Diana
The first time I saw you - was in a magazine
The next time was you was walkin' 'cross my television screen
I knew right there that I had to make you mine
The day that you married him - I nearly lost my mind
Chorus
Diana - What cha doin' with a guy like him
Diana - I'd die for you please let me in
Diana - Can't you see you drive me wild
Diana - I'll bet you're just a reckless child!
So you've got it made;
I've seen you promenade a time or two
He might have lots of dough;
But I know he ain't right for you
Well I've watched you smile n' shakin hands;
When you're doin' your social scene
But you wouldn't have to do that;
If you came and lived with me - oh yeah!
Chorus
Diana - I just can't get you off of my mind
Diana - Why don't ya leave it all behind?
Diana - She's the queen of all my dreams
Diana - Give me a chance - I'll set ya free!
Since I saw that picture of ya;
Nothin' matters - I just wanna love ya;
We can make it you and me;
So come on baby - come on baby
So here's how I see it...
You got one choice - you can get away;
Leave it up to me;
I'll bring the ladder - if you bring your limousine!
You really got a hold on me
Gimme a chance - I'll set you free!
song performed by Bryan Adams
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Related quotes
Got Cha Loco
Got cha, got cha loco loco
Got cha, got cha loco
Got cha, got cha loco loco
Got cha, got cha loco
People laughin
They got time to relax
They all say hello
They dont worry
They dont mind
Theyre ok
Happy kind of loco
They dont worry
They dont mind
Theyre ok
Happy kind of loco
Too much work and
Too much of everything
Can make it for a man
Thats all alone
Let things go
Youll find out
What crazy means of madness
Of life is everywhere you go
Got cha, got cha loco loco
Got cha, got cha loco
Got cha, got cha loco loco
Got cha, got cha loco
Got cha, got cha loco loco
Got cha, got cha loco
Got cha, got cha loco loco
Got cha, got cha loco
Everybody needs a chance
Life is here
Learn to let things go
Whats your hurry
Whos to blame
Right is bright
When youre playing loco
Whats your hurry
Whos to blame
Right is bright
When youre playing loco
So youre down
You end up a lonely man
Youre looking for a friend
But theyre all gone
Let things go
Youll find out
What crazy means of madness
Of life is everywhere you go
[...] Read more
song performed by Boney M.
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Dont Cha Stop
Right here Id like to melt inside of you
Right here you kiss is totally new
Right here your hands are soft and creamy
Right here your mouth is wet and dreamy
And its just what I like
So dim down the light
(dont cha stop dont cha stop)
(dont cha stop dont cha stop)
If it makes you feel good
(dont cha stop dont cha stop)
(dont cha stop dont cha stop)
(dont cha stop dont cha stop)
(dont cha stop dont cha stop)
Your rhapsody is blowing my cool-ool
Your fantasies there written for fools
Your long black hair tickles my skin skin
It feels so luscious come on do it again, oh yeah
And its just what I like
Dim down the light
(dont cha stop dont cha stop)
(dont cha stop dont cha stop)
If it makes you feel good
(dont cha stop dont cha stop)
(dont cha stop dont cha stop)
If it makes you feel good
(dont cha stop dont cha stop)
(dont cha stop dont cha stop)
If it makes you feel good, good,
Good, good, good
Dont cha stop dont cha stop
A dont cha stop if it makes you feel
Good, good, good
Oo dont cha stop dont cha stop
(dont cha stop dont cha stop)
(dont cha stop dont cha stop)
Dont you stop dont cha stop
If it makes you feel
Good, good, good
Good, good, good
Good, good, good
Dont cha stop
(dont cha stop dont cha stop)
(dont cha stop dont cha stop)
[repeat-fade]
song performed by Cars
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Song of Wink Star
The Song of Wink Star
a happy story for children of all ages
story and text © Raj Arumugam, June 2008
☼ ☼
☼ Preamble
Come…children all, children of all ages…sit close and listen…
Come and listen to this happy story of the stars and of life…
Come children of the universe, children of all nations and of all races, and of all climates and of all kinds of space and dimensions and universes…
Come, dearest children of all beings of the living universe, come and listen to The Song of Wink Star…
Come and listen to this story, this happy story…listen, as the story itself sings to you…
Sit close then, and listen to the story that was not made by any, or written by a poet, or fashioned by grandfathers and grandmothers warming themselves at the fire of burning stars…
O dearest children all, come and listen to the story that lives
of itself, and that glows bright and happy….
