In The Era Of The Drone
Violation of rights?
The only rights of those being violated,
May be those known.
To heighten suspicion.
However...
Those rights being droned,
Spied upon on a daily basis...
In the privacy one believes is left alone,
Secured in one's home...
Will never be known to be violated or not.
In the era of the drone,
The movement of insects is condoned.
poem by Lawrence S. Pertillar
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[...] Read more
poem by Rwetewrt Erwtwer
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Lubie
I said I, I left my wife and child (Lubie come back home),
I said i, i left my wife and child (lubie come back home),
And lord my conscience is about to drive me wild (Lubie come back home),
And lord my conscience is about to drive me wild (lubie come back home),
A little voice inside my head goes on and on (Lubie come back home),
A little voice inside my head goes on and on (lubie come back home),
Said Lubie Lubie you better go back home.
Said lubie lubie you better go back home.
I said I, I thought I'd make it by myself (Lubie come back home),
I said i, i thought i'd make it by myself (lubie come back home),
And now my baby she got my heart dropped on a shelf (Lubie come back home),
And now my baby she got my heart dropped on a shelf (lubie come back home),
I said I, I still you're my baby now (Lubie come back home),
I said i, i still you're my baby now (lubie come back home),
Said Lubie Lubie you better go back home.
Said lubie lubie you better go back home.
You better go on home (Lubie come back home),
You better go on home (lubie come back home),
I said yeah Lubie go on home (Lubie come back home),
I said yeah lubie go on home (lubie come back home),
I said you better go home girl,
I said you better go home girl,
Ah yeah you go home.
Ah yeah you go home.
Go on home home home home home home,
Go on home home home home home home,
Yeah Lubie go on home home home home home home,
Yeah lubie go on home home home home home home,
Yeah Lubie go on home home home home home home,
Yeah lubie go on home home home home home home,
Little bit soft, everybody go soft,
Little bit soft, everybody go soft,
Go on home to see my baby,
Go on home to see my baby,
Yeah you know that she loves you daddy like crazy.
Yeah you know that she loves you daddy like crazy.
I say my misses I'm gonna stay what I'm gonna do,
I say my misses i'm gonna stay what i'm gonna do,
Gonna buy you a monkey and a new dog too yeah,
Gonna buy you a monkey and a new dog too yeah,
The guys have got yeah to get 'em to see my baby,
The guys have got yeah to get 'em to see my baby,
A little bit louder, everybody go on go louder, yeah yeah yeah yeah.
A little bit louder, everybody go on go louder, yeah yeah yeah yeah.
Now Lubie where you been,
Now lubie where you been,
I said I, I left my wife and child (Lubie come back home),
I said i, i left my wife and child (lubie come back home),
And lord my conscience is about to drive me wild (Lubie come back home),
And lord my conscience is about to drive me wild (lubie come back home),
[...] Read more
song performed by Who
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- quotes about voice
- quotes about girls
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Under Suspicion
(d linde/ a rush)
Well, Ive been mistreated
Been lied to and cheated
Misused and abused
Like something that you throw away
First you fill me with thunder
Then you let me go under
You can run, you can hide
But you aint gonna get away
Coz youre under suspicion
Of leaving the scene of a broken heart
Under suspicion
Of a hit and run love affair
You aint got a conscience
And you made me the victim
Of a cruel and unusual crime
Now youre under suspicion
Under suspicion
Under suspicion
Under suspicion of a hit and run love affair
Hey yeah yeah
Whoo etc
No matter where you be going
I got ways of knowing
And somewhere down the line
Youre gonna have to pay
Hey
Coz youre under suspicion
Of leaving the scene of a broken heart yeah
Under suspicion
Of a hit and run love affair
You aint got a conscience
And you made me the victim
Of a cruel and unusual crime
Now youre under suspicion
Under suspicion
Under suspicion
Yeah under suspicion of a hit and run love affair
Yeah yeah yeah
Under suspicion
Under suspicion
Aint got no where to run coz youre under suspicion
Under suspicion
Under suspicion
Under suspicion
Of leavin the scene of a broken heart
Under suspicion
Yeah under suspicion of a hit and run love affair
song performed by Robert Palmer
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Exodus (Laswell Mix)
[Bob Marley]
Exodus: Movement of Jah people! Oh-oh-oh, yea-eah!
.......
Men and people will fight ya down (Tell me why!)
When ya see Jah light. (Ha-ha-ha-ha-ha-ha-ha!)
Let me tell you if you're not wrong; (Then, why?)
Everything is all right.
So we gonna walk - all right! - through de roads of creation:
We the generation (Tell me why!)
