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Odd Man Out

Because I dare to stand alone
they look at me suspiciously
It is as if they’ve never known
they could act independently.
They strive their hardest to conform
Afraid of acting differently
The closer they are to the norm
the happier they seem to be.
What is it drives me to rebel
insist on being different.
There is no sure way to tell
perhaps I’m just an accident
My individuality
Is all I have to prove I’m me.

(11-Jun-07)

poem by Ivor Or Ivor.e Hogg
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Reggae Accident

Reggae accident
By: lucas p. gravell
1993
-- spoken:
Okay now, get ready heres your part. now listen to me.
It was a reggae accident
I said a reggae accident
I cant here you
A reggae accident
A reggae accident
A reggae accident
Now make room for the band
A reggae accident
Here they come here they come
A reggae accident
I say make room for them
A reggae accident
Ha ha, look out now
It was a reggae accident
A reggae accident
This is not a political statement
Nor is it a farce
In the land of the great bald bird
The rasta man is sparse
He does not like our urban jungle
Or our capitalistic nightmare
He does not believe in auto insurance
Mon I dont believe that is fair
It was a reggae accident
Four rastas in a rambler
A reggae accident
They came from out of nowhere
A reggae accident
They were smoking some spliff cigars
A reggae accident
They totaled out my car
I lost the case that sealed my fate
Last week in municipal court
The judge ruled for rasta restitution
Of a most peculiar sort
Now theres four stoned faces at my dinner table
And my wife wonders how come
She does not mind the extra mouths to feed
As much as she minds those after dinner drums
We sing was a reggae accident
Four rastas eating pasta
A reggae accident
Pass the parmesan please
A reggae accident
How does a rasta spell relief

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song performed by Jimmy Buffett
Added by Lucian Velea
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Differently

Wish you told me by and by,
That my life would come to this,
That I'd have to find a way
to let things go,
That my friends would turn to foes,
And my love would come to blows,
Then I would have done some things
differently.
Differently...
I would ask you out every night.
Differently...
And I would make you feel so good.
Differently...
And appreciate the things that
you bring to me, babe.
Differently...
Oh yes I would, oh yeah.
Yeah, I know you tried and tried,
But your signal I just missed,
When you said my little girl
would soon be gone,
Yes I didn't hear you then,
And it might be too late now,
That's another thing I'd do
differently.
Differently...
Like trying to make you feel
loved every day.
Differently...
And saying little things to
let you know how I feel.
Differently...
Yes I can hear your young
voice calling me, babe.
Differently...
Oh yes I can.
When I 'm away I call you up,
And you don't seem to miss me as much,
But I know our love
is still there in your heart,
Just differently.
Differently...
Oh yes, I can hear your young
voice calling me, babe.
Differently...
Oh yes I can.
Differently...
I'd appreciate the things that you
bring to me babe, yes I would.
Differently...

[...] Read more

song performed by Neil Young
Added by Lucian Velea
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Closer 2 U

I'm gonna get closer to you
Come closer!
I'm gonna get closer to you
Come closer!
I see you watching me boy
Like I've been watching you and
I think it's time that we get down
We're talking big attraction
We're talking interaction
I think it's time that we get down
I'm gonna get closer to you
Show you all the love can give you
I'm gonna get closer to you now
I'm gonna get closer to you
Show you all the love can bring you
I'm gonna get closer to you now
Closer to you
I'll take you on a journey
You'll see that there's no turning back
Just need a chance and we'll get down
It's time for stimulation
When we're in isolation
I'll make you feel up if you're down
I'm gonna get closer to you
Show you all the love can give you
I'm gonna get closer to you now
I'm gonna get closer to you
Show you all the love can bring you
I'm gonna get closer to you now
Come closer and closer still
Closer you make me thrill
Moving your body next to mine
Come closer and closer still
Closer you make me thrill
Closer I'll make you feel divine
Closer to you!
I'm gonna get closer to you
Show you all the love can give you
I'm gonna get closer to you now
Get closer to you now baby
I'm gonna get closer to you
Show you all the love can bring you
I'm gonna get closer to you now
Oh baby, baby baby baby
I'm gonna get closer to you
(Closer to you now)
Show you all that love can bring you
(Closer to you now)
I'm gonna get closer to you now
Whenever you are near

