tight as a bud
my longing for
spring
haiku by John Tiong Chunghoo
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A Country Path in Late Spring
The path of mossy ground nestled
In between maternal hedgerows,
That overgrew atop, dimming down
The brilliance of the day.
Embosomed, a calm-cool vision –
Abstract takes of nature, in
Leaf-spattered green shades;
Stem-speckled brown hues;
Shards of sunlight percolating
Through the random flaws to
Up glittering sprites upon the leaves.
And avian chatter bounced along the burrow,
Smattered by the crosstalk
Of busybody insects;
But outside the green comfort zone,
Other worlds of other sounds of other life
Otherwise gave a hint of
Other dozy goings on.
Hawthorn filled the air,
Filled the nose,
Filled the head –
Pungency had overpowered all –
Gave the late-spring-early-summer haze.
Here and there a break of colour:
Odd bluebells – escapees from nearby woods –
Blue-blushing bell faces glancing down,
Aware of their erectness in the stem;
The flaming wing of red admirals
Broke through a hedge hole to
Break up the calm backdrop,
While flitting blue tits gave
To greater-bodied animation.
Nature’s warm narration –
The undertones of life.
Copyright © Mark R Slaughter 2010
[...] Read more
poem by Mark R Slaughter
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- quotes about nose
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- quotes about sound
- quotes about brown
- quotes about colors
Breathless
All these posers keep you awake
I guess Im just too tired to sleep
And God only knows Im too lost to cry
Kissing last has kept me true
Ill fall (hold me tight)
But Ill leave (hold me tight)
So hold me tight
Cause Im so lonely
Ill fall (hold me tight)
But Ill leave (hold me tight)
So hold me tight
Cause Im so lonely
He hates so much its love he says
Inside his dark I need to smile
He shouts so loud I never hear
Thats why the truths always abused
As I slip into unconsciousness
I never felt so much to blame
Ill fall (hold me tight)
But Ill leave (hold me tight)
So hold me tight
Cause Im so lonely
Ill fall (hold me tight)
But Ill leave (hold me tight)
So hold me tight
Cause Im so lonely
As I slip into unconsciousness
I never felt so much to blame
Ill fall (hold me tight)
But Ill leave (hold me tight)
So hold me tight
Cause Im so lonely
Ill fall (hold me tight)
But Ill leave (hold me tight)
So hold me tight
Cause Im so lonely
Ill fall (hold me tight)
But Ill leave (hold me tight)
So hold me tight
Cause Im so lonely
Ill fall (hold me tight)
But Ill leave (hold me tight)
So hold me tight
Cause Im so lonely
Ill fall (another day another night)
So hold me tight
Cause Im so lonely
Ill fall (another day another night)
So hold me tight
Cause Im so lonely
song performed by Texas
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Hold Me Tight
Ive waited all my life for you
Hold me tight
Take care of me and Ill be right
Hold me tight hold me tight
Hold me tight hugga me right
Hold me tight squeeza me tight
Hold me tight hugga me right
Hold me tight hold me tight
Hold me tight
You wont be going out tonight / candlelight
Make love to me and make it right
Hold me tight hold me tight
Hold me tight
Hold me tight hug me right
Hold me tight
Hold me tight hug me right
Hold me tight
Hold me tight hold me tight
Hold me tight hug me right
Hold me tight squeeza me tight
Hold me tight hugga me right
Hold me tight
Hold me tight
song performed by Paul McCartney
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Nip It In The Bud
From the time the lights come on,
And from dusk 'til dawn...
You're giving me the lip!
I don't need the clock to ding-a-dong,
Since my peace is gone.
And in my ear you babble lip.
Why can't you nip it in the bud, baybay.
Why can't you handle it?
Nip it in the bud.
Why can't you take a walk as I lay?
Do whatever it takes!
But don't bother me with it!
I don't need the clock to ding-a-dong,
Since my peace is gone.
And in my ear you babble lip.
Why can't you take a walk as I lay?
