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Lay Your Ears Back and Fight

WHEN you drink of what the poets rave about as “sorrer’s cup”,
And yer mouth, in spite of laughin’, gits a curve the wrong way up,
Do not whine for help or pity; never cringe at fortunes frown—
Lay yer list’ners back and fight until you fight yer sorrers down!

Though the world on empty pockets is at times a little harsh
And the weights of care are clinging to the ends of your mustarsh,
Never let yer grief boil over; it is nothing to the town—
Lay yer list‘ners back and battle till you fight yer sorres down!

When the law of gravitation lays a hand upon yer heart,
An’ the “slings an’ arrers” fetch yer and you feel ’em pretty smart,
When you cannot find a billet, and you haven’t half-a-crown—
Lay yer list’ners hack and fight until you fight yer sorrers down!

When the gilt upon the future wears in places very thin,
Look as if there’s nothink crooked, try an’ summon up a grin;
There’s a mask that you must always wear the other way about—
Lay yer list’ners back and battle till you knock yer sorrers out.

poem by Henry Lawson
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Last Thoughts On Woody Guthrie

When yer head gets twisted and yer mind grows numb
When you think youre too old, too young, too smart or too dumb
When yer laggin behind an losin yer pace
In a slow-motion crawl of lifes busy race
No matter what yer doing if you start givin up
If the wine dont come to the top of yer cup
If the winds got you sideways with with one hand holdin on
And the other starts slipping and the feeling is gone
And yer train engine fire needs a new spark to catch it
And the woods easy findin but yer lazy to fetch it
And yer sidewalk starts curlin and the street gets too long
And you start walkin backwards though you know its wrong
And lonesome comes up as down goes the day
And tomorrows mornin seems so far away
And you feel the reins from yer pony are slippin
And yer rope is a-slidin cause yer hands are a-drippin
And yer sun-decked desert and evergreen valleys
Turn to broken down slums and trash-can alleys
And yer sky cries water and yer drain pipes a-pourin
And the lightnins a-flashing and the thunders a-crashin
And the windows are rattlin and breakin and the roof tops a-shakin
And yer whole worlds a-slammin and bangin
And yer minutes of sun turn to hours of storm
And to yourself you sometimes say
I never knew it was gonna be this way
Why didnt they tell me the day I was born
And you start gettin chills and yer jumping from sweat
And youre lookin for somethin you aint quite found yet
And yer knee-deep in the dark water with yer hands in the air
And the whole worlds a-watchin with a window peek stare
And yer good gal leaves and shes long gone a-flying
And yer heart feels sick like fish when theyre fryin
And yer jackhammer falls from yer hand to yer feet
And you need it badly but it lays on the street
And yer bells bangin loudly but you cant hear its beat
And you think yer ears might a been hurt
Or yer eyesve turned filthy from the sight-blindin dirt
And you figured you failed in yesterdays rush
When you were faked out an fooled white facing a four flush
And all the time you were holdin three queens
And its makin you mad, its makin you mean
Like in the middle of life magazine
Bouncin around a pinball machine
And theres something on yer mind you wanna be saying
That somebody someplace oughta be hearin
But its trapped on yer tongue and sealed in yer head
And it bothers you badly when your layin in bed
And no matter how you try you just cant say it
And yer scared to yer soul you just might forget it
And yer eyes get swimmy from the tears in yer head

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song performed by Bob Dylan
Added by Lucian Velea
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
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Rave Un2 The Joy Fantastic

