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Read Me Now

read me now
read me 500 years after i am not around
after that flush me down the toilet
that is if you are still using flush toilet

poem by John Tiong Chunghoo
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Five O'Clock 500

Album: For The Record
Just punched the clock and boy am I ready
Walkin' out the door a-headin' home
It's time to buckle up again
In my rolling hunk of tin
It's quittin' time the evenin' race is on
It's that five o'clock 500 and I run it every day
Pick-up trucks, cars and buses all in my way
We've got Darrel, we've got Dale,
Richard, Mark, Rusty and Jeff
Oh, the boss just dropped the green we're on our way
It's that five o'clock 500 every day
Oh, Bubba's runnin' right on my bumper
Pushin' me but there's no where to go
Lane changin' left and right
Blowin' horns and blinkin' lights
Oh, the fast lane has never been so slow
It's that five o'clock 500 and I run it every day
Pick-up trucks, cars and buses all in my way
We've got Darrel, we've got Dale,
Richard, Mark, Rusty and Jeff
Well, the boss just dropped the green we're on our way
It's that five o'clock 500 every day
Well, the caution is out we're at a stand-still
Heard there's construction up ahead
Won't be long so they say
Soon we'll all be on our way
Some trucker on the CB just said
It's that five o'clock 500 and I run it every day
Pick-up trucks, cars and buses all in my way
We've got Darrel, we've got Dale,
Richard, Mark, Rusty and Jared
Oh, the boss just dropped the green we're on our way
It's that five o'clock 500, five o'clock 500,
Five o'clock 500 every day
Every day, every day, every day...

song performed by Alabama
Added by Lucian Velea
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I'm Gonna Be

When i wake up yeah i know i'm gonna be
I'm gonna be the man who wakes up next to you
When i go out yeah i know i'm gonna be
I'm gonna be the man who goes along with you
If i get drunk yes i know i'm gonna be
I'm gonna be the man who gets drunk next to you
And if i haver yeah i know i'm gonna be
I'm gonna be the man who's havering to you
But i would walk 500 miles
And i would walk 500 more
Just to be the man who walked 5,000 miles
To fall down at your door
When i'm working yes i know i'm gonna be
I'm gonna be the man who's working hard for you
And when the money comes in for the work i'll do
I'll pass almost every penny on to you
When i come home yeah i know i'm gonna be
I'm gonna be the man who comes back home to you
And if i grow old well i know i'm gonna be
I'm gonna be the man who's growing old with you
But i would walk 500 miles
And i would walk 500 more
Just to be the man who walked 5,000 miles
To fall down at your door
When i'm lonely well i know i'm gonna be
I'm gonna be the man whose lonely without you
When i'm dreaming well i know i'm gonna dream
I'm gonna dream about the time when i'm with you.
When i go out yeah i know i'm gonna be
I'm gonna be the man who goes along with you
When i come home yes i know i'm gonna be,
I'm gonna, be the man who comes back home with you
I'm gonna be the man who's coming home with you
But i would walk 500 miles
And i would walk 500 more
Just to be the man who walked 5,000 miles
To fall down at your door
But i would walk 500 miles
And i would walk 500 more
Just to be the man who walked 5,000 miles
To fall down at your door

song performed by Proclaimers
Added by Lucian Velea
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I Would Walk 500 Miles

When I wake up...
I know I'm going to be I'm going to be that man who wakes up next to you
When I go out...
I know I'm going to be I'm going to be that man who goes along with you
If I get drunk...
I know I'm going to be I'm going to be that man who gets drunk next you
And if I (?)...
I know I'm going to be I'm going to be that man who's (?) to you
But I would walk 500 miles
And I would walk 500 more
Just to be that man who walk a thousand miles to fall down that should do
When I'm walking...
I know I'm going to be that man who's walking hard for you
And the money...
Cause for the work I do I'll pass every penny onto you
When I come home...
I know I'm going to be I'm going to be that man who comes back home to you
And if I go...
I know I'm going to be I'm going to be that man who going over you
But I would walk 500 miles
And I would walk 500 more
Just to be that man to walk a thousand miles to fall down that should do
(Da Da Da Da Da Da Da Da Undela Undela Undela la la)
(Da Da Da Da Da Da Da Da Undela Undela Undela la la)
When I'm lonely...
I know I'm going to be I'm going to be that man who gets lonely without you
And when I'm dreaming...
I know I'm going to Dream I'm going to dream when I'm with you
When I go out...
I know I'm going to be I'm going to be that man who goes along with you
And when I come home...
I know I'm going to be I'm going to be that man who comes back home for you
I'm going to be that man who's coming home for you
But I would walk 500 miles
And I would walk 500 more
Just to be that man to walk a thousand to fall down that should do
(Da Da Da Da Da Da Da Da Undela Undela Undela la la)
(Da Da Da Da Da Da Da Da Undela Undela Undela la la)
(Da Da Da Da Da Da Da Da Undela Undela Undela la la)
(Da Da Da Da Da Da Da Da Undela Undela Undela la la)
And I would walk 500 miles
And I would walk 500 more
Just to be that man to walk a thousand miles to fall down that should do

