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Put On Your 3-D Glasses

When is the pain going to stop?
It is not!
The sugar you've been fed,
Coated the taste of those gumdrops.

You should have long been told...
Long ago when those
Who wanted to...
Were quietly scolded and secretly abused.

When is 'your' pain going to end?
Once again...
It is not!
The anesthesia you've been given,
Can no longer be 'gotten'.
This truth may be rotten,
But you have been forgotten!

Not only that...
You've been used like a doorstop!

OKAY! ?

Get angry if you must.
But the messengers you ushered away...
Brought to you messages,
You neither listened to or obeyed.
That's why you should feel like a whore that's been laid.
Being preyed upon without one cent paid!

And that anger that you display towards me...
Will do nothing to prevent the reality you will see!
The stinging and infliction of it...
Will not be pretty one tiny bit.
The gritting of your teeth and biting of your lips,
Will not restore your way of life that bleeds.
Or an eclipsing of your valued outlook!
Blistering on the horizon,
And bringing with it a reality.
None like you've experienced before.
Since the coming of it has been ignored!

Put on your 3-D glasses.
That's how close it will be!
To touch up close to feel as you breathe.

Of course its presence hurts.
Of course the sight of it upsets...
And too ugly to perceive.
That's what reality is.

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Truth Through Repetition

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Truth through repetition Truth through repetition Truth through repetiion
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through repetition Truth through repetition Truth through repetition Truth
through repetition Truth through repetition Truth through repetition Truth

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bitnot the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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Sugar Hill

Writer Dolly Parton
Up on Sugar Hill we'd go walkin'
Hand in hand while the south wind blowed
Bob whites callin', black crows cawkin',
Countin' the warts on a toad in the road
Down in the mill pond swimmin naked
Showin' more than we should have showed
We were just kids explorin' nature
Learnin more than we should have knowed
Sug, Sug, Sug, Sugar Hill memories
Stealing sugar on the mountainside
Sug, Sug, Sug, Sugar Hill sugar
Sweeter than candy and cake and pie
A yellow dress drapin off of my shoulder
Seein' myself in the lookin glass
Older now and a little bit bolder
Thinkin' about our summers past
Up on Sugar Hill we'd go walkin'
Hand in hand up the mountainside
Teenage lovers plannin' and talkin'
Dreamin' of a future for you and I
Sug, Sug, Sug, Sugar Hill memories
Stealin' sugar on the mountain top
Sug, Sug, Sug, Sugar Hill sugar
Sweeter than ice cream and soda pop
Years have past, we're married with children
Our days are happy and our memories fond
We still find it quite appealin'
To go to Sugar Hill and swim naked in the pond
Sug, Sug, Sug, Sugar Hill memories
Stealin' sugar on the mountaintop
Sug, Sug, Sug, Sugar Hill sugar
Sweeter than ice cream and soda pop
Up on Sugar Hill theres a wealth of treasure
Down its memory lane I go walking still
What it means to me is more than I can measure
Golden moments up on Sugar Hill
Up on Sugar Hill with the fireflies glowin
Sound of katydids and the whipperwill
Honeysuckle bloomin and a mountain stream flowin
A little spot of heaven up on Sugar Hill
Up On Sugar Hill with the bobwhites callin
Black crows cawkin', and the soft wind blows
Up on Sugar Hill there are love birds talkin'
Up on Sugar Hill where the good times roll
Sug, Sug, Sug, Sugar Hill memories
Stealin sugar on the mountainside
Sug, Sug, Sug, Sugar Hill sugar
Sweeter than candy and cakes and pies
A little spot of heaven up on Sugar Hill