(Trod through great tribulation) trod through great tribulation.
Exodus, all right! Movement of Jah people!
Oh, yeah! O-oo, yeah! All right!
Exodus: Movement of Jah people! Oh, yeah!
Yeah-yeah-yeah, well!
Uh! Open your eyes and look within:
Are you satisfied (with the life you're living)? Uh!
We know where we're going, uh!
We know where we're from.
We're leaving Babylon,
We're going to our Father land.
2, 3, 4: Exodus: movement of Jah people! Oh, yeah!
(Movement of Jah people!) Send us another brother Moses!
(Movement of Jah people!) From across the Red Sea!
(Movement of Jah people!) Send us another brother Moses!
(Movement of Jah people!) From across the Red Sea!
Movement of Jah people!
---
/Instrumental break/
---
Exodus, all right! Oo-oo-ooh! Oo-ooh!
Movement of Jah people! Oh, yeah!
Exodus!
Exodus! All right!
Exodus! Now, now, now, now!
Exodus!
Exodus! Oh, yea-ea-ea-ea-ea-ea-eah!
Exodus!
Exodus! All right!
Exodus! Uh-uh-uh-uh!
Move! Move! Move! Move! Move! Move!
Open your eyes and look within:
Are you satisfied with the life you're living?
We know where we're going;
We know where we're from.
We're leaving Babylon, y'all!
We're going to our Father's land.
Exodus, all right! Movement of Jah people!
Exodus: movement of Jah people!
Movement of Jah people!
Movement of Jah people!
[...] Read more
song performed by Bob Marley
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Under Suspicion
Rush/linde
Well Ive been mistreated
Lied to and cheated
Misled and abused
Like an old rag you threw away
First you fill me with thunder
Then you let me go under
You can run, you can hide
But you aint gonna get away
Cos youre under suspicion
Of leavin the scene of a broken heart
Under suspicion of a hit and run love affair
Well you aint got a conscience
And youve made me the victim
Of a cruel and unusual crime
Now youre under suspicion, under suspicion
Under suspicion of a hit and run love affair
No matter where youll be going
I got ways of knowing
Somewhere down the line
Youre gonna pay
Cos youre under suspicion
Of leavin the scene of a broken heart
Under suspicion of a hit and run love affair
Well you aint got a conscience
And youve made me the victim
Of a cruel and unusual crime
Now youre under suspicion, under suspicion
Under suspicion of a hit and run love affair
Under suspicion,under suspicion
Under suspicion,under suspicion....
song performed by Roy Orbison
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Back Home
Yeah yeah yeah
Well Im going back this summer to ohio
Im gonna seek out all my friends Ive always known
Im goin back to that farm that I remember
Well Im goin to spend this summer back home
Back home (back home, back home, back home)
Ill spend my summer (back home)
Back home (back home)
Back home (back home, back home, back home)
Ill spend my summer (back home)
Back home (back home)
Im gonna get up every morning before the roosters
Ill run downstairs fix my breakfast all alone
Ill milk those cows feed the chickens and the horses
Well Im gonna spend this summer back home
Back home (back home, back home, back home)
Ill spend my summer (back home)
Back home (back home)
Back home (back home, back home, back home)
Ill spend my summer (back home)
Back home (back home)
Ill eat everything that ma puts on the table
When I get back you wont believe how Ive grown
Ill hit the sack early everynight thinkin bout tomorrow whoa oh
Well Im gonna spend this summer back home
Back home, back home, back home
Back home (back home, back home, back home)
Ill spend my summer (back home)
Thats what Im gonna do thats where Im gonna be, thats this summer
Back home (back home)
Back home (back home, back home, back home)
Ill spend my summer (back home)
Gonna get up, gonna get up, gonna get up every morning
Back home (back home)
Back home (back home, back home, back home)
Yeah yeah yeah yeah yeah yeah
Ill spend my summer (back home)
Hey woo feels okay back home
Back home (back home)
Back home (back home, back home, back home)
Ill spend my summer (back home)
Back home
song performed by Beach Boys
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Insects
Tiny insects in my hair
Tiny insects everywhere
Tiny insects in my pants
Watching insects make romance
Insects make me make me want to dance dance dance
They make want to dance . . .
Flying insects everywhere
Flying insects buzzing buzzing buzzing thru the air
Just like little diamonds in the sky
Insects buzzing in my eye
Buzzing insects make me want to dance dance dance
They make me want to dance . . .
Insects crawling all around
Insects squirming in the ground
Insects gooey squeaky chewy
Should I eat them--no
Id rather stomp them hurt them stomp
Stomp them while I dance dance dance
I hurt them while I dance dance dance
I stomp them while I dance dance dance . . .
