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The jaffa and jerusalem railway

A tortuous double iron track; a station here, a station there;
A locomotive, tender, tanks; a coach with stiff reclining chair;
Some postal cars, and baggage, too; a vestibule of patent make;
With buffers, duffers, switches, and the soughing automatic brake--
This is the Orient's novel pride, and Syria's gaudiest modern gem:
The railway scheme that is to ply 'twixt Jaffa and Jerusalem.

Beware, O sacred Mooley cow, the engine when you hear its bell;
Beware, O camel, when resounds the whistle's shrill, unholy swell;
And, native of that guileless land, unused to modern travel's snare,
Beware the fiend that peddles books--the awful peanut-boy beware.
Else, trusting in their specious arts, you may have reason to condemn
The traffic which the knavish ply 'twixt Jaffa and Jerusalem.

And when, ah, when the bonds fall due, how passing wroth will wax the
state
From Nebo's mount to Nazareth will spread the cry "Repudiate"!
From Hebron to Tiberius, from Jordan's banks unto the sea,
Will rise profuse anathemas against "that ---- monopoly!"
And F.M.B.A. shepherd-folk, with Sockless Jerry leading them,
Will swamp that corporation line 'twixt Jaffa and Jerusalem.

poem by Eugene Field
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Luggage Canada

b ean bag stoer
bed liner motorcycle bags
bern aby bag
bed in a bag ty pennington
beetle bags roadstar midnight star
bean bag chairs burbank
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bean bag guns for purchase
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bed in a bag pink paisley
belt bag tool belt
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beer corn hole bags
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bennington golf travel bag
bible verse shoulder hand bags
bean bag stuffing material
bean bag plastic pellets
beijo business bags pastel blue
belkin messenger bag
b ean bag simba
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bean bag herb alpert
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bella hand bags
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beretta nra approved gun bag
ben hogan kapalua golf bag
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bean bag furniture paypal
bean bags chair ladybug
bean bag tossing game
betty boop gift bags
bean bag tic tac toe
bettz designs knitting tote bags
bean bag toss rules
beth any bag
bean bag chair indigo denim print
bean bag pillows microfiber
be an foam bag
bible buy loaf bag
bebe handbag bag
beverage delivery bags
betty boop harley bag
bichon frise gift bags
ben hogan golf mystique stand bag
bicyce crossbar bag
bean bag shells shotgun

[...] Read more

poem by Rwetewrt Erwtwer
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Handles Bermuda

bean bag spokane
betty boop retro bowling bag
beli ni bags
bean bag hawaii
belongs in your bag wedge grab
bedroom in a bag seashells
betsey johnson blue metallic bag
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betty boop big travel bag
bean bag toos games
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bicycle gear bag
bean bag filler poly fil
bean bag chair minnesota
bean bag filler at walmart
bean bag patterns to make
beverly hills polo club cosmetics bags
bean bag chair ohio state
bean bag toss video game
bennington golf bag
beige plastic handle bag
bean bags for dogs
bean bag toose game
beg barrow or steal bag
benefits of heavy bag use
bennington cart golf bag
bean bag desktop
bean bag tos rules
bean bag game board dimensions
bean bags for cats
bean bag game chicago retailer
ben hogan apex cart bag
bem is bag co
bejio bags
beetle bags zx12r
bemis bag plastic bags
bean bag singaproe
bean bag drink holder
betseyville be mine satchel bag
bean bags inexpensive
bean bag shotgun pics
bedouin bag by radley
b ean bags bulk
bean bag toss tailgate games
bella animal print bag
beresford packaging plastic bags
bean bag store toronto
ben sherman messenger bags
bejui bags
beijo bags

[...] Read more

poem by Rwetewrt Erwtwer
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Future Watch Burma To Syria Conflicts Rising

been watching
the future today...

from past lens astray

Burma as expected
has developed
ethnic problems

with sudden absence
of strict communist
dictatorship firm leash

Burmese are no longer
all brother communists
controlled by the state

past civic grievances
rise from postmortem
state of frozen stasis

past horrors play
on revenge rabid minds
need exercising?

past spectre struggles
post World War II conflicts
leave skeletons in closets

frozen nightmares divisions
war atrocities split Yugoslavia
post familiar communist thaw

emotively haunted people
seem to need to grim settle
past trauma before each

can move on embrace
future possibilities opportunities
in free market societies

when no longer linked
in brotherhood communist
cast iron citizenships

emotively many people
seem to need to settle
the past before they can

move on

[...] Read more

poem by Terence George Craddock
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Syria Stop Crying Blood

