Polyacrostic - Jest Gest
PLEASE NOTE:
PH formatting does not permit colour coding the palimpsests thus the different layouts of individual internal acrostics can for the moment only be identified in transposing every letter onto squared paper
The surface sonnet is thus online for the record as neither the vertical, diagonal or internal acrostics nor the anagrams are visible. A formatted version is online at http: //allpoetry.com/poem/2479961
The anagrams within the text are Dear dare a red read
other minor acrostic: Jane is found 4 times in adjacent letters in the text
3 Vertical Acrostics Jonathan Robin J
Double diagonal acrostic 1 Just a smile can J offer unto the Jest
Double diagonal acrostic 2 Just a smile can J offer readers Jaunt Jest
Enjoy!
_______________
J to J Jest Gest
Jingle verse to Jane luck's just jaunt jest.
Our expertise? - no orchestra in song,
no signature, as no fit joints run strong
as stars' graced art, for few see game addressed.
The care of each theme's wording to the test
here I spell out. Hark or read each line long.
A web admired, traced true, is set among
No word mixed Janus, your name's inset gest.
Reach soul. Oh dare to free the thread expressed.
Over all sweet sound, ends work to link, belong.
Best, ideas scan by. If thought inbinding's wrong
its warp reread in fairness, shriven guest.
Nut/kernel plan none smirk at, sense contest.
Judge, smile, hid joy glean from a jest red blessed.
26 December 2006
robi03_1529_robi03_0000 BSX_IXX
Jest Gest polyacrostic sonnet poem © Jonathan Robin
poem by Jonathan Robin
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Wife to Be (Petrarchan Sonnet)
I stroll along a fragrant country lane
With honeysuckle perfume on the air -
And feathered crooner's warble to revere -
Then cross a golden sea of flowing grain
In empathy - it seems to sense my pain
Of knowing all was done with my affair -
Her empty meaning now the solitaire
She cast away - betrothment all in vain.
But oceans team with many fish to catch
So I must up and hoist another sail
And seek the one that really waits for me,
For soon auspicious breezes will prevail
In guiding forth to find a truer match:
The one to take my hand as wife to be.
Copyright © Mark R Slaughter 2010
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poem by Mark R Slaughter
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Sonnet Cycle to M C after W S Sonnets CXXXI - CXXXIX
Sonnet Cycle to M C after William Shakespeare Sonnets CXXXI - CLIV
[c] Jonathan Robin
CARE IS OUR DREAM
Sonnet Cycle after William Shakespeare: Part II
Sonnets CXXXI - CLIV
Shakespeare Sonnet CXXXI
Thou art so tyrannous, so as thou art,
As those whose beauties proudly make them cruel;
For well thou know'st to my dear doting heart
Thou art the fairest and most precious jewel.
Yet, in good faith, some say that thee behold,
Thy face hath not the power to make love groan;
To say they err I dare not be so bold,
Although I swear it to myself alone.
And to be sure that is not false, I swear,
A thousand groans, but thinking on thy face,
One on another's neck, do witness bear
Thy black is fairest in my judgement's place.
In nothing art thou black save in thy deeds,
And thence this slander, as I think, proceeds.
Sonnet CXXXI
Swift in succession fleet speed thoughts when I
Allow time to rhyme contemplating smile.
Nefertiti resignèdly would cry
Grieving 'Quits' obliged to reconcile
To defeat, a feat none else dare try.
Outer skin and inner heart worthwhile
Most naturally ally I testify,
Adopt love’s truth to heart, scorn art and style.
Millions shudder – to your rank unworthy -
Aware all their priorities weigh zilch,
Understatements glib by small minds scurvy,
Deprived of value still your fame they’d filch.
Enshadowed, dark, stark dead their teeming dreams
Compelled to spell fell shutters, failing themes.
Shakespeare Sonnet CXXXII
Thine eyes I love, and they, as pitying me,
Knowing thy heart torments me with disdain,
Have put on black and ivory mourner she,
Looking with pretty ruth upon my pain.