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Quietly Making Noise

Quietly making noise
By: jimmy buffett, michael tschudin
1993
Oscar wilde died in bed
Several floors above my head
Living well beyond his means
In that crazy paris scene
Rain falls down in sheets so clear
And no one ever calls me hear
Travelin by myself these days
Im into jazz and felt berets
Far from that old eastern shore
Searchin for strange metaphors
I dont want to be another victim of fashion
No I dont want to see my name in the paper each day
Hey you can leave that to the young turks
Theyre handsome and dashing
Posing for paparazzis down laguna way
Now down in the metro I feel the world start to multiply
Bastille, rubber wheels, spiked heels
Subterranean lullaby
Met an african prancer, a hemisphere dancer
Spied the ghost of brassens
We smiled at the secret we shared
And I hid it like contraband
Quietly making noise (quietly making noise)
Starts with kindergarten toys
Not too soft, not too loud
Just enough to draw a crowd
Quietly, quietly, quietly making noise
Followed the beat
Hey I found myself in this patois spot
Outside a blizzard was blowin
But inside the joint was hot
Zouk songs, rubber thongs, sing-a-longs
The words flew right by my face
You know rhythm and motions a blamma jamma potion
You cannot erase
Quietly making noise (quietly making noise)
Pissin off the old kill-joys
Glasspacks on an hot mustang
A telecaster with a twang
Quietly, quietly, quietly making noise
Yes
Singers and writers and poets
Have flocked here for centuries
The city of light is built upon mountains of memories
Baritone saxophones, monotones
Speak with a voice Ive heard before
Its a lasting impression

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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
Andwith best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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I Dont Stop Rappin

Dont stop
Dont stop that rap
Too short
And I dont stop rappin
Just dont stop
Too short
I dont stop rappin
Dont stop that rap
Well Im sir too short
The true mc
Fresh again with the brand new beat
The big bank roller, I know whats happening
I get on the mike and I dont stop rappin
Dont stop
Dont stop that rap
Too short
I dont stop rappin
My rap dont stop, you know it cant
I get on the mic and I make big bank
Unlike some rappers that I know
Trying to get no, but that dont go
Im that rapper, sir too short
I know youve heard my name before
And if you havent, now you have
Sir too short dont stop that rap
Dont stop
I dont stop rappin
Too short
Dont stop that rap
Im so rough so tough when I talk my stuff
I dont stop rappin cuz Im too tough
Telling you rappers what its all about
Most mcs are played out
But not too short, Im the best
You know too short is so so fresh
If thats not short, your mind is snapping
The best is fresh cause I dont stop rappin
Dont stop
Dont stop rappin
Too short
I dont stop rappin
Im sir too short, the rapping man
Im a cold mc and I know I am
Im the big time rapper from east oakland
Into music and making fans
I love young ladies who love my rhymes
Cuz what they say is right on time
The only mc with fresh hits
Its sir too short, he never quits
Thats so so true, what they say

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Secretly Cruel

I saw my pictures hangin on her wall
She cut it out of that magazine
It was a hot day, she wore lingerie
And nothin else in between, ooh
She had long hair and thigh high snake skin boots
And she was all over me like a cheap suit
Then she bared herself, aha
And stripped my soul
Began to shake, rattle, and roll
Then I took control, yeah
But I know shes secretly cruel
I aint nobodys fool
Yeah, I know shes secretly cruel
Just when I though it was safe
She puts her lips to my face
Shes secretly, secretly cruel
Well she grabbed my hair
And I began to rise
I could tell what she wanted
By that look in her eyes, oh, ow
By that look in her eyes, yeah
I said come here babe and make it quick
She said not so fast
And had a drink
Well it aint just luck
But I better knock on wood
Shes gonna give me everything
Somehow I knew she would
Oh, but I know shes secretly cruel
I aint nobodys fool
Well, I know shes secretly cruel
I said baby youre the fire, but I am the fuel
Shes secretly, secretly cruel
Yeah, so cruel
Well it aint just luck (aint just luck)
But I better knock on wood, yeah
Shes gonna give me everything
Somehow I knew she would
Oh, but I know shes secretly cruel
I aint nobodys fool, nobodys fool
Secretly, shes so cruel (cruel)
Im in love, but I dont play the fool
Secretly, shes so cruel, secretly, so cruel
Cruel, yeah, cruel, yeah, cruel, yeah
I know shes secretly, shes so cruel, secretly, so cruel
Cruel, yeah, cruel, yeah, cruel, yeah
I know shes secretly, shes so cruel, secretly, shes so cruel
Yeah, yeah, yeah, yeah, secretly, secretly cruel, cruel

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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Never Would Obeyed

You are hooked onto something,
You can not see has ended.
Hooked onto it with clinched teeth.
But the fact remains...
Things have changed.

Things have changed so fast overnight.
Those who refused to be real with it.
Are the ones going into childish,
Temper tantrums and other childish...
Mental throwing fits.

Have you tried to get someone to heal real quick?
Doesn't it seem such a waste of time?
Especially when you know someone,
Who has never owned their own mind.
Don't you find that asinine?
When someone can't make up their mind?

Trying to find reason...
When reason wasn't hard to find!