Syria your name I adore,

Syria my heart for you is crying out blood,

Syria how they could hurt you and destroy,

Syria with prayers your name we always honor,

Syria the peace again will surround you all around,

Syria stop crying blood,

Syria the most peaceful country at the world,

You always were how they could hurt you my earth,

Syria like a careful father you always have been for all of us,

Syria with love you always hugged us,

With opened arms always you hugged the painful and the lost and became their house,

When your neighbors were in pain and foist,

You always gave them your best support,

Syria you are the sign of the honesty and the trust,

Syria with you we always were proud,

My precious ground you are our pride,

Syria how can I praise your name and pride,

Syria for us you will always stay the same,

In our hearts you are at the best place,

Your blue sky will again shine proud,

The darkness will soon fade away and the clouds,

Syria your sun Will shine once again my pride,

Again pure and bright like always was,

[...] Read more

poem by Sossi Khachadourian
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Cars Are Cars

Words & music by paul simon 1983
Cars are cars all over the world
Cars are cars all over the world
Similarly made. similarly sold
In a motorcade. abandoned when theyre old
Cars are cars all over the world
Cars are cars all over the world
Cars are cars all over the world
Engine in the front. jack in the back
Wheels take the brunt. pinion and a rack
Cars are cars all over the world
Cars are cars all over the world
But people are strangers
They change with the curve
From time zone to time zone
As we can observe
They shut down their borders
And think theyre immune
They stand on their differences
And shoot at the moon
But cars are cars all over the world
Cars are cars all over the world
Drive em on the left. drive em on the right
Susceptible to theft in the middle of the night
Cars are cars all over the world
Cars are cars all over the world
I once had a car
That was more like a home
I lived in it, loved in it
Polished its chrome
If some of my homes
Had been more like my car
I probably wouldnt have
Travelled this far
Cars are cars all over the world
Cars are cars all over the world
Cars are cars all over the world
Cars are cars all over the world
Cars are cars all over the world

song performed by Paul Simon
Added by Lucian Velea
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Monkey And The Engineer

Once upon a time there was an engineer.
Drove a locomotive both far and near.
Accompanied by a monkey that would sit on a stool
Watching everything the engineer would do
One day the engineer wanted a bite to eat,
He left the monkey sitting on the driver's seat,
The monkey pulled the throttle, the locomotive jumped the gun
And did 80 miles an hour down the mainline run.
Big locomotive right on time, big locomotive coming down the line.
Big locomotive No. 99, left the engineer with a worried mind.
The engineer called up the dispatcher on the phone,
To tell him all about his locomotive was gone.
Dispatcher got on the wire, switch operator to the right,
Cause the monkey's got the main line sewed up tight.
The switch operator got the message on time,
Said there's a Northbound livin' on the same main line,
Open up the switch I'm gonna let him through the hole,
Cause the monkey's got the locomotive under control.
Big locomotive right on time, big locomotive coming down the line.
Big locomotive No. 99, left the engineer with a worried mind

song performed by Grateful Dead
Added by Lucian Velea
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Monkey & The Engineer

Once upon a time there was an engineer.
Drove a locomotive both far and near.
Accompanied by a monkey that would sit on a stool
Watching everything the engineer would do
One day the engineer wanted a bite to eat,
He left the monkey sitting on the drivers seat,
The monkey pulled the throttle, the locomotive jumped the gun
And did 80 miles an hour down the mainline run.
Big locomotive right on time, big locomotive coming down the line.
Big locomotive no. 99, left the engineer with a worried mind.
The engineer called up the dispatcher on the phone,
To tell him all about his locomotive was gone.
Dispatcher got on the wire, switch operator to the right,
Cause the monkeys got the main line sewed up tight.
The switch operator got the message on time,
Said theres a northbound livin on the same main line,
Open up the switch Im gonna let him through the hole,
Cause the monkeys got the locomotive under control.
Big locomotive right on time, big locomotive coming down the line.
Big locomotive no. 99, left the engineer with a worried mind.

song performed by Grateful Dead
Added by Lucian Velea
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Sunflower Sutra

I walked on the banks of the tincan banana dock and sat down under the huge shade of a Southern Pacific locomotive to look for the sunset over the box house hills and cry.

