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Defrauded I a Butterfly

730

Defrauded I a Butterfly—
The lawful Heir—for Thee—

poem by Emily Dickinson
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Paradise Regained: The Fourth Book

Perplexed and troubled at his bad success
The Tempter stood, nor had what to reply,
Discovered in his fraud, thrown from his hope
So oft, and the persuasive rhetoric
That sleeked his tongue, and won so much on Eve,
So little here, nay lost. But Eve was Eve;
This far his over-match, who, self-deceived
And rash, beforehand had no better weighed
The strength he was to cope with, or his own.
But—as a man who had been matchless held
In cunning, over-reached where least he thought,
To salve his credit, and for very spite,
Still will be tempting him who foils him still,
And never cease, though to his shame the more;
Or as a swarm of flies in vintage-time,
About the wine-press where sweet must is poured,
Beat off, returns as oft with humming sound;
Or surging waves against a solid rock,
Though all to shivers dashed, the assault renew,
(Vain battery!) and in froth or bubbles end—
So Satan, whom repulse upon repulse
Met ever, and to shameful silence brought,
Yet gives not o'er, though desperate of success,
And his vain importunity pursues.
He brought our Saviour to the western side
Of that high mountain, whence he might behold
Another plain, long, but in breadth not wide,
Washed by the southern sea, and on the north
To equal length backed with a ridge of hills
That screened the fruits of the earth and seats of men
From cold Septentrion blasts; thence in the midst
Divided by a river, off whose banks
On each side an Imperial City stood,
With towers and temples proudly elevate
On seven small hills, with palaces adorned,
Porches and theatres, baths, aqueducts,
Statues and trophies, and triumphal arcs,
Gardens and groves, presented to his eyes
Above the highth of mountains interposed—
By what strange parallax, or optic skill
Of vision, multiplied through air, or glass
Of telescope, were curious to enquire.
And now the Tempter thus his silence broke:—
"The city which thou seest no other deem
Than great and glorious Rome, Queen of the Earth
So far renowned, and with the spoils enriched
Of nations. There the Capitol thou seest,
Above the rest lifting his stately head
On the Tarpeian rock, her citadel
Impregnable; and there Mount Palatine,

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poem by John Milton
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The House Of Dust: Part 04: 03: Palimpsest: A Deceitful Portrait

Well, as you say, we live for small horizons:
We move in crowds, we flow and talk together,
Seeing so many eyes and hands and faces,
So many mouths, and all with secret meanings,—
Yet know so little of them; only seeing
The small bright circle of our consciousness,
Beyond which lies the dark. Some few we know—
Or think we know. . . Once, on a sun-bright morning,
I walked in a certain hallway, trying to find
A certain door: I found one, tried it, opened,
And there in a spacious chamber, brightly lighted,
A hundred men played music, loudly, swiftly,
While one tall woman sent her voice above them
In powerful sweetness. . . .Closing then the door
I heard it die behind me, fade to whisper,—
And walked in a quiet hallway as before.
Just such a glimpse, as through that opened door,
Is all we know of those we call our friends. . . .
We hear a sudden music, see a playing
Of ordered thoughts—and all again is silence.
The music, we suppose, (as in ourselves)
Goes on forever there, behind shut doors,—
As it continues after our departure,
So, we divine, it played before we came . . .
What do you know of me, or I of you? . . .
Little enough. . . .We set these doors ajar
Only for chosen movements of the music:
This passage, (so I think—yet this is guesswork)
Will please him,—it is in a strain he fancies,—
More brilliant, though, than his; and while he likes it
He will be piqued . . . He looks at me bewildered
And thinks (to judge from self—this too is guesswork)

The music strangely subtle, deep in meaning,
Perplexed with implications; he suspects me
Of hidden riches, unexpected wisdom. . . .
Or else I let him hear a lyric passage,—
Simple and clear; and all the while he listens
I make pretence to think my doors are closed.
This too bewilders him. He eyes me sidelong
Wondering 'Is he such a fool as this?
Or only mocking?'—There I let it end. . . .
Sometimes, of course, and when we least suspect it—
When we pursue our thoughts with too much passion,
Talking with too great zeal—our doors fly open
Without intention; and the hungry watcher
Stares at the feast, carries away our secrets,
And laughs. . . .but this, for many counts, is seldom.
And for the most part we vouchsafe our friends,
Our lovers too, only such few clear notes