song performed by Proclaimers
Added by Lucian Velea
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Plexiglass Toilet

Don't sit on the Plexiglas toilet
Said the momma to her son
Wipe the butt clean with the paper
Make it nice for everyone
But don't sit down on the Plexiglas toilet yeah
A boy of 5 stands close to the toilet
Holds the lid up with one hand
Won't let go the lid for fear that
On his banana it will land
Don't sit down on the Plexiglas toilet yeah
Boy goes up he eats the enchilada
With the sauce that burns the heart
Family comes to visit family
Momma says don't belch and fart
Don't sit on the Plexiglas toilet
Said the momma to her son
Wipe the butt clean with the paper
Make it nice for everyone
But don't sit down on the Plexiglas toilet yeah
Everybody Sing!
Don't sit on the Plexiglas toilet
Said the momma to her son
Wipe the butt clean with the paper
Make it nice for everyone
But don't sit down on the Plexiglas toilet yeah
Don't sit on the Plexiglas toilet
Said the momma to her son
Wipe the butt clean with the paper
Make it nice for everyone
But don't sit down on the Plexiglas toilet yeah

song performed by Styx, music by John Curulewski
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500 Miles Away From Home

I'm 500 Miles Away From Home

Teardrops fell on mama's note,
When I read the things she wrote
She said 'We miss you son, we love you, come on home'
Well I didn't have to apck I had it all right on my back
Now I'm 500 Miles Away From Home

Away from Home, away from home
Cold and tired and all alone
Yes I'm 500 Miles Away From Home

I know this is the same coat I took when I left home
But it sure looks different now
And I guess i look different too
But time changes everything
I wonder what they'll say
When they see their boy lookin' this way
Oh, I wonder what they'll say when I get home

Can't remember when I ate, its just thumb and walk an wait
And I'm still 500 miles away from home
If my love had been just right, I'd be with them all tonight
But I'm still 500 miles away from home

Oh, I'm still 500 miles away from home

poem by Christina Conseco
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It’s No Fun Going To The Toilet

it’s no fun, dearest friends,
going to the toilet
with your entrails full
and at zero hour
and rushing to the toilet
and finding every cubicle shut in your face
and you run to the next
and there are grunting pigs
behind closed doors
and you are truly full,
and you know you are in big trouble
and there is not even a discreet bush corner
in the god-forsaken damned city;
and you are walking up and down outside the doors
like an irate Principal at a school assembly;
it’s really no fun
putting yourself through such agony
to put yourself on such public display
going to public toilets
when you could have cleared all
and achieved dignity
with proper timing
and good though boring habits

it’s no fun, really -
dearest friends,
hastening to the toilet
when your pipe is nearly at bursting point
and you rush in to the toilet
and though lucky enough
to find an enclosure
it’s really no fun, is it? -
all that hurry and urgency
at near bursting point
as you pow-wow before the toilet bowl
and your buckle is stubborn
and you plead to your private self:
O no, no…don’t burst…not yet…
and your damned zip gets stuck just then
and you continue your war dance
and you plead to your intimate self:
O no, no…don’t burst…not yet…not yet, please;
please don’t do this to me-self –
and just then the zip comes asunder
and you pull it down like thunder
and oh, what a relief, no doubt –
but it certainly was no fun
going there to the toilet at near-breaking point;

[...] Read more

poem by Raj Arumugam
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Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

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poem by Byron from Don Juan (1824)
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

[...] Read more

poem by Robert Browning from The Ring and the Book
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The Gardener XI: Come As You Are