Jack Kerouac sat beside me on a busted rusty iron pole, companion, we thought the same thoughts of the soul, bleak and blue and sad-eyed, surrounded by the gnarled steel roots of trees of machinery.

The only water on the river mirrored the red sky, sun sank on top of final Frisco peaks, no fish in that stream, no hermit in those mounts, just ourselves rheumy-eyed and hung-over like old bums on the riverbank, tired and wily.

Look at the Sunflower, he said, there was a dead gray shadow against the sky, big as a man, sitting dry on top of a pile of ancient sawdust--

--I rushed up enchanted--it was my first sunflower, memories of Blake--my visions--Harlem

and Hells of the Eastern rivers, bridges clanking Joes greasy Sandwiches, dead baby carriages, black treadless tires forgotten and unretreaded, the poem of the riverbank, condoms & pots, steel knives, nothing stainless, only the dank muck and the razor-sharp artifacts passing into the past--

and the gray Sunflower poised against the sunset, crackly bleak and dusty with the smut and smog and smoke of olden locomotives in its eye--

corolla of bleary spikes pushed down and broken like a battered crown, seeds fallen out of its face, soon-to-be-toothless mouth of sunny air, sunrays obliterated on its hairy head like a dried wire spiderweb,

leaves stuck out like arms out of the stem, gestures from the sawdust root, broke pieces of plaster fallen out of the black twigs, a dead fly in its ear,

Unholy battered old thing you were, my sunflower O my soul, I loved you then!

The grime was no man's grime but death and human locomotives,

all that dress of dust, that veil of darkened railroad skin, that smog of cheek, that eyelid of black mis'ry, that sooty hand or phallus or protuberance of artificial worse-than-dirt--industrial--modern--all that civilization spotting your crazy golden crown--

and those blear thoughts of death and dusty loveless eyes and ends and withered roots below, in the home-pile of sand and sawdust, rubber dollar bills, skin of machinery, the guts and innards of the weeping coughing car, the empty lonely tincans with their rusty tongues alack, what more could I name, the smoked ashes of some cock cigar, the cunts of wheelbarrows and the milky breasts of cars, wornout asses out of chairs & sphincters of dynamos--all these

entangled in your mummied roots--and you standing before me in the sunset, all your glory in your form!

A perfect beauty of a sunflower! a perfect excellent lovely sunflower existence! a sweet natural eye to the new hip moon, woke up alive and excited grasping in the sunset shadow sunrise golden monthly breeze!

How many flies buzzed round you innocent of your grime, while you cursed the heavens of your railroad and your flower soul?

Poor dead flower? when did you forget you were a flower? when did you look at your skin and decide you were an impotent dirty old locomotive? the ghost of a locomotive? the specter and shade of a once powerful mad American locomotive?

You were never no locomotive, Sunflower, you were a sunflower!

And you Locomotive, you are a locomotive, forget me not!

So I grabbed up the skeleton thick sunflower and stuck it at my side like a scepter,

and deliver my sermon to my soul, and Jack's soul too, and anyone who'll listen,

--We're not our skin of grime, we're not our dread bleak dusty imageless locomotive, we're all golden sunflowers inside, blessed by our own seed & hairy naked accomplishment-bodies growing into mad black formal sunflowers in the sunset, spied on by our eyes under the shadow of the mad locomotive riverbank sunset Frisco hilly tincan evening sitdown vision.

poem by Allen Ginsberg
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Lining Track

This song was first released on the all aboard! album. it is the only album it has been released on.
Mo boys, is you right
Done got it right
All I hate about linin track
These ol boys are gonna break my back
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
See eloise gonna line em track
Down in the holler below the fleld
Angels working on the chariot wheel
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
See eloise gonna line em track
Mary and the babe was a sittin in the shade
Thinking on the money that I aint made
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
See eloise gonna line em track
Moses stood on the red sea shore
Gotta batten down the waves with a 2 by 4
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
See eloise gonna line em track
Now if I could I surely would
Stand on the rock where moses stood
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
See eloise gonna line em track
Matthew, mark, luke and john
All them disciples dead and gone
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
See eloise gonna line em track
Mo boys, is you right
Done got it right
All I hate about lining track
These ol boys about to break my back
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
See eloise gonna line em track
Words and music by huddie ledbetter

song performed by John Denver
Added by Lucian Velea
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Automatic