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poem by Conrad Potter Aiken
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The Debate Between Villon And His Heart

Who's that I hear?—It's me—Who?—Your heart
Hanging on by the thinnest thread
I lose all my strength, substance, and fluid
When I see you withdrawn this way all alone
Like a whipped cur sulking in the corner
Is it due to your mad hedonism?—
What's it to you?—I have to suffer for it—
Leave me alone—Why?—I'll think about it—
When will you do that?—When I've grown up—
I've nothing more to tell you—I'll survive without it—

What's your idea?—To be a good man—
You're thirty, for a mule that's a lifetime
You call that childhood?—No—Madness
Must have hold of you—By what, the halter?—
You don't know a thing—Yes I do—What?—Flies in milk
One's white, one's black, they're opposites—
That's all?—How can I say it better?
If that doesn't suit you I'll start over—
You're lost—Well I'll go down fighting—
I've nothing more to tell you—I'll survive without it—

I get the heartache, you the injury and pain
If you were just some poor crazy idiot
I'd be able to make excuses for you
You don't even care, all's one to you, foul or fair
Either your head's harder than a rock
Or you actually prefer misery to honor
Now what do you say to that?—
Once I'm dead I'll rise above it—
God, what comfort—What wise eloquence—
I've nothing more to tell you—I'll survive without it—

Why are you miserable?—Because of my miseries
When Saturn packed my satchel I think
He put in these troubles—That's mad
You're his lord and you talk like his slave
Look what Solomon wrote in his book
"A wise man" he says "has authority
Over the planets and their influence"—
I don't believe it, as they made me I'll be—
What are you saying?—Yes that's what I think—
I've nothing more to tell you—I'll survive without it—

Want to live?—God give me the strength—
It's necessary...—What is?—To feel remorse
Lots of reading—What kind?—Read for knowledge
Leave fools alone—I'll take your advice—
Or will you forget?—I've got it fixed in mind—
Now act before things go from bad to worse

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poem by François Villon
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The House Of Dust: Part 03: 10: Letter

From time to time, lifting his eyes, he sees
The soft blue starlight through the one small window,
The moon above black trees, and clouds, and Venus,—
And turns to write . . . The clock, behind ticks softly.

It is so long, indeed, since I have written,—
Two years, almost, your last is turning yellow,—
That these first words I write seem cold and strange.
Are you the man I knew, or have you altered?
Altered, of course—just as I too have altered—
And whether towards each other, or more apart,
We cannot say . . . I've just re-read your letter—
Not through forgetfulness, but more for pleasure—

Pondering much on all you say in it
Of mystic consciousness—divine conversion—
The sense of oneness with the infinite,—
Faith in the world, its beauty, and its purpose . . .
Well, you believe one must have faith, in some sort,
If one's to talk through this dark world contented.
But is the world so dark? Or is it rather
Our own brute minds,—in which we hurry, trembling,
Through streets as yet unlighted? This, I think.

You have been always, let me say, "romantic,"—
Eager for color, for beauty, soon discontented
With a world of dust and stones and flesh too ailing:
Even before the question grew to problem
And drove you bickering into metaphysics,
You met on lower planes the same great dragon,
Seeking release, some fleeting satisfaction,
In strange aesthetics . . . You tried, as I remember,
One after one, strange cults, and some, too, morbid,
The cruder first, more violent sensations,
Gorgeously carnal things, conceived and acted
With splendid animal thirst . . . Then, by degrees,—
Savoring all more delicate gradations

In all that hue and tone may play on flesh,
Or thought on brain,—you passed, if I may say so,
From red and scarlet through morbid greens to mauve.
Let us regard ourselves, you used to say,
As instruments of music, whereon our lives
Will play as we desire: and let us yield
These subtle bodies and subtler brains and nerves
To all experience plays . . . And so you went
From subtle tune to subtler, each heard once,
Twice or thrice at the most, tiring of each;
And closing one by one your doors, drew in
Slowly, through darkening labyrinths of feeling,

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poem by Conrad Potter Aiken
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Again—his voice is at the door

663

Again—his voice is at the door—
I feel the old Degree—
I hear him ask the servant
For such an one—as me—

I take a flower—as I go—
My face to justify—
He never saw me—in this life—
I might surprise his eye!

I cross the Hall with mingled steps—
I—silent—pass the door—
I look on all this world contains—
Just his face—nothing more!

