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In Their Interest To Protest

The only ones blamed for emptying the cookie jar,
Are the ones who came with attempts to explain...
With a doing of their best to correct the situation.
And yet...
Those who assisted with the theft and knew the thieves,
Have decided it is in their interest to protest with the rest.
While continuing to profess being diseased by amnesia!

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20% Amnesia

What is your destiny? the police woman said....(20% amnesia)
The word that she wanted was destination i'm afraid (20% amnesia)
This is your future boy, this is your fate (20% amnesia)
And you're obsolete and they can't afford to educate you (20% amnesia)
In his bedtime boot boy jersey
Ringing up some fantasy tart
Give me strength or give me mercy
Life intimidates art
Chorus:
Give me strength or give me mercy
Don't let me lose heart
From rage to anaesthesia
Twenty percent amnesia
Were you passed out on the sofa (20% amnesia)
While justice was bartered by a drunken oaf? (20% amnesia)
This is all your glorious country thinks of your life (20% amnesia)
Stripped jack naked with a stanley knife (20% amnesia)
So the german queen went home again
But she couldn't find forgiveness
They made a fist of her hand of friendship
But it's only business
Chorus
The wine you drink has never seen a grape
And now your sci-fi suit has lost its shape
But its a dangerous game that comedy plays
Sometimes it tells you the truth, sometimes it delays it
Think back, think back if you still can
When the trumpet sounded and the world began
Somebody said "we must have won"
So they started burying the boogeyman
Mister gorbachov came cap in hand (20% amnesia)
From a bankrupt land to a bankrupt land (20% amnesia)
Mister gorbachov and some other fella (20% amnesia)
Were taken to a show called "cinderella" (20% amnesia)
It wasn't an accident, it wasn't a mystery (20% amnesia)
It was calculated and the rest is history (20% amnesia)
You don't have to listen to me
That's the triumph of free will
When there are promises to break
And dreams to kill
Chorus

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John Dryden

The Hind And The Panther, A Poem In Three Parts : Part III.

Much malice, mingled with a little wit,
Perhaps may censure this mysterious writ;
Because the muse has peopled Caledon
With panthers, bears, and wolves, and beasts unknown,
As if we were not stocked with monsters of our own.
Let Æsop answer, who has set to view
Such kinds as Greece and Phrygia never knew;
And Mother Hubbard, in her homely dress,
Has sharply blamed a British lioness;
That queen, whose feast the factious rabble keep,
Exposed obscenely naked, and asleep.
Led by those great examples, may not I
The wonted organs of their words supply?
If men transact like brutes, 'tis equal then
For brutes to claim the privilege of men.
Others our Hind of folly will indite,
To entertain a dangerous guest by night.
Let those remember, that she cannot die,
Till rolling time is lost in round eternity;
Nor need she fear the Panther, though untamed,
Because the Lion's peace was now proclaimed;
The wary savage would not give offence,
To forfeit the protection of her prince;
But watched the time her vengeance to complete,
When all her furry sons in frequent senate met;
Meanwhile she quenched her fury at the flood,
And with a lenten salad cooled her blood.
Their commons, though but coarse, were nothing scant,
Nor did their minds an equal banquet want.
For now the Hind, whose noble nature strove
To express her plain simplicity of love,
Did all the honours of her house so well,
No sharp debates disturbed the friendly meal.
She turned the talk, avoiding that extreme,
To common dangers past, a sadly-pleasing theme;
Remembering every storm which tossed the state,
When both were objects of the public hate,
And dropt a tear betwixt for her own children's fate.
Nor failed she then a full review to make
Of what the Panther suffered for her sake;
Her lost esteem, her truth, her loyal care,
Her faith unshaken to an exiled heir,
Her strength to endure, her courage to defy,
Her choice of honourable infamy.
On these, prolixly thankful, she enlarged;
Then with acknowledgments herself she charged;
For friendship, of itself an holy tie,
Is made more sacred by adversity.
Now should they part, malicious tongues would say,
They met like chance companions on the way,

[...] Read more

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Amnesia - 6

AMNESIA - 6
esspeecee…22.09.09.

