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In Increments

In increments it must now come.
What's being done...
Should not overwhelm.
It should not succumb,
Or overcome with its might.
Nor should it frighten.
But deliver enlightenment.
A dose of that at a time is needed.
And not too much to feed the untreated.

In increments it must now come.
Impatience might cause havoc!
And a running away of those too stunned.
Appear before a few...
Let them give previews.
Let them first astonish those in disbelief!
Let their appetites build and increase.
Let their curiosities begin to tease.
Before the descending of our ships they see!
But...
In increments.

'Your Highness...
Would you care for more tea? '

Yes,
Please!

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Keep On Running

Some gonna get you
Some gonna grab you
Some gonna jump out of the bushes and grab you
Whole lotta folks, you better run faster.
Some gonna grab you
Some gonna jump out of the bushes and grab you
Some gonna grab you
Oh you need this thing to grab you, ha.
Yea, yea
Keep on running
Keep on running from my love
Keep on running, yea
Keep on running from my love
Some folks say that youre really, really fine,
All you want to be is just a friend of mine,
But I know, the man your with gonna break your heart,
And youll be sad real soon, yea.
Keep on running,
Keep on running from my love,
Keep on running, yea,
Keep on running from my love.
Some folks say that youre really, really fine
But all you want to be is just a friend of mine,
But I know Im gonna get you with him -real soon.
Why do you keep?
Keep on running, running from my love
Yea, keep on running from
Keep on running, running from my love
I need you baby
Keep on running, running from my love
And everyday yea,
Keep on running, running from my love. oh
Keep on running
Keep on running from my love
Keep on running yea
Keep on running from my love
Some folks say that your love is really good
All you want to be is just a friend of mine,
But I know, Im gonna get you in the end
cause I need you so
Keep on running
Keep on running, running from my love
Yea, keep on running baby
Keep on running, running from my love, yea
Keep on running, running from my love
Keep on running, running from my love
...say it loud
Keep on running, running from my love
Oh, yea
Keep on running, running from my love

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Give The Po Man A Break

Give po man a break
Give po man a break
Give po man a
Give po man a
Give po man a
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Give po man a
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Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
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Give po man a
Give po man a
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Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a

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The Ghost - Book IV

Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Running Away

Ya running and ya running
And ya running away.
Ya running and ya running
And ya running away.
Ya running and ya running
And ya running away.
Ya running and ya running,
But ya cant run away from yourself
Cant run away from yourself -
Cant run away from yourself -
Cant run away from yourself -
Cant run away from yourself -
Cant run away from yourself.
Ya must have done (must have done),
Sometin wrong (something wrong).
Said: ya must have done (must have done),
Wo! sometin wrong (something wrong).
Why you cant find the
Place where you belong?
Do-do-do-do-do-do-do-do-do (running away);
Do-do-do-do-do-do-do-do-do (running away);
Do-do-do-do-do-do-do-do-do (running away);
Do-do-do-do-do-do-do-do-do (running away);
Do-do-do-do-do-do-do-do-do (running away).
Every man thinketh his
Burden is the heaviest (heaviest).
Every man thinketh his
Burden is the heaviest (heaviest).
Ya still mean it: who feels it knows it, lord;
Who feels it knows it, lord;
Who feels it knows it, lord;
Who feels it knows it, lord.
Ya running and ya running
And ya running away.
Ya running and ya running
And ya running away.
Ya running and ya running
And ya running away.
Ya running and ya running
But ya cant run away from yourself.
Could ya run away from yourself?
Can you run away from yourself?
Cant run away from yourself!
Cant run away from yourself!
Yeah-eah-eah-eah - from yourself.
Brr - you must have done sometin -
Sometin - sometin - sometin -
Sometin ya dont want nobody to know about:
Ya must have, lord - sometin wrong,
What ya must have done - ya must have done sometin wrong.