And truly not the morning sun of heaven
Better becomes the grey cheeks of the east,
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poem by Jonathan Robin
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Polyacrostic Palimpsest - Birthday Sonnet - Entered is Diary
Notes on Polyacrostic Palimpsests.
.
Acrostic: Verse in which certain letters form a word or message
Polyacrostic: Several acrostics within the same composition
Acrostics to be found below – in alphabetical order:
His hand her hand [twice vertically]
Entered in diary [twice vertically]
Tend a nice heart [3 times vertically] – hopefully not an ice heart
Tender is her heart [4 times diagonally]
Palimpsest: A manuscript on which more than one text is written
with earlier writing, or one level of meaning, partially visible.
Polyacrostic Palimpsest - Birthday Sonnet - Entered is Diary
Toast verse! Oh birthday sonnet that strings true
E'er stanza knit free style, link in tress kind.
None letters scan - no need since star none find -
Deeds reader here disdains, nor head dreams cue.
Art secret exam, chart, restore rare value
Nowhere shrine is named, rich tune ornate designed,
Indeed is hidden within, bis gladdening behind
Covers is meshed, scored, missed, hid, scudding through
End verse. Here lines share where none spot the clue.
Hope endowed, read Heaven's clear. Add here's signed
Erudition's rheme eked out blur, he ideas twined.
Annals are read as announced Dear, a part eschew.
Reward - roses near - reveals her in mirror bright.
To show you ardour triumphs in today's top write.
Toastverseohbirthdaysonnetthatstringstrue
Eerstanzaknitfreestylelinkintresskind
None lettersscannoneedsincestarnonefind
Deedsreader heredisdainsnorheaddreamscue
Artsecretexamchar trestorerarevalue
Nowhereshrineisnamedrichtune ornatedesigned
Indeedishiddenwithinbisgladdeni ngbehind
Coversismeshedscoredmissedhidscudding through
Endverseherelinessharewheresofewspotcl ue
HopeendowedreadheavensclearaddheressignedEruditionsrhemeekedoutblurheideastwined
Anna lsarereadasannounceddearaparteschew.
Rewardros esnearrevealsherinmirrorbright
Toshowyouardour triumphsintodaystopwrite
© Jonathan Robin polyacrostic palimpsest sonnet written 20081126 see also Birthday Mirror Below
Notes on Polyacrostic Palimpsests.
.
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poem by Jonathan Robin
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Polyacrostic Palimpsest - Threads Paint a Plan Neat
Kindly read notes for explanation of acrostics
Plan unshut theme tale. Warp writ scheme it seems.
Allow claims, - meet able essay's real reel.
I bead, mend, scan English in ideal spiel -
new art ideas we thread, pen novel themes.
tress respun words, wed writing's subtle gleams.
Although remade, we argue verse with zeal
Pleasured thought so maid deep poet feels,
letter read acrostic has spelt dreams
a few, sum drawn, believe - call to see schemes.
Name see housed in cross weaving we conceal.
Nomadic aims we thread, see, note, - tale reel
emerges now, wakes wit, fills in thought streams.
Art, dumb, dare meet as double lines end measure,
true leisure as my law, elated treasure.
THREADS PAINT A PLAN NEAT
External acrostic PAINT A PLAN NEAT
Vertical acrostic from H of Theme first line
HANDS HEED HANDS
Diagonal Acrostic from first letter P... PLEASURE
Word PLEASURE 7th line
Diagonal Acrostic from last letter T
Diagonal Acrostic from letter M first line Theme MEASURE
Vertical acrostic from first line warp P
PAINTED PLAN SEE
Circular palindrome from first line ALEWA tale warp
ABLE WAS I ERE I SAW ELBA
Diagonal Acrostic from letter M last line My MEASURE
Additional internal acrostics
[I See Me] MAUDE C occuring 6 times
MEET, MEET THREADS WE SEE LATE occuring twice
robi3_1253_robi3_0000 BQS_IXX
16th. May 2005 revised 24 March 2009
poem by Jonathan Robin
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Sonnet LX - Variations In Imitation - after William Shakespeare
See below W S Sonnet LX for English and French variations
Sonnet LX
Like as the waves make towards the pebbled shore
So do our minutes hasten to their end;
Each changing place with that which goes before,
In sequent toil all forwards do contend.