And those who obeyed,
Don't have to be afraid...
Of the coming times!
Uh-huh.
And those who obeyed,
Don't have to be afraid...
Of the coming times!
Uh-huh
And those who obeyed,
Don't have to be afraid...
Of the coming times!
Uh-huh
And those who obeyed,
Don't have to be afraid...
Of the coming times!
And if they are...
They never would obeyed.

You are hooked onto something,
You can not see has ended.
Hooked onto it with clinched teeth.
But the fact remains...
Things have changed.

And those who obeyed,
Don't have to be afraid...
Of the coming times!
Uh-huh.

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Taste So Good

[intro]
Please play at low volume
Preferably, while having sex
Can I taste you, can I taste you
(yes, you can)
Can I taste your body, girl
(of course you can)
Can I taste you, can I taste you
I just cant wait to
Can I taste you, can I taste you
(of course you can)
Can I taste your body, girl
(yes, you can)
Can I taste you, can I taste you
(oh, dont stop, until I tell you to)
Oh, baby whatcha doing
Got me feining like this
I wanna go to your valley
I wanna taste your lips, oh yeah
Never understood it
All my homies say dont do it
But baby when I tried it
Girl I couldnt help but like it
You taste so good
Baby you taste so good
You know you do girl
You taste so good
Baby do you like it when I taste your love, yeah
You taste so good
Baby, you taste so good
You know that it tastes so good
You taste so good
So good to me, my baby
So good to me, yeah
Sweeter than candy
Making my tongue so happy, oh
Loving down your backside
Girl, wont you take me on a thigh ride
Well go home
We;ll go around when we bounce
Youre giving me so much
Just swing and make you bounce
Your love is so delicious
Baby, I can tell by the smile on your face
Ya dont mind
If I have another taste
You taste so good
Baby, you taste so good
You taste so good
I cant get over this taste I found

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Through the eyes of a Field Coronet (Epic)

Introduction

In the kaki coloured tent in Umbilo he writes
his lifes story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.

Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.


Prologue

The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain

mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact

that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals

becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,

who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight

in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.

Let them then also be patriotic
into their souls,
believe in and read
out of the word of God

[...] Read more

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Blow Your House Down

She did go
She got my jokes
Sit why we win
Go by the sin
Get high, get quick
Get bopping on a stick
Hollywood
Shake by go
Get barking in sin
Get high with the folks
Get down in the swim
Don't you walk away
I want you baby
How does it feel
When you're meet her in your home
How does it feel
When you feel her, let it go
Bono: "break."
Bono: "turn that guitar up there."
Sugar sugar sugar sugar sugar
Sugar sugar sugar sugar sugar
Sugar sugar sugar sugar sugar
Ah, it ain't over child
Your racing car
Raised by the boldness
You know you are
Your lips like cherries
And they call to me
I wasn't in the bottle
Next to me
I'm down by the call
Maybe the sun
Where nobody feels
They gotta give it and go
She's...gonna take her chances
Gonna take her chances
And you don't
Jump...you're gonna be the tele'
Is there anybody calling
Is anybody home
Anybody home
'body home
Anybody home
Bono: "just drums."
She likes it
Little bit of sky
Locked in the ocean
Bitty bitty sky
On a crutch rate
Country

[...] Read more

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Tastes So Good

Please play at low volume
Preferably while havin sex
can i taste you can i taste you
(yes you can)
Can i taste your body girl
(of course you can)
Can i taste you can i taste you
I just cant wait to
Can i taste you can i taste you
( of course you can)
Can i taste your body Girl
(yes you can)
can i taste you can i taste you
( oh dont stop until i tell you to)
Oh baby whatcha doin
got me feining like this
I wanna go to your valley
I wanna taste your lips oh yeah
Never understood it
All my homies say dont do it
But baby when i tried it
Girl i couldnt help but like it
You taste so good
baby you tase so good
you know you do girl
you taste so good
Baby do you like it when i taste your love yeah
you taste so good
Baby you taste so good
you know that it tastes so good
you taste so good
so good to me my baby
so good to me yeah
Sweeter than candy
makin my tongue so happy oh
Lovin down your backside
Girl wont you take me on a thigh ride
we'll go home
we'll go areound when we bounce
your givin me so much
just swing and make you bounce
your love is so delicious
baby i can tell by the smile on your face
ya dont mind
if i have another taste
You taste so good
baby you taste so good
you taste so good
I cant get over this taste i found
when i go downtown down

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Fed Up

Fed up.
Stretched to the point,
I'm fed up.
Fed up by debts that peck,
On my back and neck.
And I can't lay down my head,
To get any rest to get.