Rave un2 the joy fantastic - rave
Rave un2 the joy fantastic - rave
World full of lovers, city full of good times - rave
Dont go undercover, I can get u out of your mind - come on - rave
All you need is a good walk and a brand new position
Then we can spread the real soul, doin it like a mission (rave) - rave
Oh, rave un2 the joy fantastic - rave
Everybody, rave un2 the joy fantastic - rave
Arrividerci cock poppy, that was hip yesterday - rave
New thing hitting where it feel good, what did u say? - rave
Tell me all: aint that a bomb? mack daddy aint got no gun - rave
Everybody got a new thing, new fun - scandalous - rave
Ooh, uve got 2 - rave un2 the joy fantastic - rave
Everybody, rave un2 the joy fantastic - rave - ooh yeah oh
Come on, sugar
Rave
Take a look inside your mind
Sister got a sizzler on, (know she 2 hot) ooh - know she 2 hot (rave) - rave
Brutha playing an apache scarf
Gaultier - stop (oh-oh)
Ooh, ifhad a dollar 4 every time they smiled
Id sho nuff jump and holla
Cuz Id sho nuff be rich a while - rave
Everybody rave
(rave un2 the joy fantastic) - ooh rave {2x}
Ooh

song performed by Prince
Added by Lucian Velea
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A Word to Texas Jack

Texas Jack, you are amusin’. By Lord Harry, how I laughed
When I seen yer rig and saddle with its bulwarks fore-and-aft;
Holy smoke! In such a saddle how the dickens can yer fall?
Why, I seen a gal ride bareback with no bridle on at all!
Gosh! so-help-me! strike-me-balmy! if a bit o’ scenery
Like ter you in all yer rig-out on the earth I ever see!
How I’d like ter see a bushman use yer fixins, Texas Jack;
On the remnant of a saddle he can ride to hell and back.
Why, I heerd a mother screamin’ when her kid went tossin’ by
Ridin’ bareback on a bucker that had murder in his eye.
What? yer come to learn the natives how to squat on horse’s back!
Learn the cornstalk ridin’! Blazes!—w’at yer giv’n’us, Texas Jack?
Learn the cornstalk—what the flamin’, jumptup! where’s my country gone?
Why, the cornstalk’s mother often rides the day afore he’s born!

You may talk about your ridin’ in the city, bold an’ free,
Talk o’ ridin’ in the city, Texas Jack, but where’d yer be
When the stock horse snorts an’ bunches all ’is quarters in a hump,
And the saddle climbs a sapling, an’ the horse-shoes split a stump?

No, before yer teach the native you must ride without a fall
Up a gum or down a gully nigh as steep as any wall—
You must swim the roarin’ Darlin’ when the flood is at its height
Bearin’ down the stock an’ stations to the Great Australian Bight.

You can’t count the bulls an’ bisons that yer copped with your lassoo—
But a stout old myall bullock p’raps ’ud learn yer somethin’ new;
Yer’d better make yer will an’ leave yer papers neat an’ trim
Before yer make arrangements for the lassooin’ of him;
Ere you ’n’ yer horse is catsmeat, fittin’ fate for sich galoots,
And yer saddle’s turned to laces like we put in blucher boots.

And yer say yer death on Injins! We’ve got somethin’in yer line—
If yer think your fitin’s ekal to the likes of Tommy Ryan.
Take yer karkass up to Queensland where the allygators chew
And the carpet-snake is handy with his tail for a lassoo;

Ride across the hazy regins where the lonely emus wail
An’ ye’ll find the black’ll track yer while yer lookin’ for his trail;
He can track yer without stoppin’ for a thousand miles or more—
Come again, and he will show yer where yer spit the year before.
But yer’d best be mighty careful, you’ll be sorry you kem here
When yer skewered to the fakements of yer saddle with a spear—
When the boomerang is sailin’ in the air, may heaven help yer!
It will cut yer head off goin’, an’ come back again and skelp yer.

P.S.—As poet and as Yankee I will greet you, Texas Jack,
For it isn’t no ill-feelin’ that is gettin’ up my back,
But I won’t see this land crowded by each Yank and British cuss
Who takes it in his head to come a-civilisin’ us.

