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Miles Away

Miles away, when I begin to think of the unanswerable,
I see sparkles emitting,
I envision immense treasures at the end of the tunnel.Miles away, even adages whisper incessantly that 'the grass is always greener at the end of the fence'.
What lies behind this mystery?
Days after days, years after years and miles over miles.
Hoping the toil becomes replenished while the anonymous remains daring ever. Miles away, when entitlements woefully shiver in the palms and egos go high, dreams will always be dreams.Miles which are longer-stretched as in breadth. I relish to see the dusk in the dawn and the sunset in sunrise.Even though some treasures are in farther reaches. Mileages can't wither our aspirations. Never! ! ! ! ! ! ! !

poem by Prince Kenny Osei
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I Can See For Miles

I know you've deceived me, now here's a surprise
I know you've deceived me, now here's a surprise
I know that you have 'cause there's magic in my eyes
I know that you have 'cause there's magic in my eyes
I can see for miles and miles and miles and miles and miles
I can see for miles and miles and miles and miles and miles
Oh yeah
Oh yeah
If you think that I don't know about the little tricks you've played
If you think that i don't know about the little tricks you've played
And never see you when deliberately you put things in my way
And never see you when deliberately you put things in my way
Well, here's a poke at you
Well, here's a poke at you
You're gonna choke on it too
You're gonna choke on it too
You're gonna lose that smile
You're gonna lose that smile
Beacuse all the while
Beacuse all the while
I can see for miles and miles
I can see for miles and miles
I can see for miles and miles
I can see for miles and miles
I can see for miles and miles and miles and miles and miles
I can see for miles and miles and miles and miles and miles
Oh yeah
Oh yeah
You took advantage of my trust in you when I was so far away
You took advantage of my trust in you when i was so far away
I saw you holding lots of other guys and now you've got the nerve to say
I saw you holding lots of other guys and now you've got the nerve to say
That you still want me
That you still want me
Well, that's as may be
Well, that's as may be
But you gotta stand trial
But you gotta stand trial
Because all the while
Because all the while
I can see for miles and miles
I can see for miles and miles
I can see for miles and miles
I can see for miles and miles
I can see for miles and miles and miles and miles and miles
I can see for miles and miles and miles and miles and miles
Oh yeah
Oh yeah
I know you've deceived me, now here's a surprise
I know you've deceived me, now here's a surprise

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song performed by Styx
Added by Lucian Velea
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The Four Seasons : Autumn

Crown'd with the sickle and the wheaten sheaf,
While Autumn, nodding o'er the yellow plain,
Comes jovial on; the Doric reed once more,
Well pleased, I tune. Whate'er the wintry frost
Nitrous prepared; the various blossom'd Spring
Put in white promise forth; and Summer-suns
Concocted strong, rush boundless now to view,
Full, perfect all, and swell my glorious theme.
Onslow! the Muse, ambitious of thy name,
To grace, inspire, and dignify her song,
Would from the public voice thy gentle ear
A while engage. Thy noble cares she knows,
The patriot virtues that distend thy thought,
Spread on thy front, and in thy bosom glow;
While listening senates hang upon thy tongue,
Devolving through the maze of eloquence
A roll of periods, sweeter than her song.
But she too pants for public virtue, she,
Though weak of power, yet strong in ardent will,
Whene'er her country rushes on her heart,
Assumes a bolder note, and fondly tries
To mix the patriot's with the poet's flame.
When the bright Virgin gives the beauteous days,
And Libra weighs in equal scales the year;
From Heaven's high cope the fierce effulgence shook
Of parting Summer, a serener blue,
With golden light enliven'd, wide invests
The happy world. Attemper'd suns arise,
Sweet-beam'd, and shedding oft through lucid clouds
A pleasing calm; while broad, and brown, below
Extensive harvests hang the heavy head.
Rich, silent, deep, they stand; for not a gale
Rolls its light billows o'er the bending plain:
A calm of plenty! till the ruffled air
Falls from its poise, and gives the breeze to blow.
Rent is the fleecy mantle of the sky;
The clouds fly different; and the sudden sun
By fits effulgent gilds the illumined field,
And black by fits the shadows sweep along.
A gaily chequer'd heart-expanding view,
Far as the circling eye can shoot around,
Unbounded tossing in a flood of corn.
These are thy blessings, Industry! rough power!
Whom labour still attends, and sweat, and pain;
Yet the kind source of every gentle art,
And all the soft civility of life:
Raiser of human kind! by Nature cast,
Naked, and helpless, out amid the woods
And wilds, to rude inclement elements;
With various seeds of art deep in the mind