Insects make me scream and shout
They dont know what lifes about
They dont have blood
Theyve got too many legs
They dont have brains in their heads
They know theyll rule the world some day
They bite and sting me anyway
They bite and sting and suck
They bite and sting and suck suck suck
They bite and sting and
Suck suck suck suck suck . . .
Dance dance dance
song performed by Oingo Boingo
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Suspicion
Ain't it like the sun to never shine
And leave you in the dark
Ain't it like the ones we left behind
Or were they moving on
Getting used to all alone
Just pretending you was here
Voices tearing through the halls
Get used to it kid
Suspicion, shame on the things we did
Suspicion, stealing and lying to prove
Suspicion, it's cold and dark as a well
But it's just suspicion
Ain't it like the gals who want to kiss
To be a friend to you
Ain't it like the string of consequence
To put the faith in you
All I want to do is buy some time
For the sake of memory
All I want to do is to try
To hold on to these things
Suspicion, haunting the streets of time
Suspicion, boys they really got us this time
Suspicion, it's cold and dark as a well
Suspicion
For all the things we need
We only want the ones
We couldn't seem to keep
We hurt the ones we love
We hurt the ones we love
We hurt the ones we love
Get used to it kid
Suspicion, haunting the streets of time
Suspicion, boy they really got us this time
Suspicion, shame on the things we did
Suspicion, get used to kid
song performed by Ryan Adams
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III. The Other Half-Rome
Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!
There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk
[...] Read more
poem by Robert Browning from The Ring and the Book
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II. Half-Rome
What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)
Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,
[...] Read more
poem by Robert Browning from The Ring and the Book
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The Hogarth Experiment Part 5
Peter levelled the shotgun
at the insect as big as a sheep
and pulled the trigger and again.
The blast knocked
the beast away from his father.
He quickly reloaded
as another giant insect
came close to his father.
The creature spun sideways
as the shot hit it.
Both creatures rose to their feet.
His father picked up the pitchfork
and jammed it deep
into the first insects head.
The insect wobbled on its legs
before collapsing dead.
The other moved giant insect
towards the fallen insect.
Peter had reloaded the shotgun
and fired both barrels at the head
of the advancing insect.
The head of it seemed to explode.
Peter reloaded the shotgun again.
His father ran towards him
pushing out of the way
of another giant insect.
They scrambled to their feet
and ran to the farmhouse.
They bolted the door
and moved to the window.
What they saw astonished them.
More and more giant insects landed
and seem to examine the fallen ones.
They then lifted them into the air and flew off.
John looked at his son.
Their battle was over.
All the giant insects disappeared
along with the two they had killed.
John went across to the phone
and telephoned the police.
He told them what had happened,
half expecting them to laugh.
They asked for his address
and said they would be sending
some people out to him.
They told him to remain inside with his family
and keep the windows and doors
locked until they arrived.
An hour passed and several armoured personnel carriers
stopped in the farmyard.
[...] Read more
poem by David Harris
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The Princess Betrothed To The King Of Garba
WHAT various ways in which a thing is told
Some truth abuse, while others fiction hold;
In stories we invention may admit;
But diff'rent 'tis with what historick writ;
Posterity demands that truth should then
Inspire relation, and direct the pen.
ALACIEL'S story's of another kind,
And I've a little altered it, you'll find;
Faults some may see, and others disbelieve;
'Tis all the same:--'twill never make me grieve;
Alaciel's mem'ry, it is very clear,
Can scarcely by it lose; there's naught to fear.
Two facts important I have kept in view,
In which the author fully I pursue;
The one--no less than eight the belle possessed,
Before a husband's sight her eyes had blessed;
The other is, the prince she was to wed
Ne'er seemed to heed this trespass on his bed,
But thought, perhaps, the beauty she had got
Would prove to any one a happy lot.
HOWE'ER this fair, amid adventures dire,
More sufferings shared than malice could desire;
Though eight times, doubtless, she exchanged her knight
No proof, that she her spouse was led to slight;
'Twas gratitude, compassion, or good will;
The dread of worse;--she'd truly had her fill;
Excuses just, to vindicate her fame,
Who, spite of troubles, fanned the monarch's flame:
Of eight the relict, still a maid received ;--
Apparently, the prince her pure believed;
For, though at times we may be duped in this,
Yet, after such a number--strange to miss!
And I submit to those who've passed the scene,
If they, to my opinion, do not lean.
