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Teller Of Myths

Lieing is as much part of the culture,
As is deceit, embellishment and fantasy.

One honest in this kind of environment,
Is easily disregarded...
As a relic of a time.
Before the creation of movies...
Was conveniently the medium to use.
To depict the re-creation...
Of a history no one remembers.

'My great-great-great-great grandfather,
Designed and cobbled the boots worn...
By all the crew members on The Mayflower.
AND...
Left his own shoelaces to dry,
On top of Plymouth Rock.
I have that confirmed on parchment,
Among my treasured archives.
That's how my family obtained our 'social' registry.'

And that's part of who it is we are.
With denial defiantly displayed,
As a confirmation to cement...
The legitimacy of a nontruth.
Or whatever it is one wishes to claim.
With a snobbishness as phony as the teller of myths.
And...
These folk tale tellers all over the place.
And becoming quite common in distorting anything,
That 'had' been considered legitimately realistic.

poem by Lawrence S. Pertillar
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A Map Of Culture

Culture

Contents

What is Culture?

The Importance of Culture

Culture Varies

Culture is Critical

The Sociobiology Debate

Values, Norms, and Social Control

Signs and Symbols

Language

Terms and Definitions

Approaches to the Study of Culture

Are We Prisoners of Our Culture?

What is Culture?

I prefer the definition used by Ian Robertson: 'all the shared products of society: material and nonmaterial' (Our text defines it in somewhat more ponderous terms- 'The totality of learned, socially transmitted behavior. It includes ideas, values, and customs (as well as the sailboats, comic books, and birth control devices) of groups of people' (p.32) .

Back to Contents

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poem by Nyein Way
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Depict This Different

Depict this different,
From the others sent.
This one has meaning.
With some evidence in it.

Depict this different.
Pick off the lint.
Wrap this around your mind,
Feel the warmth in it meant.

Depict this different,
From the others sent.
This one has meaning.
With some evidence in it.

Thaw the cold you hold in your heart.
Depict this different.
And don't let a freezing,
In you start.
Depict it!

Rub and cuddle up.
Depict it.
With purpose and a reason.
Appreciate each season,
With a new breath to breathe.

Depict this different,
From the others sent.
This one has meaning.
With some evidence in it.

Depict this different.
You can depict this different.

Depict this different.
You can depict this different.

Rub and cuddle up.
Depict it.
Pleased as a breeze.
Depict it.
Give your troubles up.
Depict it.
And be free.
Depict it.
Don't give them any hints,
Your mind's at ease.

Depict this different,

[...] Read more

poem by Lawrence S. Pertillar
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Medium

Medium, medium.
Waking up I smell the scent of coffee on the brew,
And I think about the amount of the sweet,
Id like to have in my cup today.
One for the two lump, three lump, four.
No half of one, no less no more.
Just give me a chance, let me make it mine.
Id like a medium blend of that piece of pie.
Not too bitter, not too sweet... medium.
Just enough to ? ? ? ... medium.
Not too bitter, not too sweet... medium.
Just enough to ? ? ? ... medium.
Dinner time just rolls around,
And I think I crave a steak but,
Im not too partial to the meat,
When its cooked too long and Im made to wait.
Not too much of the parsony,
And just enough of the spice.
I think Id enjoy a medium-rare dish with a side of fries.
Not too tender, not too tough... medium.
Not too little, just enough... medium.
Not too tender, not too tough... medium.
Not too little, just enough... medium.
Medium. medium. medium. medium. just a medium. medium.
? ? ? and I smell the pits but ? ? ? ? ? .
I couldve sworn a ? ? ? last week and scrubbed like ? ? ? .
I like to stink just a little bit,
Just to keep you on your toes yes.
The more I stink the more I think,
That you smell like a rose.
Not too pleasant, not too bad... medium.
Just enough to hold my ? ? ? ... medium.
Not too pleasant, not too bad... medium.
Just enough to hold my ? ? ? ... medium.
Medium. medium. medium. medium. medium. medium.

song performed by Incubus
Added by Lucian Velea
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Boots

INFANTRY COLUMNS

We're foot--slog--slog--slog--sloggin' over Africa --
Foot--foot--foot--foot--sloggin' over Africa --
(Boots--boots--boots--boots--movin' up an' down again!)
There's no discharge in the war!

Seven--six--eleven--five--nine-an'-tw enty mile to-day --
Four--eleven--seventeen--thirty-two the day before --
(Boots--boots--boots--boots--movin' up an' down again!)
There's no discharge in the war!

Don't--don't--don't--don't--look at what's in front of you.
(Boots--boots--boots--boots--movin' up an' down again);
Men--men--men--men--men go mad with watchin' em,
An' there's no discharge in the war!