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poem by James Thomson
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Vision Of Columbus - Book 4

In one dark age, beneath a single hand,
Thus rose an empire in the savage land.
Her golden seats, with following years, increase,
Her growing nations spread the walks of peace,
Her sacred rites display the purest plan,
That e'er adorn'd the unguided mind of man.
Yet all the pomp, the extended climes unfold,
The fields of verdure and the towers of gold,
Those works of peace, and sovereign scenes of state,
In short-lived glory, hasten to their fate.
Thy followers, rushing like an angry flood,
Shall whelm the fields and stain the shrines in blood;
Nor thou, Las Casas, best of men, shalt stay
The ravening legions from their guardless prey.
Oh! hapless prelate, hero, saint and sage,
Doom'd with hard guilt a fruitless war to wage,
To see, with grief (thy life of virtues run)
A realm unpeopled and a world undone.
While impious Valverde, mock of priesthood, stands,
Guilt in his heart, the gospel in his hands,
Bids, in one field, unnumber'd squadrons bleed,
Smiles o'er the scene and sanctifies the deed.
And thou, brave Gasca, with thy virtuous train,
Shalt lift the sword and urge thy power in vain;
Vain, the late task, the sinking land to save,
Or call her slaughter'd millions from the grave.
The Seraph spoke. Columbus, with a sigh,
Cast o'er the hapless climes his moisten'd eye,
And thus return'd: Oh, hide me in the tomb;
Why should I live to view the impending doom?
If such dread scenes the scheme of heaven compose,
And virtuous toils induce redoubled woes,
Unfold no more; but grant a kind release,
Give me, 'tis all I ask, to rest in peace.
Thy soul shall rest in peace, the Power rejoin'd,
Ere these conflicting shades involve mankind:
But nobler views shall first thy mind engage,
Beyond the bounds of this destructive age;
Where happier fruits of thy unwearied toil,
Thro' future years, and other empires, smile.
Europe's contending realms shall soon behold
These fruitful plains and hills of opening gold,
Fair in the path of thy adventurous fail,
Their countless navies float in every gale,
For wealth and commerce, sweep the extended shore,
And load the ocean with the shining ore.
As, up the orient heaven, the dawning ray
Smiles o'er the world and gives the promised day;
Drives fraud and rapine from their nightly spoil,
And social nature wakes to peaceful toil;

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poem by Joel Barlow
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Daring Night

In the daring night when all the
Stars are shining bright
Squeeze me dont leave me
In the daring night
Galactic swirl in the firmament tonight
Oh with the lord of the dance
With the lord of the dance
In the daring night
I see orion and the hunters
Standing by the light of the moon
In the daring night
In the daring night
And the heart and the soul
As we look up in awe and wonder at the heavens
Oh and we go with the lord of the dance
With the lord of the dance, the lord of the dance
In the daring night
In the daring night when all the stars are
Shining bright
Oh baby squeeze me dont leave me in the daring night
In the firmament we move, we move and we live
And we have our being
Squeeze me dont leave, leave me in the daring night
In the firmament we move and galactic swirl
And we live and we breathe and have our being
Baby in the daring light
Darling squeeze me squeeze me
Dont ever leave me in the daring night
When all the stars are shining bright
And dont let go, and dont let go
Dont let go dont let go in the daring night
And we move and we move, and we move and we move
Baby dont let go in the daring night
In the daring night when all the stars are
Shining bright
Baby squeeze me dont leave me in the daring night
Capture it all oh with the lord of the dance
Oh with the lord of the dance in the daring night
With the lord of the dance in the daring night
With the lord of the dance and the great goddess
Of the eternal wisdom
Standing by the light of the moon in the daring night
And the bodies move and we sweat
And have our being
Dont leave me in the daring night
In the daring night when all the stars are
Shining bright
Squeeze me dont leave me
Baby in the daring night
Squeeze me dont leave me etc.