Natural Amnesia
Yields and builds
Huh Hush Sigh
By hoi polloi.

Clothed Amnesia
The drapet
Happy in being
Pseudo oblivious
Keeps in-built feeling
Sailing rowing rafting
Joyriding with
Not river in boat
But boat on river

Cloaking feeling
Zapping showing
Out side smearing
Attire of Amnesia.

With the feeling
Not in the feeling.

With the happening
Not in the happening.

With the grief
Not in the grief.

It is
The thumb rule
Golden rule
Trusted rule
Bottom line rule
To
Plunge in allness
Of Universe
With eternal Bliss.


Glory unto:
Cultured Amnesia
Nurtured Amnesia
Pampered Amnesia
Purported Amnesia
Engineered Amnesia
Self imposed Amnesia [SiA].

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Seasonable Retour-Knell

SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS

Author notes

A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000

In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.

For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.

Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.

One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.

Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER


Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.

Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.


AUTUMN WINTER


Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.

Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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Can't Explain

Got a feeling inside, it's a certain kind
I feel hot and cold deep down in my soul
I said I can't explain, I'm feeling good now baby
I'm dizzy in my head and I'm feeling blue
Things you've said, well maybe they're true
I'm getting funny dreams again and again
I know what it means but
Can't explain, I think it's love
Try to say it to you when I feel blue
But I can't explain (Can't explain)
Just hear what I'm saying baby (Can't explain)
Dizzy in the head and I'm feeling bad
Things you've said got me real mad
I'm getting funny dreams again and again
I know what it means but
Can't explain, I think it's love
Try to say it to you when I feel blue
But I can't explain (Can't explain)
Just hear me one more time baby (Can't explain)
Dizzy in the head and I'm feeling bad
Things you've said got me real mad
I'm getting funny dreams again and again
I know what it means but
Can't explain, I think it's love
Try to say it to you when I feel blue
But I can't explain (Can't explain)
Just hear me one more time baby (Can't explain)
She drive me out of my mind (Can't explain)
She drive me out of my mind (Can't explain)
You drive me out of my my my my my my my mind (Can't explain)
You drive me out of my mind (Can't explain)
You drive me out of my mind (Can't explain)
Oooh yeah, I can't explain...
I can't explain baby!

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I Cant Explain

Got a feeling inside, its a certain kind
I feel hot and cold deep down in my soul
I said I cant explain, Im feeling good now baby
Im dizzy in my head and Im feeling blue
Things youve said, well maybe theyre true
Im getting funny dreams again and again
I know what it means but
Cant explain, I think its love
Try to say it to you when I feel blue
But I cant explain (cant explain)
Just hear what Im saying baby (cant explain)
Dizzy in the head and Im feeling bad
Things youve said got me real mad
Im getting funny dreams again and again
I know what it means but
Cant explain, I think its love
Try to say it to you when I feel blue
But I cant explain (cant explain)
Just hear me one more time baby (cant explain)
Dizzy in the head and Im feeling bad
Things youve said got me real mad
Im getting funny dreams again and again
I know what it means but
Cant explain, I think its love
Try to say it to you when I feel blue
But I cant explain (cant explain)
Just hear me one more time baby (cant explain)
She drive me out of my mind (cant explain)
She drive me out of my mind (cant explain)
You drive me out of my my my my my my my mind (cant explain)
You drive me out of my mind (cant explain)
You drive me out of my mind (cant explain)
Oooh yeah, I cant explain...
I cant explain baby!

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Politically Correct

If you sing out Baa Baa Blacksheep,
It will have a terrible effect,
Who tells us that this song is bad,
The Politically Correct.

Enter our country illegally,
Then show us no respect,
Will we send you straight back, no,
It's not,
Politically Correct.

We're told not to smack our children,
As their minds it will affect,
That is why they run amok,
Thanks,
The Politically Correct.

