Before I Offer to Treat
The nights
Keep my days in perspective.
I know what my wants and needs are.
But the interviewing process
Is limited to who I'd like to share
Those moments with!
I'm not that easy.
I'm not going to settle just for anyone
Who may be standing by the cooler,
And looking like a fool for me!
Hopefully...
That will be on a pay day.
It's easier to conduct an interview
With change in my pocket.
And looking through the snack machine,
With more than two dimes to squeeze together...
Before I offer to treat!
Someone has to appreciate...
I am going through that kind of trouble!
poem by Lawrence S. Pertillar
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
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- quotes about saint
- quotes about receiving
- quotes about pranks
- quotes about nature
- quotes about missing
- quotes about injury
- quotes about cross
- quotes about television
Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
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poem by Robert Browning (1871)
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- quotes about performance
- quotes about tobacco
- quotes about luck
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- quotes about perfection
- quotes about particles
Consumed Within the Process
Consumed within the process
That process we call life.
Immuned? Not from this process.
It keeps the vision near yet uncompromised.
And far enough to become realized.
Consumed.
Within the process.
That process called life!
Don't assume...
This process,
Is a process you can't like!
Consumed.
Within the process.
That process called life!
Don't assume...
This process,
Is a process you can't like!
Consumed.
Within the process.
That process called life!
Don't assume...
This process,
Is a process you can't like!
Consumed within the process.
That process we call life.
Immuned?
Not from this process!
It keeps the vision near yet uncompromised.
And far enough to become realized.
Closing its eyes only when it wishes,
To call itself out!
Consumed.
Within the process.
That process called life!
Don't assume...
This process,
Is a process you can't like!
Consumed.
Within the process.
That process called life!
Don't assume...
This process,
Is a process you can't like!
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poem by Lawrence S. Pertillar
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
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poem by Robert Browning from The Ring and the Book
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Robotic Things
Keep it in the right perspective.
Keep it in the right perspective.
No need for probing deeper,
For those reasons to dissect this.
Signs come!
And...
Keep it in the right perspective.
Those exposing a wisdom,
Are ignored as bores!
Keep it in the right perspective.
Keep it in the right perspective.
No need for probing deeper,
For those reasons to dissect this.
Upheaval seen upon the streets.
Keep it in the right perspective.
And...
Poverty increases and defeats.
Keep it in the right perspective.
No need for probing deeper,
For those reasons to dissect this.
And the songs heard they sing,
Sound as if,
They are...
Human beings!
Keep it in the right perspective.
Keep it in the right perspective.
And the songs heard they sing,
Sound as if,
They are...
Robotic things!
Keep it in the right perspective.
Keep it in the right perspective.
No need for probing deeper,
For those reasons to dissect this.
Signs come!
And...
Keep it in the right perspective.
Those exposing a wisdom,
Are ignored as bores!
And the songs heard they sing,
Sound as if,
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poem by Lawrence S. Pertillar
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Settle Down
Album: Eternal (2001)
[Chorus]
Do you think you're ready
To settle down, settle down babe
Do you think you're ready
To settle down with me babe
Do you think you're ready
To settle down, settle down with me babe
Settle down with me, babe
Settle down
Would you like a house on the hill
Overlooking the ocean side
Tell me, would you like that baby
Or how about a high-rise apartment
In Manhattan on the east side
If that's what you need
I'm here to please
Won't you settle down with me, baby
[Chorus]
We could take a jet plane all the way to Spain
Just to buy you a wedding ring
Tell me, would you like that baby
Oh, talk to me girl
We could get married on Christmas day
On the shores of Montego Bay
If that's what you need
I'm here to please
Won't you settle down with me
If you're ready
Only if you're ready
To settle down, settle down babe
Tell me if you're ready, ready yeah
To settle down with me babe
Do you think you're ready
To settle down, settle down with me babe
Settle down, settle down
Settle down
I'm not trying to buy your love
Money ain't in it
You can't put a rpice on love
Tell me if I'm worthy of
Worthy of you're hand
Girl let's start making plans
You're shining like a star above
You're the light of my life
Oh girl, be my wife
Settle down baby
Oh but first
Do you think you're ready
To settle down, settle down babe
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song performed by Isley Brothers
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Interview
(carly simon/don was)
A sweet young man sat on my chair
With a tape machine and a face of fear
He asked how does it feel to be who you are
I thought, this boy really thinks Im a star
I answered him with humility
And then asked him if hed like some tea
Interview, whos interviewing who
Are you interviewing me
Or am I interviewing you
He asked if the rug was some ancient, lovely thing
I lied and said yes a gift from a king?
I watched his arms and how his lips moved
He asked me if my parents approved
He asked to see my ruby ring
And if as a child I had liked to sing
Interview, whos interviewing who
Are you interviewing me
Or am I interviewing you
I said yes, oh yes 400 times
youre so open? he said do you always tell the truth? ?
never,? i said, whats that? ?
But how would it feel to hold me in your arms
You could get to know me down on the farm
Then you could see me as the child Ive become
cause being grown up can be so lonesome
Baby, how would it feel to hold me now
Baby, how would it feel to hold me now
Interview, whos interviewing who
Are you interviewing me
Or am I interviewing you
song performed by Carly Simon
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III. The Other Half-Rome
Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!