song performed by Van Morrison
Added by Lucian Velea
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Four Seasons : Summer

From brightening fields of ether fair disclosed,
Child of the Sun, refulgent Summer comes,
In pride of youth, and felt through Nature's depth:
He comes attended by the sultry Hours,
And ever fanning breezes, on his way;
While, from his ardent look, the turning Spring
Averts her blushful face; and earth, and skies,
All-smiling, to his hot dominion leaves.
Hence, let me haste into the mid-wood shade,
Where scarce a sunbeam wanders through the gloom;
And on the dark-green grass, beside the brink
Of haunted stream, that by the roots of oak
Rolls o'er the rocky channel, lie at large,
And sing the glories of the circling year.
Come, Inspiration! from thy hermit-seat,
By mortal seldom found: may Fancy dare,
From thy fix'd serious eye, and raptured glance
Shot on surrounding Heaven, to steal one look
Creative of the Poet, every power
Exalting to an ecstasy of soul.
And thou, my youthful Muse's early friend,
In whom the human graces all unite:
Pure light of mind, and tenderness of heart;
Genius, and wisdom; the gay social sense,
By decency chastised; goodness and wit,
In seldom-meeting harmony combined;
Unblemish'd honour, and an active zeal
For Britain's glory, liberty, and Man:
O Dodington! attend my rural song,
Stoop to my theme, inspirit every line,
And teach me to deserve thy just applause.
With what an awful world-revolving power
Were first the unwieldy planets launch'd along
The illimitable void! thus to remain,
Amid the flux of many thousand years,
That oft has swept the toiling race of men,
And all their labour'd monuments away,
Firm, unremitting, matchless, in their course;
To the kind-temper'd change of night and day,
And of the seasons ever stealing round,
Minutely faithful: such the All-perfect hand!
That poised, impels, and rules the steady whole.
When now no more the alternate Twins are fired,
And Cancer reddens with the solar blaze,
Short is the doubtful empire of the night;
And soon, observant of approaching day,
The meek'd-eyed Morn appears, mother of dews,
At first faint-gleaming in the dappled east:
Till far o'er ether spreads the widening glow;
And, from before the lustre of her face,

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poem by James Thomson
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I Can See For Miles

I know youve deceived me, now heres a surprise
I know that you have cause theres magic in my eyes
I can see for miles and miles and miles and miles and miles
Oh yeah
If you think that I dont know about the little tricks youve played
And never see you when deliberately you put things in my way
Well, heres a poke at you
Youre gonna choke on it too
Youre gonna lose that smile
Beacuse all the while
I can see for miles and miles
I can see for miles and miles
I can see for miles and miles and miles and miles and miles
Oh yeah
You took advantage of my trust in you when I was so far away
I saw you holding lots of other guys and now youve got the nerve to say
That you still want me
Well, thats as may be
But you gotta stand trial
Because all the while
I can see for miles and miles
I can see for miles and miles
I can see for miles and miles and miles and miles and miles
Oh yeah
I know youve deceived me, now heres a surprise
I know that you have cause theres magic in my eyes
I can see for miles and miles and miles and miles and miles
Oh yeah
The eiffel tower and the taj mahal are mine to see on clear days
You thought that I would need a crystal ball to see right through the haze
Well, heres a poke at you
Youre gonna choke on it too
Youre gonna lose that smile
Beacuse all the while
I can see for miles and miles
I can see for miles and miles
I can see for miles and miles and miles and miles and miles
And miles and miles and miles and miles
I can see for miles and miles
I can see for miles and miles
I can see for miles and miles
I can see for miles and miles

song performed by Who
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Salut Au Monde

O TAKE my hand, Walt Whitman!
Such gliding wonders! such sights and sounds!
Such join'd unended links, each hook'd to the next!
Each answering all--each sharing the earth with all.