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It Was Love That We Needed

It was love that we needed
(Hmm, hmm)
We needed love (it was love)
It was love that we needed (oh, yeah)
(Yeah, yeah)
Love
It was love (it was love)
It was love (that we needed)
We needed love, darlin'
Yeah, yeah-eh
(We needed love)
Somewhat impossible
No idea what was happenin' to me
All of my life, things were cool till now
Then the feelin', the strangest feelin' came over me
(Ooh, oh, na, na, na, na, na, na, na)
My happiness just came with such surprise
The water just swelled up in my eyes
An all I could see was your pretty, pretty face (pretty face)
Jumpin' up and down
All around (round) the place
It was love (it was love)
It was love (that we needed) that we needed
It was love, it was love, it was love, it was love
We needed love
It was love (it was love)
It was love (that we needed) that we needed, oh, yeah
Yeah, yeah
We needed love
Never, never, never did I know till now
My deep, deep feelings for another
When just romancin' in the world
Dancin' with you, girl
I knew we'd soon discover, soon discover
(Ooh, oh, na, na, na, na, na, na, na)
My happiness just came with such surprise
The water just swelled up in my eyes
An all I could see was your pretty, pretty face (pretty face)
Jumpin' up and down
All around (round) the place
It was love (it was love)
It was love (that we needed) that we needed
It was love, it was love, it was love, it was love
We needed love
It was love (it was love)
It was love (that we needed) that we needed, yeah, yeah-eh
We needed love
Sing it, girl
Loves, merry go round, goes around and round (whoo, ooh)
Loves, merry go round, goes round (round)

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The Aeneid of Virgil: Book 2

ALL were attentive to the godlike man,
When from his lofty couch he thus began:
“Great queen, what you command me to relate
Renews the sad remembrance of our fate:
An empire from its old foundations rent, 5
And ev’ry woe the Trojans underwent;
A peopled city made a desart place;
All that I saw, and part of which I was:
Not ev’n the hardest of our foes could hear,
Nor stern Ulysses tell without a tear. 10
And now the latter watch of wasting night,
And setting stars, to kindly rest invite;
But, since you take such int’rest in our woe,
And Troy’s disastrous end desire to know,
I will restrain my tears, and briefly tell 15
What in our last and fatal night befell.
“By destiny compell’d, and in despair,
The Greeks grew weary of the tedious war,
And by Minerva’s aid a fabric rear’d,
Which like a steed of monstrous height appear’d: 20
The sides were plank’d with pine; they feign’d it made
For their return, and this the vow they paid.
Thus they pretend, but in the hollow side
Selected numbers of their soldiers hide:
With inward arms the dire machine they load, 25
And iron bowels stuff the dark abode.
In sight of Troy lies Tenedos, an isle
(While Fortune did on Priam’s empire smile)
Renown’d for wealth; but, since, a faithless bay,
Where ships expos’d to wind and weather lay. 30
There was their fleet conceal’d. We thought, for Greece
Their sails were hoisted, and our fears release.
The Trojans, coop’d within their walls so long,
Unbar their gates, and issue in a throng,
Like swarming bees, and with delight survey 35
The camp deserted, where the Grecians lay:
The quarters of the sev’ral chiefs they show’d;
Here Phœnix, here Achilles, made abode;
Here join’d the battles; there the navy rode.
Part on the pile their wond’ring eyes employ: 40
The pile by Pallas rais’d to ruin Troy.
Thymoetes first (’t is doubtful whether hir’d,
Or so the Trojan destiny requir’d)
Mov’d that the ramparts might be broken down,
To lodge the monster fabric in the town. 45
But Capys, and the rest of sounder mind,
The fatal present to the flames designed,
Or to the wat’ry deep; at least to bore
The hollow sides, and hidden frauds explore.
The giddy vulgar, as their fancies guide, 50

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Samuel Butler

Hudibras: Part 3 - Canto II

THE ARGUMENT

The Saints engage in fierce Contests
About their Carnal interests;
To share their sacrilegious Preys,
According to their Rates of Grace;
Their various Frenzies to reform,
When Cromwel left them in a Storm
Till, in th' Effigy of Rumps, the Rabble
Burns all their Grandees of the Cabal.