Come…children all, children of all ages, come and listen to this happy story, the story so natural and smooth as life, as it sings itself to you….
☼ The Song of Wink Star
a happy story for children of all ages
☼ 1
Night Child, always so light and gentle, slept on a flower.
And every night, before he went to sleep, he would look up at the sky.
He would look at the eastern corner, five o’clock.
And there he would see all the stars in near and distant galaxies that were only visible to the People of Star Eyes.
Night Child was one of the People of Star Eyes. And so he could see the stars. And of all the stars he could see, he loved to watch Wink Star.
Wink Star twinkled and winked and laughed.
Every night Wink Star did that. Winked and laughed.
[...] Read more
poem by Raj Arumugam
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Cha Cha Loco
Youve tied the knot
Dont bite the hand or it wont feed
What she aint got
Is sure to make sure you dont need
You cant go back
Youve booked the band
So take your partner by the hand
Baile
Enjoy the food - so many courses
Baile
Enjoy the dance - they dont shoot horses
Baile
Cha cha loco
You like the dress
Its out of mothballs once a year
The good champagne
Tomorrow night its back to beer
But now youre here, youll dance all night
But never get the steps quite right
Baile
Enjoy the food - so many courses
Baile
Enjoy the dance - they dont shoot horses
Baile
Cha cha loco
Cha cha cha loco
Cha cha cha loco
Cha cha cha loco
Cha cha cha loco
Cha cha cha loco
Cha cha cha loco
Cha cha cha loco
Baile
Enjoy the food - so many courses
Baile
Enjoy the dance - they dont shoot horses
Baile
Cha cha loco
song performed by Joe Jackson
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Everybody Loves To Cha, Cha, Cha
Took my baby to the hop last night
What to my surprise
When we got there she hit me with the news
Right between the eyes
She said she couldnt do the cha, cha, cha...
I told her not to worry now
Theyd play some other dance
But we sat there for an hour and a half
And we never got a chance
cause every song they played was the cha, cha, cha...
I told her not to worry
Theres still one thing we can do
Let me take you by your hand tonight
I want to teach this dance to you
I taught my baby how to cha, cha, cha...
We kept on dancing for an hour or two
What do you think Id see
We hadnt practiced for a time or two around
She was doing it better than me
You know my baby loves to cha, cha, cha...
Everybody loves to cha, cha, cha...
Little children love to cha, cha, cha
Everybody loves to cha, cha, cha...
Sam cooke himself in the midnight hour
Everybody loves to cha, cha, cha
song performed by James Taylor
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Doin It Right
(tom lavin)
Published by uncut music - bmi/procan
Doin it right, doin it right, doin it right, doin it right
The rock bands cookin and the drummers gettin down
Were doin it right on the wrong side of town
I know a place on the wrong side of town
The rock bands cookin and theyre gettin on down
The slot mans playin like his souls on fire
Movin like a rumour on a telephone wire
Go rev up your chevy, put your gas foot down
Were doin it right on the wrong side of town
Doin it right, doin it right, doin it right, doin it right
The rock bands cookin and the drummers gettin down
Were doin it right on the wrong side of town
There aint no future gettin magazine girls
Taken to the club with their hard lovin thrills
No time for tears, trouble and sorrow
Rock and roll like theres no tomorrow
Turn off the tube and put your magazine down
Were doin it right on the wrong side of the town
Doin it right, doin it right, doin it right, doin it right
The rock bands cookin and the drummers gettin down
Were doin it right on the wrong side of town
Doin it right on the wrong side of town
I know a place on the wrong side of town
The rock bands cookin and theyre gettin on down
The slot mans playin like his souls on fire
Movin like a rumour on a telephone wire
Go rev up your chevy, put your gas foot down
Were doin it right on the wrong side of town
Doin it right, doin it right, doin it right, doin it right
The rock bands cookin and theyre gettin on down
Were doin it right on the wrong side of town
Doin it right, doin it right, doin it right, doin it right
The rock bands cookin and theyre gettin on down
Doin it right on the wrong side of town
Doin it right, doin it right, doin it right, doin it right
The rock bands cookin and the drummers gettin down
Were doin it right on the wrong side of town
song performed by April Wine
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Doin That Crazy Thing
Doin the crazy thing, doing the crazy thing
Doin the crazy thing, doing the crazy thing
Crazy lady commin cross the floor
Dont know her name just gotta get more, gotta get more
Read it on the rhythm of the midnight hour
Babys got me goin gotta do it now
Caus everybodys doin it, doin it, doin it, doin the crazy thing
Do the crazy thing
Ahy, you lookin outa sight
Wont you get on the floor, get on the floor, your gonna feel all right
Dancing with your penny tonight,
Cause everybody is doin it, doin the crazy, crazy, crazy thing
Everybodys doin it, doin the crazy, crazy, crazy thing
They come a dancin like their souls on fire
Shes taking everybody higher, and higher, and higher
Everybodys moving on that red hot floor
Gota keep on movin we can get it now
Caus everybodys doin it, doin it, doin it, doin the crazy thing
Doin the crazy thing.