We talk in careless—and it toss—
A kind of plummet strain—
Each—sounding—shyly& mdash;
Just—how—deep—
The other's one—had been—

We walk—I leave my Dog—at home—
A tender—thoughtful Moon—
Goes with us—just a little way—
And—then—we are alone—

Alone—if Angels are "alone"—
First time they try the sky!
Alone—if those "veiled faces"—be—
We cannot count—on High!

I'd give—to live that hour—again—
The purple—in my Vein—
But He must count the drops—himself—
My price for every stain!

poem by Emily Dickinson
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Paradise Regained: The Second Book

Meanwhile the new-baptized, who yet remained
At Jordan with the Baptist, and had seen
Him whom they heard so late expressly called
Jesus Messiah, Son of God, declared,
And on that high authority had believed,
And with him talked, and with him lodged—I mean
Andrew and Simon, famous after known,
With others, though in Holy Writ not named—
Now missing him, their joy so lately found,
So lately found and so abruptly gone,
Began to doubt, and doubted many days,
And, as the days increased, increased their doubt.
Sometimes they thought he might be only shewn,
And for a time caught up to God, as once
Moses was in the Mount and missing long,
And the great Thisbite, who on fiery wheels
Rode up to Heaven, yet once again to come.
Therefore, as those young prophets then with care
Sought lost Eliah, so in each place these
Nigh to Bethabara—in Jericho
The city of palms, AEnon, and Salem old,
Machaerus, and each town or city walled
On this side the broad lake Genezaret,
Or in Peraea—but returned in vain.
Then on the bank of Jordan, by a creek,
Where winds with reeds and osiers whispering play,
Plain fishermen (no greater men them call),
Close in a cottage low together got,
Their unexpected loss and plaints outbreathed:—
"Alas, from what high hope to what relapse
Unlooked for are we fallen! Our eyes beheld
Messiah certainly now come, so long
Expected of our fathers; we have heard
His words, his wisdom full of grace and truth.
'Now, now, for sure, deliverance is at hand;
The kingdom shall to Israel be restored:'
Thus we rejoiced, but soon our joy is turned
Into perplexity and new amaze.
For whither is he gone? what accident
Hath rapt him from us? will he now retire
After appearance, and again prolong
Our expectation? God of Israel,
Send thy Messiah forth; the time is come.
Behold the kings of the earth, how they oppress
Thy Chosen, to what highth their power unjust
They have exalted, and behind them cast
All fear of Thee; arise, and vindicate
Thy glory; free thy people from their yoke!
But let us wait; thus far He hath performed—
Sent his Anointed, and to us revealed him

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poem by John Milton
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Paradise Regained: The Third Book

So spake the Son of God; and Satan stood
A while as mute, confounded what to say,
What to reply, confuted and convinced
Of his weak arguing and fallacious drift;
At length, collecting all his serpent wiles,
With soothing words renewed, him thus accosts:—
"I see thou know'st what is of use to know,
What best to say canst say, to do canst do;
Thy actions to thy words accord; thy words
To thy large heart give utterance due; thy heart
Contains of good, wise, just, the perfet shape.
Should kings and nations from thy mouth consult,
Thy counsel would be as the oracle
Urim and Thummim, those oraculous gems
On Aaron's breast, or tongue of Seers old
Infallible; or, wert thou sought to deeds
That might require the array of war, thy skill
Of conduct would be such that all the world
Could not sustain thy prowess, or subsist
In battle, though against thy few in arms.
These godlike virtues wherefore dost thou hide?
Affecting private life, or more obscure
In savage wilderness, wherefore deprive
All Earth her wonder at thy acts, thyself
The fame and glory—glory, the reward
That sole excites to high attempts the flame
Of most erected spirits, most tempered pure
AEthereal, who all pleasures else despise,
All treasures and all gain esteem as dross,
And dignities and powers, all but the highest?
Thy years are ripe, and over-ripe. The son
Of Macedonian Philip had ere these
Won Asia, and the throne of Cyrus held
At his dispose; young Scipio had brought down
The Carthaginian pride; young Pompey quelled
The Pontic king, and in triumph had rode.
Yet years, and to ripe years judgment mature,
Quench not the thirst of glory, but augment.
Great Julius, whom now all the world admires,
The more he grew in years, the more inflamed
With glory, wept that he had lived so long
Ingloroious. But thou yet art not too late."
To whom our Saviour calmly thus replied:—
"Thou neither dost persuade me to seek wealth
For empire's sake, nor empire to affect
For glory's sake, by all thy argument.
For what is glory but the blaze of fame,
The people's praise, if always praise unmixed?
And what the people but a herd confused,
A miscellaneous rabble, who extol