THE learned write, an insect breeze
Is but a mungrel prince of bees,
That falls before a storm on cows,
And stings the founders of his house;
From whose corrupted flesh that breed
Of vermin did at first proceed.
So e're the storm of war broke out,
Religion spawn'd a various rout
Of petulant Capricious sects,
The maggots of corrupted texts,
That first run all religion down,
And after ev'ry swarm its own.
For as the Persian Magi once
Upon their mothers got their sons,
That were incapable t' enjoy
That empire any other way;
So PRESBYTER begot the other
Upon the good old Cause, his mother,
Then bore then like the Devil's dam,
Whose son and husband are the same.
And yet no nat'ral tie of blood
Nor int'rest for the common good
Cou'd, when their profits interfer'd,
Get quarter for each other's beard.
For when they thriv'd, they never fadg'd,
But only by the ears engag'd:
Like dogs that snarl about a bone,
And play together when they've none,
As by their truest characters,
Their constant actions, plainly appears.
Rebellion now began, for lack
Of zeal and plunders to grow slack;
The Cause and covenant to lessen,
And Providence to b' out of season:
For now there was no more to purchase
O' th' King's Revenue, and the Churches,
But all divided, shar'd, and gone,
That us'd to urge the Brethren on;
Which forc'd the stubborn'st for the Cause,

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Screw Faces

[Bob Marley]
Whoa, now!
Screwface know-a who fi frighten!
Screwface know-a who fi frighten!
Like I told, they say, "Coward, man".
Gonna keep some bones
And all violent man gonna weep and moan.
He that exalted him say, "Yeah!"
Shall be obeyed.
Remember Jah - Jah children deh!
Don't dread no pain.
Fear do we go now
To the rivers of ungodly waters, we'll fear no foe
(fear no foe, fear no foe).
Wherever I go,
Not even the pestilence
That crawl at I'n'I
Can't do - wo-wo-wo - me no wrong (just can't do me no wrong).
Oh, now!
I tell you what red is!
I tell you what I know:
(Screwface know-a who fi frighten!)
Screwface know-a who fi frighten!
Screwface know-a who fi frighten! Wo, now!
(Screwface know-a who fi frighten!) Screwface will frighten
screwface!
(Screwface know-a who fi frighten!) Long time gone, y'all!
(Screwface know-a who fi frighten!) Screwface will frighten
screwface!
Wo, yeah! Now!
(Screwface know-a who fi frighten!)
---
/Intrumental ending/ /fadeout/
---

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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

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Instinct

Pop
Standing on the borderline
Between joy and reason
Tending carefully my fire
Waiting for my season
I know who these people are
I know what they stand for
Corruptions built into this plan
Nothings under the other hand
Tricks and trials await the child
Instinct keeps me running
Running like a deer
Instinct keeps me running
Running through the grinning shadows
I have seen the sludgy beach
And the poisoned river
I have met the lordly rich
Theyre just getting stiffer
This whole place is like a maze
Or like some medusa
Let me out I cant accept
A certain read life story
Tricks and trials await the child
Instinct keeps me running
Running like a deer
Instinct keeps me running
Running where the sorrow bless me
Instinct keeps me running
Running like a moose
Instinct keeps me running
Running to keep one chance open
Marks on walls, the common outlet
Tell the truth and always will
Marks on wall destroy the thought
Of perfect sunny civilization
Tricks and trials await the child
Instinct keeps me running
Running like a deer
Instinct keeps me running
Running through the grinning shadows
Instinct keeps me running
Running like a bear
Instinct keeps me running
Running to keep one chance open
Instinct keeps me running
Running cause I dont believe it
Instinct keeps me running
Running through the bare emotion
Instinct keeps me running
Instinct keeps me running

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You Have Got To Know Me

If you really want to know what it's like...
To hold a pillow tight without crying,
But...
Feeling inside your emotions are dying.
Well...
You have got to know me.
'Cause,
I've been there not to leave.

If you really want to know what it's like...
To hold a pillow tight without crying,
But...
Feeling inside your emotions are dying.
Well...
You have got to know me.
'Cause,
I've been there not to leave.

You have got to know me.
And...
This you'll agree when you see!
This is...
I,
Guarantee.
You have 'got' to know me.

How about now?
We can get together and feed that need.
We can get together and...

How about now?
We can get together and feed that need.
Feed that need.
Feed that need

How about how about now?
We can get together and feed that need.
How about how about now?
We can get together and...
Feed that need.
Feed that need

What about now?
We can get together and...
What about now?
Feed that need.
What about now?
We can get together and...
What about now?
Feed that need.