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poem by Henry Lawson
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Cow

Aw, go write yer tinklin' jingle, an' yer pretty phrases mingle,
Fer the mamby-pamby girl, all fluffy frill an' shinin' silk.
Them's the sort ter fetch yer trouble, when yer tries 'em, in the double.
Blow yer beauty! Wot's the matter with the maiden 'oo kin milk?
Them there rhymers uv the wattle! An' the bardlet uv the bottle -
'Im that sings uv sparklin' wine, an' does a perish fer the beer;
An' yer slap-dash 'orsey po-it! Garn! If you blokes only know it,
You 'ave missed the single subjec' fit ter rhyme about down 'ere.
An' although I ain't a bard, with bloomin' bays upon me brow,
I kinsider that it's up ter me ter sing about The Cow.
Cow, Cow
(Though it ain't a pretty row,
It's a word that 'ipnertises me; I couldn't tell yer 'ow.)
Though I ain't a gifted rhymer,
Nor a blamed Parnassus climber,
I'm inspired ter sing a tune er two about the Blessed Cow.

0h, the cow-bells are a-tinklin', and the daisies are a twinklin'
Well, that ain't the style ersackly I intended fer to sing.
'Ark, was over music greater then the buzzin' sepy-rater,
Coinin' gaily money daily fer the - no, that's not the thing!
'Omeward comes the cows a-lowin', an' the butter-cups are blowin';
But there's better butter in the - Blarst ! That ain't the proper way
See the pretty milkmaid walkin' - aw, it ain't no use er talkin'.
Listen 'ere, I want ter tell yer this: A cow's ther thing ter pay!
Sell yer 'orses, sell yer arrers, an' yer reapers, an' yer plough;
If yer want yer land ter pay yer, sacrifice yer life ter Cow
Cow, Cow
Sittin' underneath the bough,
With a bail, an' with a pail, an' with a little stool, an' thou
Kickin' when I pull yer teat there,
Swishin' flies, the pretty creatur.
Ah, there ain't no music sweeter - money squirtin' from the Cow.

Take away the wine-cup; take it. An' the foamin' flagon, break it.
Brimmin' cups uv butter-milk'll set yer glowin' thro' an' thro';
An' the reason I'm teetotal is becos me thrifty throat'll
Jest refuse ter swaller stuff that's costin' me a precious sou.
Once I wus a sinful spender. Used ter go a roarin' bender
Used ter often spend a thruppence when ther' wasn't any need.
An' the many ways I've busted money, when I should er trusted
It ter cattle an' erconomy, 'ud cause yer 'eart ter bleed
But I'm glad, me friends, that godliness 'as made me careful now;
Tho' I lorst the thing wot's next it when I cottoned ter the Cow.
Cow, Cow
Trudin' thro' the sloppy slough.
Ah, I once despised the Jews, but I kin under-stand 'em now
When they needed elevatin',
An' ole Moses kep' 'em waitin'
Fer religi'n, they went straight 'n' sorter substichooted Cow.

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poem by Clarence Michael James Stanislaus Dennis
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Rave On, John Donne

Rave on john donne, rave on thy holy fool
Down through the weeks of ages
In the moss borne dark dank pools
Rave on, down through the industrial revolution
Empiricism, atomic and nuclear age
Rave on down through time and space down through the corridors
Rave on words on printed page
Rave on, you left us infinity
And well pressed pages torn to fade
Drive on with wild abandon
Uptempo, frenzied heels
Rave on, walt whitman, nose down in wet grass
Rave on fill the senses
On natures bright green shady path
Rave on omar khayyam, rave on kahlil gibran
Oh, what sweet wine we drinketh
The celebration will be held
We will partake the wine and break the holy bread
Rave on let a man come out of ireland
Rave on on mr. yeats,
Rave on down through the holy rosey cross
Rave on down through theosophy, and the golden dawn
Rave on through the writing of a vision
Rave on, rave on, rave on, rave on, rave on, rave on
Rave on john donne, rave on thy holy fool
Down through the weeks of ages
In the moss borne dark dank pools
Rave on, down though the industrial revolution
Empiricism, atomic and nuclear age
Rave on words on printed page

song performed by Van Morrison
Added by Lucian Velea
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Rave In2 The Joy Fantastic