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song performed by 2 Unlimited
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
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I Find It Hard To Say

[Lauryn Hill Talking]
...I've written it about the whole Amadou Diallo situation...
...It was such a hot time in the city at that point, I was afraid that if I
put the record out, people would Misunderstand what I meant by "Rebel" and
they just take it to the streets...
[One and only verse]
Ok, yeah, alright...
I find it hard to say, that everything is alright
Don't look at me that way, like everything is alright
Cuz my own eyes can see, through all your false pretenses
But what you fail to see, is all the consequences
You think our lives are cheap, and easy to be wasted
As history repeats, so foul you can taste it
And while the people sleep, too comfortable to face it
His life so incomplete, and nothing can replace it
And while the people sleep, too comfortable to face it
Your lives so incomplete, and nothing can replace it
Fret not thyself I say, against these laws of man
Cuz like the Bible says, His blood is on their hands
And what I gotta say, and what I gotta say, is rebel
While today is still today, choose well
And what I gotta say, is rebel, it can't go down this way
Choose well, choose well, choose well...
...choose well, choose well, choose well
And while the people sleep, too comfortable to face it
Your lives are so incomplete, and nothing, and no one, can replace it
No, no, no, no, no, no, no, no, no, no, no, no
And what I gotta say, and what I gotta say
And what I gotta say, and what I gotta say
And what I gotta say, and what I gotta say
And what I gotta say, and what I gotta say
Is rebel... rebel, rebel, rebel, rebel, rebel, rebel
Rebel, rebel, rebel, rebel, rebel
Repent, the day is far too spent, rebel... rebel!
Wake up, wake up, wake up, wake up, wake up, wake up, wake up...
Wake up and rebel
We must destroy in order to rebuild
Wake up, you might as well
Oh are you... oh are you satisfied
Oh are you satisfied
Rebel... ohhh rebel
Why don't you rebel, why don't you rebel?
Why don't you rebel?
I'm fading myself down now...

song performed by Lauryn Hill
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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poem by Robert Browning (1871)
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The Cenci : A Tragedy In Five Acts

DRAMATIS PERSONÆ

Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.

The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.

ACT I

Scene I.
-An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.

Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.-
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:-
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.

Cenci.
The third of my possessions-let it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!

[...] Read more

poem by Percy Bysshe Shelley
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Rebel To Rebel

When the night winds down and my thoughts run deep
And the Lord hangs a black cat moon
As I lie awake I swear I heard a song in the wind
In the southern breeze I can hear the strummin'
of a six string just outta tune
And a whisky soaked voice
Singing 'bout places he's been
Cuttin' through the night
Like a siren's song
He's tellin' me tonight
Gotta spread the news along
Chorus:
Rebel to rebel
To anyone who's ever tried
Rebel to rebel
To take on the other side
Callin' out his name as night is falling
A brother's voice is calling
Sending messages through the past
To rebels like me and you
I can see his face as I watch the stars
From a tour bus heading from town
With a wink and a smile
He'd tell me things words couldn't say
To be a street survivor
Boy you gotta stand tall
Keep that dream in your heart
I'll be there in the fight
Nothing gonna stand in our way
Well I'm taking his advice
As I sing this song
Let fortune roll the dice
And don't you ever forget where you 're from
Chorus:
Rebel to rebel
Now I see him walk away
Rebel to rebel
Here it come
Now I hear his voice again
Rebel to rebel
To anyone who's ever tried
Rebel to rebel
To take on the other side
Callin' out his name as night is falling
A brothers voice is calling
Rebel to rebel oooh rebels like me
Rebel to rebel, rebel to rebel, rebel to rebel

song performed by 38 Special
Added by Lucian Velea
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

poem by Robert Browning from The Ring and the Book
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Rebel Of The Underground