There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk
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poem by Robert Browning from The Ring and the Book
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Nickels And Dimes
I used to stand on a corner when i was a child
And i'd play my guitar and sing as the people went by
The sidewalks were crowded but i'd just sing louder cause i didn't mind
Just spending my time, spinning my rhymes and singing for nickels and dimes
Nickels and dimes a song at a time for nickels and dimes
I'd brighten their day as they go on their way and they'd brighten mine
A sidewalk rehearsal for dreams that i held in my mind
I knew that someday in my own special i'd repay all their nickels and dimes
I recall the sidewalk each night as i stand on the stage
As i play my guitar and sing for the people who paid
Cause i finally made it to what they all call the big time
But i still remember i still owe some nickels and dimes
Nickels and dimes a song at a time for nickels and dimes
A sidewalk rehearsal for dreams that i held in my mind
So if you remember a child on the corner of time
You'll know that i wrote this to repay your nickels and dimes
Nickels and dimes a song at a time for nickels and dimes
A sidewalk rehearsal for dreams that i held in my mind
So if you remember a child on a corner of time
You'll know that i wrote this to repay your nickels and dimes
Nickels and dimes a song at a time for nickels and dimes
A sidewalk rehearsal for dreams that i held in my mind
So if you remember a child on a corner of time
You'll know that i wrote this to repay your nickels and dimes
song performed by Dolly Parton
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Nickels & Dimes
I used to stand on a corner when I was a child
And Id play my guitar and sing as the people went by
The sidewalks were crowded but Id just sing louder cause I didnt mind
Just spending my time, spinning my rhymes and singing for nickels and dimes
Nickels and dimes a song at a time for nickels and dimes
Id brighten their day as they go on their way and theyd brighten mine
A sidewalk rehearsal for dreams that I held in my mind
I knew that someday in my own special Id repay all their nickels and dimes
I recall the sidewalk each night as I stand on the stage
As I play my guitar and sing for the people who paid
Cause I finally made it to what they all call the big time
But I still remember I still owe some nickels and dimes
Nickels and dimes a song at a time for nickels and dimes
A sidewalk rehearsal for dreams that I held in my mind
So if you remember a child on the corner of time
Youll know that I wrote this to repay your nickels and dimes
Nickels and dimes a song at a time for nickels and dimes
A sidewalk rehearsal for dreams that I held in my mind
So if you remember a child on a corner of time
Youll know that I wrote this to repay your nickels and dimes
Nickels and dimes a song at a time for nickels and dimes
A sidewalk rehearsal for dreams that I held in my mind
So if you remember a child on a corner of time
Youll know that I wrote this to repay your nickels and dimes
song performed by Dolly Parton
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V. Count Guido Franceschini
Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!
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IV. Tertium Quid
True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently
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poem by Robert Browning from The Ring and the Book
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Canto the First
I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.
II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.
III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.
IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.
V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.
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poem by Byron from Don Juan (1824)
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Aruba Is for Many Out Of Reach
Life once had us running to the bank.
Banking on the prospect,
That investments in a future...
Would produce security.
Security fantasized,
To feed those whims and needs...
Afforded to please.
We believed that banking,
Was then a safe direction...
For a quality of life,
Respected to protect..
In quality ease!
If this was yesterday...
It would be okay,
To think about Aruba...
And snoozing on the beach.
If 'this' was yesterday...
We'd put our dimes away.
But unlike those yesterdays...
Today pinching dimes,
Gets rent timely paid!
If this was yesterday,
It would be okay...
To think about Aruba!
Just to snooze on the beach.
And...
Oiling heated skin,
Rubbing sand off our feet.
If 'this' was yesterday...
We'd put our dimes away.
But unlike those yesterdays...
A rent that's needed to be paid,
Is just a pinch away.
And today Aruba,
Is for many out of reach.
Because today Aruba,
Is a dream hard to keep!
If this was yesterday,
It would be okay...
To think about Aruba!
Just to snooze on the beach.
And...
[...] Read more
poem by Lawrence S. Pertillar
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Lazy In Aruba
Life once had us running to the bank.
Banking on the prospect,
That investments in a future...
Would produce security.
Security fantasized,
To feed those whims and needs...
Afforded to please.
We believed that banking,
Was then a safe direction...
For a quality of life,
Respected to protect..
In quality ease!
If this was yesterday...
It would be okay,
To think about Aruba...
And snoozing on the beach.
If 'this' was yesterday...
We'd put our dimes away.
But unlike those yesterdays...
Today pinching dimes,
Gets rent timely paid!
If this was yesterday,
It would be okay...
To think about Aruba!
Just to snooze on the beach.
And...
Oiling heated skin,
Rubbing sand off our feet.
If 'this' was yesterday...
We'd put our dimes away.
But unlike those yesterdays...
A rent that's needed to be paid,
Is just a pinch away.
And today Aruba,
Is for many out of reach.
Because today Aruba,
Is a dream hard to keep!
If this was yesterday,
It would be okay...
To think about Aruba!