Try--try--try--try--to think o' something different --
Oh--my--God--keep--me from goin' lunatic!
(Boots--boots--boots--boots--movin' up an' down again!)
There's no discharge in the war!

Count--count--count--count--the bullets in the bandoliers.
If--your--eyes--drop--they will get atop o' you!
(Boots--boots--boots--boots--movin' up an' down again) --
There's no discharge in the war!

We--can--stick--out--'unger, thirst, an' weariness,
But--not--not--not--not the chronic sight of 'em --
Boot--boots--boots--boots--movin' up an' down again,
An' there's no discharge in the war!

'Taint--so--bad--by--day because o' company,
But night--brings--long--strings--o' forty thousand million
Boots--boots--boots--boots--movin' up an' down again.
There's no discharge in the war!

I--'ave--marched--six--weeks in 'Ell an' certify
It--is--not--fire--devils, dark, or anything,
But boots--boots--boots--boots--movin' up an' down again,
An' there's no discharge in the war!

poem by Rudyard Kipling
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Dj Culture

(tennant/lowe)
--------------
(attention! attention!
Trente-neuf, quarante)
Imagine a war which everyone won
Permanent holiday in endless sun
Peace without wisdom, one steals to achieve
Relentlessly, pretending to believe
Attitudes are materialistic, positive or frankly realistic
Which is terribly old-fashioned, isnt it?
Or isnt it?
(dj culture) dance with me
(dj culture) lets pretend
Living in a satellite fantasy
Waiting for the night to end
(dj culture dj d)
Lets pretend we won a war
Like a football match, ten-nil the score
Anythings possible, were on the same side
Or otherwise on trial for our lives
Ive been around the world for a number of reasons
Ive seen it all, the change of seasons
And i, my lord, may I say nothing?
(dj culture) dance with me
(dj culture) lets pretend
Living in a satellite fantasy
Waiting for the night to end (dj culture)
(dj culture) dance with me
(dj culture) lets pretend
Living in a satellite fantasy
Wondering whos your friend (dj culture)
Now as a matter of pride
Indulge yourself, your every mood
No feast-days, or fast-days, or days of abstinence intrude
Consider for a minute who you are (consider/who you are)
What youd like to change, never mind the scars (change)
Bury the past, empty the shelf (bury the past)
Decide its time to reinvent yourself (its time)
Like liz before betty, she after sean
Suddenly youre missing, then youre reborn
And i, my lord, may I say nothing?
(dj culture) (dance with me)
(dj culture) (dance with me)
Living in a satellite fantasy
Waiting for the night to end (dj culture)
(dj culture) dance with me
(dj culture) lets pretend
Living in a satellite fantasy
Wondering whos your friend (dj culture)
(dj culture) and i, my lord, (une foix)

[...] Read more

song performed by Pet Shop Boys
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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For Them It's Automatic

People lie and they like it...
Just that way.
People lie out of habit,
Like a sport...
To play!

It is in their eyes as if there's something to hide!
And there are those people lieing to defy with denying.
People lie and they like it...
Everyday.
People lie out of habit,
And it's here to stay!

It's in their eyes as if there's something to hide!
And there are those people lieing defying to deny,
They are lieing out of habit since for them it's automatic.
People lie and they like it...
Just that way.
Lieing out of habit since for them it's automatic.

People lie and they like it...
Everyday.
Lieing out of habit since for them it's automatic.
People lie and they like it...
Just that way.
Lieing out of habit since for them it's automatic.

It's in their eyes as if there's something to hide!
Lieing out of habit since for them it's automatic.
People lie and think,
They're in disguise.
And lieing out of habit since for them it's automatic.

People lie and think,
They're in disguise.
And lieing out of habit since for them it's automatic.
And lieing out of habit since for them it's automatic.

poem by Lawrence S. Pertillar
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Youth Culture Killed My Dog

Youth culture (youth culture)
Youth culture (youth culture)
Youth culture (youth culture)
Youth culture (youth culture)
Youth culture killed my dog
And i don't think it's fair (i don't think it's fair)
And his suicide can be justified
By the tastemakers, how they cried and cried and so
Bacharach and david used to write his favorite songs
Never, never, never would he worry, he'd just run and fetch the ball
But the night lights and my dog's life aren't exactly one and the same
Youth culture killed my dog
And i don't think it's fair (i don't think it's fair)
And the judgement made in the city of hate
Just broke his spirit so
Bacharach and david used to write his favorite songs
Never, never, never would he worry, he'd just run and fetch the ball
But the hiphop and the white funk just blew away my puppy's mind
I don't understand what you did to my dog
And i don't understand what you did to my dog
I don't understand what you did to my dog
I don't understand what you did to my dog
Youth culture killed my dog (youth culture killed my dog)
And i don't think it's fair (i don't think it's fair)
And his suicide can be justified
By the tastemakers, how they cried and cried and so
Youth culture (youth culture)
Youth culture (youth culture)
Broke his spirit so (broke his spirit so)
Broke his spirit so
Youth culture (youth culture)
(youth culture)
Youth culture (youth culture)
(youth culture)
Broke his spirit so (broke his spirit so)
Broke his spirit so

song performed by They Might Be Giants
Added by Lucian Velea
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Two Little Boots