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poem by John Milton
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Heir Apparent

I came back to my old city
With fierce determination
And I couldnt find my way out of the station
Its all changed
You were there
Departing, starting
A trek I had once took
With that no-ones gonna stop me when I feel this way look
Apparent, apparent
Heir apparent
You think its so easy, I tell you - it isnt
But you may change minds with your winning smile
I fell down in my old city
Such sad degradation
So I tried to make my way back to the station
You were still there
Gleaming and leaving
Wide-eyed and awestruck
Saying how can anybody hate me
If I love them first off ?
Apparent, apparent
Heir apparent
You think its so easy, I tell you - it isnt
But you may change minds with your winning smile
Heir, heir, heir
Heir, heir, heir
Heir, heir, heir
Heir, heir, heir
But you may be ok, I dont know
Ill see you back here
In a few bruised years
Pray
Ill see you here
Ill see you here
Ill see you here
Apparent, apparent
Heir apparent
You say that you want it, Im sure that youll get it
Theyll seduce your heart and then theyll slap your arse
Heir, heir, heir
Heir, heir, heir
Heir, heir, heir
Heir, heir, heir

song performed by Morrissey
Added by Lucian Velea
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Let Us play Yesterday

728

Let Us play Yesterday—
I—the Girl at school—
You—and Eternity—the
Untold Tale—

Easing my famine
At my Lexicon—
Logarithm—had I—for Drink—
'Twas a dry Wine—

Somewhat different—must be—
Dreams tint the Sleep—
Cunning Reds of Morning
Make the Blind—leap—

Still at the Egg-life—
Chafing the Shell—
When you troubled the Ellipse—
And the Bird fell—

Manacles be dim—they say—
To the new Free—
Liberty—Commoner—
N ever could—to me—

'Twas my last gratitude
When I slept—at night—
'Twas the first Miracle
Let in—with Light—

Can the Lark resume the Shell—
Easier—for the Sky—
Wouldn't Bonds hurt more
Than Yesterday?

Wouldn't Dungeons sorer frate
On the Man—free—
Just long enough to taste—
Then—doomed new—

God of the Manacle
As of the Free—
Take not my Liberty
Away from Me—

poem by Emily Dickinson
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Gareth And Lynette

The last tall son of Lot and Bellicent,
And tallest, Gareth, in a showerful spring
Stared at the spate. A slender-shafted Pine
Lost footing, fell, and so was whirled away.
'How he went down,' said Gareth, 'as a false knight
Or evil king before my lance if lance
Were mine to use--O senseless cataract,
Bearing all down in thy precipitancy--
And yet thou art but swollen with cold snows
And mine is living blood: thou dost His will,
The Maker's, and not knowest, and I that know,
Have strength and wit, in my good mother's hall
Linger with vacillating obedience,
Prisoned, and kept and coaxed and whistled to--
Since the good mother holds me still a child!
Good mother is bad mother unto me!
A worse were better; yet no worse would I.
Heaven yield her for it, but in me put force
To weary her ears with one continuous prayer,
Until she let me fly discaged to sweep
In ever-highering eagle-circles up
To the great Sun of Glory, and thence swoop
Down upon all things base, and dash them dead,
A knight of Arthur, working out his will,
To cleanse the world. Why, Gawain, when he came
With Modred hither in the summertime,
Asked me to tilt with him, the proven knight.
Modred for want of worthier was the judge.
Then I so shook him in the saddle, he said,
"Thou hast half prevailed against me," said so--he--
Though Modred biting his thin lips was mute,
For he is alway sullen: what care I?'

And Gareth went, and hovering round her chair
Asked, 'Mother, though ye count me still the child,
Sweet mother, do ye love the child?' She laughed,
'Thou art but a wild-goose to question it.'
'Then, mother, an ye love the child,' he said,
'Being a goose and rather tame than wild,
Hear the child's story.' 'Yea, my well-beloved,
An 'twere but of the goose and golden eggs.'