If you have a criminal mind,
Then join a violent sect,
We won't hold this against you,
We're,
Politically Correct.

If you break in to a house or bank,
Your booty to collect,
We'll put you up if you get caught,
That's,
Politically Correct.

If you're addicted to illegal drugs,
We'll rush in to protect,
We'll say you are a poor wee soul, why?
It's,
Politically Correct.

You can take cocaine and smoke your hash,
Illegal drugs you can inject,
We're not allowed to stop you because,
It's not,
Politically Correct.

If you say Shhhh! Black or White,
Then I'm afraid you can expect,
To be told you're out of order by,
The Politically Correct.

How dare you celebrate Christmas,
That's a time we must all reject,
All Christians are now redundant,
Who says?

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A Ballad Maker

ONCE I loved a maiden fair,
Over the hills and jar away,
Lands she had and lovers to spare,
Over the hills and far away.
And I was stooped and troubled sore,
And my face was pale, and the coat I wore
Was thin as my supper the night before
Over the hills and far away.

Once I passed in the Autumn late,
Over the hills and jar away,
Her bawn and barn and painted gate,
Over the hills and jar away.
She was leaning there in the twilight space,
Sweet sorrow was on her fair young face,
And her wistful eyes were away from the place,
Over the hills and jar away.

Maybe she thought as she watched me come,
Over the hills and jar away,
With my awkward stride and my face so glum,
Over the hills and jar away.
Spite of his stoop, he still is young,
They say he goes the Shee among,
Ballads he makes; I've heard them sung
Over the hills and jar away.

She gave me good-night in gentle wise,
Over the hills and jar away,
Shyly lifting to mine, dark eyes,
Over the hills and jar away.
What could I do but stop and speak,
And she no longer proud, but meek?
She plucked me a rose like her wild-rose cheek-
Over the hills and jar away.

To-morrow Mavourneen a sleeveen weds,
Over the hills and jar away,
With corn in haggard and cattle in sheds,
Over the hills and jar away.
And I who have lost her, the dear, the rare-
Well, I got me this ballad to sing at the fair,
Twill bring enough money to drown my care,
Over the hills and jar away.

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Cookie Jar

Jesus" & "Baby" sample in BG throughout}
Another life goes 2 the winner
Another soul goes 2 the dream
Another hell goes 2 the sinner
Don't give up no matter how tough it seems
Come and dig the power of somethin' above ya
It was there all along cuz it was made 2 love ya
It gave your flowers rain
Even though U won't play His game
U push it away but still it's pullin' 4 ya (I don't know)
CHORUS:
I don't know what He'll do witcha when He getcha
Put U in His cookie jar, save U 4 a rainy day
I don't know what He'll do witcha when He getcha
Put U in His cookie jar, save U 4 a rainy day
He might need U on the Eve Of Destruction
2 co-sign His order on that Judgment Day
Shout His name from the highest hill
The bigger the headache, the bigger the pill
Every purple mutha need 2 look His way
The funk is here 2 stay
CHORUS
(I don't know)
Another life goes 2 the winner
Another soul goes 2 the dream
Another hell goes 2 the sinner
Don't give up no matter how tough it seems
All in all, we got 2 come 2gether
And make a world that's 7 light-years better
Come on, don't be shy
So they're laughin' high
It's waiting 4 those who can storm the weather
Hey!
I don't know what He'll do witcha when He getcha
I don't know what He'll do witcha when He getcha
Put U in His cookie jar, save U 4 a rainy day (Save ya, save ya)
I say I don't know
(CHORUS)
Save ya, baby
Oh no, yeah
(CHORUS)
I.. I.. I.. oh I
Save, save, save me baby
I.. I..
I.. I.. I don't know what He'll do witcha
I.. I..
I.. I.. I.. I.. I don't know what He'll do witcha when He getcha
Put U in His cookie jar, save U 4 a rainy day
Baby
I..

