Strict Joy
To-day i felt as poor O’Brien did
When, turning from all else that was not his,
He took himself to that which was his own
— He took him to his verse — for other all he had not,
And (tho’ man will crave and seek)
Another all than this he did not need
So, pen in hand he tried to tell the whole tale of his woe
In rhyming; lodge the full weight of his grief in versing: and so did:
Then — when his poem had been conned and cared,
And all put in that should not be left out — did he not find and with astonishment,
That grief had been translated, or was come
Other and better than it first looked to be:
And that this happened, because all things transfer
From what they seem to what they truly are
When they are innocently brooded on
— And, so, The poet makes grief beautiful.
“Behold me now, with my back to the wall,
Playing music to empty pockets!”
So, Raferty, tuning a blind mans plight,
Could sing the cark of misery away:
And know, in blindness and in poverty,
That woe was not of him, nor kind to him.
And Egan Rahilly begins a verse —
“My heart is broken, and my mind is sad …”
‘Twas surely true when he began his song,
And was less true when he had finished it:
— Be sure, his heart was buoyant, and his grief
Drummed and trumpeted as grief was sung!
For, as he meditated misery
And cared it into song — Strict Care, Strict Joy!
Caring for grief he cared his grief away:
And those sad songs, tho’ woe be all the theme,
Do not make us grieve who read them now —
Because the poet makes grief beautiful.
And I, myself, conning a lonely heart
— Full lonely ’twas, and ’tis as lonely now
Turned me, by proper, to my natural,
And, now too long her vagrant, wooed my muse:
Then to her — let us look more close to these,
And, seeing, know; and, knowing, be at ease.
Seeing the sky o’ercast, and that the rain had
Plashed the window, and would plash again:
Seeing the summer lost, and the winter nigh:
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poem by James Stephens
Added by Poetry Lover
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