Come as you are; do not loiter over
your toilet.
If your braided hair has loosened if
the parting of your hair be not straight,
if the ribbons of your bodice be not
fastened, do not mind.
Come as you are; do not loiter over
your toilet.
Come, with quick steps over the
grass.
If the raddle come from your feet
because of the dew, of the rings of bells
upon your feet slacken, if pearls drop
out of your chain, do not mind.
Come, with quick steps over the
grass.
Do you see the clouds wrapping the
sky?
Flocks of cranes fly up from the
further river-bank and fitful gusts of
wind rush over the heath.
The anxious cattle run to their stalls
in the village.
Do you see the clouds wrapping the
sky?
In vain you light your toilet lamp
--it flickers and goes out in the
wind.
Who can know that your eyelids
have not been touched with lamp-
black? For your eyes are darker
than rain-clouds.
In vain you light your toilet lamp--
it goes out.
Come as you are; do not loiter over
your toilet.
If the wreath is not woven, who
cares; if the wrist-chain had not been
linked, let it be.
The sky is overcast with clouds--it
is late.
Come as you are; do not loiter over
your toilet.

poem by Rabindranath Tagore
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The Undying One- Canto III

'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?

If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!

'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!

'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst

[...] Read more

poem by Caroline Elizabeth Sarah Norton
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Tale XXI

The Learned Boy

An honest man was Farmer Jones, and true;
He did by all as all by him should do;
Grave, cautious, careful, fond of gain was he,
Yet famed for rustic hospitality:
Left with his children in a widow'd state,
The quiet man submitted to his fate;
Though prudent matrons waited for his call,
With cool forbearance he avoided all;
Though each profess'd a pure maternal joy,
By kind attention to his feeble boy;
And though a friendly Widow knew no rest,
Whilst neighbour Jones was lonely and distress'd;
Nay, though the maidens spoke in tender tone
Their hearts' concern to see him left alone,
Jones still persisted in that cheerless life,
As if 'twere sin to take a second wife.
Oh! 'tis a precious thing, when wives are dead,
To find such numbers who will serve instead;
And in whatever state a man be thrown,
'Tis that precisely they would wish their own;
Left the departed infants--then their joy
Is to sustain each lovely girl and boy:
Whatever calling his, whatever trade,
To that their chief attention has been paid;
His happy taste in all things they approve,
His friends they honour, and his food they love;
His wish for order, prudence in affairs,
An equal temper (thank their stars!), are theirs;
In fact, it seem'd to be a thing decreed,
And fix'd as fate, that marriage must succeed:
Yet some, like Jones, with stubborn hearts and

hard,
Can hear such claims and show them no regard.
Soon as our Farmer, like a general, found
By what strong foes he was encompass'd round,
Engage he dared not, and he could not fly,
But saw his hope in gentle parley lie;
With looks of kindness then, and trembling heart,
He met the foe, and art opposed to art.
Now spoke that foe insidious--gentle tones,
And gentle looks, assumed for Farmer Jones:
'Three girls,' the Widow cried, 'a lively three
To govern well--indeed it cannot be.'
'Yes,' he replied, 'it calls for pains and care:
But I must bear it.'--'Sir, you cannot bear;
Your son is weak, and asks a mother's eye:'
'That, my kind friend, a father's may supply.'

[...] Read more

poem by George Crabbe
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First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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poem by Robert Browning (1871)
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Tale XVI

THE CONFIDANT.

Anna was young and lovely--in her eye
The glance of beauty, in her cheek the dye:
Her shape was slender, and her features small,
But graceful, easy, unaffected all:
The liveliest tints her youthful face disclosed;
There beauty sparkled, and there health reposed;
For the pure blood that flush'd that rosy cheek
Spoke what the heart forbade the tongue to speak,
And told the feelings of that heart as well,
Nay, with more candour than the tongue could tell.
Though this fair lass had with the wealthy dwelt,
Yet like the damsel of the cot she felt;
And, at the distant hint or dark surmise,
The blood into the mantling cheek would rise.
Now Anna's station frequent terrors wrought,
In one whose looks were with such meaning fraught,
For on a Lady, as an humble friend,
It was her painful office to attend.
Her duties here were of the usual kind -
And some the body harass'd, some the mind:
Billets she wrote, and tender stories read,
To make the Lady sleepy in her bed;
She play'd at whist, but with inferior skill,
And heard the summons as a call to drill;
Music was ever pleasant till she play'd
At a request that no request convey'd;
The Lady's tales with anxious looks she heard,
For she must witness what her Friend averr'd;
The Lady's taste she must in all approve,
Hate whom she hated, whom she lov'd must love;
These, with the various duties of her place,
With care she studied, and perform'd with grace:
She veil'd her troubles in a mask of ease,
And show'd her pleasure was a power to please.
Such were the damsel's duties: she was poor -
Above a servant, but with service more:
Men on her face with careless freedom gaz'd,
Nor thought how painful was the glow they raised.
A wealthy few to gain her favour tried,
But not the favour of a grateful bride;
They spoke their purpose with an easy air,
That shamed and frighten'd the dependent fair;
Past time she view'd, the passing time to cheat,
But nothing found to make the present sweet:
With pensive soul she read life's future page,
And saw dependent, poor, repining age.
But who shall dare t'assert what years may