Hay, your looking outta sight
Wont you get on the floor, get on the floor, your gonna feel all right
Dancing with your baby tonight, caus everybodys doin it
The crazy lady gonna stay with me
We goona dance the night away till three
Dance getting better as the band plays on
Me and my baby gonna do it all night long
Caus everybodys doin it, yeah, doin it, all right, doin it,
Doin the crazy thing, doin the crazy thing
Everybodys doin it, doin it, doin it, doin the crazy thing
Doin it, doin it, doin it, doin the crazy thing
Doin it, doin it, doin it, doin the crazy thing
song performed by Electric Light Orchestra
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VII. Pompilia
I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.
All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.
Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—
[...] Read more
poem by Robert Browning from The Ring and the Book
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Didnt Cha Know
Didnt cha know
Oh hey...
Ooh hey
Im trying to decide
Which way to go
I think I made a wrong turn back there somewhere
Ooh hey
Im trying to decide
Which way to go
I think I made a wrong turn back there somewhere
Didnt cha know, didnt cha know
Tried to move but I lost my way
Didnt cha know, didnt cha know
Stopped to watch my emotions sway
Didnt cha know, didnt cha know
Knew the toll, but I would not pay
Didnt cha know, didnt cha know
Cause you never know where the cards may lay
Time to save the world
Where in the world is all the time
So many things I still dont know
So many times Ive changed my mind
Guess I was born to make mistakes
But I aint scared to take the weight
So when I stumble off the path
I know my heart will guide me back
Ooh hey
Im trying to decide
Which way to go
I think I made a wrong turn back there somewhere
Ooh hey
Im trying to decide
Which way to go
I think I made a wrong turn back there somewhere
Didnt cha know, didnt cha know
Tried to run but I lost my way
Didnt cha know, didnt cha know
Stopped to watch my emotions sway
Didnt cha know, didnt cha know
Knew the toll but I would not pay
Didnt cha know, didnt cha know
I said ya never know how the cards may lay
Love is life, and life is free
Take a ride on life with me
Free your mind and find your way
There will be a brighter day
Love is life, and life is free
Take a ride on life with me
Free your mind and find your way
There will be a brighter day
song performed by Erykah Badu
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Cha Cha
Cha cha twist me neatly.
Swiveled hips in a rhythmicness,
So erotic.
I wish to stop and stare and sigh,
At thighs that dip...
As I reverse and lead.
Cha cha twist me neatly.
With a 1-2-3 right foot front.
Step 1-2-3 back.
I wish to stop and stare and sigh,
At thighs that dip...
As I reverse and lead.
Swiveled hips in a rhythmicness,
So erotic.
Cha cha twist me neatly.
'I thought you said you never did this before? '
The dance or the attempt at staring?
Note:
Cha Cha Dance History
Originally known as the Cha-Cha-Cha. Became popular about 1954. Cha Cha is an offshoot of the Mambo. In the slow Mambo tempo, there was a distinct sound in the music that people began dancing to, calling the step the 'Triple' Mambo. Eventually it evolved into a separate dance, known today as the Cha Cha.
The dance consists of three quick steps (triple step or cha cha cha) and two slower steps on the one beat and two beat.
Courtesy:
Centralhome.com
poem by Lawrence S. Pertillar
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Moonshine Whiskey
Oh, she give me moonshine whiskey
Oh, she give me southern love
Deep in the heart of texas
There beneath the stars above
Oh, she give me southern comfort
Oh, she give me moonshine love
Deep in the heart of texas
There beneath the stars above
Here I am riding on a train
Just about thunderballs down the line
Just cant wait any longer
See that little darling of mine
See that little darling of mine
Shes my texas sweetheart
Part from arkansas
Then were dancing
Across the floor
And a band was playing
People were swayin, to and fro
Streamline promenade
Streamline promenade
And I said, wait a minute, wait a minute, wait a minute
Im gonna take a plane
Come with me tonight
Gonna put on my hot pants
And promenade down funky broadway till the cows come home
La la la da.....