[...] Read more

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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
Andwith best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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A Paupers Parable

Gordon O'Gord and Michael De Ville
Lived next door to an old landfill,
Gordon was nine and a half, they say,
And Michael nine on the following day.

The boys were poor, they played about,
Their parents left them to holler and shout,
They played in the rubbish at Eden's Spill
And gathered their toys from the old landfill.

Gordon's mother was Mary O'Gord,
A lush in every sense of the word,
While Michael's mother, wherever she be,
Has gone to hell in a handbag... See!

One day, while foraging near and far
The boys uncovered an old bell jar,
A great big stopper was still in place,
The surface shone, you could see your face!

'Now this is gear! ' said Gordon: 'Hah!
'We'll keep our treasures in this old jar,
Let's hide it well, so no-one can steal
The things we take from the old landfill.'

They took the jar, and carried it home,
To stand on a shelf where the bright sun shone,
Then filled it slowly with care, each mite
Like a piece of ore from a meteorite.

A lump of chalk, a carbon rod,
They each agreed with a wink, a nod,
Some Peacock ore from a copper mine
And sulphur pills were a special find.

An old watch face with luminous hands,
Some iron ore with rusty strands,
A fertilizer they found undone
That said: 'For replenishing nitrogen.'

It rained one day, poured down the sill
Into the jar that was partly filled,
The water level with rocks and ore
Trickled like streams from a waterfall;

Ran right over the toothpaste squeeze,
Dissolved the hint of an Alpine breeze,
The water took it on over the sill
Along with the essence of chlorophyll.

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I Have A Woman Inside My Soul

I have a woman inside my soul,
Her eyes sombre and sad.
She waves her hand to try to reach me,
But I cant hear what she says.
I wish I knew what she says,
I wish I knew what she wants,
I wish I knew what she says to me,
I wish I knew what she means to me.
I see an asphalt road inside my soul,
Its pale even in a warm summers day.
It stretches into the mist and calls me,
But I dont know what it takes.
I wish I knew what it takes, (I wish I knew)
I wish I knew what it gives, (I wish I knew)
I wish I knew what it says to me, (I wish I knew)
I wish I knew what it means to me. (I wish I knew)
I see a tombstone inside my soul,
Its old and mossy, covered in dead leaves.
It stands with an engraving on it surface,
But I dont know what it reads.
I wish I knew what it reads, (I wish I knew)
I wish I knew what it says, (I wish I knew)
I wish I knew what it says to me, (I wish I knew)
I wish I knew what it means to me. (I wish I knew)
(yeah, yeah, yeah, yeah, yeah, hey)
I feel snow covering inside my soul,
Its hard and shining in shades of grey.
No footsteps ever made their marks,
And I dont know when it melts.
I wish I knew when it melts, (I wish I knew)
I wish I knew when it happens, (I wish I knew)
I wish I knew if it happens at all, (I wish I knew)
I wish I knew what it means to me. (I wish I knew)
I hear a stream running inside my soul,
Its cold and clear and carries a tune.
But I dont know what it sings and tells,
I dont know where it goes.
I wish I knew what it sings,
I wish I knew where it goes,
I wish I knew what it sings, (I wish I knew)
I wish I knew where it goes, (I wish I knew)
I wish I knew what it sings. (I wish I knew)
(I wish I knew)
(I wish I knew) (yeah!)
(I wish I knew)
(I wish I knew)

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Even If I Had Amnesia!

Somebody came to take my moon and stars,
Before the morning dawned.
Somebody planned to hijack all the rays,
Of my day.
But...
I'm not born to be that type of a guy,
To give up what's been routinely mine...
No!
Not ever.
Even if I had amnesia!

Somebody came to take my moon and stars,
Before the morning dawned.
Somebody planned to hijack all the rays,
Of my day.
But...
I'm not born to be that type of a guy,
To give up what's been routinely mine...
No!
Not ever.
Even if I had amnesia!