Do whatever it takes!
And don't bother me with it!
Why can't you nip it in the bud, baybay.
Why can't you handle it?
Nip it in the bud.
Why can't you take a walk as I lay?
Do whatever it takes!
But don't bother me with it!
From the time the lights come on,
And from dusk 'til dawn...
You're giving me the lip!
I don't need the clock to ding-a-dong,
Since my peace is gone.
And in my ear you babble lip.
Why can't you nip this in the bud, baybay.
Why can't you handle it?
Nip it in the bud.
Why can't you take a walk as I lay?
Do whatever it takes!
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poem by Lawrence S. Pertillar
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Tight A$
Well just as tight a$ you can make it
Hard and slow aint hard enough
Just as tight a$ you can shake it girl
Git it on and do your stuff
Tight a$ you can get it
Tight a$ got it made
Uptights alright but if you cant stand the heat
You better get back in the shade
Well just as tight a$ an indian rope trick
Long and tough aint hard enough
Just as tight a$ a dope fiends fix my friend
Git it up and do your stuff
Tight a$ you can boogie
Tight a$ got it laid
Uptights alright but if you cant stand the heat
You better get back in the shade
Well tight a$ you can make it
Hard and slow aint hard enough
Just as tight a$ you can shake it girl
Git it on and do your stuff
Tight a$ you can get it
Tight a$ got it made
Uptights alright but if you cant stand the heat
You better get back in the shade
Well tight a$ an indian rope trick
Hard and long aint hard enough
Just as tight a$ a dope fiends fix my friend
Git it up and do your stuff
Tight a$ you can boogie
Tight a$ got it laid
Uptights alright but if you cant stand the heat
You better get back in the shade
Well tight a$ got me cornered
Tight a$ got me laid
Tight a$ strut your stuff so tough
Just a sitting in the midnight shade
Tight a$ she can boogie
Tight a$ she got laid
Uptights alright but if you cant stand the heat
You better get back in the shade
song performed by Lennon John
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Tight A$
Well, just a$ tight a$ you can get it,
Hard and slow aint hard enough.
Just a$ tight a$ you can shake it, girl,
Git it on and do your stuff.
Tight a$ you can get it,
Tight a$ got it made.
Uptights alright, but if you cant stand the heat,
You better get back in the shade.
Well, just a$ tight a$ an indian ropetrick,
Long and tough aint hard enough.
Just a$ tight a$ a dope fiends fix, my friend,
Git it up and do your stuff.
Tight a$ you can boogie,
Tight a$ got it laid.
Uptights alright, but if you cant stand the heat,
You better get back in the shade.
Well,
Alright.
Alright,
Ho!
Uh hu!
Well, tight a$ you can make it,
Hard and slow aint hard enough.
Just a$ tight a$ you can shake it, girl,
Git it on and do your stuff.
Tight a$ you can get it,
Tight a$ got it made.
Uptights alright, but if you cant stand the heat,
You better get back in the shade.
Well, tight a$ an indian ropetrick,
Long and tough aint hard enough.
Just a$ tight a$ a dope fiends fix, my friend,
Git it up and do your stuff.
Tight a$ you can boogie,
Tight a$ got it laid.
Uptights alright, but if you cant stand the heat,
You better get back in the shade.
Well.
Well, tight a$ got me cornered,
Tight a$ got me laid,
Tight a$ strut, your stuff so tough,
Just a-sittin in the midnight shade.
Tight a$ you can boogie,
Tight a$ you got it laid.
Uptights alright, but if you cant stand the heat,
You better get back in the shade.
Well, ho!
Oh!
Oh yeah!
song performed by Yoko Ono
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The Four Seasons : Spring
Come, gentle Spring! ethereal Mildness! come,
And from the bosom of yon dropping cloud,
While music wakes around, veil'd in a shower
Of shadowing roses, on our plains descend.
O Hertford, fitted or to shine in courts
With unaffected grace, or walk the plain
With innocence and meditation join'd
In soft assemblage, listen to my song,
Which thy own Season paints; when Nature all
Is blooming and benevolent, like thee.