Rebel, rebel, rebel
They just cant stand the reign
Or the occasional pain
Of a man like me who goes against the grain.
Sometimes I do it in vain
So wit the little bass and treble aint missed a
So its time for me to explain that Im the rebel.
Cold as the devil.
Straight from the underground, the rebel alone laughs.
They came to see the maniac sychopath.
The critics heard of me and the aftermath.
I dont give a damn and it shows.
A when I do a stage show I wear street clothes.
So they all know me: the lyrical lunatic, the maniac mc.
I give a shout out to your homies.
Maybe then, the criticsll leave your boy alone, g.
On the streets or on tv, it just dont pay the be a truth tellin mc.
They wont be happy till Im banned.
The most dangerous weapon: an educated black man.
For point blank in your face, pump up the bass, and join the human race.
I throw peace to the bay.
Cuz from the jungle to oaktown, they backin me up all the way.
You know ya gotta love the sound.
Its from the rebel: the rebel of the underground.
Hes the rebel: rebel of the underground
Now Im face to face with the devil.
Cuz they breedin more rebels than the whole damn ghetto.
And police brutality,
Put you in a nip and call it technicality.
So you reap what you soe.
So read the wrath of the rebel jackin em up once more.
Now the fox is in the henhouse.
Creepin up on your daughter, while you asleep
I got her sneakin out.
Tupac aint nuttin nice.
Ill be nothin how I wanna and do it when Im gonna.
Now Im up to no good.
The mastermind of mischief movin more than most could.
So sit and slip into the sound.
Peep the rebel: the rebel of the underground.
Hes the rebel: rebel of the underground
They say they hate me, they wanna hold me down.
I guess they scared of the rebel: the rebel of the underground.
But I never let it get me.
I just make another record bout the punks tryin to sweat me.
In fact, they tryin to keep me out.
Try to censor what I say cuz they dont like what Im talkin bout.
So whats wrong with the media today.
Got brothers sellin out cuz they greedy to get paid.
But me, Im comin from the soul.

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song performed by 2 Pac
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M'Fingal - Canto IV

Now Night came down, and rose full soon
That patroness of rogues, the Moon;
Beneath whose kind protecting ray,
Wolves, brute and human, prowl for prey.
The honest world all snored in chorus,
While owls and ghosts and thieves and Tories,
Whom erst the mid-day sun had awed,
Crept from their lurking holes abroad.

On cautious hinges, slow and stiller,
Wide oped the great M'Fingal's cellar,
Where safe from prying eyes, in cluster,
The Tory Pandemonium muster.
Their chiefs all sitting round descried are,
On kegs of ale and seats of cider;
When first M'Fingal, dimly seen,
Rose solemn from the turnip-bin.
Nor yet his form had wholly lost
Th' original brightness it could boast,
Nor less appear'd than Justice Quorum,
In feather'd majesty before 'em.
Adown his tar-streak'd visage, clear
Fell glistening fast th' indignant tear,
And thus his voice, in mournful wise,
Pursued the prologue of his sighs.

"Brethren and friends, the glorious band
Of loyalty in rebel land!
It was not thus you've seen me sitting,
Return'd in triumph from town-meeting;
When blust'ring Whigs were put to stand,
And votes obey'd my guiding hand,
And new commissions pleased my eyes;
Blest days, but ah, no more to rise!
Alas, against my better light,
And optics sure of second-sight,
My stubborn soul, in error strong,
Had faith in Hutchinson too long.
See what brave trophies still we bring
From all our battles for the king;
And yet these plagues, now past before us,
Are but our entering wedge of sorrows!