Rave in2 the joy fantastic - Rave!
Rave in2 the joy fantastic - Rave!
World full of lovers, city full of good times - Rave!
Don't go undercover, I can get you out of yo mind, come on - Rave!
All you need is a DJ and an urge to move (Are you ready?)
We can get this party on, don't ya wanna groove?
Rave in2 the joy fantastic - Rave!
Everybody rave in2 the joy fantastic - Rave!
Arrividerci cock poppy, I just need a funky beat
To get my body movin' up outta my seat
Tell me y'all, ain't that the bomb?
Mack daddy ain't got no gun
We just droppin' this needle right dat there up on the one
(The one most scandalous)
Rave in2 the joy fantastic - Rave!
Everybody rave in2 the joy fantastic - Rave!
Tell me y'all, ain't that the bomb?
Everybody got a new thang - Scandalous (Rave)
Ooh, you're so hot, boo
Ahh, you've got to..
Rave in2 the joy fantastic - Rave!
(Into the shining light)
Rave in2 the joy fantastic - Rave!
(It ain't a sin to party all night)
Rave in2 the joy fantastic supergroovelastic funk
Guaranteed to make you shake
Move something round your big ole trunk
Punk sucka talkin' plenty gettin' yo Henny on
Grab your partner by the hand
And dance to this song, come on
Brotha playin' an Apache scar!
Gaultier - stop!
(Whoa whoa whoa)
Rave in2 this joy fantastic
Moneyapolis Beautiful Strange
Pump it up loud New York City
Headbobbin' in the Range
Baby knows where to go
Tangerine, but I like your flow
Tonight we get tight, uhh
Until the morning light
Rave in2 the joy fantastic - Rave!
(Into the morning, the morning light)
Rave in2 the joy fantastic -

song performed by Prince
Added by Lucian Velea
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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poem by Robert Browning (1871)
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0005 Totally Boring Poem

I’m totally bored by:

poems that sound like other poems

poems that try to sound unlike any other poems

poets who never take risks

poets who think that taking risks
makes them good poets

poems with 'meaning'

poems with no meaning

poets who slag off other poets
as if that achieves something

poets that tell you that rhyme
is not for an age but for all time

poets that tell you that rhyme is outmoded and boring

poets who think that the poetry of 'the past'
is greater than that of 'the present'

poets who think that the poetry of 'the present'
is greater than that of 'the past'

poems that tell you the poet's the first to discover sex

poets that tell you they’re the best sex you’ll ever have
although you’ll never meet them to find out

poets that tell you they’ve been dumped

poets who've never known love and being dumped

poets who are ambitious

poets who are unambitious

poets who tell you all about higher things

poets who reject higher things

poets who think life’s just a joke

poets who think life’s no joke

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poem by Michael Shepherd
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Possum

Jist 'ere it gripped me, on a sudden, like a red-'ot knife.
I wus diggin' in the garden, talkin' pleasant to me wife,
When it got me good an' solid, an' I fetches out a yell,
An' curses soft down in me neck, an' breathes 'ard fer a spell.
Then, when I tries to straighten up, it stabs me ten times worse.
I thinks per'aps I'm dyin', an' chokes back a reel 'ot curse.

'I've worked too fast,' I tells Doreen. 'Me backbone's runnin' 'ot.
I'm sick! I've got-0o, 'oly wars! I dunno wot I've got!
Jist 'ere - Don't touch! - jist round back 'ere, a blazin' little pain.
Is clawin' up me spinal cord an' slidin' down again.'
'You come inside,' she sez. 'Per'aps it's stoopin' in the sun.
Does it 'urt much?' I sez, 'Oh, no; I'm 'avin' lots o' fun.'

Then, cooin' to me, woman-like, she pilots me inside.
It stabs me every step I takes; I thort I could 'a' died.
'There now,' she sez. 'Men can't stand pain, it's alwus understood.'
'Stand pain?' I owls. Then, Jumpin' Jakes! It gits me reely good!
So I gets to bed in sections, fer it give me beans to bend,
An' shuts me eyes, an' groans again, an' jist waits fer the end.