And see where surly Winter passes off,
Far to the north, and calls his ruffian blasts:
His blasts obey, and quit the howling hill,
The shatter'd forest, and the ravaged vale;
While softer gales succeed, at whose kind touch,
Dissolving snows in livid torrents lost,
The mountains lift their green heads to the sky.
As yet the trembling year is unconfirm'd,
And Winter oft at eve resumes the breeze,
Chills the pale morn, and bids his driving sleets
Deform the day delightless: so that scarce
The bittern knows his time, with bill ingulf'd,
To shake the sounding marsh; or from the shore
The plovers when to scatter o'er the heath,
And sing their wild notes to the listening waste
At last from Aries rolls the bounteous sun,
And the bright Bull receives him. Then no more
The expansive atmosphere is cramp'd with cold
But, full of life and vivifying soul,
Lifts the light clouds sublime, and spreads then thin,
Fleecy, and white, o'er all-surrounding heaven.
Forth fly the tepid airs: and unconfined,
Unbinding earth, the moving softness strays.
Joyous, the impatient husbandman perceives
Relenting Nature, and his lusty steers
Drives from their stalls, to where the well used plough
Lies in the furrow, loosen'd from the frost.
There, unrefusing, to the harness'd yoke
They lend their shoulder, and begin their toil,
Cheer'd by the simple song and soaring lark.
Meanwhile incumbent o'er the shining share
The master leans, removes the obstructing clay,
Winds the whole work, and sidelong lays the glebe
While through the neighbouring fields the sowe stalks,
With measured step, and liberal throws the grain
Into the faithful bosom of the ground;
The harrow follows harsh, and shuts the scene.
Be gracious, Heaven! for now laborious Man
Has done his part. Ye fostering breezes, blow!
Ye softening dews, ye tender showers, descend!
[...] Read more
poem by James Thomson
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May-Day
Daughter of Heaven and Earth, coy Spring,
With sudden passion languishing,
Maketh all things softly smile,
Painteth pictures mile on mile,
Holds a cup with cowslip-wreaths,
Whence a smokeless incense breathes.
Girls are peeling the sweet willow,
Poplar white, and Gilead-tree,
And troops of boys
Shouting with whoop and hilloa,
And hip, hip three times three.
The air is full of whistlings bland;
What was that I heard
Out of the hazy land?
Harp of the wind, or song of bird,
Or clapping of shepherd's hands,
Or vagrant booming of the air,
Voice of a meteor lost in day?
Such tidings of the starry sphere
Can this elastic air convey.
Or haply 't was the cannonade
Of the pent and darkened lake,
Cooled by the pendent mountain's shade,
Whose deeps, till beams of noonday break,
Afflicted moan, and latest hold
Even unto May the iceberg cold.
Was it a squirrel's pettish bark,
Or clarionet of jay? or hark,
Where yon wedged line the Nestor leads,
Steering north with raucous cry
Through tracts and provinces of sky,
Every night alighting down
In new landscapes of romance,
Where darkling feed the clamorous clans
By lonely lakes to men unknown.
Come the tumult whence it will,
Voice of sport, or rush of wings,
It is a sound, it is a token
That the marble sleep is broken,
And a change has passed on things.
Beneath the calm, within the light,
A hid unruly appetite
Of swifter life, a surer hope,
Strains every sense to larger scope,
Impatient to anticipate
The halting steps of aged Fate.
Slow grows the palm, too slow the pearl:
When Nature falters, fain would zeal
Grasp the felloes of her wheel,
[...] Read more
poem by Ralph Waldo Emerson
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An Early Day in May
May soothed
– sensual breeze caressing.
Snug, she cooed in floral chroma;
Gave artistic license – dressing up
Pubescent fields, teenage woods,
Jaded lanes; embellishing
Craggy watersides.
Warmth was kind – sun tempered,
Lifting life; erecting bluebell swathes
For good measure: late-spring treasure.