What widens within you, Walt Whitman?
What waves and soils exuding?
What climes? what persons and lands are here?
Who are the infants? some playing, some slumbering?
Who are the girls? who are the married women?
Who are the groups of old men going slowly with their arms about each
other's necks?
What rivers are these? what forests and fruits are these?
What are the mountains call'd that rise so high in the mists?
What myriads of dwellings are they, fill'd with dwellers?

Within me latitude widens, longitude lengthens;
Asia, Africa, Europe, are to the east--America is provided for in the
west;
Banding the bulge of the earth winds the hot equator,
Curiously north and south turn the axis-ends;
Within me is the longest day--the sun wheels in slanting rings--it
does not set for months;
Stretch'd in due time within me the midnight sun just rises above the
horizon, and sinks again;
Within me zones, seas, cataracts, plants, volcanoes, groups,
Malaysia, Polynesia, and the great West Indian islands.

What do you hear, Walt Whitman?

I hear the workman singing, and the farmer's wife singing;
I hear in the distance the sounds of children, and of animals early
in the day;
I hear quick rifle-cracks from the riflemen of East Tennessee and
Kentucky, hunting on hills;
I hear emulous shouts of Australians, pursuing the wild horse;
I hear the Spanish dance, with castanets, in the chestnut shade, to
the rebeck and guitar;
I hear continual echoes from the Thames;
I hear fierce French liberty songs;
I hear of the Italian boat-sculler the musical recitative of old
poems;
I hear the Virginia plantation-chorus of negroes, of a harvest night,
in the glare of pine-knots;
I hear the strong baritone of the 'long-shore-men of Mannahatta;
I hear the stevedores unlading the cargoes, and singing;
I hear the screams of the water-fowl of solitary north-west lakes;
I hear the rustling pattering of locusts, as they strike the grain
and grass with the showers of their terrible clouds;
I hear the Coptic refrain, toward sundown, pensively falling on the

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poem by Walt Whitman
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Loraine

This is the story of one man’s soul.
The paths are stony and passion is blind,
And feet must bleed ere the light we find.
The cypher is writ on Life’s mighty scroll,
And the key is in each man’s mind.
But who read aright, ye have won release,
Ye have touched the joy in the heart of Peace.

PART I

THERE’S a bend of the river on Glenbar run
Which the wild duck haunt at the set of sun,
And the song of the waters is softened so
That scarcely its current is heard to flow;
And the blackfish hide by the shady bank
’Neath the sunken logs where the reeds are rank,
And the halcyon’s mail is an azure gleam
O’er the shifting shoals of the silver bream,
And the magpies chatter their idle whim,
And the wagtails flitter along the brim,
And tiny martins with breasts of snow
Keep fluttering restlessly to and fro,
And the weeping willows have framed the scene
With the trailing fall of their curtains green,
And the grass grows lush on the level leas
’Neath the low gnarled boughs of the apple trees,
Where the drowsy cattle dream away
The noon-tide hours of the summer day.
There’s a shady nook by the old tree where
The track comes winding from Bendemeer.
So faint are the marks of the bridle track,
From the old slip-rails on the ridge’s back,
That few can follow the lines I know—
But I ride with the shadows of long ago!
I am gaunt and gray, I am old and worn,
But my heart goes back to a radiant morn
When someone waited and watched for me
In the friendly shade of that grand old tree.
The winter of Memory brings again
The summer rapture of passionate pain,
And she comes to me with the morning grace
On her sun-gold hair and her lily face,
And her blue eyes soft with the dreamy light
She stole from the stars of the Southern night,
And her slender form like a springtide flower
That sprang from the earth in a magic hour,
With the trembling smile and the tender tone
And the welcome glance—that were mine alone.
And we sit once more as we sat of old
When the future lay in a haze of gold—

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poem by George Essex Evans
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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Lies, Lies, Lies