U ask me if I love u, its automatic
cuz every time u leave me, I die, thats automatic 2
U ask me 2 forgive u, when u know, Im just an addict
So stop the music baby, u know, youre all I wanna do
Hey
A-u-t-o-matic, just tell me what 2 do
A-u-t-o-matic, Im so in love with u
U ask me if Ill kiss u, its automatic
And if u cry, me cry, boo-hoo, thats automatic 2
I would never leave u, no matter what u do
Stop the music baby, u know, Im an automatic fool
Hey
A-u-t-o-matic, just tell me what 2 do (and dont stop)
A-u-t-o-matic, oh, Im so in love with u
Ill rub your back forever, its automatic (a-u-t-o-matic)
Ill look 4 a needle in a haystack, thats automatic 2 (a-u-t-o-matic)
Ill go down on u all night long, its automatic,
(I will, yes I will babe)
And even when Im right, Ill be wrong,
Thats automatic 2 (a-u-t-o-matic)
Hey
(a-u-t-o-matic, just tell me what 2 do)
Tell me what 2 do babe
(a-u-t-o-matic, so in love with u)
Hey
So in love with u, yeah (a-u-t-o-matic, just tell me what 2 do)
Tell me what 2 do babe (a-u-t-o-matic, so in love with u)
Hey
So in love with u, baby, yeah (a-u-t-o-matic, just tell me what 2 do)
Alright, alright,
Tell me what 2 do baby (a-u-t-o-matic, so in love with u)
Yeah yeah yeah
Hey
A-u-t-o-matic
A-u-t-o-matic
Cmon baby
A-u-t-o-matic, tell me what to do
A-u-t-o-matic, so in love with u
Dont say no man has ever tasted your ice cream
Baby youre the purple star in the night supreme
Youll always be a virgin for no man deserves your love
I only pray that when u dream, Im the 1 u dream of
I pray that when u dream, u dream of how we kissed
Not with our lips but with our souls
Stop me if I bore u
Why is it that I think wed be so good in bed?
Can u hear me? why do I love u so much?
Its strange, Im more comfortable around u when Im naked,
Can u hear me?
I wonder if u have any mercy, dont torture me

[...] Read more

song performed by Prince
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The Ghost - Book IV

Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;

[...] Read more

poem by Charles Churchill
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Stiff Upper Lip

(young - young)
Well I was out on a drive
On a bit of a trip
Lookin for thrills
To get me some kicks
Now I warn you ladies
I shoot from the hip
I was born with a stiff
Stiff upper lip
Like a dog in a howl
I bite everything
And Im big and Im drawl
And Ill ball your thing
I keep a stiff upper lip
And I shoot from the hip
I keep a stiff upper lip
And I shoot
And I shoot
Shoot from the hip
Yeah I shoot from the hip
Now listen
Well Im workin it out
And Ive done everything
And I cant reform no
Can you feel my sting
Babe I keep a stiff upper lip
And I shoot from the hip, yeah
I keep a stiff upper lip
And I shoot
And I shoot
And I shoot, shoot, shoot
Shoot from the hip
Well Im out on the prowl
And Ill ball your thing
I got the teeth thatll bite you
Can you feel my sting
Babe I keep a stiff upper lip
And I shoot from the hip
I keep a stiff upper lip
And I shoot shoot shoot from the hip
I got a (stiff upper lip)
Better believe me (stiff upper lip)
Comin down (stiff upper lip)
See my (stiff upper lip)
Yeah I got a (stiff upper lip)
Stiff upper lip
Stiff upper lip
I got a stiff upper lip
I got a stiff upper lip
Stiff upper lip

[...] Read more

song performed by AC-DC
Added by Lucian Velea
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Get Stiff Quick

When your backbone bends,
And your vision dims...
You've got to,
Get stiff.
Get stiff quick.

When you know you need to move,
From foolish doers...
Get stiff.
Get stiff quick.

No need to put up more with that funky stuff.
You've got to,
Get stiff.
Get stiff quick.

No need to ride a roller coaster,
You know was tough.
No need to do a shuffle singing those sad songs.
Or get along with others you wish from you gone!

Just,
Get stiff.
Get stiff quick.
You've got to,
Get stiff.
Get stiff quick!

When your backbone bends,
And your vision dims...
You've got to,
Get stiff.
Get stiff quick.

