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Mountain Song

comin' down the mountain
one of many children
everybody has
their own opinion
everybody has
their own opinion
holding it back
hurts so bad
jumping out of my flesh
and i said

cash in!
cash in now honey
cash in now
cash in now
cash in now honey
cash in miss smith
cash in now!

i was comin down the mountain
met a child she had pin eyes
we had the same opinion
had the same opinion
she was holding it back
it hurts do bad
jumping out of her flesh
and i said

cash in!
cash in now honey
cash in now
cash in now
cash in now honey
cash in miss smith
cash in now!

song performed by Jane's Addiction from Nothing's Shocking
Added by Lucian Velea
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Song of Wink Star

The Song of Wink Star
a happy story for children of all ages
story and text © Raj Arumugam, June 2008

☼ ☼

☼ Preamble

Come…children all, children of all ages…sit close and listen…
Come and listen to this happy story of the stars and of life…
Come children of the universe, children of all nations and of all races, and of all climates and of all kinds of space and dimensions and universes…
Come, dearest children of all beings of the living universe, come and listen to The Song of Wink Star…

Come and listen to this story, this happy story…listen, as the story itself sings to you…

Sit close then, and listen to the story that was not made by any, or written by a poet, or fashioned by grandfathers and grandmothers warming themselves at the fire of burning stars…

O dearest children all, come and listen to the story that lives
of itself, and that glows bright and happy….

Come…children all, children of all ages, come and listen to this happy story, the story so natural and smooth as life, as it sings itself to you….

☼ The Song of Wink Star
a happy story for children of all ages

☼ 1

Night Child, always so light and gentle, slept on a flower.
And every night, before he went to sleep, he would look up at the sky.
He would look at the eastern corner, five o’clock.

And there he would see all the stars in near and distant galaxies that were only visible to the People of Star Eyes.

Night Child was one of the People of Star Eyes. And so he could see the stars. And of all the stars he could see, he loved to watch Wink Star.

Wink Star twinkled and winked and laughed.
Every night Wink Star did that. Winked and laughed.

[...] Read more

poem by Raj Arumugam
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Im Comin

Ugh ugh Im comin
Watch ya back Im comin
Ooh ooh ooh ooh
Big will for the y2k ugh
Feel the earth tremble see the skies turn red
Eclipses shooting stars turn ya head
Volcanoes erupted rage in the sea
Aint the second coming of christ
The first coming of me
They say if you downward the nile
It would throw off the rotation of the earth
Well messing with me is worse
Feel the rain button up you overcoat
Watch the illadelph bad boy go quote for quote
Well yall want the best well Im right here
You looking for competition aint no one near
Yall in the stands dissin kickin dirt and missin
My heavenly flows put mcs in hells kitchen ugh
And Im so Im so hot hot yall burnin up hot
I step in its like the wedding between hope and armaggedon
The hip hop moses to where we headin yall
Im comin Im comin
You cant stop me you cant stop me
Im comin Im comin
Cant hold me back uh uh
Im comin Im comin
You cant stop me you cant stop me
Im comin Im comin
When I was born there was a rainbow formed with no sun
Roy g bid marking the path for the chosen one
An angel my grandma told me before she died
Smart folks dont need to put no cursing in they rhymes
So from cd to tv to movies back to rhymin
My lifestats makes jordans six rings seem common
Yall hate I retaliate just by being great
Big will the enemy of your mental state
With the same rhyme I used to burn your idol in a battle
To subdue you into saying look I dont wanna battle
Mib w3 mad respect
Black stealthbombarama but yall cant detect that
Im comin is what I screamed
As a teen armed with discipline faith and a dream
After smoke clears after lifes roller coasters
See who stands putting his mic into his holster what
Im comin Im comin
You cant stop me you cant stop me
Im comin Im comin
Cant hold me back uh uh
Im comin Im comin
You cant stop me you cant stop me

[...] Read more

song performed by Will Smith
Added by Lucian Velea
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Sixth Book

THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Bruadar And Smith And Glinn

Bruadar and Smith and Glinn,
Amen, dear God, I pray,
May they lie low in waves of woe,
And tortures slow each day!
Amen!

Bruadar and Smith and Glinn
Helpless and cold, I pray,
Amen! I pray, O king,
To see them pine away.
Amen!

Bruadar and Smith and Glinn
May flails of sorrow flay!
Cause for lamenting, snares and cares
Be theirs by night and day!
Amen!

Blindness come down on Smith,
Palsy on Bruadar come,
Amen, O King of Brightness! Smite
Glinn in his members numb,
Amen!

Smith in the pangs of pain,
Stumbling on Bruadar’s path,
King of the Elements, Oh, Amen!
Let loose on Glinn Thy Wrath.
Amen!