At hill’s base
A mirrored lake, brooding,
Bathed in halcyon haze –
Yet hectic life scurried,
Spurred on by procreational drive,
To see it all survived another year.
Back home, garden tulips flared,
Thrust aloft on rigid stems, and
Under day-time brilliance,
Open goblets, clustered,
Sought out heavenly guidance –
Lauding hallowed Tulipa gods.
May is Nature’s intermission –
Bridging April’s go-ahead
With hothead June.
Copyright © Mark R Slaughter 2010
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poem by Mark R Slaughter
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Shes Tight
Words and music by rick nielsen
When Im down I make a call.
Got the number written on the wall.
First its busy then I try again.
Oh, whos she talking to, could it be him?
I got the number and it starts to ring.
I get excited and I start to dream.
I start to fantasize of memory lane.
Then she answers and she says right way.
She says Im home on my own, home all alone.
So I got off the phone.
(shes tight.) shes ahead of her time.
(shes tight.) shes one of a kind.
(shes tight.) shes a talented girl.
(shes tight.) shes got her head down tight.
I have something got to say to you.
Amnesia and my train of thought.
On the tip, tip of my tongue.
I had a vision when I was young.
You floated in, we floated up.
Through the window and down the hall.
I had a smoke and went upstairs.
Turned the door and opened the key. she spoke...
Im on my own, home all alone.
So I got off the phone.
(shes tight.) shes ahead of her time.
(shes tight.) shes one of a kind.
(shes tight.) shes a talented girl.
(shes tight.) shes got her head down tight.
(shes tight.) shes giving me the go.
(shes tight.) shes giving me the high sign.
(shes tight.) well turn off the lights.
(shes tight.) pull down the shades.
(shes nice, shes tight.) turn on the camra.
(shes nice, shes tight.) and getting ready for action.
Turn off the radio.
Turn on the video.
song performed by Cheap Trick
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Feel Like Making Love
Take my hand
Lead me to another place
I never been
I wanna be released
Set me free
I'm not talking bout letting me go
But I'm just talking bout pulling me close
To where our bodies are becoming as one
Turn off the lights cause boy we've just begun
Feel like making love
All through the night
All through the night
Come hold me tight
Feel like making love
All through the night
All through the night
Come hold me tight
Feel like making love
All through the night
All through the night
Come hold me tight
Feel like making love
All through the night
All through the night
Come hold me tight
Here I am
I'm all yours for tonight
But every night
It could be
You and I
For a lifetime
Could have stayed all to myself
And played the game like everybody else
But boy I want you and that's no lie
Because you keep me so satisfied
Feel like making love
All through the night
All through the night
Come hold me tight
Feel like making love
All through the night
All through the night
Come hold me tight
Feel like making love
All through the night
All through the night
Come hold me tight
Feel like making love
All through the night
All through the night
[...] Read more
song performed by Mary J Blige
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New Spring
Spring!
Spring! How beautiful is the
Spring! How wonderful is the
Spring! How majestic is the
Spring! How fantastic is the
Spring! How tantalizing is the
Spring! How glorious is the
Spring! How melodious is the
Spring! How joyful is the
Spring! How breathtaking is the
Spring! How uplifting the
Spring! How happy is the
Spring! How magnificent is the
Spring! How colorful is the
Spring! How tasteful is the
Spring! How memorable was the
Spring! How flavorful is the
Spring! How aromic is the
Spring! How sweet is
Spring! How beautiful is the
Spring!
poem by Mario Saboundjian
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The Idols
An Ode
Luce intellettual, piena d' amore
Prelude
Lo, the spirit of a pulsing star within a stone
Born of earth, sprung from night!
Prisoned with the profound fires of the light
That lives like all the tongues of eloquence
Locked in a speech unknown!