Mean what you say and be done with it.
You've got to,
Get stiff...
Get stiff quick!

Don't let just anything fall from your lips.
Or bite your tongue to let an old patience sit.
When you wish to make a point you know wont quit.
You've got to,
Get stiff.
Get stiff quick.

You've got to,
Get stiff.
Get stiff quick.

poem by Lawrence S. Pertillar
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The Battle of Cuito Cuanavale

I. Outnumbered by armour (A reply to William Shakespeare)

Outnumbered by armour
and by men we met the enemy,
FAPLA and Cubans under Russian leadership
and the men accompanying me
was very worried
and wished for the whole
of the seventh armoured division
to have been deployed.

I said to the men
in the armoured car with me
that if we must die here in vain,
the fewer men it be
but if we grasp the victory
the world will know
that we are brave and honourable men
capable of destroying whatever faces us.

Weary I told them that our ancestors
faced a outnumbering enemy
against Dingaan and won effectively
as they were in the hand of God
and so were we.

Colonel Deon Ferreira send us straight in,
from Rundu
(heading north-west after crossing the border)
to intercept the 47th enemy FAPLA / Cuban (armoured) brigade.

At the same time UNITA were repulsing
the16th FAPLA (infantry) brigade
north of the Lomba River
that was trying to take Cunjamba.

We were hitting hard directly from the south,
surprising the 47th enemy (armoured) Brigade,
virtually destroying it
at the junction
of the Lomba and Cuzizi Rivers

fighting with armoured cars
against tanks
hitting fast and then driving away at speed,
like on commando our ancestors did
during the Anglo Boer war
fighting day and night
till the field, the air was filled with gore

[...] Read more

poem by Gert Strydom
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Eureka Rings A Bell

“Eureka! ” moments sometimes may result
from outright theft, with Graham Bell the worst
example. For he traveled to consult
the patent of Elisha Gray, the first
to find a way to speak by telephone,
and aided by a drunken patent clerk,
got credit for the patent which alone
should have been Gray’s, who did the major work
before the son of the professor Bernard Shaw
would use as Henry Higgins’ model stole
his great invention and used patent law
to take not part of credit but the whole.
Could it be that Archimedes, too,
stole from a competitor the math
enabling him to figure out what you
and I’ve been told he found out in his bath?

Marjorie Kehe reviews The Telephone Gambit, by Seth Shulman, in The Christian Science Monitor, January 9,2008:

How often does a detective story upend history? Probably about as often as a science and technology journalist pens a page-turner. But with this month's release of 'The Telephone Gambit' by Seth Shulman both these unlikely events are coming to pass at the same moment. This slender volume (252 pages, with notes and credits) is a work of nonfiction - although the strangeness of truth definitely overtakes fiction here as Shulman explains how he unraveled Alexander Graham Bell's claim to have invented the telephone. We may never be absolutely certain, but 'The Telephone Gambit' presents compelling evidence that Bell snuck a look at rival inventor Elisha Gray's patent application, stole a crucial element from it, and then lived an uncomfortable lie for the rest of his days. This is not the work of a muckraker. No one wanted to reach such a conclusion less than did Shulman, a longtime admirer of Bell's. But that's exactly why this book is such a good read. Shulman carefully spells out not only the steps he took to piece together his story, but also the reluctance he battled en route. Why would Bell - a man whose good character was noted by all who knew him - behave so dishonorably? How could he have stolen from a rival he had never met? And is it even possible that such a high-profile crime could have gone undetected for so long? The answers to these questions unspool neatly throughout Shulman's narrative but they read more like the stuff of thrillers than of the history of science. Figures in this real-life drama include (it would seem) an alcoholic patent clerk, some unscrupulous attorneys, and a beautiful young woman whom Bell yearned to marry. Shulman's first glimpse of the story came in 2004. He was enjoying a yearlong research fellowship at the Dibner Institute for the History of Science and Technology at the Massachusetts Institute of Technology. There, he was studying recently digitized reproductions of the private papers of Bell. Shulman was thrilled to be able to follow so close on the heels of his hero - yet puzzled by something he saw. Shulman knew the story of the invention of the telephone as well as anyone - or at least he thought he did. Alexander Graham Bell and Elisha Gray filed patent applications on the very same day in 1876. (Gray's was actually a 'caveat' - but it would have served the purpose of staking Gray's exclusive righ”The Telephone Gambit, ” by Seth Shulman in The Christian Science Monitor, January 0,2008: t to continue research in this area.) According to the official story, Bell filed a few hours earlier than Gray and so was awarded the patent. Then, the next month, he had the breakthrough moment we've all read about in the history books. (After spilling acid in his lab, Bell shouted, 'Watson, come here, I need you.' Watson, in another room, heard him through the device they were experimenting with and thus was born the telephone.) Or so we've always believed. But what troubled Shulman was that Bell's 'eureka moment' depended on an element that had been completely missing from Bell's research until only two days earlier. Then, this crucial link suddenly appeared in Bell's journal in a sketch remarkably similar to a drawing found in Gray's patent application. In the days just before this sketch appeared, Bell had not been working in his lab. On the contrary, he'd been in Washington, filing his patent claim. I won't spoil the fun (and it is fun) by explaining exactly how Shulman proceeded and what he discovered as he worked backward from that point. Bell, he ended up concluding, was a great innovator who had made much progress toward the telephone, but he is not its creator. Instead, it seems, he was a talented, decent man, who lived with guilt ever after being pressured into an unseemly act of theft. Shulman does a neat job of painting, in rapid brush strokes, a portrait of the thrilling era of innovation in which Bell lived and also of the interesting circumstances of his life. (His speech professor father was the real-life model for the Henry Higgins of George Bernard Shaw's 'Pygmalion.') Shulman also manages to lace his work with just enough technology to tell his story without losing the interest of any low-tech readers. As a result, 'The Telephone Gambit' succeeds splendidly as an edge-of-your- seat historical tale. Yet it also manages to go somewhere deeper, leaving readers with intriguing questions about the ways in which truth may remain undiscovered, even when lying open in plain sight.