'Now, you lie still,' she orders me, 'until I think wot's best.
Per'aps 'ot bran, or poultices. You jist lie still, an' rest,'
Rest? 'Oly Gosh! I clinched me teeth, an' clawed the bloomin' bunk;
Fer a red-'ot poker jabbed me ev'ry time I much as wunk.
I couldn't corf, I couldn't move, I couldn't git me breath.
'Look after Bill,' I tells Doreen. 'I feels that… this is… death.'

'Death, fiddlesticks,' she laughs at me. 'You jist turn over now.'
I 'owls, ''Ere! Don't you touch me, or there'll be a blazin' row!
I want to die jist as I am.' She sez, 'Now, Bill, 'ave sense.
This 'as to go on while it's 'ot.' I groans, 'I've no defence.'
An' so she 'as 'er way wiv me. An', tho' I'm suff'rin' bad,
I couldn't 'elp but noticin' the gentle touch she 'ad.

That ev'nin', when the doctor come, sez 'e, 'Ah! 'Urtin' much?
Where is the trouble?' I sez, 'Where you ain't allowed to touch!'
'E mauls an' prods me while I 'owls to beat the bloomin' band.
Gawbli'me! I'd 'a' cracked 'im if I'd strength to lift me 'and.
'Discribe yer symtims now,' sez 'e. I fills meself wiv wind,
An' slung 'im out a catalog while 'e jist stood an' grinned.

'Ar, bar!' 'e sez. 'Sciatiker! Oh, we'll soon 'ave yeh well.'
'Sciatiker?' sez I. 'Yer sure yeh don't mean Jumpin' 'Ell?
It ain't no privit devil wiv a little jagged knife?'
'Tut, rut,' 'e grins. 'You'll soon be right. I leaves yeh to yer wife.'
I looks at 'er, she smiles at me, an' when I seen that smile:
'Aw, poultices!' I groans. An' she injoys it all the while!

But I'm marri'd to a woman; an', I gives yeh my straight tip,

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poem by Clarence Michael James Stanislaus Dennis
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Put Yer Money Where Your Mouth Is

(noel gallagher)
(vocals by liam)
Put yer money where yer mouth is
Your momma said that you were real
Put yer money where yer mouth is
Your momma said the tune was real
Ready or not
And come what may
You betcha going down for judgement day
So put yer money in yer mouth
And your hands right up on the wheel
Put yer money where yer mouth is
Your papa said that you were real
Put yer money where yer mouth is
Your paa said that you were real
Ready or not
And come what may
You betcha going down for judgement day
So put yer money in yer mouth
And your hands right up on the wheel
Put yer money where yer mouth is
Your papa said that you were real
Put yer money where yer mouth is
Your papa said that you were real
Ready or not
And come what may
You betcha going down for judgement day
So put yer money in yer mouth
And your hands right up on the wheel
Aaaahhhhhhhhhhh!!!
Aaaahhhhhhhhhhh!!!
Whhhooooooo
Put yer money where yer mouth is
Your momma said that you were real
Put yer money where yer mouth is
Your momma said that you were real
Ready or not
And come what may
You betcha going down for judgement day
So put yer money in yer mouth
And your hands right up on the wheel
Aaaahhhhhhhhhhh!!!
Aaaahhhhhhhhhhh!!!
Watch out
Hey watch out
W-w-w-w-w-w-watch out
Hey watch out
Hey
Aaaahhhhhhhhhhh!!!
Aaaahhhhhhhhhhh!!!

[...] Read more

song performed by Oasis
Added by Lucian Velea
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Quatrains Of Life

What has my youth been that I love it thus,
Sad youth, to all but one grown tedious,
Stale as the news which last week wearied us,
Or a tired actor's tale told to an empty house?

What did it bring me that I loved it, even
With joy before it and that dream of Heaven,
Boyhood's first rapture of requited bliss,
What did it give? What ever has it given?

'Let me recount the value of my days,
Call up each witness, mete out blame and praise,
Set life itself before me as it was,
And--for I love it--list to what it says.