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poem by George Crabbe
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The Parish Register - Part III: Burials

THERE was, 'tis said, and I believe, a time
When humble Christians died with views sublime;
When all were ready for their faith to bleed,
But few to write or wrangle for their creed;
When lively Faith upheld the sinking heart,
And friends, assured to meet, prepared to part;
When Love felt hope, when Sorrow grew serene,
And all was comfort in the death-bed scene.
Alas! when now the gloomy king they wait,
'Tis weakness yielding to resistless fate;
Like wretched men upon the ocean cast,
They labour hard and struggle to the last;
'Hope against hope,' and wildly gaze around
In search of help that never shall be found:
Nor, till the last strong billow stops the breath,
Will they believe them in the jaws of Death!
When these my Records I reflecting read,
And find what ills these numerous births succeed;
What powerful griefs these nuptial ties attend;
With what regret these painful journeys end;
When from the cradle to the grave I look,
Mine I conceive a melancholy book.
Where now is perfect resignation seen?
Alas! it is not on the village-green: -
I've seldom known, though I have often read,
Of happy peasants on their dying-bed;
Whose looks proclaimed that sunshine of the breast,
That more than hope, that Heaven itself express'd.
What I behold are feverish fits of strife,
'Twixt fears of dying and desire of life:
Those earthly hopes, that to the last endure;
Those fears, that hopes superior fail to cure;
At best a sad submission to the doom,
Which, turning from the danger, lets it come.
Sick lies the man, bewilder'd, lost, afraid,
His spirits vanquish'd, and his strength decay'd;
No hope the friend, the nurse, the doctor lend -
'Call then a priest, and fit him for his end.'
A priest is call'd; 'tis now, alas! too late,
Death enters with him at the cottage-gate;
Or time allow'd--he goes, assured to find
The self-commending, all-confiding mind;
And sighs to hear, what we may justly call
Death's common-place, the train of thought in all.
'True I'm a sinner,' feebly he begins,
'But trust in Mercy to forgive my sins:'
(Such cool confession no past crimes excite!
Such claim on Mercy seems the sinner's right!)
'I know mankind are frail, that God is just,
And pardons those who in his Mercy trust;

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poem by George Crabbe
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The four Monarchyes, the Assyrian being the first, beginning under Nimrod, 131. Years after the Floo

When time was young, & World in Infancy,
Man did not proudly strive for Soveraignty:
But each one thought his petty Rule was high,
If of his house he held the Monarchy.
This was the golden Age, but after came
The boisterous son of Chus, Grand-Child to Ham,
That mighty Hunter, who in his strong toyles
Both Beasts and Men subjected to his spoyles:
The strong foundation of proud Babel laid,
Erech, Accad, and Culneh also made.
These were his first, all stood in Shinar land,
From thence he went Assyria to command,
And mighty Niniveh, he there begun,
Not finished till he his race had run.
Resen, Caleh, and Rehoboth likewise
By him to Cities eminent did rise.
Of Saturn, he was the Original,
Whom the succeeding times a God did call,
When thus with rule, he had been dignifi'd,
One hundred fourteen years he after dy'd.
Belus.
Great Nimrod dead, Belus the next his Son
Confirms the rule, his Father had begun;
Whose acts and power is not for certainty
Left to the world, by any History.
But yet this blot for ever on him lies,
He taught the people first to Idolize:
Titles Divine he to himself did take,
Alive and dead, a God they did him make.
This is that Bel the Chaldees worshiped,
Whose Priests in Stories oft are mentioned;
This is that Baal to whom the Israelites
So oft profanely offered sacred Rites:
This is Beelzebub God of Ekronites,
Likewise Baalpeor of the Mohabites,
His reign was short, for as I calculate,
At twenty five ended his Regal date.
Ninus.
His Father dead, Ninus begins his reign,
Transfers his seat to the Assyrian plain;
And mighty Nineveh more mighty made,
Whose Foundation was by his Grand-sire laid:
Four hundred forty Furlongs wall'd about,
On which stood fifteen hundred Towers stout.
The walls one hundred sixty foot upright,
So broad three Chariots run abrest there might.
Upon the pleasant banks of Tygris floud
This stately Seat of warlike Ninus stood:
This Ninus for a God his Father canonized,
To whom the sottish people sacrificed.