THE king of Alexandria, Zarus named,
A daughter had, who all his fondness claimed,
A star divine Alaciel shone around,
The charms of beauty's queen were in her found;
With soul celestial, gracious, good, and kind,
And all-accomplished, all-complying mind.
THE, rumour of her worth spread far and wide,
The king of Garba asked her for his bride,
And Mamolin (the sov'reign of the spot,)
To other princes had a pref'rence got.
THE fair, howe'er, already felt the smart
[...] Read more
poem by La Fontaine
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Under Suspicion
(b. tyler/p. hopkins/p. oxendale)
Producer for bonnie: jim steinman
I put my trust in you cos Im not the suspicious kind
But it seems to me that theres someone on your mind
And maybe Im wrong and maybe theres some mistake
But I wont take any chances, Im watching every move you make
I never felt so scared and helpless before
I wish I could believe in you but I just gotta be sure
Youre under suspicion all of the time
Youre under suspicion all of the time
When we talk I can see you cant look me straight in the eye
Whats all the secrecy, you got me wondering why
Is it someone you met that could make you regret your decision
How could you forget all our plans and all our ambitions
Dont try to pull the wool right over my eyes
You think youre pretty smart but I can see right through your disguise
Youre under suspicion all of the time
Youre under suspicion all of the time
Instrumental
Youre under suspicion all of the time
Youre under suspicion all of the time
Youre under suspicion all of the time
Youre under suspicion
Instrumental
Youre under suspicion all of the time
Youre under suspicion all of the time
song performed by Bonnie Tyler
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The New Inner-City Slave Plantation
The now-a-day slave or labor force
The ruling-class determines the course
The political master’s pastor contorts
Politics and policy aborts
The new inner city slave-plantation
Human and civil rights violation with extreme taxation
Work like a blind jackass
Support and finance the ruling class
Being bi-partisan-just a mask
Cultured career criminals civilizing crass
The new inner city slave-plantation
Human and civil rights violation with extreme taxation
The political engineers of The Greater Good own
The inner city war-zone
The psychotropic drug sets the tone
Slavery as the new world order is the throne
The new inner city slave-plantation
Human and civil rights violation with extreme taxation
Multi-tasking a labor saving device
Freedom of movement has no right
Monopolized government enslaved all might
The inner city slave- plantation private and prime
Real estate blight
The new inner city slave-plantation
Human and civil rights violation with extreme taxation
The thirteenth amendment of the constitution
On the inner city slave-plantation no social, no economical,
No educational, no political absolution
On the inner city slave-plantation, indentured servants,
Chattel slaves, still considered Black Gold
By the God Fearing slave codes used to control
The new inner city slave-plantation
Human and civil rights violation with extreme taxation
On the new inner city slave-plantation
The American Flag can not wave
Even Democracy is revered as a Black Slave
poem by Josephine DixonBanks
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Lead Them Home My Dreams
Intro:
Lead them home
Lead them home my dreams,
My dreams
Verse 1:
Some people stand
Some choose not to understand
Some people fight (fight, fight)
Some people dream
Some people wake up
In the middle of the night
With the eyes of a tiger and a childs curiosity
Cant turn from my conscience when its starin at me
Chorus:
Lead them home
Lead them home my dreams
You can hear
When you disguise whispers as screams
(lead them home my, lead them home my...dreams)
Verse 2:
Some people climb
Some people wait for time to pass
Looking for a miracle (a miracle)
Some people could care less
Some people dwell on the impossible
And I always remember the times I let myself slide
And I put all the bad things like money
Far lower on the list than pride
Bring me home
Bring them home my dreams (lead the home)
Bring them home my dreams
(bring the home my, lead them home my)
You can hear, you can hear (you can hear)
When you disguise whispers as screams
(lead them home my, lead them home my)
Bring them home (bring them home, bring them home)
Bring them home my dreams
(lead them home my, bring them home my)
You can hear, you can hear when you
Disguise whispers as screams
(lead them home my, bring them home my...dreams)
Verse 3:
Wait a lifetime
Then my wish will drag on slowly
Come into ones own
At the time of conception (ooooo...)
Give in over time
You may as well change your mind
Now is when I see the light (I see it)
Im gonna touch it, grab it -
[...] Read more
song performed by Debbie Gibson
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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator
Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!
It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!
Well,
Let others climb the heights o' the court, the camp!
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Bambino Io, Bambino Tu (Legenda)
Lui stava l seduto nel giardino,
ed era quasi nudo e piccolino.
Da dove era venuto non lo so,
era normale che lui fosse l.
Aveva un occhio nero e un occhio blu,
bambino io, bambino tu.
Sembrava primavera ed era inverno,
e c'erano dei fiori tutto intorno.