Just to snooze on the beach.
And...
[...] Read more
poem by Lawrence S. Pertillar
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VII. Pompilia
I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.
All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.
Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Settle Down My Boy
Settle down, an eat your peas and gravy, my boy
Settle down, settle down my boy settle down
Stop wasting all your time with running around the town
Settle down, settle down my boy settle down
Knuckle down and find a job and take some responsibility
Settle down, settle down my boy settle down
The futures something you should be thinking about
Settle down, settle down my boy settle down
Look around for a wife to start a family, my boy
Settle down, settle down my boy settle down
Listen toy our father and hell tell you the same as me
Settle down, settle down my boy settle down
Your words would go in one ear and out the other side
Dont say my head was empty and I had things to hide
And you better put something away for your old age
So settle down, settle down my boy settle down
Settle down, settle down my boy settle down uh huh huh
song performed by Men At Work
Added by Lucian Velea
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Settle Down
Settle down, dont settle down without me, no, no
Settle down, Ill settle down for good, yeah
Settle down, Ill settle down around you, yeah, yeah
Settle down, Ill settle down for sure, yeah
Whatever I can do, I will
cause Im good like that
For seven years, seven days, and seven hours
I took my chances, yeah
Whatever I can do, I will
cause I want
Never lose that feeling
Never lose that feeling
Settle down, Ill settle down around you, yeah, yeah
Settle down, Ill settle down for good, yeah
Settle down, dont settle down without me, no, no
Settle down, Ill settle down for sure, yeah
Never lose that feeling
Never, no, no
Never lose your feelings
Never, thats for sure
Never lose that feeling
Never lose that feeling
Never lose that feeling
Never lose that feeling
Never lose that feeling
Never lose that feeling
Whatever I can do, I will
cause I want to, and what I want I get
Seven years, seven days, and seven hours
I took my chances, yeah
Settle down, dont settle down without me, no, no
Settle down, Ill settle down for good, yeah
Settle down, Ill settle down around you, yeah, yeah
Settle down, Ill settle down for sure, yeah
Never lose that feeling
Never, no, no, no
song performed by Zwan
Added by Lucian Velea
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Social Netowrking Of Robots
end of world war
end of world war 11
end of world scenarios
end of world thursday prophet
end of world wa rtwo
end of world war 2 france
end of world video
end of world war 1 effects
end of world vision
end of world songs
end of world war 2
end of world war 1
end of world wallpapers
end of world scenerio
end of world time clock
end of wortd
end of world wtf mate youtube
end of world west america
end of world war ii
end of world war iii
end of wrestling match signal
end of worlds
end of worldwar 2
end of world war i
end of world war two
end of wrestling match indicator
end of world war 2 wikipedia
end of world war 21945
end of world war one
end of world wite web
end of worled war 2
end of world wide ii
end of world war 2 info
end of world war two date
end of wow
end of ww 2
end of ww2
end of ww1 treaty of versailles
end of ww1 treaty
end of ww ii
end of ww2 in czechoslovakia
end of ww2 date
end of ww1 ghost photos
end of ww1 treaty of vers
end of ww 1
end of ww2 for japanese americans
end of ww-ii
end of ww2 battleship
end of wrold war 2
end of ww11
[...] Read more
poem by Rwetewrt Erwtwer
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Easy Skanking
Easy skanking (skankin it easy);
Easy skanking (skankin it slow);
Easy skanking (skankin it easy);
Easy skanking (skankin it slow).
Excuse me while I light my spliff; (spliff)
Good god, I gotta take a lift: (lift)
From reality I just cant drift; (drift)
Thats why I am staying with this riff. (riff)
Take it easy (easy skankin);
Lord, I take it easy! (easy skankin);
Take it easy (easy skankin);
Got to take it easy (easy skankin).
See: were takin it easy (ooh-wah-da da-da)
We taking it slow, (ooh-wah-da da-da)
Takin it easy (easy);
Got to take it slow (slow-slow)
So take it easy (easy skankin - da-da-da-da-da-da)
Wo-oh, take it easy (easy skankin)
Take it easy (easy skankin - da-da-da-da-da-da)
Take it easy. (easy skankin)
Excuse me while I light my spliff; (spliff)
Oh, god, I gotta take a lift: (lift)
From reality I just cant drift; (drift)
Thats why I am staying with this riff. (riff)
Take it easy (takin it easy);
Got to take it easy (takin it slow);
Take it easy (takin it easy);
Skanky, take it easy (takin it slow).
Tell you what:
Herb for my wine; (ooh-wa-da-da-da)
Honey for my strong drink; (ooh-wa-da-da-da)
Herb for my wine; (ooh-wa-da-da-da)
Honey for my strong drink.
I shake it easy (takin it easy);
Skanky, take it easy (skankin it slow);
Take it (takin it easy) easy;
Take it (skankin it slow) easy;
Take it easy (takin it easy);
Oh-oh-ooh! (skankin it slow);
Little bit easier (takin it easy);
Skanky, take it easy (skankin it slow).
Take it easy! take it easy! take it easy! /fadeout/
song performed by Bob Marley
Added by Lucian Velea
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