And Gareth answered her with kindling eyes,
'Nay, nay, good mother, but this egg of mine
Was finer gold than any goose can lay;
For this an Eagle, a royal Eagle, laid
Almost beyond eye-reach, on such a palm
As glitters gilded in thy Book of Hours.
And there was ever haunting round the palm
A lusty youth, but poor, who often saw

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poem by Alfred Lord Tennyson
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Paradise Regained: The First Book

I, who erewhile the happy Garden sung
By one man's disobedience lost, now sing
Recovered Paradise to all mankind,
By one man's firm obedience fully tried
Through all temptation, and the Tempter foiled
In all his wiles, defeated and repulsed,
And Eden raised in the waste Wilderness.
Thou Spirit, who led'st this glorious Eremite
Into the desert, his victorious field
Against the spiritual foe, and brought'st him thence
By proof the undoubted Son of God, inspire,
As thou art wont, my prompted song, else mute,
And bear through highth or depth of Nature's bounds,
With prosperous wing full summed, to tell of deeds
Above heroic, though in secret done,
And unrecorded left through many an age:
Worthy to have not remained so long unsung.
Now had the great Proclaimer, with a voice
More awful than the sound of trumpet, cried
Repentance, and Heaven's kingdom nigh at hand
To all baptized. To his great baptism flocked
With awe the regions round, and with them came
From Nazareth the son of Joseph deemed
To the flood Jordan—came as then obscure,
Unmarked, unknown. But him the Baptist soon
Descried, divinely warned, and witness bore
As to his worthier, and would have resigned
To him his heavenly office. Nor was long
His witness unconfirmed: on him baptized
Heaven opened, and in likeness of a Dove
The Spirit descended, while the Father's voice
From Heaven pronounced him his beloved Son.
That heard the Adversary, who, roving still
About the world, at that assembly famed
Would not be last, and, with the voice divine
Nigh thunder-struck, the exalted man to whom
Such high attest was given a while surveyed
With wonder; then, with envy fraught and rage,
Flies to his place, nor rests, but in mid air
To council summons all his mighty Peers,
Within thick clouds and dark tenfold involved,
A gloomy consistory; and them amidst,
With looks aghast and sad, he thus bespake:—
"O ancient Powers of Air and this wide World
(For much more willingly I mention Air,
This our old conquest, than remember Hell,
Our hated habitation), well ye know
How many ages, as the years of men,
This Universe we have possessed, and ruled
In manner at our will the affairs of Earth,

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poem by John Milton
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Interim

The room is full of you!—As I came in
And closed the door behind me, all at once
A something in the air, intangible,
Yet stiff with meaning, struck my senses sick!—

Sharp, unfamiliar odors have destroyed
Each other room's dear personality.
The heavy scent of damp, funereal flowers,—
The very essence, hush-distilled, of Death—
Has strangled that habitual breath of home
Whose expiration leaves all houses dead;
And wheresoe'er I look is hideous change.
Save here. Here 'twas as if a weed-choked gate
Had opened at my touch, and I had stepped
Into some long-forgot, enchanted, strange,
Sweet garden of a thousand years ago
And suddenly thought, "I have been here before!"

You are not here. I know that you are gone,
And will not ever enter here again.
And yet it seems to me, if I should speak,
Your silent step must wake across the hall;
If I should turn my head, that your sweet eyes
Would kiss me from the door.—So short a time
To teach my life its transposition to
This difficult and unaccustomed key!—
The room is as you left it; your last touch—
A thoughtless pressure, knowing not itself
As saintly—hallows now each simple thing;
Hallows and glorifies, and glows between
The dust's grey fingers like a shielded light.

There is your book, just as you laid it down,
Face to the table,—I cannot believe
That you are gone!—Just then it seemed to me
You must be here. I almost laughed to think
How like reality the dream had been;
Yet knew before I laughed, and so was still.
That book, outspread, just as you laid it down!
Perhaps you thought, "I wonder what comes next,
And whether this or this will be the end";
So rose, and left it, thinking to return.

Perhaps that chair, when you arose and passed
Out of the room, rocked silently a while
Ere it again was still. When you were gone
Forever from the room, perhaps that chair,
Stirred by your movement, rocked a little while,
Silently, to and fro...