Oh,
I'm not born to be that type of a guy,
To give up what's been routinely mine...
No!
Not ever.
Even if I had amnesia!

Even if I had amnesia!

Even if I had amnesia!

Even if I had...
Amnesia?

Who IS Amnesia?
And just how many have had it?

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Through the eyes of a Field Coronet (Epic)

Introduction

In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.

Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.


Prologue

The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain

mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact

that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals

becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,

who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight

in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.

Let them then also be patriotic
into their souls,
believe in and read
out of the word of God

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Samuel Butler

Hudibras: Part 3 - Canto II

THE ARGUMENT

The Saints engage in fierce Contests
About their Carnal interests;
To share their sacrilegious Preys,
According to their Rates of Grace;
Their various Frenzies to reform,
When Cromwel left them in a Storm
Till, in th' Effigy of Rumps, the Rabble
Burns all their Grandees of the Cabal.

THE learned write, an insect breeze
Is but a mungrel prince of bees,
That falls before a storm on cows,
And stings the founders of his house;
From whose corrupted flesh that breed
Of vermin did at first proceed.
So e're the storm of war broke out,
Religion spawn'd a various rout
Of petulant Capricious sects,
The maggots of corrupted texts,
That first run all religion down,
And after ev'ry swarm its own.
For as the Persian Magi once
Upon their mothers got their sons,
That were incapable t' enjoy
That empire any other way;
So PRESBYTER begot the other
Upon the good old Cause, his mother,
Then bore then like the Devil's dam,
Whose son and husband are the same.
And yet no nat'ral tie of blood
Nor int'rest for the common good
Cou'd, when their profits interfer'd,
Get quarter for each other's beard.
For when they thriv'd, they never fadg'd,
But only by the ears engag'd:
Like dogs that snarl about a bone,
And play together when they've none,
As by their truest characters,
Their constant actions, plainly appears.
Rebellion now began, for lack
Of zeal and plunders to grow slack;
The Cause and covenant to lessen,
And Providence to b' out of season:
For now there was no more to purchase
O' th' King's Revenue, and the Churches,
But all divided, shar'd, and gone,
That us'd to urge the Brethren on;
Which forc'd the stubborn'st for the Cause,

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Ears Are Closed

There is one basic problem that sits between them.
They all have been conditioned to believe,
Each one of them were born to lead.

And no one perceives a listening should be done.
Where the foundation,
Of true leadership begins for anyone.

That is why what's going on can not be fixed.
Those involve desire to captain their own ship.
And ears are clearly plugged to be closed

While those of flapping lips persist...
The resolving of their started problems,
Should lay on someone's shoulders.
But not on theirs to take the risk.

'You should be blamed for this! '

No.
You should be blamed for this!

'No.
You should be blamed for this! '

No.
You should be blamed for this!

*EVERYONE SING:

You should be blamed for this,
No.
You should be blamed for this,
No.
You should be,
You should be...
You should be blamed for this!

You should be blamed for this,
No.
You should be blamed for this,
No.
You should be,
You should be...
You should be blamed for this!

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Byron

Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

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I Cant Explain

Got a feeling inside (cant explain)
Its a certain kind (cant explain)
I feel hot and cold (cant explain)
Yeah, down in my soul, yeah (cant explain)
I said ... (cant explain)
Im feeling good now, yeah, but (cant explain)
Dizzy in the head and Im feeling blue
The things youve said, well, maybe theyre true
Im gettin funny dreams again and again
I know what it means, but
Cant explain
I think its love
Try to say it to you
When I feel blue
But I cant explain (cant explain)
Yeah, hear what Im saying, girl (cant explain)
Dizzy in the head and Im feeling bad
The things youve said have got me real mad
Im gettin funny dreams again and again
I know what it means but
Cant explain
I think its love
Try to say it to you
When I feel blue
But I cant explain (cant explain)
Forgive me one more time, now (cant explain)
I said I cant explain, yeah
You drive me our ot my mind
Yeah, Im the worrying kind, babe
I said I cant explain

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