to mourn and to pity
And the band played waltzing matilda

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song performed by Pogues
Added by Lucian Velea
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The Band Played Waltzing Matilda

When I was a young man I carried my pack
And I lived the free life of a rover
From the Murrays green basin to the dusty outback
I waltzed my Matilda all over
Then in nineteen fifteen my country said Son
It's time to stop rambling 'cause there's work to be
done
So they gave me a tin hat and they gave me a gun
And they sent me away to the war
And the band played Waltzing Matilda
As we sailed away from the quay
And amidst all the tears and the shouts and the
cheers
We sailed off to Gallipoli
How well I remember that terrible day
the blood stained the sand and the water
And how in that hell that they called Suvla Bay
We were butchered like lambs at the slaughter
Johnny Turk he was ready, he primed himself well
He us with bullets, he rained us with
shells
And in five minutes flat he'd blown us all to hell
Nearly blew us right back to Australia
But the band played Waltzing Matilda
As we stopped to bury our slain
And we buried ours and the Turks buried theirs
Then started all over again
Now those to survive>
In <that> mad world of blood, death and fire
And for weeks I kept myself alive
the corpses around me piled higher>
Then a big Turkish shell knocked me arse over tit
And when I woke up in my hospital bed
And saw what it had done, I wished I was
dead
Never knew there were worse things than dying
no more I'll go waltzing Matilda
<To> the green far and near
For to hump tent and pegs, a man needs two legs
No more waltzing Matilda for me
So they collected the cripples, the wounded
maimed
And they shipped us back home to Australia
<The legless, the armless>, the blind insane
Those proud wounded heroes of Suvla
And as our ship pulled into Circular Quay
I looked at the place where legs used to be
And thank Christ there was nobody waiting for me
To grieve and to mourn and to pity
And the band played Waltzing Matilda

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song performed by Pogues
Added by Lucian Velea
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Soccer–Passion Song

Soccer–Passion Song

Soccer in the evening;
Soccer in the morning;
Soccer in spring and fall.

Soccer in the raining;
Soccer in the snowing;
Soccer in winter and summer.

Soccer in between my feet,
where I walk;
Soccer in my heart and mind,
how I live;
Soccer my love and life.

Soccer I wake up and play;
Soccer I hold it to sleep;
Soccer my work and rest.

Soccer I sing a new song;
Soccer I dance the magic steps;
Soccer my tears and joy.

Soccer my Mom buys it for me to play;
Soccer my Dad brings me to the game;
Soccer my dear Love watches me to score.

Soccer I dribble and shoot;
Soccer I pass and fall;
Soccer my glory and downfall.

Soccer I strike to attack;
Soccer I tackle to defend;
Soccer my struggle and survival.

Soccer I receive the flags and the whistles;
Soccer I get the yellow and red card;
Soccer my moves and stop.

Soccer I meet my friends;
Soccer I make my enemies;
Soccer my conflict and peace.

Soccer I play and watch;
Soccer I watch but cannot play;
Soccer my dream and reality.

Soccer I learn the rights;
Soccer I confess the fouls;

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poem by Laijon Liu
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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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poem by Gilbert Keith Chesterton
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Quatrains Of Life

What has my youth been that I love it thus,
Sad youth, to all but one grown tedious,
Stale as the news which last week wearied us,
Or a tired actor's tale told to an empty house?

What did it bring me that I loved it, even
With joy before it and that dream of Heaven,
Boyhood's first rapture of requited bliss,
What did it give? What ever has it given?

'Let me recount the value of my days,
Call up each witness, mete out blame and praise,
Set life itself before me as it was,
And--for I love it--list to what it says.

Oh, I will judge it fairly. Each old pleasure
Shared with dead lips shall stand a separate treasure.
Each untold grief, which now seems lesser pain,
Shall here be weighed and argued of at leisure.

I will not mark mere follies. These would make
The count too large and in the telling take
More tears than I can spare from seemlier themes
To cure its laughter when my heart should ache.

Only the griefs which are essential things,
The bitter fruit which all experience brings;
Nor only of crossed pleasures, but the creed
Men learn who deal with nations and with kings.

All shall be counted fairly, griefs and joys,
Solely distinguishing 'twixt mirth and noise,
The thing which was and that which falsely seemed,
Pleasure and vanity, man's bliss and boy's.

So I shall learn the reason of my trust
In this poor life, these particles of dust
Made sentient for a little while with tears,
Till the great ``may--be'' ends for me in ``must.''

My childhood? Ah, my childhood! What of it
Stripped of all fancy, bare of all conceit?
Where is the infancy the poets sang?
Which was the true and which the counterfeit?

I see it now, alas, with eyes unsealed,
That age of innocence too well revealed.
The flowers I gathered--for I gathered flowers--
Were not more vain than I in that far field.

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poem by Wilfrid Scawen Blunt
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Evangeline: A Tale of Acadie

This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.

This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.

Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.

PART THE FIRST

I

In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors

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poem by Henry Wadsworth Longfellow
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