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poem by Edna St. Vincent Millay
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I meant to have but modest needs

476

I meant to have but modest needs—
Such as Content—and Heaven—
Within my income—these could lie
And Life and I—keep even—

But since the last—included both—
It would suffice my Prayer
But just for One—to stipulate—
And Grace would grant the Pair—

And so—upon this wise—I prayed—
Great Spirit—Give to me
A Heaven not so large as Yours,
But large enough—for me—

A Smile suffused Jehovah's face—
The Cherubim—withdrew—
Grave Saints stole out to look at me—
And showed their dimples—too—

I left the Place, with all my might—
I threw my Prayer away—
The Quiet Ages picked it up—
And Judgment—twinkled—too—
Tat one so honest—be extant—
It take the Tale for true—
That "Whatsoever Ye shall ask—
Itself be given You"—

But I, grown shrewder—scan the Skies
With a suspicious Air—
As Children—swindled for the first
All Swindlers—be—infer—

poem by Emily Dickinson
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I tend my flowers for thee

339

I tend my flowers for thee—
Bright Absentee!
My Fuchsia's Coral Seams
Rip—while the Sower—dreams—

Geraniums— tint—and spot—
Low Daisies—dot—
My Cactus—splits her Beard
To show her throat—

Carnations—tip their spice—
And Bees—pick up—
A Hyacinth—I hid—
Puts out a Ruffled Head—
And odors fall
From flasks—so small—
You marvel how they held—

Globe Roses—break their satin glake—
Upon my Garden floor—
Yet—thou—not there—
I had as lief they bore
No Crimson—more—

Thy flower—be gay—
Her Lord—away!
It ill becometh me—
I'll dwell in Calyx—Gray—
How modestly—alway—
Thy Daisy—
Draped for thee!

poem by Emily Dickinson
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Butterfly Poems

1 wing pages of the butterfly

at the nursery
while people
are at purchase
and at transactions
a blue butterfly
comes by
and opens its pages to me
swift and quick
and it says to me:
'Read! Read!
Read my pages! '

'I can’t read, '
I say,
amused
at this brash butterfly

'Read and write!
Read and write
about me,
and all flitting butterflies
Read
and write, you silly! '
it commands

And so I read
and I copy
and these are the words
the words from those
pages
the butterfly
holds up to me

2 song of the butterfly

'butterfly
butterfly
w hy do you fly? '

I’ve got wings
I’ve got aerodynamics

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poem by Raj Arumugam
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The Believer's Jointure : Chapter II.

Containing the Marks and Characters of the Believer in Christ; together with some further privileges and grounds of comfort to the Saints.

Sect. I.

Doubting Believers called to examine, by marks drawn from their love to Him and his presence, their view of his glory, and their being emptied of Self-Righteousness, &c.

Good news! but, says the drooping bride,
Ah! what's all this to me?
Thou doubt'st thy right, when shadows hide
Thy Husband's face from thee.

Though sin and guilt thy spirit faints,
And trembling fears thy fate;
But harbour not thy groundless plaints,
Thy Husband's advent wait.

Thou sobb'st, 'O were I sure he's mine,
This would give glad'ning ease;'
And say'st, Though wants and woes combine,
Thy Husband would thee please.

But up and down, and seldom clear,
Inclos'd with hellish routs;
Yet yield thou not, nor foster fear:
Thy Husband hates thy doubts.

Thy cries and tears may slighted seem,
And barr'd from present ease;
Yet blame thyself, but never dream
Thy Husband's ill to please.

Thy jealous unbelieving heart
Still droops, and knows not why;
Then prove thyself to ease thy smart,
Thy Husband bids the try.

The following questions put to the
As scripture-marks, may tell
And shew, what'er thy failings be,
Thy Husband loves thee well.

MARKS.

Art thou content when he's away?
Can earth allay thy pants?
If conscience witness, won't it say,
Thy Husband's all thou wants?

[...] Read more

poem by Ralph Erskine
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A Prison gets to be a friend

652

A Prison gets to be a friend—
Between its Ponderous face
And Ours—a Kinsmanship express—
And in its narrow Eyes—

We come to look with gratitude
For the appointed Beam
It deal us—stated as our food—
And hungered for—the same—

We learn to know the Planks—
That answer to Our feet—
So miserable a sound—at first—
Nor ever now—so sweet—

As plashing in the Pools—
When Memory was a Boy—
But a Demurer Circuit—
A Geometric Joy—

The Posture of the Key
That interrupt the Day
To Our Endeavor—Not so real
The Check of Liberty—

As this Phantasm Steel—
Whose features—Day and Night—
Are present to us—as Our Own—
And as escapeless—quite—