© 2008 Gershon Hepner 1/16/08

poem by Gershon Hepner
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Trivia ; or, the Art of Walking the Streets of London : Book II.

Of Walking the Streets by Day.

Thus far the Muse has trac'd in useful lays
The proper implements for wintry ways;
Has taught the walker, with judicious eyes,
To read the various warnings of the skies.
Now venture, Muse, from home to range the town,
And for the public safety risk thy own.
For ease and for dispatch, the morning's best;
No tides of passengers the street molest.
You'll see a draggled damsel, here and there,
From Billingsgate her fishy traffic bear;
On doors the sallow milk-maid chalks her gains;
Ah! how unlike the milk-maid of the plains!
Before proud gates attending asses bray,
Or arrogate with solemn pace the way;
These grave physicians with their milky cheer,
The love-sick maid and dwindling beau repair;
Here rows of drummers stand in martial file,
And with their vellum thunder shake the pile,
To greet the new-made bride. Are sounds like these
The proper prelude to a state of peace?
Now industry awakes her busy sons,
Full charg'd with news the breathless hawker runs:
Shops open, coaches roll, carts shake the ground,
And all the streets with passing cries resound.
If cloth'd in black, you tread the busy town
Or if distinguish'd by the rev'rend gown,
Three trades avoid; oft in the mingling press,
The barber's apron soils the sable dress;
Shun the perfumer's touch with cautious eye,
Nor let the baker's step advance too nigh;
Ye walkers too that youthful colours wear,
Three sullying trades avoid with equal care;
The little chimney-sweeper skulks along,
And marks with sooty stains the heedless throng;
When small-coal murmurs in the hoarser throat,
From smutty dangers guard thy threaten'd coat:
The dust-man's cart offends thy clothes and eyes,
When through the street a cloud of ashes flies;
But whether black or lighter dyes are worn,
The chandler's basket, on his shoulder borne,
With tallow spots thy coat; resign the way,
To shun the surly butcher's greasy tray,
Butcher's, whose hands are dy'd with blood's foul stain,
And always foremost in the hangman's train.
Let due civilities be strictly paid.
The wall surrender to the hooded maid;
Nor let thy sturdy elbow's hasty rage
Jostle the feeble steps of trembling age;

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poem by John Gay
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On the other side of the Lomba river