TWO little boots all rough an' wo',
Two little boots!
Laws, I's kissed 'em times befo',
Dese little boots!
Seems de toes a-peepin' thoo
Dis hyeah hole an' sayin' 'Boo!'
Evah time dey looks at you —
Dese little boots.
Membah de time he put 'em on,
Dese little boots;
Riz an' called fu' 'em by dawn,
Dese little boots;
Den he tromped de livelong day,
Laffin' in his happy way,
Evaht'ing he had to say,
'My little boots!'
Kickin' de san' de whole day long,
Dem little boots;
Good de cobblah made 'em strong,
Dem little boots!
Rocks was fu' dat baby's use,
I'on had to stan' abuse
W'en you tu'ned dese champeens loose
Dese little boots!
Ust to make de ol' cat cry,
Dese little boots;
Den you walked it mighty high,
Proud little boots!
Ahms akimbo, stan'in' wide,
Eyes a-sayin' 'Dis is pride!'
Den de manny-baby stride!
You little boots.
Somehow, you don' seem so gay,
Po' little boots,
Sence yo' ownah went erway,
Po' little boots!
Yo' bright tops don' look so red,
Dese brass tips is dull an' dead;
'Goo'-by,' whut de baby said;
Deah little boots!
Ain't you kin' o' sad yo'se'f,
You little boots?
Dis is all his mammy's lef',
Two little boots.
Sence huh baby gone an' died,
Heav'n itse'f hit seem to hide
Des a little bit inside
Two little boots.

poem by Paul Laurence Dunbar
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The Memory of Water (for Scarlet)

Water remembers you
falling now on your sleeping face

waking you from dreams
with its surprise

after you fell asleep
at your first pinic.

Water remembers your childish
laughter.

Water remembers you

holding your body
in its body

as you learn not to fear it
as you learn the words float...sink...swim.

Water remembers you
becoming its friend.

Water remembers you
diving into its honeymoon waters

becoming fishes....kisses
lasting from here to eternity.

Water remembers two
delerious skinnydippers.

Water remembers you
crying in its rain

sobbing 'I'll never fall in love again! '
as if you were an old 1950's tune.

Water remembers such tears
hiding them in its rain.

Water remembers you
laughing in the rain

having fallen in love again

so quick to change
your tune.

Water remembers you

[...] Read more

poem by Dónall Dempsey
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Canto the Fourth

I.

I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!

II.

She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.

III.

In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.

But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.

V.

[...] Read more

poem by Byron from Childe Harold's Pilgrimage (1818)
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The Hind And The Panther, A Poem In Three Parts : Part III.

Much malice, mingled with a little wit,
Perhaps may censure this mysterious writ;
Because the muse has peopled Caledon
With panthers, bears, and wolves, and beasts unknown,
As if we were not stocked with monsters of our own.
Let Æsop answer, who has set to view
Such kinds as Greece and Phrygia never knew;
And Mother Hubbard, in her homely dress,
Has sharply blamed a British lioness;
That queen, whose feast the factious rabble keep,
Exposed obscenely naked, and asleep.
Led by those great examples, may not I
The wonted organs of their words supply?
If men transact like brutes, 'tis equal then
For brutes to claim the privilege of men.
Others our Hind of folly will indite,
To entertain a dangerous guest by night.
Let those remember, that she cannot die,
Till rolling time is lost in round eternity;
Nor need she fear the Panther, though untamed,
Because the Lion's peace was now proclaimed;
The wary savage would not give offence,
To forfeit the protection of her prince;
But watched the time her vengeance to complete,
When all her furry sons in frequent senate met;
Meanwhile she quenched her fury at the flood,
And with a lenten salad cooled her blood.
Their commons, though but coarse, were nothing scant,
Nor did their minds an equal banquet want.
For now the Hind, whose noble nature strove
To express her plain simplicity of love,
Did all the honours of her house so well,
No sharp debates disturbed the friendly meal.
She turned the talk, avoiding that extreme,
To common dangers past, a sadly-pleasing theme;
Remembering every storm which tossed the state,
When both were objects of the public hate,
And dropt a tear betwixt for her own children's fate.
Nor failed she then a full review to make
Of what the Panther suffered for her sake;
Her lost esteem, her truth, her loyal care,
Her faith unshaken to an exiled heir,
Her strength to endure, her courage to defy,
Her choice of honourable infamy.
On these, prolixly thankful, she enlarged;
Then with acknowledgments herself she charged;
For friendship, of itself an holy tie,
Is made more sacred by adversity.
Now should they part, malicious tongues would say,
They met like chance companions on the way,

[...] Read more

poem by John Dryden
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Pop and Culture

Peeps peep on pop and culture.
People peep on pop and culture.
There's a peep on pop and culture,
With not a poop to stop.