For Bruadar gape the grave,
Up-shovel for Smith the mould,
Amen, O King of the Sunday! Leave
Glinn in the devil’s hold.
Amen!

Terrors on Bruadar rain,
And pain upon pain on Glinn,
Amen, O King of the Stars! And Smith
May the devil be linking him.
Amen!

Glinn in a shaking ague,
Cancer on Bruadar’s tongue,
Amen, O King of the Heavens! and Smith
Forever stricken dumb.
Amen!

Thirst but no drink for Glinn,
Smith in a cloud of grief,

[...] Read more

poem by Douglas Hyde
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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

[...] Read more

poem by Robinson Jeffers
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What Smith Knew About Farming

There wasn't two purtier farms in the state
Than the couple of which I'm about to relate;--
Jinin' each other--belongin' to Brown,
And jest at the edge of a flourishin' town.
Brown was a man, as I understand,
That allus had handled a good 'eal o' land,
And was sharp as a tack in drivin' a trade--
For that's the way most of his money was made.
And all the grounds and the orchards about
His two pet farms was all tricked out
With poppies and posies
And sweet-smellin' rosies;
And hundreds o' kinds
Of all sorts o' vines,
To tickle the most horticultural minds
And little dwarf trees not as thick as your wrist
With ripe apples on 'em as big as your fist:
And peaches,--Siberian crabs and pears,
And quinces--Well! ANY fruit ANY tree bears;
And th purtiest stream--jest a-swimmin' with fish,
And--JEST O'MOST EVERYTHING HEART COULD WISH!
The purtiest orch'rds--I wish you could see
How purty they was, fer I know it 'ud be
A regular treat!--but I'll go ahead with
My story! A man by the name o' Smith--
(A bad name to rhyme,
But I reckon that I'm
Not goin' back on a Smith! nary time!)
'At hadn't a soul of kin nor kith,
And more money than he knowed what to do with,--
So he comes a-ridin' along one day,
And HE says to Brown, in his offhand way--
Who was trainin' some newfangled vines round a bay-
Winder--'Howdy-do--look-a-here--say:
W hat'll you take fer this property here?--
I'm talkin' o' leavin' the city this year,
And I want to be
Where the air is free,
And I'll BUY this place, if it ain't too dear!'--
Well--they grumbled and jawed aroun'--
'I don't like to part with the place,' says Brown;
'Well,' says Smith, a-jerkin' his head,
'That house yonder--bricks painted red--
Jest like this'n--a PURTIER VIEW--
Who is it owns it?' 'That's mine too,'
Says Brown, as he winked at a hole in his shoe,
'But I'll tell you right here jest what I KIN do:--
If you'll pay the figgers I'll sell IT to you.,'
Smith went over and looked at the place--
Badgered with Brown, and argied the case--

[...] Read more

poem by James Whitcomb Riley
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So Bad

When you move electricity pulses And the crowd clears out of your way When
you dance it gets a little explosive So look out I think I'm headed your way
I'm movin' in fast Comin' on strong Baby, you're becoming my number one
You're so bad (so bad)
Ooh, the best I had Dancin' like you wanna make your daddy mad
You're so bad (so bad)
Ooh, the best I had I'm comin' in fast Comin' on strong
You're dancin' like you wanna prove your mamma wrong
When you talk to me I'm not even listening It's your lips not in the things
that you say When you walk it's not about your direction It's a chance to
see the way your hips sway
You know, I'm comin' in fast Comin' on strong Baby, you're becoming
my number one
You're so bad (so bad)
Ooh, the best I had Dancin' like you wanna make your daddy mad
You're so bad (so bad)
Ooh, the best I had I'm comin' in fast Comin' on strong You're dancin' like
you wanna prove your mamma wrong
I bet you never hear no Bet you get what you want There's no one who'd dare
deny you And if you feel insecure If in doubt, if unsure A mirror will
surely remind you You're so bad (so bad)
So bad
You know, you're comin' in fast Comin' on strong Baby, you're becoming
my number one
Because you're so bad (so bad)
Ooh, the best I had Dancin' like you wanna make your daddy mad
You're so bad (so bad)
Ooh, the best I had You're comin' in fast Comin' on strong
You're so bad (so bad)
Ooh, the best I had Dancin' like you wanna make your daddy mad
So bad (so bad)
Ooh, I bet you're glad You're comin' in fast Comin' on strong
You're dancin' like you wanna prove your mamma wrong
So bad
So bad
You're so bad
You're so bad
So bad
So bad
So you're so bad
So bad
You're so bad
So bad
So bad

song performed by Darren Hayes
Added by Lucian Velea
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Saigon