The crystal, cold and hard as innocence,
Immures the flame; and yet as if it knew
Raptures or pangs it could not but betray,
As if the light could feel changes of blood and breath
And all--but--human quiverings of the sense,
Throbs of a sudden rose, a frosty blue,
Shoot thrilling in its ray,
Like the far longings of the intellect
Restless in clouding clay.
Who has confined the Light? Who has held it a slave,
Sold and bought, bought and sold?
Who has made of it a mystery to be doled,
Or trophy, to awe with legendary fire,
Where regal banners wave?
And still into the dark it sends Desire.
In the heart's darkness it sows cruelties.
The bright jewel becomes a beacon to the vile,
A lodestar to corruption, envy's own:
Soiled with blood, fought for, clutched at; this world's prize,
Captive Authority. Oh, the star is stone
To all that outward sight,
Yet still, like truth that none has ever used,
Lives lost in its own light.
Troubled I fly. O let me wander again at will
(Far from cries, far from these
Hard blindnesses and frozen certainties!)
Where life proceeds in vastness unaware
And stirs profound and still:
Where leafing thoughts at shy touch of the air
Tremble, and gleams come seeking to be mine,
Or dart, like suddenly remembered youth,
Like the ache of love, a light, lost, found, and lost again.
Surely in the dusk some messenger was there!
But, haunted in the heart, I thirst, I pine.--
Oh, how can truth be truth
Except I taste it close and sweet and sharp
As an apple to the tooth?
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poem by Robert Laurence Binyon
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The Georgics
GEORGIC I
What makes the cornfield smile; beneath what star
Maecenas, it is meet to turn the sod
Or marry elm with vine; how tend the steer;
What pains for cattle-keeping, or what proof
Of patient trial serves for thrifty bees;-
Such are my themes.
O universal lights
Most glorious! ye that lead the gliding year
Along the sky, Liber and Ceres mild,
If by your bounty holpen earth once changed
Chaonian acorn for the plump wheat-ear,
And mingled with the grape, your new-found gift,
The draughts of Achelous; and ye Fauns
To rustics ever kind, come foot it, Fauns
And Dryad-maids together; your gifts I sing.
And thou, for whose delight the war-horse first
Sprang from earth's womb at thy great trident's stroke,
Neptune; and haunter of the groves, for whom
Three hundred snow-white heifers browse the brakes,
The fertile brakes of Ceos; and clothed in power,
Thy native forest and Lycean lawns,
Pan, shepherd-god, forsaking, as the love
Of thine own Maenalus constrains thee, hear
And help, O lord of Tegea! And thou, too,
Minerva, from whose hand the olive sprung;
And boy-discoverer of the curved plough;
And, bearing a young cypress root-uptorn,
Silvanus, and Gods all and Goddesses,
Who make the fields your care, both ye who nurse
The tender unsown increase, and from heaven
Shed on man's sowing the riches of your rain:
And thou, even thou, of whom we know not yet
What mansion of the skies shall hold thee soon,
Whether to watch o'er cities be thy will,
Great Caesar, and to take the earth in charge,
That so the mighty world may welcome thee
Lord of her increase, master of her times,
Binding thy mother's myrtle round thy brow,
Or as the boundless ocean's God thou come,
Sole dread of seamen, till far Thule bow
Before thee, and Tethys win thee to her son
With all her waves for dower; or as a star
Lend thy fresh beams our lagging months to cheer,
Where 'twixt the Maid and those pursuing Claws
A space is opening; see! red Scorpio's self
His arms draws in, yea, and hath left thee more
Than thy full meed of heaven: be what thou wilt-
For neither Tartarus hopes to call thee king,
[...] Read more
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A Freak of Spring
At any other time of year
It might have passed, but Spring is queer.
He says somethin' - I dunno
Somethin' nasty. I says, 'Ho!'
'Ho, yourself!' he says, an' glares.
I says nothin' - only stares.
'Coot!' says he . . . Then up she goes!
An' I land him on the nose.
It was Spring, Spring, Spring! Just to hear the thrushes sing
Would make a fellow laugh, or love, or fight like anything.