Nativity, once in the main of light
Crawls to maturity, wherewith being crown’d,
Crooked eclipses ‘gainst his glory fight
And Time that gave doth now his gift confound.
Time doth transfix the flourish set on youth
And delves the parallels in beauty’s brow
Feeds on the rareities of Nature’s truth,
And nothing stands but for his scythe to mow;
And yet to times in hope my verse shall stand,
Praising thy worth despite his cruel hand.
William SHAKESPEARE shak1_0008_shak1_0000 PST_DZX
________________________
So nnet LX Imitation - Par Vagues
Par vagues, s’approchant à la rive pierreuse,
Nos instants précieux écument leur destin,
Chacun son précédent remplaçant en chemin,
Le tout se bousculant - avancée périlleuse.
Le Temps notre jeunesse avale et l’âme heureuse,
Avance, et, mûrissant, se voit sacrée: sa main
Dispute nos chansons, gloires d’antan, - déclin
Que le faucheur étale, éclipse malheureuse.
Le Temps reprend ses dons, de profonds sillons creuse,
Des affronts forts profonds au front jadis si saint,
En dévorant les traces de notre grâce éteinte,
Aucun ne faisant face à sa fauche rieuse!
Pourtant malgré le Temps, sa main sans pitié,
Ces lignes attendent un jour coulant de vérité.
15 December 1991 revised 2005 robi3_0508_shak1_0008 PFT_DZX see robi3_0654
Translation William SHAKESPEARE – Sonnet LX for previous version see below
__________________
Sonnet LX
Ainsi qu’aux vagues visant la rive pierreuse,
Nos instants précieux se hâtent vers leur destin,
Chacun son précedent remplaçant en chemin,
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poem by Jonathan Robin
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Two Different Worlds
You know I dont understand why you treat me like this
Its almost like you feel like youre from two different worlds
well, we are todd I dont think so
You should have a listen to me right now
I can feel it now baby I can feel it now, I can feel that
Even though youre a queen and Im only a prince
I felt the magical between us ever since
The first time that I laid eyes on you
I want you to be my girl, so I can hold you
Caress you and let you know that I love you
And day by day my love grows
Heres where I stand, I gotta be your man
I dont care if were from two different worlds
But were from
Two different, two different, were from two different worlds
Two different, two different worlds
I dont understand the way you feel
But its just a dream and it could never be real
So face to face I cant love you
Were from two, different worlds
Two different, two different, were from two different worlds
Two different, two different worlds
Man things are different, birds and bees
Flowers and trees, you and me
But it really doesnt matter, it makes us stronger
Theres more to talk about, well be together longer
Trustin me, have faith in my love
It goes so deep, girl youre so sweet
As a matter of fact, I want you for my wife
Please be a part of my life
I cant believe you wont give up
Your love is strong but boy, so what so what
You cant love me, I cant love you
Were from two, different worlds it doesnt matter
Two different, two different two different,
Were from two different worlds i dont care
Two different so what two different worlds
It could never make a difference in my heart
it could never make a difference
Never could keep us apart
Hold on hold on who cares what the world is sayin?
i do my love goes so deep, mmm, baby hold on
I know baby, lets take it to the climax
Two different, two different two different so different
Were from two different worlds i dont care
Two different so what, two different worlds
So whats it gonna be, you wanna be with me?