You got everything that a girl should grow
Im so afraid to kiss you I might lose control
You can hold me tighter but turn loose of my gun
Its a sentimental present all the way from saigon
Honey, honey, honey, please call me
You dont need no money we can do it for free
I got a friend in phoenix with a two-way radio
All the static in my attic getting ready to blow
Saigon, honey, honey, honey
Saigon, honey, honey, honey
Saigon, honey, honey, honey
All the static in my attic getting ready to blow
I was talking to the mailman late last week
He had a letter in his sweater from stuttering don
He said things are getting better in sa, sa, sa, sa, sa
Saigon, honey, honey, honey
Saigon, honey, honey, honey
Saigon, honey, honey, honey
Things are getting better back in saigon
Saigon, honey, honey, honey
Saigon, honey, honey, honey
Things are getting better back in saigon
Saigon, honey, honey, honey
Saigon, honey, honey, honey
Saigon, honey, honey, honey
Things are getting better back in saigon
Saigon, honey, honey, honey
Saigon, honey, honey, honey
Saigon, honey, honey, honey
Things are getting better back in saigon

song performed by John Prine
Added by Lucian Velea
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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Song Of Being A Child

When the child was a child
It walked with arms hanging
Wanted the stream to be a river and the river a torrent
And this puddle, the sea
When the child was a child, it didnt know
It was a child
Everything for it was filled with life and all life was one
Saw the horizon without trying to reach it
Couldnt rush itself and think on command
Was often terribly bored
And couldnt wait
Passed up greeting the moments
And prayed only with its lips
When the child was a child
It didnt have an opinion about a thing
Had no habits
Often sat crossed-legged, took off running
Had a cow lick in its hair
And didnt put on a face when photographed
When the child was a child
It was the time of the following questions
Why am I me and why not you
Why am I here and why not there
Why did time begin and where does space end
Isnt what I see and hear and smell
Just the appearance of the world in front of the world
Isnt life under the sun just a dream
Does evil actually exist in people
Who really are evil
Why cant it be that I who am
Wasnt before I was
And that sometime i, the i, I am
No longer will be the i, I am
When the child was a child
It gagged on spinach, on peas, on rice pudding
And on steamed cauliflower
And now eats all of it and not just because it has to
When the child was a child
It woke up once in a strange bed
And now time and time again
Many people seem beautiful to it
And now not so many and now only if its lucky
It had a precise picture of paradise
And now can only vaguely conceive of it at best
It couldnt imagine nothingness
And today shudders in the face of it
Go for the ball
Which today rolls between its legs
With its Im here it came
Into the house which now is empty

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song performed by Van Morrison
Added by Lucian Velea
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I'm Bad

bad bad bad bad bad
bad bad bad bad bad
bad bad bad bad
I was bas born
I'd be badder when I die
I'm bad when I am sober
I'm badder when I'm high
I'm when I feel good
I'm bad when I'm blue
I'm bad to myself
So I'll be bad to you
So I'll be bad to you
I should've been good
Look at the trouble I've had
I would if I could
But I'm just bad
bad bad bad bad bad
bad bad bad bad
I'm, bad and I'm alive
I'll be badder when I'm dead
I'm bad in my body
man I'm badder in the head
I'm bad in the bed
Something wrong from the start
Guilt in my mind
Evil in my heart
Evil in my heart
I don't need to be happy
I don't care if I'm sad
I don't care about nothin'
Cause I'm bad bad bad bad bad
bad bad bad bad
Don't lend me a dollar
Don't lend me a dime
Don't lend me your wife
She'll have a good time
I'm bad in my car
I'm badder when I'm home
I'm bad when I'm with you
And I'm badder all alone
I'm a low down worm
I'm a conquering worm
I'm a blood-suckin' worm
I'm a slime baitin' worm
I'll put you on the hook
And I'll watch you squirm
I could never learn
Any young turks new tricks
I could never learn
Not to kick against the pricks

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song performed by Violent Femmes
Added by Lucian Velea
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Thats It For The Other One

The other day they waited, the sky was dark and faded,
Solemnly they stated, he has to die, you know he has to die.
All the children learnin, from books that they were burnin,
Every leaf was turnin; to watch him die, you know he had to die.
The summer sun looked down on him, his mother could but frown on him,
And all the others sound on him, but it doesnt seem to matter.
And when the day had ended, with rainbow colors blended,
His mind remained unbended, he had to die, you know he had to die.
Spanish lady comes to me, she lays on me this roes.
It rainbow spirals round and round it trembles and explodes.
It left a smoking crater of my mind I like to blow away.
But the heat came round and busted me for smiling on a cloudy day.
Comin, comin, comin around, comin, around,
Comin, around, in a circle
Comin, comin, comin around, comin around, in a circle,
Comin, comin, comin around, comin in a circle.
Skippin through the lily fields I came across an empty space,
It trembled and exploded, left a bus stop in its place.
The bus came by and I got on, thats when it all began,
There was cowboy neal at the wheel of the bus to never ever land.
Comin, comin, comin around, comin, around,
Comin, around, in a circle
Comin, comin, comin around, comin around, in a circle,
Comin, comin, comin around, comin in a circle.
And when the day had ended, with rainbow colors blended,
Their minds remained unbended,
He had to die, oh, you know he had to die.