"I see, in glooms tempestuous, stand
The cloud impending o'er the land;
That cloud, which still beyond their hopes
Serves all our orators with tropes;

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poem by John Trumbull
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Im A Rebel

They say I wont make it to the top of the hill
Wont take the fruit of a tree
And evrybody says Im out for the kill
Theyre all laughing at me
Theyre all laughing at me
Im a rebel - rebel - dont you just know it
Im a rebel - rebel
And theyre all laughing at me
They say Im a danger to the public and all
I only wish they would see
Im just a product of a screwed up world - but theyre all
Theyre all laughing at me
But theyre all laughing at me
Im a rebel - rebel - dont you just know it
Im a rebel - rebel - dont you just know it
Im a rebel - rebel
But theyre all laughing at me
Never ever wash my old blue jeans
And brush the smile off my face
But still Im a member of the
Human race - human race - human race - human race
Im a rebel - rebel - dont you just know it
Im a rebel - rebel - dont you just know it
Im a rebel - rebel - dont you just know it
Im a rebel - rebel
And theyre all laughing at me
Im a rebel

song performed by U. D. O.
Added by Lucian Velea
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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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poem by Robert Browning from The Ring and the Book
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Two Different Worlds

You know I dont understand why you treat me like this
Its almost like you feel like youre from two different worlds
well, we are todd I dont think so
You should have a listen to me right now
I can feel it now baby I can feel it now, I can feel that
Even though youre a queen and Im only a prince
I felt the magical between us ever since
The first time that I laid eyes on you
I want you to be my girl, so I can hold you
Caress you and let you know that I love you
And day by day my love grows
Heres where I stand, I gotta be your man
I dont care if were from two different worlds
But were from
Two different, two different, were from two different worlds
Two different, two different worlds
I dont understand the way you feel
But its just a dream and it could never be real
So face to face I cant love you
Were from two, different worlds
Two different, two different, were from two different worlds
Two different, two different worlds
Man things are different, birds and bees
Flowers and trees, you and me
But it really doesnt matter, it makes us stronger
Theres more to talk about, well be together longer
Trustin me, have faith in my love
It goes so deep, girl youre so sweet
As a matter of fact, I want you for my wife
Please be a part of my life
I cant believe you wont give up
Your love is strong but boy, so what so what
You cant love me, I cant love you
Were from two, different worlds it doesnt matter
Two different, two different two different,
Were from two different worlds i dont care
Two different so what two different worlds
It could never make a difference in my heart
it could never make a difference
Never could keep us apart
Hold on hold on who cares what the world is sayin?
i do my love goes so deep, mmm, baby hold on
I know baby, lets take it to the climax
Two different, two different two different so different
Were from two different worlds i dont care
Two different so what, two different worlds
So whats it gonna be, you wanna be with me?
I wanna be witchu, my love is true
All you gotta do is get into love
Its like a blessin in disguise, sent from up above

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song performed by LL Cool J
Added by Lucian Velea
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Rebel Rebel

Doo doo doo-doo doo doo doo doo
Doo doo doo-doo doo doo doo doo
Doo doo doo-doo doo doo doo doo
Youve got your mother in a whirl
Shes not sure if youre a boy or a girl
Hey babe, your hairs alright
Hey babe, lets go out tonight
You like me, and I like it all
We like dancing and we look divine
You love bands when theyre playing hard
You want more and you want it fast
They put you down, they say Im wrong
You tacky thing, you put them on
Rebel rebel, youve torn your dress
Rebel rebel, your face is a mess
Rebel rebel, how could they know?
Hot tramp, I love you so!
Dont ya?
Doo doo doo-doo doo doo doo doo
Youve got your mother in a whirl cause shes
Not sure if youre a boy or a girl
Hey babe, your hairs alright
Hey babe, lets stay out tonight
You like me, and I like it all
We like dancing and we look divine
You love bands when theyre playing hard
You want more and you want it fast
They put you down, they say Im wrong
You tacky thing, you put them on
Rebel rebel, youve torn your dress
Rebel rebel, your face is a mess
Rebel rebel, how could they know?
Hot tramp, I love you so!
Dont ya?
Oh?
Doo doo doo-doo doo doo doo doo
Doo doo doo-doo doo doo doo doo
Rebel rebel, youve torn your dress
Rebel rebel, your face is a mess
Rebel rebel, how could they know?
Hot tramp, I love you so!
Youve torn your dress, your face is a mess
You cant get enough, but enough aint the test
Youve got your transmission and your live wire
You got your cue line and a handful of ludes
You wanna be there when they count up the dudes
And I love your dress
Youre a juvenile success
Because your face is a mess
So how could they know?

