Mogg Megone - Part II.
'Tis morning over Norridgewock, -
On tree and wigwam, wave and rock.
Bathed in the autumnal sunshine, stirred
At intervals by breeze and bird,
And wearing all the hues which glow
In heaven's own pure and perfect bow,
That glorious picture of the air,
Which summer's light-robed angel forms
On the dark ground of fading storms,
With pencil dipped in sunbeams there, -
And, stretching out, on either hand,
O'er all that wide and unshorn land,
Till, weary of its gorgeousness,
The aching and the dazzled eye
Rests, gladdened, on the calm blue sky, -
Slumbers the mighty wilderness!
The oak, upon the windy hill,
Its dark green burthen upward heaves -
The hemlock broods above its rill,
Its cone-like foliage darker still,
Against the birch's graceful stem,
And the rough walnut-bough receives
The sun upon its crowded leaves,
Each colored like a topaz gem;
And the tall maple wears with them
The coronal, which autumn gives,
The brief, bright sign of ruin near,
The hectic of a dying year!
The hermit priest, who lingers now
On the Bald Mountain's shrubless brow,
The gray and thunder-smitten pile
Which marks afar the Desert Isle,
While gazing on the scene below,
May half forget the dreams of home,
That nightly with his slumbers come, -
The tranquil skies of sunny France,
The peasant's harvest song and dance,
The vines around the hillsides wreathing
The soft airs midst their clusters breathing,
The wings which dipped, the stars which shone
Within thy bosom, blue Garonne!
And round the Abbey's shadowed wall,
At morning spring and even-fall,
Sweet voices in the still air singing, -
The chant of many a holy hymn, -
The solemn bell of vespers ringing, -
And hallowed torchlight falling dim
On pictured saint and seraphim!
For here beneath him lies unrolled,
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poem by John Greenleaf Whittier
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