The narrow Round—the Stint—
The slow exchange of Hope—
For something passiver—Content
Too steep for lookinp up—

The Liberty we knew
Avoided—like a Dream—
Too wide for any Night but Heaven—
If That—indeed—redeem—

poem by Emily Dickinson
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There is a flower that Bees prefer

380

There is a flower that Bees prefer—
And Butterflies—desire—
To gain the Purple Democrat
The Humming Bird—aspire—

And Whatsoever Insect pass—
A Honey bear away
Proportioned to his several dearth
And her—capacity—

Her face be rounder than the Moon
And ruddier than the Gown
Or Orchis in the Pasture—
Or Rhododendron—worn—

She doth not wait for June—
Before the World be Green—
Her sturdy little Countenance
Against the Wind—be seen—

Contending with the Grass—
Near Kinsman to Herself—
For Privilege of Sod and Sun—
Sweet Litigants for Life—

And when the Hills be full—
And newer fashions blow—
Doth not retract a single spice
For pang of jealousy—

Her Public—be the Noon—
Her Providence—the Sun—
Her Progress—by the Bee—proclaimed—
In sovereign—Swerveless Tune—

The Bravest—of the Host—
Surrendering—the last—
Nor even of Defeat—aware—
What cancelled by the Frost—

poem by Emily Dickinson
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Paradise Lost: Book 09

No more of talk where God or Angel guest
With Man, as with his friend, familiar us'd,
To sit indulgent, and with him partake
Rural repast; permitting him the while
Venial discourse unblam'd. I now must change
Those notes to tragick; foul distrust, and breach
Disloyal on the part of Man, revolt,
And disobedience: on the part of Heaven
Now alienated, distance and distaste,
Anger and just rebuke, and judgement given,
That brought into this world a world of woe,
Sin and her shadow Death, and Misery
Death's harbinger: Sad talk!yet argument
Not less but more heroick than the wrath
Of stern Achilles on his foe pursued
Thrice fugitive about Troy wall; or rage
Of Turnus for Lavinia disespous'd;
Or Neptune's ire, or Juno's, that so long
Perplexed the Greek, and Cytherea's son:

If answerable style I can obtain
Of my celestial patroness, who deigns
Her nightly visitation unimplor'd,
And dictates to me slumbering; or inspires
Easy my unpremeditated verse:
Since first this subject for heroick song
Pleas'd me long choosing, and beginning late;
Not sedulous by nature to indite
Wars, hitherto the only argument
Heroick deem'd chief mastery to dissect
With long and tedious havock fabled knights
In battles feign'd; the better fortitude
Of patience and heroick martyrdom
Unsung; or to describe races and games,
Or tilting furniture, imblazon'd shields,
Impresses quaint, caparisons and steeds,
Bases and tinsel trappings, gorgeous knights
At joust and tournament; then marshall'd feast
Serv'd up in hall with sewers and seneshals;
The skill of artifice or office mean,
Not that which justly gives heroick name
To person, or to poem. Me, of these
Nor skill'd nor studious, higher argument
Remains; sufficient of itself to raise
That name, unless an age too late, or cold
Climate, or years, damp my intended wing
Depress'd; and much they may, if all be mine,
Not hers, who brings it nightly to my ear.
The sun was sunk, and after him the star
Of Hesperus, whose office is to bring

[...] Read more

poem by John Milton
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Fitter to see Him, I may be

968

Fitter to see Him, I may be
For the long Hindrance—Grace—to Me—
With Summers, and with Winters, grow,
Some passing Year—A trait bestow

To make Me fairest of the Earth—
The Waiting—then—will seem so worth
I shall impute with half a pain
The blame that I was chosen—then—

Time to anticipate His Gaze—
It's first—Delight—and then—Surprise—
The turning o'er and o'er my face
For Evidence it be the Grace—

He left behind One Day—So less
He seek Conviction, That—be This—

I only must not grow so new
That He'll mistake—and ask for me
Of me—when first unto the Door
I go—to Elsewhere go no more—

I only must not change so fair
He'll sigh—"The Other—She—is Where?"
The Love, tho', will array me right
I shall be perfect—in His sight—

If He perceive the other Truth—
Upon an Excellenter Youth—

How sweet I shall not lack in Vain—
But gain—thro' loss—Through Grief—obtain—
The Beauty that reward Him best—
The Beauty of Demand—at Rest—

poem by Emily Dickinson
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