Stretched to the point that I'm fed up!
Stretched to the point that I'm fed up!
Stretched to the point that I'm fed up!

'Would you like another loan? '

NO!
I'm stretched to the point that I'm fed up!
Stretched to the point that I'm fed up!
Stretched to the point that I'm fed up!

'Would you like another loan? '

NO!
I'm fed up.
Stretched to the point,
I'm fed up.
Fed up by debts that peck,
On my back and neck.
And I can't lay down my head,
To get any rest to get.

I'm stretched to the point that I'm fed up!
I'm stretched to the point that I'm fed up!
I'm stretched to the point that I'm fed up!
And I can't lay down my head to get any rest to get.

'Would you like another loan? '

NO!
I'm fed up.
Stretched to the point,
I'm fed up.
Fed up by debts that peck,
On my back and neck.
And I can't lay down my head,
To get any rest to get.
I'm fed up.

'Sir...
By 'fed' do you mean 'federally' fed.
Or have 'had it' with the 'feds' fed.

[...] Read more

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The Most Complex Of All The Symptoms Of Impossible Loving...

Flowing secretly between heaven and earth always is
A new kind of enchantment waiting to be discovered
Flowing secretly between heaven and earth always is
A new form of enchantment waiting to be discovered
Flowing secretly between heaven and earth always is
A new kind of refinement waiting to be discovered
Flowing secretly between heaven and earth always is
A new form of refinement waiting to be discovered
Flowing secretly between heaven and earth always is
A new kind of threshold waiting to be discovered
Flowing secretly between heaven and earth always is
A new form of threshold waiting to be discovered
Flowing secretly between heaven and earth always is
A new kind of splendour waiting to be discovered
Flowing secretly between heaven and earth always is
A new form of splendour waiting to be discovered
Flowing secretly between heaven and earth always is
A new kind of enchantment waiting to be recovered
Flowing secretly between heaven and earth always is
A new form of enchantment waiting to be recovered
Flowing secretly between heaven and earth always is
A new kind of refinement waiting to be recovered
Flowing secretly between heaven and earth always is
A new form of refinement waiting to be recovered
Flowing secretly between heaven and earth always is
A new kind of threshold waiting to be recovered
Flowing secretly between heaven and earth always is
A new form of threshold waiting to be recovered
Flowing secretly between heaven and earth always is
A new kind of splendour waiting to be recovered
Flowing secretly between heaven and earth always is
A new form of splendour waiting to be recovered...

SÃO PAULO_JUN/2006

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Sugar Love

Orbison/melson
Sugar love
Sugar love, youre my rainbow
When its cloudy and I feel bad
Youre the only sunshine I ever had
Sugar love, sugar love
Hurry up my sugar love
Cheer me up my sugar love
Love it up my lovey-dove
Oh sugar love
Sugar love
Yes, you are the moon and stars
When its raining and I feel blue
Who do I always turn to?
Its you, sugar love, sugar love
Hurry up my sugar love
Cheer me up my sugar love
Love it up my lovey-dove
Oh, sugar love
Sugar love
Yes, you are the moon and stars
When its raining and I feel blue
Who do I always turn to?
Its you, sugar love, sugar love
Every night, fascination
Youre not just temptation
Youre my inspiration
Sugar love, sugar love
Sugar sugar love

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Dont Stop til You Get Enough

Written and composed by michael jackson, 1979.
1st verse
Lovely is the feelin now
Fever, temperatures risin now
Power (ah power) is the force the vow that makes it happen it asks no questions why (ooh)
So get closer (closer now) to my body now just love me til you dont know how (ooh)
Chorus
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
2nd verse
Touch me and I feel on fire
Aint nothin like a love desire (ooh)
Im melting (Im melting) like hot candle wax sensation (ah sensation) lovely where were
At (ooh) so let love take us through the hours I wont be complanin cause this is love
Power (ooh)
Chorus
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
(ooh)
3rd verse
Heartbreak enemy despise
Eternal (ah eternal) love shines in my eyes (ooh) so let love take us through the hours i
Wont be complanin (no no)
cause your love is alright, alright
Chorus
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop

[...] Read more

song performed by Michael JacksonReport problemRelated quotes
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