There are flashes hitting in the distance,
bad weather hanging on the other side of the Lomba river
with tanks standing ablaze

nothing can stop the war clouds
(while the shots of enemy tanks resound)
or stop the slaughter of the angel of death

and Fapla, Cubans and Russians perish
and we also receive deadly shots.
There are flashes hitting in the distance,

where we teach them a final lesson in Africa
when the enemy appear
but olifant tanks and Ratel armoured cars are stuck in a landmine field

and howitzer canons fire
at the beginning of the slaughter
with tanks standing ablaze

and there are olifant tanks and Ratel armoured cars disappearing in the bush
with rockets raining down
when the enemy appear

which rip enemy weaponry into pieces
and division after division comes under restraint.
There are flashes hitting in the distance,

and the canons of howitzers, tanks and armoured cars fire continuously
while the smell of death is everywhere
with rockets raining down

with few enemy being still alive,
with some leaving intact tanks, fleeing to survive
with tanks standing ablaze

and I am conscious of the inhumanity
and feelings of powerlessness
while the smell of death is everywhere

and the slaughter goes on and on
and human life isn’t important.
There are flashes hitting in the distance,
with tanks standing ablaze

and whatever you do or mean
nothing can stop the war clouds
and feelings of powerlessness
or stop the slaughter of the angel of death.

poem by Gert Strydom
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The Georgics

GEORGIC I

What makes the cornfield smile; beneath what star
Maecenas, it is meet to turn the sod
Or marry elm with vine; how tend the steer;
What pains for cattle-keeping, or what proof
Of patient trial serves for thrifty bees;-
Such are my themes.
O universal lights
Most glorious! ye that lead the gliding year
Along the sky, Liber and Ceres mild,
If by your bounty holpen earth once changed
Chaonian acorn for the plump wheat-ear,
And mingled with the grape, your new-found gift,
The draughts of Achelous; and ye Fauns
To rustics ever kind, come foot it, Fauns
And Dryad-maids together; your gifts I sing.
And thou, for whose delight the war-horse first
Sprang from earth's womb at thy great trident's stroke,
Neptune; and haunter of the groves, for whom
Three hundred snow-white heifers browse the brakes,
The fertile brakes of Ceos; and clothed in power,
Thy native forest and Lycean lawns,
Pan, shepherd-god, forsaking, as the love
Of thine own Maenalus constrains thee, hear
And help, O lord of Tegea! And thou, too,
Minerva, from whose hand the olive sprung;
And boy-discoverer of the curved plough;
And, bearing a young cypress root-uptorn,
Silvanus, and Gods all and Goddesses,
Who make the fields your care, both ye who nurse
The tender unsown increase, and from heaven
Shed on man's sowing the riches of your rain:
And thou, even thou, of whom we know not yet
What mansion of the skies shall hold thee soon,
Whether to watch o'er cities be thy will,
Great Caesar, and to take the earth in charge,
That so the mighty world may welcome thee
Lord of her increase, master of her times,
Binding thy mother's myrtle round thy brow,
Or as the boundless ocean's God thou come,
Sole dread of seamen, till far Thule bow
Before thee, and Tethys win thee to her son
With all her waves for dower; or as a star
Lend thy fresh beams our lagging months to cheer,
Where 'twixt the Maid and those pursuing Claws
A space is opening; see! red Scorpio's self
His arms draws in, yea, and hath left thee more
Than thy full meed of heaven: be what thou wilt-
For neither Tartarus hopes to call thee king,

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poem by Virgil
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Tender Is The Night

Between the darkness on the street
And the houses filling up with light
Between the stillness in my heart
And the roar of the approaching night
Somebodys calling after somebody
Somebody turns the corner out of sight
Looking for somebody
Somewhere in the night
Tender is the night
When you hold your baby tight
Tender are the motions, tender is the night
Between a life that we expected
And the way its always been
I cant walk back in again
After the way we fight
When just outside there are people laughing
Living lives we used to lead
Chasing down the love they need
Somewhere in the night
Tender is the night
And the benediction of the neon light
Tender are the hunters, tender is the night
Youre gonna want me tonight
When youre ready to surrender
Forget about whos right
When youre ready to remember
Its another world at night
When youre ready to be tender
Tender, tender tender...
And in the hard light of an angry sun
No one remembers what was said or done
Tender are the words they choose
You win, I win, we lose
Tender
Tender is the night
Tender
The benediction of the neon light
Tender
Tender are the hunters
Tender is the night
When they hold each other tight
Tender
Tender are the undercover
Tender
The stranger and the secret lover
Tender
Tender are the motions
Tender is the night
When you hold your baby tight
Tender, tender tender...

song performed by Jackson Browne
Added by Lucian Velea
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