I wanna be witchu, my love is true
All you gotta do is get into love
Its like a blessin in disguise, sent from up above
[...] Read more
song performed by LL Cool J
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Polyacrostic Palimpsest - Ses Mots Sont Ici II
Notes on Polyacrostic Palimpsests
Acrostic: Verse in which certain letters form a word or message
Polyacrostic: Several acrostics within the same composition
Acrostics to be found below
Ses mots sont ici [vertical acrostic from 1st Line S of has] [French – his/her words are here]
Susan Sellers SS [1 vertical external and 2 diagonal bottom up acrostics keyed as above to the 1st line S of has]
Palimpsest:
A manuscript on which more than one text is written with
earlier writing, or one level of meaning, partially visible.
Ses Mots Sont Ici II
Sweet friend has Time Time conquered in your heart,
used no successes’ superficial glow
somehow as jest so settle life as though
all fades, - a dream's drawn ready to depart?
Not in the years of age should these thoughts start!
So often sleep steals laughter, ends Time’s flow,
expels old love, sends slight grace, - then we go.
life dies away as cold evenings chart
Life is a song whose chorus sings: Depart!
Even now cause and effect knock, so
reward each instant, Time shan't wait, you know.
So seek within, till safe your soul, then part.
Surrender true choice not, return trust's song
Sure to evolve, find Way, may soul stay strong...
16 May 2005 revised 6 January 2007
robi3_1254_robi3_0000 BQS_DZX
for alternative version see
Susan Sellers
Sweet friend has Time Time conquered in your heart.
Used no successes’ superficial glow
Somehow as jest so swift adopted though
A glued remora’s maw right hard to part.
Not in the years of freedom should one start!
So often sleep steals laughter, and, Time’s flow,
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poem by Jonathan Robin
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Polyacrostic Palimpsest - Care is Our Dream
Kindly refer to Notes on Polyacrostic Palimpsests
.
Palimpsest: A manuscript on which more than one text is written with earlier writing, or one level of meaning, partially visible.
For further examples see the link to Polyacrostic list below.
..
.
The text appears twice here:
.
I: plain text - in black
II: Complete acrostic palimpsests.
Care is our dream Care: a core value
Text II is formatted to show letter progression hidden in Text I. Punctuation, spacing, are absent, highlighting
palimpsest phrases invisible in the first version for the sake of clarity... Enjoy!
see formatted version http: //allpoetry.com/poem/4239749
(c) Jonathan Robin polyacrostic palimpsest sonnet written 17 May 2008
Care is Our Dream
I
Care, a core value, can't be traded, each
At risk may put heart if mistrust dare feed.
Rare welcome marry, ease bring, carry, speed,
Eve, night, day, select ideals free, teach,
Ideas shared as light shines fair. Impeach
Snow frost, ice, or snap cold, back zest's strong seed!
Order true open joys, shrug doubts off, lead
Urge on through summer's sorrow stumped, find speech,
Reveal tender thread to wed bliss reach.
[...] Read more
poem by Jonathan Robin
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Polyacrostic Palimpsest - What Will Follow?
Notes on Polyacrostic Palimpsests
Acrostic: Verse in which certain letters form a word or message
Polyacrostic: Several acrostics within the same composition;
Acrostics to be found below:
What will follow - external
Name an Acrostic - vertical from middle
Robin Jonathan - double diagonal from middle
Palimpsest: A manuscript on which more than one text is written
with earlier writing, or one level of meaning, partially visible.
Enjoy!
3 versions below:
4 March 2009
6 January 2007
2 January 1992 [Jonathan Wrobel]
What Will Follow?
Who knows what in our future lies ahead,
How will man's banana skin unpeel,
And thus show him what follows on, reveal
Tomorrow's stated story. Living dead,
We wait and ask vain sages why we're led
In ignorance to never-never's wheel.
Life is lost as man sets out, why steal
Little joys in scheming, joys gainsaid:
Fond intention ropes soon ties instead
Of painting scroll whose links naught need conceal.
Let be all fears, shine out as beacon real.
Look forward to trial met book open, read,
Or is all error, nightmares' terrors where
We puppets find chance rules us? Judgements spare!