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song performed by David Bowie
Added by Lucian Velea
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Rebel Rebel

Written by: david bowie
Doo doo doo-doo doo doo doo doo
You've got your mother in a whirl
She's not sure if you're a boy or a girl
Hey babe, your hair's alright
Hey babe, let's go out tonight
You like me, and i like it all
We like dancing and we look divine
You love bands when they're playing hard
You want more and you want it fast
They put you down, they say i'm wrong
You tacky thing, you put them on
Rebel rebel, you've torn your dress
Rebel rebel, your face is a mess
Rebel rebel, how could they know?
Hot tramp, i love you so!
Doo doo doo-doo doo doo doo doo
You've got your mother in a whirl 'cause she's
Not sure if you're a boy or a girl
Hey babe, your hair's alright
Hey babe, let's stay out tonight
You like me, and i like it all
We like dancing and we look divine
You love bands when they're playing hard
You want more and you want it now
They put you down, they say i'm wrong
You tacky thing, you put them on
Rebel rebel, you've torn your dress
Rebel rebel, your face is a mess
Rebel rebel, how could they know?
Hot tramp, i love you so!
They put you down, they say i'm wrong
You tacky thing, you put them on
Rebel rebel, you've torn your dress
Rebel rebel, your face is a mess
Rebel rebel, how could they know?
Hot tramp, i love you so!
You've torn your dress, your face is a mess
You can't get enough, but enough ain't the test
You've got your transmission and your live wire
You got your cue line and a handful of ludes
You wanna be there when they count up the dudes
And i love your dress
Because your face is a mess
???
So how could they know?
How could they know?
I say i could they know?
How could they know?
How could they know?

song performed by Lenny Kravitz
Added by Lucian Velea
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Rebel Girl

Gary Smith/Jim Peterik)
Published by WB Music Corp./Easy Action Music - ASCAP/Ensign Music Corporation/Fittest Music/Saber Tooth Music - BMI
Out on the edge of night
In any city you can name
There rides the rebel girl
The wild one no-one dared to tame
And the light in her eyes is a fire
Have you seen her
The rebel girl in action in the city
At night you hear her call
Oooh rebel girl
Don't try to take her in
She says she runs her life alone
She wants you to believe
A rebel's heart is made of stone
And the light in her eyes is desire
Have you seen her
The rebel girl in action in the city
At night you hear her call
Oooh rebel girl so lonely and so pretty
Bringing out the rebel in us all
Oooh girl
It's a lonely world, for a rebel girl
So far from home, she's all alone
In her rebel world
Oh, have you seen her
The rebel girl in action in the city
At night you hear her call
Oooh the rebel girl so lonely and so pretty
Bringing out the rebel in us all
Oooh girl
She's just a rebel girl (have you seen her)
She's just a rebel girl (have you seen her)
She's just a rebel girl (have you seen her)
She's just a rebel girl (have you seen her)
She's just a rebel girl (have you seen her

song performed by Survivor
Added by Lucian Velea
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Rebel Heart