Oh streamline promenade
Promenade streamline
Streamline promenade
Promenade streamline
Think Im gonna promenade all night
Oh, she give me moonshine whiskey
Oh, she give me southern love
Deep in the heart of texas
There beneath the stars above
Oh, she give me southern comfort
Oh, she give me moonshine love
Deep in the heart of texas
There beneath the stars above
Listen, here we are
Thinking about time
When I resist here and now
And I just want to lie my feet on a river bed instead
Cant wait any longer
For the sign
I want to get down some time in the water
Watch the fish in the water
Bubbles, watch the bubbles come up in the water
Promenade streamline in the water
[...] Read more
song performed by Van Morrison
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Reckless
You make me reckless, reckless everyday
You make me reckless
Standin by the disco floor
Spot this girl
My heart jump and move
Yeah, yeah
Walk over said to her
Lovely things
She said I was a fool
Oh no
She said
This is not the right time baby
I came here to groove
Hmmmmmmm
And recklessly
I took my time
When I look back
The girls had made a move
Yeah, yeah
The music played on, played on
Why didnt you make your move
Somebody came on, came on
And stole the girl from you
Its the groove
That makes you move
So come on and get down
To this funky sound
Do what you please
You are entitled to flaunt
Get wild and reckless
If you want
cause the sound we deliver
Will take you higher
Most definately with
Desire, desire, de si si si sire
You make me reckless, reckless everyday
You make me reckless
You make me reckless, reckless everyday
You make me reckless
You make me reckless, reckless everyday
You make me reckless
You make me reckless, reckless everyday
You make me reckless
So as the music play
I had to find a way
To catch her eye
Yeah, yeah
The partner she was with
He did not know how to gig
Said i
[...] Read more
song performed by Ub40
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Sixth Book
THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
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The Dream
'TWAS summer eve; the changeful beams still play'd
On the fir-bark and through the beechen shade;
Still with soft crimson glow'd each floating cloud;
Still the stream glitter'd where the willow bow'd;
Still the pale moon sate silent and alone,
Nor yet the stars had rallied round her throne;
Those diamond courtiers, who, while yet the West
Wears the red shield above his dying breast,
Dare not assume the loss they all desire,
Nor pay their homage to the fainter fire,
But wait in trembling till the Sun's fair light
Fading, shall leave them free to welcome Night!
So when some Chief, whose name through realms afar
Was still the watchword of succesful war,
Met by the fatal hour which waits for all,
Is, on the field he rallied, forced to fall,
The conquerors pause to watch his parting breath,
Awed by the terrors of that mighty death;
Nor dare the meed of victory to claim,
Nor lift the standard to a meaner name,
Till every spark of soul hath ebb'd away,
And leaves what was a hero, common clay.
Oh! Twilight! Spirit that dost render birth
To dim enchantments; melting Heaven with Earth,
Leaving on craggy hills and rumning streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,
And, tho' such radliance round him brightly glows,
Marks the small spark his cottage window throws.
Still as his heart forestals his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life,
His rosy children, and his sunburnt wife,
To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past,
And those poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turn'd quietly aside;
But him they wait for, him they welcome home,
Fond sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
The frugal meal prepared, are all for him;
For him the watching of that sturdy boy,
[...] Read more
poem by Caroline Elizabeth Sarah Norton
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Afrikaans: Sterregordels, Stilsonjare, Tydsbroekspypdinge, Haarsliert
Sterregordels
Cosmology in Afrikaans is an ode to joy, the
terms form sing-song strings with delightful
sounds “ewigbewegende elektron”
continuously spinning electron
“elektron in die hart van die atoomkorrel”
electron in the centre of the atom particle
- what a song!
“Triljoene Melkwegstelsels waaromheen ons
Melkweg elke tweehonderdmiljoenjaar
wentel – ‘n mallemeule van sterregordels…”
“Dobberende patrone, mesone en elektrone,
'n konfigurasie van konvekse novae”…
- these terms are singing to me!