Which mood called I wasn't carin'; I was feelin' fine an' darin';
So I fetches him a beauty with a lovely left-arm swing.
Ben Murray staggered back a bit an' howled a wicked word
Which gave me feelin's of great joy . . . An' that's how it occurred.
'On the sawdust!' yells old Pike,
Gloatin' and bloodthirsty-like.
'On the sawdust with yeh both!
Truth to tell, I'm nothin' loth.
I peel off my coat an' vest.
Murray, with his rage suppressed,
Comes up eager, pale with spite.
'Glory!' shouts old Pike. 'A fight!'
It was Spring, glad Spring, an' the swallows on the wing
Made a man feel kind an' peaceful with their cheery twittering.
As I watched their graceful wheelin' with a pleasant sort of feelin'
Old man Pike pulled out his ticker, an' the mill-hands made a ring.
There was gold upon the wattle an' the blackwood was in bud,
An' I felt the call for action fairly sizzin' in my blood.
Murray comes on like a bull;
Both his eyes with spleen are full.
Let him have it - left an' right. . . .
Pike is bustin' with delight. . . .
Right eye once and left eye twice
Then he grabs me like a vice. . . .
Down into the dust we go
Bull-dog grip and short-arm blow.
It was Spring! Mad Spring! Just to feel him clutch an' cling
Told me plain that life was pelendid an' my strength a precious thing.
On the sawdust heap we scrambled, while the fellows yelled an' gambled
On the fight; an' Ben loosed curse-words in a never-endin' string.
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poem by Clarence Michael James Stanislaus Dennis
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It is Spring Time
It is Spring Time
It is spring time.
I can smell it in the air.
I can smell the flowers.
I can smell the grass.
I can touch the grass.
I can touch and taste the vegetable growing in the garden.
The weather is changing.
The weather is warming up.
The trees are blossoming.
The flowers are blossoming.
It is spring time.
Easter has passed.
Beltane has passed.
Spring and May is here.
This is the time to tend to your garden and planted some flowers.
Some people pray to God to protect their garden.
Some people pray to Mother Nature for protect.
I do both and I thank God for this planet.
It is Spring Time.
The animals and bugs come out to play.
The frogs jump around the pond.
The wildflower comes out.
The sky is clean and blue.
The sun is shining.
The horses are running free.
The sunflowers are growing.
When seasons the earth also changes it is a beautiful way.
Nature is every where.
It is spring time.
There is rain and storm.
The trees have leaves and it arms.
The trees are ancient.
An apple falls down from the trees.
This is what thinks spring time is for me.
Spring time is beautiful.
Spring time is when nature is beautiful.
It is spring time.
Spring time is here.
The rabbits come out, and hop round.
The bees are collection honey for us.
The tulips are blossoming.
The roses are blossoming, and looking so beautiful.
The lavender is purple and bright.
Spring time is a time to celebrate.
[...] Read more
poem by Crystal Chown
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The Old-Home Folks
Such was the Child-World of the long-ago--
The little world these children used to know:--
Johnty, the oldest, and the best, perhaps,
Of the five happy little Hoosier chaps
Inhabiting this wee world all their own.--
Johnty, the leader, with his native tone
Of grave command--a general on parade
Whose each punctilious order was obeyed
By his proud followers.
But Johnty yet--
After all serious duties--could forget
The gravity of life to the extent,
At times, of kindling much astonishment
About him: With a quick, observant eye,
And mind and memory, he could supply
The tamest incident with liveliest mirth;
And at the most unlooked-for times on earth
Was wont to break into some travesty
On those around him--feats of mimicry
Of this one's trick of gesture--that one's walk--
Or this one's laugh--or that one's funny talk,--
The way 'the watermelon-man' would try
His humor on town-folks that wouldn't buy;--
How he drove into town at morning--then
At dusk (alas!) how he drove out again.