(r. stewart, j. golub, c. kentis, c. rojas)
I picked her up about a quarter to nine
My brother told me I was wasting my time
A woman like thatll only cause you confusion
But go ahead you may find it amusing
She came to the door wearing a suit and tie
Her hair cropped short I couldnt figure out why
Rebel heart dont be a loner
Rebel heart Im your lover
Rebel heart I wanna discover
Where you from and where you belong
And everything that turns you on
I wanted to dance but she flatly refused
I told her jokes but she was not amused
Tried to kiss her but she wouldnt stand still
Started thinking this was overkill
Next thing I know I was flyin for cover
It was her steady girlfriend and a live-in lover
Rebel heart why dont you try it
Rebel heart you cant deny it
Rebel heart you may like it
Ill change your mind if youll give me time
About everything thats on your mind
I stayed awake all last night fantasizing about you baby
You know Id walk a million miles across broken glass
Or a red hot arabian desert
If I could just have one night in your long brass bed
Evening wound up on a very sad note
I drove her home and then she went for my throat
She said, its fairly obvious I aint attracted to you
You bore me to tears honest you do
And by the way I cant stand your british
I said, dont start something, honey, you know you cant finish
Rebel heart I wont forget ya
Rebel heart Im glad I met ya
Rebel heart give me an answer
Where youre from and where you belong
And everything that turns you on
You came, you saw, you conquered me
When you did that to me I knew that it had to be
Id lift you up with my own arms honey
I cant get enough
Id walk down fifth avenue entirely naked
I promise I wont drink, swear, womanize
Id go to church every sunday
For just one night with you
Rebel heart Im your lover
Rebel heart I wanna discover
Oh yeah
Oh yeah

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song performed by Rod Stewart
Added by Lucian Velea
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The Columbiad: Book II

The Argument

Natives of America appear in vision. Their manners and characters. Columbus demands the cause of the dissimilarity of men in different countries, Hesper replies, That the human body is composed of a due proportion of the elements suited to the place of its first formation; that these elements, differently proportioned, produce all the changes of health, sickness, growth and decay; and may likewise produce any other changes which occasion the diversity of men; that these elemental proportions are varied, not more by climate than temperature and other local circumstances; that the mind is likewise in a state of change, and will take its physical character from the body and from external objects: examples. Inquiry concerning the first peopling of America. View of Mexico. Its destruction by Cortez. View of Cusco and Quito, cities of Peru. Tradition of Capac and Oella, founders of the Peruvian empire. Columbus inquires into their real history. Hesper gives an account of their origin, and relates the stratagems they used in establishing that empire.

High o'er his world as thus Columbus gazed,
And Hesper still the changing scene emblazed,
Round all the realms increasing lustre flew,
And raised new wonders to the Patriarch's view.

He saw at once, as far as eye could rove,
Like scattering herds, the swarthy people move
In tribes innumerable; all the waste,
Wide as their walks, a varying shadow cast.
As airy shapes, beneath the moon's pale eye,
People the clouds that sail the midnight sky,
Dance thro the grove and flit along the glade,
And cast their grisly phantoms on the shade;
So move the hordes, in thickets half conceal'd,
Or vagrant stalking thro the fenceless field,
Here tribes untamed, who scorn to fix their home,
O'er shadowy streams and trackless deserts roam;
While others there in settled hamlets rest,
And corn-clad vales a happier state attest.

The painted chiefs, in guise terrific drest,
Rise fierce to war, and beat their savage breast;
Dark round their steps collecting warriors pour,
Some fell revenge begins the hideous roar;
From hill to hill the startling war-song flies,
And tribes on tribes in dread disorder rise,
Track the mute foe and scour the howling wood,
Loud as a storm, ungovern'd as a flood;
Or deep in groves the silent ambush lay,
Lead the false flight, decoy and seize their prey,
Their captives torture, butcher and devour,
Drink the warm blood and paint their cheeks with gore.

Awhile he paused, with dubious thoughts opprest,
And thus to Hesper's ear his doubts addrest:
Say, to what class of nature's sons belong
The countless tribes of this untutor'd throng?
Where human frames and brutal souls combine,
No force can tame them, and no arts refine.
Can these be fashion'd on the social plan,
Or boast a lineage with the race of man?
When first we found them in yon hapless isle,
They seem'd to know and seem'd to fear no guile;
A timorous herd, like harmless roes, they ran,

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poem by Joel Barlow
Added by Poetry Lover
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