song performed by Grateful Dead
Added by Lucian Velea
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Cryptical Envelopement

That's It For The Other One
The other day they waited, the sky was dark and faded,
Solemnly they stated, "He has to die, you know he has to die."
All the children learnin', from books that they were burnin',
Every leaf was turnin' ; to watch him die, you know he had to die.
The summer sun looked down on him, his mother could but frown on him,
And all the others sound on him, but it doesn't seem to matter.
And when the day had ended, with rainbow colors blended,
His mind remained unbended, he had to die, you know he had to die.
Spanish lady comes to me, she lays on me this roes.
It rainbow spirals round and round it trembles and explodes.
It left a smoking crater of my mind I like to blow away.
But the heat came 'round and busted me for smiling on a cloudy day.
Comin', comin', comin' around, comin', around,
comin', around, in a circle
Comin', comin', comin' around, comin' around, in a circle,
Comin', comin', comin' around, comin' in a circle.
Skippin' through the lily fields I came across an empty space,
It trembled and exploded, left a bus stop in it's place.
The bus came by and I got on, that's when it all began,
There was cowboy Neal at the wheel of the bus to never ever land.
Comin', comin', comin' around, comin', around,
comin', around, in a circle
Comin', comin', comin' around, comin' around, in a circle,
Comin', comin', comin' around, comin' in a circle.
And when the day had ended, with rainbow colors blended,
Their minds remained unbended,
He had to die, Oh, you know he had to die

song performed by Grateful Dead
Added by Lucian Velea
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Jealousy

Hes got a great big hit hes in a limousine
When I see his face somethin starts to freeze
Hes got money for miles his girl comes out of vogue
When he acts like an ass hes treated like a rogue
I feel it comin its flushin my face
I feel it comin jealousy baby
I feel it comin its boilin my blood
I feel it comin jealousy baby
I feel it comin flushin my face
I feel it comin jealousy baby
I feel it comin boilin my blood
I feel it comin jealousy baby
This isn t for the first time in my life
She comes from top cheekbones she never worried hard
You could camp an army on her familys yard
When I look at blue blood I want to make it mud
And tear that difference down rock an roll is how
I feel it comin its breakin my neck
I feel it comin jealousy baby
I feel it comin boilin my blood
I feel it comin jealousy baby
I feel it comin boilin my blood
I feel it comin jealousy baby
I feel it comin breakin my neck
I feel lr comin jealousy baby
This isn t for the first time in my life
I feel it comin its flushin my face
I feel it comin jealousy baby
I feel it comin boilin my blood
I feel it comin jealousy baby
I feel it comin flushin my face
I feel it comin jealousy baby
I feel it comin breakin my neck
I feel it comin jealousy baby
I feel it comin heatin my eyes
I feel it comin jealousy baby
Jealousy baby

song performed by Iggy Pop
Added by Lucian Velea
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Bad Girl

Bad Girl"
Sho nuff
Shawty
What it do?
Oooooooh
Pimpin', oh boy
uh
What y'all know about a supermodel
Fresh outta Elle magazine
Buy her own bottles
Look pimp juice, I need me one
Bad than a mutha
I hear you sayin'
I need a bad girl
If you're a bad girl
Playas when you see me
Act like you know me
I keep a dollar worth of dimes
You know pimpin' ain't easy
For all my chicks in the club
Who knows how to cut a rug
If you're a bad girl
Get at me bad girl
[Chorus]
Ooh work me baby
Shakin' it the way I like
I'm ready to be bad
I need a bad girl (say yeah)
Get at me bad girl
What sexy lady's comin' home with me tonight?
I'm ready to be bad
I need a bad girl (super bad baby)
Get at me bad girl
Now I've seen a lotta broads
All on one accord
Everyone looked the same but
Take a look at my dame (my dame)
Fo' sho', she take that Hpnotiq or Alize
There ain't much more I can say but (I need a)
I need a bad girl (bad girl)
If you're a bad girl
Got one thou' on the bar now
Chick need a drink on the flo' now
Look at them bad girls movin' it
Makin' faces while they doin' it
Oh, I wanna take one to the restroom
So close I'm smellin' like your perfume
If you're a bad girl
Get at me bad girl
[Chorus]

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song performed by Usher
Added by Lucian Velea
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First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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The Cenci : A Tragedy In Five Acts

DRAMATIS PERSONÆ

Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.

The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.

ACT I

Scene I.
-An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.

Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.-
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:-
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.

Cenci.
The third of my possessions-let it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!

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poem by Percy Bysshe Shelley
Added by Poetry Lover
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