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The Four Seasons : Winter

See, Winter comes, to rule the varied year,
Sullen and sad, with all his rising train;
Vapours, and clouds, and storms. Be these my theme,
These! that exalt the soul to solemn thought,
And heavenly musing. Welcome, kindred glooms,
Congenial horrors, hail! with frequent foot,
Pleased have I, in my cheerful morn of life,
When nursed by careless Solitude I lived,
And sung of Nature with unceasing joy,
Pleased have I wander'd through your rough domain;
Trod the pure virgin-snows, myself as pure;
Heard the winds roar, and the big torrent burst;
Or seen the deep-fermenting tempest brew'd,
In the grim evening sky. Thus pass'd the time,
Till through the lucid chambers of the south
Look'd out the joyous Spring, look'd out, and smiled.
To thee, the patron of her first essay,
The Muse, O Wilmington! renews her song.
Since has she rounded the revolving year:
Skimm'd the gay Spring; on eagle-pinions borne,
Attempted through the Summer-blaze to rise;
Then swept o'er Autumn with the shadowy gale;
And now among the wintry clouds again,
Roll'd in the doubling storm, she tries to soar;
To swell her note with all the rushing winds;
To suit her sounding cadence to the floods;
As is her theme, her numbers wildly great:
Thrice happy could she fill thy judging ear
With bold description, and with manly thought.
Nor art thou skill'd in awful schemes alone,
And how to make a mighty people thrive;
But equal goodness, sound integrity,
A firm, unshaken, uncorrupted soul,
Amid a sliding age, and burning strong,
Not vainly blazing for thy country's weal,
A steady spirit regularly free;
These, each exalting each, the statesman light
Into the patriot; these, the public hope
And eye to thee converting, bid the Muse
Record what envy dares not flattery call.
Now when the cheerless empire of the sky
To Capricorn the Centaur Archer yields,
And fierce Aquarius stains the inverted year;
Hung o'er the farthest verge of Heaven, the sun
Scarce spreads through ether the dejected day.
Faint are his gleams, and ineffectual shoot
His struggling rays, in horizontal lines,
Through the thick air; as clothed in cloudy storm,
Weak, wan, and broad, he skirts the southern sky;
And, soon-descending, to the long dark night,

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Just What I Needed

I dont mind you comin here
And wastin all my time
cause when youre standin oh so near
I kinda lose my mind
Its not the perfume that you wear
Its not the ribbons in your hair
I dont mind you comin here
And wastin all my time
I dont mind you hangin out
And talkin in your sleep
It doesnt matter where youve been
As long as it was deep, yeah
You always knew to wear it well and
You look so fancy I can tell
I dont mind you hangin out
And talkin in your sleep
I guess youre just what I needed
(just what I needed)
I needed someone to feed
I guess youre just what I needed
(just what I needed)
I needed someone to bleed
I dont mind you comin here
And wastin all my time time
cause when youre standin oh so near
I kinda lose my mind, yeah
Its not the perfume that you wear
Its not the ribbons in your hair
I dont mind you comin here
And wastin all my time
I guess youre just what I needed
(just what I needed)
I needed someone to feed
I guess youre just what I needed
(just what I needed)
I needed someone to bleed
I guess youre just what I needed
(just what I needed)
I needed someone to feed
I guess youre just what I needed
(just what I needed)
I needed someone to bleed
Yeah, yeah, so bleed me
Youre just what I needed
Youre just what I needed
Yeah, youre just what I needed
Yeah, yeah yeah

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Enlightenment

Chop that wood
Carry water
Whats the sound of one hand clapping
Enlightenment, dont know what it is
Every second, every minute
It keeps changing to something different
Enlightenment, dont know what it is
Enlightenment, dont know what it is
It says its non attachment
Non attachment. non attachment
Im in the here and now, and Im meditating
And still Im suffering but thats my problem
Enlightenment, dont know what it is
Wake up
Enlightenment says the world is nothing
Nothing but a dream, everythings an illusion
And nothing is real
Good or bad baby
You can change it anyway you want
You can rearrange it
Enlightenment, dont know what it is
Chop that wood
And carry water
Whats the sound of one hand clapping
Enlightenment, dont know what it is
All around baby. you can see
Youre making your own reality. everyday because
Enlightenment, dont know what it is
One more time
Enlightenment. dont know what it is
Its up to you
Enlightenment. dont know what it is
Its up to you everyday
Enlightenment, dont know what it is
Its always up to you
Enlightenment, dont know what it is
Its up to you, the way you think