© Jonathan Robin polyacrostic palimpsest sonnet written 2 January 1992 revised 4 March 2009
What Will Follow?
Who knows what in our future lies ahead,
How will man's banana skin unpeel,
And thus show him what follows on, reveal
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poem by Jonathan Robin
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Reminders
Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As word
s confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.
song performed by Feeder
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Don't Tell THe World! (Sonnet)
This Sonnet is in the popular Petrarchan Form
I behold thy love as beautiful thing,
In my wrecked heart, a pleasure garden,
Thy revered love, a blooming Eden.
A daisy tuft seasoned by bright spring,
Surging in moments that defeats waiting,
I behold thy words as a jeweled crown,
On my worn pages of despicable frown.
And thy memory feeds my mind dying,
Daring couple disclose, but don’t you tell,
About memoirs many encased and kept,
Say not thy chronicle, sweet as daisy smell,
Buried, not unseen to thy eyes except
Reveal not, the guarded stash of our love,
Lest a rational world desires to know! ! !
IA NOTE: For those who find the format unfitting to a sonnet!
(Sonnet
only 14 lines long— and has a firmly fixed form. The sonnet works best for expressing strong emotion or intense feeling, firm purpose, or great seriousness. This form works best if you want to focus attention on a single thing—a particular idea, situation, emotion, problem, observation, etc. —the sonnet gets to its point quickly and efficiently, with beauty and charm of form or expression.
The Shakespearean (or English) sonnet and the Petrarchan (or Italian) sonnet are the two most prevalent versions of this form today.
A Shakespearean sonnet or English sonnet is written in one stanza composed of three rhymed quatrains (each making one point in a three-step argument) , followed by a rhyming couplet that summarizes the argument
A Petrarchan sonnet or Italian sonnet is composed of an octet followed by a sestet with a variable rhyme scheme. The octet presents the poem’s theme or problem, while the sestet offers a change or a resolution. In its traditional form, this sonnet never ends in a couplet.
Robert Frost was popular at Petrarchan form of sonnets.
sonnet’s formal requirements (14 lines of iambic pentameter with a specific rhyme scheme) , method (a strong focus on one subject) , and goals (persuasion, surprise, balance) ,
Ref: www.poetry.com/techniques/form of poetic expressions.
Thank You
poem by Seema Aarella
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Soccer Rollback
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poem by Rwetewrt Erwtwer
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
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poem by Robert Browning (1871)
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[9] O, Moon, My Sweet-heart!
O, Moon, My Sweet-heart!
[LOVE POEMS]
POET: MAHENDRA BHATNAGAR
POEMS
1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song
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poem by Mahendra Bhatnagar
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Stricken [from]
::record::
a teacher ::record:: helps a boy get a gun
it's about not ::record:: looking mistakable
::record::
houndstooth
accordion attache
bounty hunter provisions
::record:: I told the teacher about Pietro's
I was angry with the police again
it was not my movie
I was mixed up in campaign finance reform
I was sweet shiftless and poor
and stricken
::record::, a boy is loaded
American Express makes it ::record:: better
'providing alternatives to jail for persons who pose no danger to the community'
Loan Consolidators for your ::record:: problems
'but use purpose area #15A if primary focus is drug testing or purpose area #20 if focus is reducing jail crowding'
Effective Sanctions that Fit the ::record:: Budget
somehow I was caught up in this
and questioned about a family ::record:: resemblance
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poem by Heather Fuller
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
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poem by Robert Browning from The Ring and the Book
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III. The Other Half-Rome
Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!
There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk
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poem by Robert Browning from The Ring and the Book
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Book II - Part 04 - Absence Of Secondary Qualities
Now come, this wisdom by my sweet toil sought
Look thou perceive, lest haply thou shouldst guess
That the white objects shining to thine eyes
Are gendered of white atoms, or the black
Of a black seed; or yet believe that aught
That's steeped in any hue should take its dye
From bits of matter tinct with hue the same.