They peep on pop and culture.
People peep on pop and culture.
There is a peep on pop and culture,
Without a poop to stop.

Lady Gaga got that pop.
People peep on pop and culture.
Taylor Swift's got Country Rock.
People peep on pop and culture.
And Kanye's a social poppa.
People peep on pop and culture.
With Beyonce and Jay-Z,
Seen on top in magazines.

Peeps peep on pop and culture.
People peep on pop and culture.
There's a peep on pop and culture,
With no poop to stop.

Peeps peep on pop and culture.
People peep on pop and culture.
There's a peep on pop and culture,
With no poop to stop.

We feed on Beatles.
Those songs of Beatles.
We feed on Beatles.
And...
Prince is there with beats.
And Michael Jackson's Pop is sweet.

We feed on Beatles.
Those songs of Beatles.
We feed on Beatles.
And Lady Gaga just rocks.

We feed on Beatles.
And they introduced this culture shock.

Peeps peep on pop and culture.
People peep on pop and culture.
There's a peep on pop and culture,
With not a poop to stop.

poem by Lawrence S. Pertillar
Added by Poetry Lover
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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

[...] Read more

poem by Sir Francis Bacon
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What Part Of Life Are You Living

What part of life are you living.
What part of life are you living to give?
What part of life are you giving to live.
What part of life are you giving.
What part of life are you living.

And what part of life are you living.
What part of life are you living to give?
What part of life are you giving to live.
What part of life are you giving.
What part of life are you living.

What part of life is a drive by.
What part of life is a downslide.
What part of life are you living.
What part of life are you living to give?
What part of life is a drive by.
What part of life is a downslide.

And what part of life are you living.
What part of life are you living to give?
What part of life are you giving to live.
What part of life are you giving.
What part of life are you living.

What part of life is a drive by.
What part of life is a downslide.
What part of life are you living to give?
What part of life are you willing to live.

What part of life is a drive by.
What part of life is a downslide.
What part of life are you living to give?
What part of life are you willing to live.

What part of life are you living.
What part of life are you living to give?
What part of life are you giving to live.
What part of life are you giving.
What part of life are you living.

What part of life is a drive by.
What part of life is a downslide.
What part of life are you living to give?
What part of life are you willing to live.
What part of life is a downslide.
What part of life is a drive by.
And...
What part of life are you living.
What part of life are you living to give?

[...] Read more

poem by Lawrence S. Pertillar
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Tom Zart's 52 Best Of The Rest America At War Poems

SONS AND DAUGHTERS OF WORLD WAR III

The White House
Washington
Tom Zart's Poems

March 16,2007
Ms. Lillian Cauldwell
President and Chief Executive Officer
Passionate Internet Voices Radio
Ann Arbor Michigan

Dear Lillian:
Number 41 passed on the CDs from Tom Zart. Thank you for thinking of me. I am thankful for your efforts to honor our brave military personnel and their families. America owes these courageous men and women a debt of gratitude, and I am honored to be the commander in chief of the greatest force for freedom in the history of the world.
Best Wishes.

Sincerely,

George W. Bush

SONS AND DAUGHTERS OF WORLD WAR III

Our sons and daughters serve in harm's way
To defend our way of life.
Some are students, some grandparents
Many a husband or wife.

They face great odds without complaint
Gambling life and limb for little pay.
So far away from all they love
Fight our soldiers for whom we pray.

The plotters and planners of America's doom
Pledge to murder and maim all they can.
From early childhood they are taught
To kill is to become a man.

They exploit their young as weapons of choice
Teaching in heaven, virgins will await.
Destroying lives along with their own
To learn of their falsehoods too late.

The fearful cry we must submit
And find a way to soothe them.
Where defenders worry if we stand down
The future for America is grim.

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poem by Tom Zart
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With Rose In Hand

Prayer is worth more than a rose
in my hand where love grows
for God and all he knows
The rose has a thorn
which Jesus felt on the crown he had worn.
the rose is red as the blood from his head
when he was crucifed before we were born.

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poem by Meg Harrison
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