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Lethal Dose Of Love

(r. stewart/a.taylor)
Wild thing!
Shouldve known better
With a girl like you
You satisfied my every need
What a little heartbreaker
You turned out to be
Prettiest face Ive ever seen
Oh dance little sister, you turn me on
You make my blood run hot
Killer legs in that short black dress
Baby you was born to rock
I dont mind you fooling me around
Just dont let me out of your jail
I dont mind you messing me up
I tell all my friends
Its a lethal dose of love
Lethal dose of love, watch out
Lethal dose of love
Lethal dose of love
Lethal dose of love
Should ve know better
With a girl like you
Youre totally misunderstood
I hear them talking
In this one horse town
You scandalize the neighborhood
My family was shocked by your antic views
The color of your lips and hair
Even my brother whos a God fearin man
Poor boy had to sit and stare
I dont mind you fooling me around
Just dont let me out of your jail
I dont mind you messing me up
I tell all my friends
Its a lethal dose of love
Lethal dose of love
Yeah yeah yeah
Lethal dose of love
Lethal dose of love
I hear the clicking
Of your heels on the stairs
You dont talk and I dont ask
What a little difference
Some eyeliner makes
Tomorrow youll be back in class
Although my blueprint for happiness
Depends on you
Ill cook and clean and be your slave
Ill tie you up but I wont tie you down

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Metamorphoses: Book The Third

WHEN now Agenor had his daughter lost,
He sent his son to search on ev'ry coast;
And sternly bid him to his arms restore
The darling maid, or see his face no more,
But live an exile in a foreign clime;
Thus was the father pious to a crime.
The Story of The restless youth search'd all the world around;
of Cadmus But how can Jove in his amours be found?
When, tir'd at length with unsuccessful toil,
To shun his angry sire and native soil,
He goes a suppliant to the Delphick dome;
There asks the God what new appointed home
Should end his wand'rings, and his toils relieve.
The Delphick oracles this answer give.
"Behold among the fields a lonely cow,
Unworn with yokes, unbroken to the plow;
Mark well the place where first she lays her down,
There measure out thy walls, and build thy town,
And from thy guide Boeotia call the land,
In which the destin'd walls and town shall stand."
No sooner had he left the dark abode,
Big with the promise of the Delphick God,
When in the fields the fatal cow he view'd,
Nor gall'd with yokes, nor worn with servitude:
Her gently at a distance he pursu'd;
And as he walk'd aloof, in silence pray'd
To the great Pow'r whose counsels he obey'd.
Her way thro' flow'ry Panope she took,
And now, Cephisus, cross'd thy silver brook;
When to the Heav'ns her spacious front she rais'd,
And bellow'd thrice, then backward turning gaz'd
On those behind, 'till on the destin'd place
She stoop'd, and couch'd amid the rising grass.
Cadmus salutes the soil, and gladly hails
The new-found mountains, and the nameless vales,
And thanks the Gods, and turns about his eye
To see his new dominions round him lye;
Then sends his servants to a neighb'ring grove
For living streams, a sacrifice to Jove.
O'er the wide plain there rose a shady wood
Of aged trees; in its dark bosom stood
A bushy thicket, pathless and unworn,
O'er-run with brambles, and perplex'd with thorn:
Amidst the brake a hollow den was found,
With rocks and shelving arches vaulted round.
Deep in the dreary den, conceal'd from day,
Sacred to Mars, a mighty dragon lay,
Bloated with poison to a monstrous size;
Fire broke in flashes when he glanc'd his eyes:
His tow'ring crest was glorious to behold,

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Don't Give A Dose To The One You Love Most

Don’t give a dose to the one you love most.
Give her some marmalade...give her some toast.
You can give her the willies or give her the blues.
But the dose that you give her will get back to youse.

I once had a lady as sweet as a song.
She was my darlin’, and she was my dear.
But she had a dose, and she passed it along.
Now she’s gone, but the dose is still there.

So, don’t give a dose to the one you love most.
Give her some marmalade...give her some toast.
You can give her a partiridge up in a pear tree,
But the dose that you give her might get back to me.

So if you’ve got an itchin’...if you’ve got a drip,
Don’t sit there wishin’ for it to go ’way.
If there’s a thing on the tip of your thing or your lip,
Run down to the clinic today, and say...

'I won’t give a dose to the one I love most.
I’ll give her some marmalade...give her some toast.'
Give her the willies or give her the blues,
But the dose that you give her will get back to you.