For matter's bodies own no hue the least-
Or like to objects or, again, unlike.
But, if percase it seem to thee that mind
Itself can dart no influence of its own
Into these bodies, wide thou wand'rest off.
For since the blind-born, who have ne'er surveyed
The light of sun, yet recognise by touch
Things that from birth had ne'er a hue for them,
'Tis thine to know that bodies can be brought
No less unto the ken of our minds too,
Though yet those bodies with no dye be smeared.
Again, ourselves whatever in the dark
We touch, the same we do not find to be
Tinctured with any colour.
Now that here
I win the argument, I next will teach
Now, every colour changes, none except,
And every...
Which the primordials ought nowise to do.
Since an immutable somewhat must remain,
Lest all things utterly be brought to naught.
For change of anything from out its bounds
Means instant death of that which was before.
Wherefore be mindful not to stain with colour
The seeds of things, lest things return for thee
All utterly to naught.
But now, if seeds
Receive no property of colour, and yet
Be still endowed with variable forms
From which all kinds of colours they beget
And vary (by reason that ever it matters much
With, what seeds, and in what positions joined,
And what the motions that they give and get),
Forthwith most easily thou mayst devise
Why what was black of hue an hour ago
Can of a sudden like the marble gleam,-
As ocean, when the high winds have upheaved
Its level plains, is changed to hoary waves
Of marble whiteness: for, thou mayst declare,
That, when the thing we often see as black
Is in its matter then commixed anew,
Some atoms rearranged, and some withdrawn,
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poem by Lucretius
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Colour My Life
If youre wondering why Ive not been speaking my mind sir
It took so long since I could call this my home
My shapes of confusion fit holes of frustration
And theres nothing worse then being home on your own
You can colour my life
Until it fits with your own
You can colour my life
Until it fits with your own
Ive been wondering why youve not been speaking your mind sir
Ive coloured my life and Ill make no bones
My shapes of confusion fit holes of frustration
You can colour my life until it fits with your own
You can colour my life
Until it fits with your own
You can colour my life
Until it fits with your own
You can colour my life
Until it fits with your own
You can colour my life
You can colour my life
If youre wondering why Ive not been speaking my mind sir
It took so long since I could call this my home
My shapes of confusion fit holes of frustration
You can colour my life until it fits with your own
You can colour my life
Until it fits with your own
You can colour my life
Until it fits with your own
You can colour my life
Until it fits with your own
You can colour my life
You can colour my life
Colour my life
Colour my life
Colour my life
song performed by Oasis
Added by Lucian Velea
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Interpretations
INTERPRETATIONS
Fat fortune's made, flat wife Dow fed
rat’s force runes laid, bat - strife - ciao - bed.
Version I Final Hour
Undefeated, all round oppressed,
pun deleted, fall sound suppressed.
Version II Foresight
Insightful plans in stealth prepared
sin, night, culls man, win’s wealth despaired.
Version III Adultery
Distresses through, fears one must stifle,
mistresses two, years won, lust, trifle.
Version IV Dixit Spouse
He’d rule, make hay, term ends today,
heed fool, fake bay, worm wends to play.
Version V Dixit Daughter
Who hid himself behind his wealth
in failing health must part from pelf.
Version VI Dixit Son
Abusing all, refusing fall,
lewd now must stall, cued to Death’s call
Version VII Dixit Bureaucrat
Who played sly hand, f[l]ame fanned, cold dust,
grew, greyed, sigh banned, aim sand, old, bust.
Version VIII Conclusion
Statistics show life’s little glow
soon ebbs, tide’s flow goes where none know.
Bonanza dreams, boon nailed, no shows,
so stanza schemes soon fail, flow slows.
23 March 1975 revised 4 February 2009
robi03_1464_robi03_0000 HXX_MXX
For previous version entitled The Art of Interpretation see below
f[l]ame: aim’s fame flame lame
The Art of Interpretation
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poem by Jonathan Robin
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