A merry-go-round of star systems
Quotes from Adriaan Snyman “Die Messias Kode” (The Messiah Code) pp.9,10
Bombardement Van Frekwensies (English Explanation)
Waarmee sal ek hierdie leë oomblikke,
ankerloos, betekenisloos; aan die ewigheid
vasmaak - die gevoelsruimte in my hart
Is leeg, alle gevoel en denke het gesamentlik
in die donker duisternis van my brein ingeval
‘n laserbrein wat die hologramwêreld
Self moet konsituteer uit ‘n bombardement
van betekenislose frekwensies – maar
vandag is die ligstraalfokus uit
My pendulumgedagtes swaai ongefokus rond
die opgerolde, ingevoude ses-en-twintig of
meer dimensies van die virtuele werklikheid
Wil nie vir my oopgaan nie…
All thought and feeling fell into the black hole in my brain and the twenty-six or more rolled-up frequencies of reality does not want to open for me today…
Geloof In Liefde - Faith In Love
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poem by Margaret Alice
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Canto the Second
I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.
II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.
III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.
IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.
V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:
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poem by Byron from Don Juan (1824)
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Don't Stop
Haha
Yeah
Are you ready to do this one
Alright then
Let's go
Wooooh
Ah come on
Ooooh yeah
(don't stop doin' that thing you do)
Oh, your sweet love is making me high, yeah yeah
(don't stop givin' me all your love)
I've been waiting for you all my life
Yes, you know i've been waiting
(don't stop, don't stop)
Doin' it (doin' it)
Don't stop doin' it baby
....
They feed me all of their lives, yeah
But i can't be messin' up, no
Gotta love, keep me satisfied
And baby what i see
Whenever i, look at you
Is all i ever wanted in this world
Nothing else is gonna do
Sing on
(don't stop doin' that thing you do)
Aah, your sweet love is making me high, heya heya
(don't stop givin' me all your love)
I've been waiting for you all my life
Come on and sing it
(don't stop) ooh (doin' it) oh
I said don't stop doin' it baby
Friends got you down
Oh, they say you must be a fool, no
But there ain't nothin', no no
That i wouldn't do for you
'cause i'm out here, always wrong
Every night and every day
And i'm asking just one thing
Don't you ever take your love away
(don't stop doin' that thing you do)
Aah, baby
Your sweet love is making me high
Come on, come on
(don't stop givin' me all your love)
I've been waiting for you all my life
All my life baby
(don't stop) come on sing yeah (doin' it)
Don't stop doin' it baby
Ah baby don't stop (don't stop) doin' it
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song performed by Anastacia
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Whatcha Gonna Do?
(Yawn)
Hahaha
And ugh
I started out dumb
Sprung off a hood rat
Listening to the radio
Wishing that I could rap
But nothing changed
I was stuck in the game
Cause everybody in the industry was f**king me man
Listen
I've got a scheme
Break away do my own thing
Drop some conversation
Sit back and let the phone ring
Niggas they wanna see me rise
'97 watch me cut these motherf**kers down to size
And if I catch another case
Lord knows how they hate me
Got a playa in the court room
Please don't let them frame me
I've been dealt a lot of bad cards
Living as a thug
Count my blessings
Don't stress in this land with no love
Maybe if they see me rolling
Look at all this green I'm holding
I guess that's why the envious
Get their eye swollen
Hoping the heavenly farther love a hustler
Be the hardest nigga on earth to ever bust a nut
My homies tell me have a heart
F**k they feelings
I've been trying to make a million since we started
We cold hearted
Niggas in masks that'll blast at the task force
Empty out my clip
Time to mash
They asked for it
Me Makaveli I'm a motherf**ker
We break bread
Now we thug brothers (huhuh)
Niggas talk a lot of nonsense
I choose to ignore
A war
They ain't ready for it (huhuh)
[Chorus]
Now what cha gonna do? when my niggas come for you
(What ya gonna do)
Now what cha gonna do? when my niggas come for you
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song performed by 2 Pac
Added by Lucian Velea
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Thespis: Act II
DRAMATIS PERSONAE
GODS
Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury
THESPIANS
Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon
ACT II - The same Scene, with the Ruins Restored
SCENE-the same scene as in Act I with the exception that in place
of the ruins that filled the foreground of the stage, the
interior of a magnificent temple is seen showing the background
of the scene of Act I, through the columns of the portico at the
back. High throne. L.U.E. Low seats below it. All the substitute
gods and goddesses [that is to say, Thespians] are discovered
grouped in picturesque attitudes about the stage, eating and
drinking, and smoking and singing the following verses.
CHO. Of all symposia
The best by half
Upon Olympus, here await us.
We eat ambrosia.
And nectar quaff,
It cheers but don't inebriate us.
We know the fallacies,
Of human food
So please to pass Olympian rosy,
We built up palaces,
Where ruins stood,
And find them much more snug and cosy.
SILL. To work and think, my dear,
Up here would be,
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poem by William Schwenck Gilbert
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