Though these divertisements of Johnty's were
Hailed with a hearty glee and relish, there
Appeared a sense, on his part, of regret--
A spirit of remorse that would not let
Him rest for days thereafter.--Such times he,
As some boy said, 'jist got too overly
Blame good fer common boys like us, you know,
To '_so_ciate with--less'n we 'ud go
And jine his church!'
Next after Johnty came
His little tow-head brother, Bud by name.--
And O how white his hair was--and how thick
His face with freckles,--and his ears, how quick
And curious and intrusive!--And how pale
The blue of his big eyes;--and how a tale
Of Giants, Trolls or Fairies, bulged them still
Bigger and bigger!--and when 'Jack' would kill
The old 'Four-headed Giant,' Bud's big eyes
Were swollen truly into giant-size.
And Bud was apt in make-believes--would hear
His Grandma talk or read, with such an ear
And memory of both subject and big words,
[...] Read more
poem by James Whitcomb Riley
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The Moat House
PART I
I
UNDER the shade of convent towers,
Where fast and vigil mark the hours,
From childhood into youth there grew
A maid as fresh as April dew,
And sweet as May's ideal flowers,
Brighter than dawn in wind-swept skies,
Like children's dreams most pure, unwise,
Yet with a slumbering soul-fire too,
That sometimes shone a moment through
Her wondrous unawakened eyes.
The nuns, who loved her coldly, meant
The twig should grow as it was bent;
That she, like them, should watch youth's bier,
Should watch her day-dreams disappear,
And go the loveless way they went.
The convent walls were high and grey;
How could Love hope to find a way
Into that citadel forlorn,
Where his dear name was put to scorn,
Or called a sinful thing to say?
Yet Love did come; what need to tell
Of flowers downcast, that sometimes fell
Across her feet when dreamily
She paced, with unused breviary,
Down paths made still with August's spell--
Of looks cast through the chapel grate,
Of letters helped by Love and Fate,
That to cold fingers did not come
But lay within a warmer home,
Upon her heart inviolate?
Somehow he loved her--she loved him:
Then filled her soul's cup to the brim,
And all her daily life grew bright
With such a flood of rosy light
As turned the altar candles dim.
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poem by Edith Nesbit
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Seasonable Retour-Knell
SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS
Author notes
A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000
In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.
For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.
Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.
One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.
Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
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For previous version see below
_______________________________________
SPRING SUMMER
Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.
Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.
AUTUMN WINTER
Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.
Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,
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poem by Jonathan Robin
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Marjory
Spring Stornelli.
THE RIVULET.
OH clear smooth rivulet, creeping through our bridge
With backward waves that cling around the shore,
And is thy world beyond the dim blue ridge
More dear than this, or does it need thee more?
Oh lingering stream, upon thy ceaseless way
Glide to to-morrow; yet 'tis fair to-day:
Beyond the hills and haze to-morrows hide;
To-day is fair; glide lingering, ceaseless tide.
SPRING AND SUMMER.
And summer time is good; but at its heat
The fair poor blossoms wither for the fruit,
And song-birds go that made our valley sweet
With useless ecstasies, and the boughs are mute.
And I would keep the blossoms and the song,
And I would have it spring the whole year long:
And I would have my life a year-long spring
To never pass from hopes and blossoming.
THE PRIMROSE.
Dear welcome, sweet pale stars of hope and spring,
Young primroses, blithe with the April air;
My darlings, waiting for my gathering,
Sit in my bosom, nestle in my hair.
But, oh! the fairest laughs behind the brook,
I cannot have it, I can only look:
Oh happy primrose on the further beach,
One can but look on thee, one cannot reach.
LINNET AND LARK.
Oh buoyant linnet in the flakes of thorn,
Sing thy loud lay; for joy and song are one.
Oh skylark floating upwards into morn,
Pour out thy carolling music of the sun.
Sing, sing; be voices of the life-ful air,
Glad things that never knew the cage nor snare:
Be voices of the air, and fill the sky,
Glad things that have no heed of by-and-by.
Summer Stornelli.
THE BEES IN THE LIME.
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poem by Augusta Davies Webster
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