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John Dryden

The Hind And The Panther, A Poem In Three Parts : Part III.

Much malice, mingled with a little wit,
Perhaps may censure this mysterious writ;
Because the muse has peopled Caledon
With panthers, bears, and wolves, and beasts unknown,
As if we were not stocked with monsters of our own.
Let Æsop answer, who has set to view
Such kinds as Greece and Phrygia never knew;
And Mother Hubbard, in her homely dress,
Has sharply blamed a British lioness;
That queen, whose feast the factious rabble keep,
Exposed obscenely naked, and asleep.
Led by those great examples, may not I
The wonted organs of their words supply?
If men transact like brutes, 'tis equal then
For brutes to claim the privilege of men.
Others our Hind of folly will indite,
To entertain a dangerous guest by night.
Let those remember, that she cannot die,
Till rolling time is lost in round eternity;
Nor need she fear the Panther, though untamed,
Because the Lion's peace was now proclaimed;
The wary savage would not give offence,
To forfeit the protection of her prince;
But watched the time her vengeance to complete,
When all her furry sons in frequent senate met;
Meanwhile she quenched her fury at the flood,
And with a lenten salad cooled her blood.
Their commons, though but coarse, were nothing scant,
Nor did their minds an equal banquet want.
For now the Hind, whose noble nature strove
To express her plain simplicity of love,
Did all the honours of her house so well,
No sharp debates disturbed the friendly meal.
She turned the talk, avoiding that extreme,
To common dangers past, a sadly-pleasing theme;
Remembering every storm which tossed the state,
When both were objects of the public hate,
And dropt a tear betwixt for her own children's fate.
Nor failed she then a full review to make
Of what the Panther suffered for her sake;
Her lost esteem, her truth, her loyal care,
Her faith unshaken to an exiled heir,
Her strength to endure, her courage to defy,
Her choice of honourable infamy.
On these, prolixly thankful, she enlarged;
Then with acknowledgments herself she charged;
For friendship, of itself an holy tie,
Is made more sacred by adversity.
Now should they part, malicious tongues would say,
They met like chance companions on the way,

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Yesterday, To-day, and For Ever: Book IV. - The Creation of Angels and of Men

O tears, ye rivulets that flow profuse
Forth from the fountains of perennial love,
Love, sympathy, and sorrow, those pure springs
Welling in secret up from lower depths
Than couch beneath the everlasting hills:
Ye showers that from the cloud of mercy fall
In drops of tender grief, - you I invoke,
For in your gentleness there lies a spell
Mightier than arms or bolted chains of iron.
When floating by the reedy banks of Nile
A babe of more than human beauty wept,
Were not the innocent dews upon its cheeks
A link in God's great counsels? Who knows not
The loves of David and young Jonathan,
When in unwitting rivalry of hearts
The son of Jesse won a nobler wreath
Than garlands pluck'd in war and dipp'd in blood?
And haply she, who wash'd her Saviour's feet
With the soft silent rain of penitence,
And wiped them with her tangled tresses, gave
A costlier sacrifice than Solomon,
What time he slew myriads of sheep and kine,
And pour'd upon the brazen altar forth
Rivers of fragrant oil. In Peter's woe,
Bitterly weeping in the darken'd street,
Love veils his fall. The traitor shed no tear.
But Magdalene's gushing grief is fresh
In memory of us all, as when it drench'd
The cold stone of the sepulchre. Paul wept,
And by the droppings of his heart subdued
Strong men by all his massive arguments
Unvanquish'd. And the loved Evangelist
Wept, though in heaven, that none in heaven were found
Worthy to loose the Apocalyptic seals.
No holy tear is lost. None idly sinks
As water in the barren sand: for God,
Let David witness, puts his children's tears
Into His cruse and writes them in His book; -
David, that sweetest lyrist, not the less
Sweet that his plaintive pleading tones ofttimes
Are tremulous with grief. For he and all
God's nightingales have ever learn'd to sing,
Pressing their bosom on some secret thorn.
In the world's morning it was thus: and, since
The evening shadows fell athwart mankind,
Thus hath it always been. Blind and bereft,
The minstrel of an Eden lost explored
Things all invisible to mortal eyes.
And he, who touch'd with a true poet's hand
The harp of prophecy, himself had learn'd

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