Oh, I will judge it fairly. Each old pleasure
Shared with dead lips shall stand a separate treasure.
Each untold grief, which now seems lesser pain,
Shall here be weighed and argued of at leisure.

I will not mark mere follies. These would make
The count too large and in the telling take
More tears than I can spare from seemlier themes
To cure its laughter when my heart should ache.

Only the griefs which are essential things,
The bitter fruit which all experience brings;
Nor only of crossed pleasures, but the creed
Men learn who deal with nations and with kings.

All shall be counted fairly, griefs and joys,
Solely distinguishing 'twixt mirth and noise,
The thing which was and that which falsely seemed,
Pleasure and vanity, man's bliss and boy's.

So I shall learn the reason of my trust
In this poor life, these particles of dust
Made sentient for a little while with tears,
Till the great ``may--be'' ends for me in ``must.''

My childhood? Ah, my childhood! What of it
Stripped of all fancy, bare of all conceit?
Where is the infancy the poets sang?
Which was the true and which the counterfeit?

I see it now, alas, with eyes unsealed,
That age of innocence too well revealed.
The flowers I gathered--for I gathered flowers--
Were not more vain than I in that far field.

[...] Read more

poem by Wilfrid Scawen Blunt
Added by Poetry Lover
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The Squatter, Three Cornstalks, and the Well

There was a Squatter in the land—
So runs the truthful tale I tell—
There also were three cornstalks, and
There also was the Squatter’s Well.

Singing (slowly): “Sin and sorrer, sin and sor-rer, sin and sor-r-r-rer.”

The Squatter he was full of pluck,
The Cornstalks they were full of sin,
The well it was half full of muck
That many rains had drifted in.

Singing (with increased feeling): “Sin, &c.”

The Squatter hired the Cornstalks Three
To cleanse the well of mud and clay;
And so they started willing-lee
At five-and-twenty bob a day.

Singing (apprehensively): “Sin, &c.”

At five-and-twenty bob the lot—
That’s eight-and-four the day would bring
To each; and so they thought they’d got
A rather soft and easy thing.

Singing (sadly): “Sin, &c.”

The Cornstalks cleaned the well within
A day or two, or thereabout—
And then they worked an awful sin—
A scheme to make the job last out.

Singing (reproachfully): “Sin and sorrer, &c.”

For when the well was cleaned out quite
Of all its logs and muck and clay
They tipped a drayload down at night
And worked to haul it up next day.

Singing (dismally): “Sin, &c.”

But first the eldest, christened Hodge,
He greased the dray-wheel axles, so
The super wouldn’t smell the dodge
And couldn’t let the Squatter know.

Singing (hopelessly): “Sin and sorrer, &c.”

The stuff they surfaced out each day

[...] Read more

poem by Henry Lawson
Added by Poetry Lover
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Help Me Ronda

Well since she put me down I 've been out doin' in my head
Come in late at night and in the mornin' I just lay in bed
Well, Ronda you look so fine (look so fine)
And I know it wouldn't take much time
For you to help me Ronda
Help me get her out of my heart
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda yeah
Get her out of my heart
She was gonna be my wife
And I was gonna be her man
But she let another guy come between us
And it ruined our plan
Well, Ronda you caught my eye (caught my eye)
And I can give you lotsa reasons why
You gotta help me Ronda
Help me get her out of my heart
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda yeah
Get her out of my heart
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda

[...] Read more

song performed by Beach Boys
Added by Lucian Velea
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Help Me, Rhonda