Doveva essere buio e c'era luce,
e tutto quello che mi piace.
Aveva un occhio nero e un occhio blu,
bambino io, bambino tu.
Mi sono seduto in terra l vicino,
ed era lui mio padre e lui mio figlio.
Ho parlato di cose che non so,
di cose che non ho saputo mai.
Aveva un occhio nero e un occhio blu,
bambino io, bambino tu.
E ninna oh e ninna ah.
E ninna oh e ninna ah.
Poi mi venuto sonno l in giardino,
cantava e la sua voce era sottile.
Mi sono svegliato e lui non c'era pi,
c'era un fiore di carta al posto suo.
Io avevo un occhio nero e un occhio blu,
bambino io, bambino tu.
Mi sono svegliato e lui non c'era pi,
io avevo un occhio nero e un occhio blu,
bambino io, bambino tu.
Bambino io, bambino tu.
E ninna oh e ninna ah.
E ninna oh e ninna ah.
E ninna oh e ninna ah.
E ninna oh e ninna ah.
E ninna oh e ninna ah.
E ninna oh e ninna ah.
E ninna oh e ninna ah.
E ninna oh e ninna ah.
E ninna oh e ninna ah.
E ninna oh e ninna ah.
E ninna oh e ninna ah.
E ninna oh e ninna ah...
E ninna oh e ninna ah.
E ninna oh e ninna ah.
E ninna oh e ninna ah.
E ninna oh e ninna ah.
song performed by Zucchero
Added by Lucian Velea
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The Hind And The Panther, A Poem In Three Parts : Part III.
Much malice, mingled with a little wit,
Perhaps may censure this mysterious writ;
Because the muse has peopled Caledon
With panthers, bears, and wolves, and beasts unknown,
As if we were not stocked with monsters of our own.
Let Æsop answer, who has set to view
Such kinds as Greece and Phrygia never knew;
And Mother Hubbard, in her homely dress,
Has sharply blamed a British lioness;
That queen, whose feast the factious rabble keep,
Exposed obscenely naked, and asleep.
Led by those great examples, may not I
The wonted organs of their words supply?
If men transact like brutes, 'tis equal then
For brutes to claim the privilege of men.
Others our Hind of folly will indite,
To entertain a dangerous guest by night.
Let those remember, that she cannot die,
Till rolling time is lost in round eternity;
Nor need she fear the Panther, though untamed,
Because the Lion's peace was now proclaimed;
The wary savage would not give offence,
To forfeit the protection of her prince;
But watched the time her vengeance to complete,
When all her furry sons in frequent senate met;
Meanwhile she quenched her fury at the flood,
And with a lenten salad cooled her blood.
Their commons, though but coarse, were nothing scant,
Nor did their minds an equal banquet want.
For now the Hind, whose noble nature strove
To express her plain simplicity of love,
Did all the honours of her house so well,
No sharp debates disturbed the friendly meal.
She turned the talk, avoiding that extreme,
To common dangers past, a sadly-pleasing theme;
Remembering every storm which tossed the state,
When both were objects of the public hate,
And dropt a tear betwixt for her own children's fate.
Nor failed she then a full review to make
Of what the Panther suffered for her sake;
Her lost esteem, her truth, her loyal care,
Her faith unshaken to an exiled heir,
Her strength to endure, her courage to defy,
Her choice of honourable infamy.
On these, prolixly thankful, she enlarged;
Then with acknowledgments herself she charged;
For friendship, of itself an holy tie,
Is made more sacred by adversity.
Now should they part, malicious tongues would say,
They met like chance companions on the way,
[...] Read more
poem by John Dryden
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Lara. A Tale
The Serfs are glad through Lara's wide domain,
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord--
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.
II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself;--that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest!--
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.
III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
'Yet doth he live!' exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwelling-place;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.
IV.
He comes at last in sudden loneliness,
And whence they know not, why they need not guess;
[...] Read more
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Wolves, Lower
Suspicion yourself, suspicion yourself, dont get caught.
Suspicion yourself, suspicion yourself, let us out.
Wilder lower wolves. heres a house to put wolves out the door.
In a corner garden, wilder lower wolves.
House in order. house in order. house in order. house in order.
Down there theyre rounding a posse to ride.
(repeat verse)
Suspicion yourself, suspicion yourself, dont get caught.
Suspicion yourself, suspicion yourself, suspicion us all.
Wilder lower wolves. heres a house to put wolves out the door.
In a corner garden, wilder lower wolves.
House in order. house in order. house in order. house in order.
Down there theyre rounding a posse to ride.
song performed by REM
Added by Lucian Velea
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