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poem by Anne Bradstreet
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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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My Repetitious Future....[LONG; My Life/Personal; Math]

What do I have to look forward to the rest of my fine life?
It depends, to some degree at least, on my dear wife.
If she stays alive and somehow keeps on putting up with me,
I may live twenty more years (ten more than I 'should') . We'll see.

To make the math simple let's say my years left are ten.
So how many times might I repeat things between this day and then?
I mean some of the daily, weekly, monthly, or yearly things I do.
Some are necessary and some I enjoy, but some I don't look forward to.

Sleep: Let's say 10x365x10=36,500 hours, give or take.
That's about two-fifths as many hours as I'll be awake!
How many movie DVDs watched at night from our couch?
That's 5x52x10=2600 movies we'll see. Ouch.

At only two real meals a day, that's still 7300 sittings to dine,
but with an equal number of snacks I think that I'll be fine.
And while Aki slaves to prepare about 3400 dinners
I'll be reading to us aloud from 130 novels of murder, losers, and winners.

If my body cooperates I'll take 2600 walks, give or take.
Some will be near Bay, but most will be near home that I'll make.
And walking my town's streets I'll take down 300 outdated signs,
and trim 200 overhanging branches as long as no one whines.

I'll practice Happy Birthday on piano 3000 times, most times while standing,
and do perhaps 200 little home projects, which may include some sanding.
I'll fill bird feeders 120 times or more, depending on the birds,
and 2000 times add water to bird dishes, removing first their turds.

I'll romance my wife 520 times; that figure may be high.
I'll shave my face a thousand times unless I give beard, again, a try.
Trim toenails 60 times and fingernails about one-o-five.
3650 showers I'll take as long as wife's alive.

I'll have an untold number of bowel movements. Wait and see.
And ‘bout eighteen thousand times, usually without flushing, I'll pee.
I'll have 10 to 100 doctor appointments. Who really knows?
I'll go to dental office twice yearly, though their current business staff blows.

I'll brush my teeth six or seven thousand times, but with no flossing.
I'll punch a time clock no more times; except for from my wife, I'll have no bossing.

Ten or twenty shirts I'll wear out completely, while getting countless others dirty.
I'll call my siblings about 400 times, especially my sister Birdie.
I'll call friends about 2500 times, plus emails, but few letters.
I might wear an outdoor jacket 400 times, but I'll rarely wear a sweater.

I'll take 3600 doses of aspirin, and twice-that of flaxseed oil,
and 500 bottles of red wine to, hopefully, bad health foil.

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poem by Bri Edwards
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Read My Lips

Words and music: doug johnson, mike reno, neil shilkin
Here you come again, lookin for another thrill
With your lipstick, high heel shoes, lookin like youre
Dressed to kill
Tattoo stuck on you, branded by a chosen few
What short memory, now its time to pay your dues
Dont you hear a word I say?
Just turn your head and look this way
And read my lips
Read my lips, listen to me, Im talkin to you
Read my lips
Read my lips, Im tellin you, Im through with you
I know where you go when you need to get some
Bad little actress on a mattress, its seduction
Anything for you
You dont hear a word I say
So turn your head and look this way
And, read my lips
Read my lips, listen to me, Im talkin to you
Read my lips
Read my lips, listen to me, youre history
Ive been watching what you do
And it doesnt take a fool
To see what weve been through
Oh, gonna turn the page on you
(guitar solo)
You dont hear a word I say
So turn your head and look this way
And read my lips
Read my lips, listen to me, Im talkin to you
Read my lips
Read my tips, oh, Im through with you
Read my tips
Read my lips, listen to me, Im talkin to you
Read my lips
Read my lips, listen to me, youre history
Oh yeah, read my lips
I said, read my lips
Read my lips
Just read my lips

song performed by Loverboy
Added by Lucian Velea
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