Well since she put me down Ive been out doin in my head
Come in late at night and in the mornin I just lay in bed
Well, rhonda you look so fine (look so fine)
And I know it wouldnt take much time
For you to help me rhonda
Help me get her out of my heart
Help me rhonda
Help, help me rhonda
Help me rhonda
Help, help me rhonda
Help me rhonda
Help, help me rhonda
Help me rhonda
Help, help me rhonda
Help me rhonda
Help, help me rhonda
Help me rhonda
Help, help me rhonda
Help me rhonda yeah
Get her out of my heart
She was gonna be my wife
And I was gonna be her man
But she let another guy come between us
And it ruined our plan
Well, rhonda you caught my eye (caught my eye)
And I can give you lotsa reasons why
You gotta help me rhonda
Help me get her out of my heart
Help me rhonda
Help, help me rhonda
Help me rhonda
Help, help me rhonda
Help me rhonda
Help, help me rhonda
Help me rhonda
Help, help me rhonda
Help me rhonda
Help, help me rhonda
Help me rhonda
Help, help me rhonda
Help me rhonda yeah
Get her out of my heart
Help me rhonda
Help, help me rhonda
Help me rhonda
Help, help me rhonda
Help me rhonda
Help, help me rhonda
Help me rhonda
Help, help me rhonda

[...] Read more

song performed by Beach Boys
Added by Lucian Velea
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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;

Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

[...] Read more

poem by Robinson Jeffers
Added by Poetry Lover
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U R Wrong

u were wrong... so wrong.. uh uh uh huh uh.
u were wrong dead wrong.. uh uh uh whoaaaaaaa
Girl U R said your wrong wrong said your wrong wrong
Girl U R said your wrong wrong said your wrong wrong
verse1: can i take you back to happy times..
oh oh oh uh oh
everyday was paradise.. dinner and candle lights
oh oh oh uh oh
i never thought you'd change i didn't expect no games
i wanted you to bare my child i wanted you to have my last name
now we was right we was wrong
i really don't care cuz i gotta move one
i'm gone be a man about it
the headache i can live without it
chorus: Girl (you act so shady) U (spend all of my paper R ( one heck of a lady) said ur wrong wrong said ur wrong wrong
Girl ( i don't codone it ) U ( and you can't erase it) R (one heck of a lady) said ur wrong wrong said your wrong wrong
Girl ( u tired to play) U (had a house and a baby) R ( one heck of a lady) said ur wrong wrong said ur wrong wrong
Girl ( u were wrong ) u( so wrong ) R (dead wrong said your wrong wrong wrong wrong wrong.
verse2: now i admit sometime i make mistakes..
oh oh oh mmmhmmmm
the responsibility of this household was your to take
"well"
i gave you the keys to the range.. broke you off a lil bit of change
ain't no need to explain.. your gonna miss a good thang
and when it's gone away i ain't got time to play
women you had a chance a chance to stay baby baby
chorus: Girl (you act so shady) U (spend all of my paper R ( one heck of a lady) said ur wrong wrong said ur wrong wrong
Girl ( i don't codone it ) U ( and you can't erase it) R (one heck of a lady) said ur wrong wrong said your wrong wrong
Girl ( u tired to play) U (had a house and a baby) R ( one heck of a lady) said ur wrong wrong said ur wrong wrong
Girl ( u were wrong ) u( so wrong ) R (dead wrong said your wrong wrong wrong wrong wrong.
i picked you up when you were down( when your luck ran out.. baby yes i did)
i took you in when theyput you out ( do you remember that cold monday morning?)
i treated you kids like they was mine( i ain't even they real damn daddynononnono )
when you were dim i made you shine( i was the diamond in your life baby)
chorus: Girl ( girl) u (u) R ( are) wrong wrong wrong wrong
Girl ( girl) u (u) R ( are) wrong wrong wrong wrong
Girl ( girl) u (u) R ( are) wrong wrong wrong wrong
Girl ( girl) u (u) R ( are) wrong wrong wrong wrong
can i break it down fora mineut baby
tell you.. why your wrong
you were wrong staying out all night
coming in sloppy drunk baby
and you were wrong for letting your friend direct your mind
and you were wrong for running up my credit card
and you were wrong for everything you've done to me.
(chorus)
ain't no explination this time.

song performed by 3pc
Added by Lucian Velea
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Satan Absolved

(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.

[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.

Satan. Ye have in truth good cause.

Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.

[...] Read more

poem by Wilfrid Scawen Blunt
Added by Poetry Lover
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