[verse 1]
I see you coming through the door
Creepin
Its a quarter past four
And
I smell the scent of cheap perfume
Who is she?
You step in the room
With a guilty look upon your face
Busted
And you started to say
but really baby I can explain
Save your breath
Ive got something to say
[chorus:]
Every word you say is
Lies, lies, lies
And now Im leaving you, so
Bye, bye, bye
And I cant take no more of this
Cry, cry, cryin
You know that you aint @#%$
With your
Lies, lies, lies
Ohhhhh
[verse 2]
Dont bother to apologize
Its too late
Ive heard it all before
And
This should come as no surprise
Im leaving
Ive packed my things
Cause Im through with this merry go around
Im getting off
Ive finally found
My strength waiting down
I should have left your @#%$
After the first round
Ohhhh
[chorus:]
Every word you say is
Lies, lies, lies
And now Im leaving you, so
Bye, bye, bye
And I cant take no more of this
Cry, cry, cryin
You know that you aint @#%$
With your
Lies, lies, lies

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song performed by Toni Braxton
Added by Lucian Velea
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The Edges Are No Longer Parallel

The edges are no, no longer parallel
The edges are no, no longer parallel
And there is no law of averages here
If you feel down
Then youre bound to stay down
All of the things you said
So meaningful
They are all so suddenly meaningless
And the looks you gave
So meaningful
They are all so suddenly meaningless
Oh ...
And there is no law of averages here
If you feel down
Then youre bound to stay down
My only mistake is Im hoping
Im hoping
Im hoping
My only mistake is Im hoping
Im hoping
Im hoping
My only mistake is Im hoping
Im hoping
Im hoping
My one mistake is Im hoping
Im hoping
Im hoping
My only mistake is ...
My only mistake is I keep hoping
My only mistake is I keep hoping
My only mistake is Im hoping
Im hoping
Im hoping
Im hoping
Im hoping
Im hoping
My only mistake is Im hoping
Im hoping
Im hoping

song performed by Morrissey
Added by Lucian Velea
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Custer

BOOK FIRST.

I.

ALL valor died not on the plains of Troy.
Awake, my Muse, awake! be thine the joy
To sing of deeds as dauntless and as brave
As e'er lent luster to a warrior's grave.
Sing of that noble soldier, nobler man,
Dear to the heart of each American.
Sound forth his praise from sea to listening sea-
Greece her Achilles claimed, immortal Custer, we.

II.

Intrepid are earth's heroes now as when
The gods came down to measure strength with men.
Let danger threaten or let duty call,
And self surrenders to the needs of all;
Incurs vast perils, or, to save those dear,
Embraces death without one sigh or tear.
Life's martyrs still the endless drama play
Though no great Homer lives to chant their worth to-day.

III.

And if he chanted, who would list his songs,
So hurried now the world's gold-seeking throngs?
And yet shall silence mantle mighty deeds?
Awake, dear Muse, and sing though no ear heeds!
Extol the triumphs, and bemoan the end
Of that true hero, lover, son and friend
Whose faithful heart in his last choice was shown-
Death with the comrades dear, refusing flight alone.

IV.

He who was born for battle and for strife
Like some caged eagle frets in peaceful life;
So Custer fretted when detained afar
From scenes of stirring action and of war.
And as the captive eagle in delight,
When freedom offers, plumes himself for flight
And soars away to thunder clouds on high,
With palpitating wings and wild exultant cry,

V.

So lion-hearted Custer sprang to arms,
And gloried in the conflict's loud alarms.

[...] Read more

poem by Ella Wheeler Wilcox
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Anonymous Ghurl

Anonymous Ghurl Anonymous Ghurl
Said one day to her mother
'I'll be me and no one else
I'll never be another'
Anonymous Ghurl Anonymous Ghurl
Said one day to her dad
'The things that you have done to me
They make me feel so sad'
Anonymous Ghurl Anonymous Ghurl
Said one day to God
'How can I belive in you
You are such a fraud'
Anonymous Ghurl Anonymous Ghurl
Said one day to her friend
'I don't want to go on any more
I want it all to end'
Anonymous Ghurl Anonymous Ghurl
Said one day to no one
'I can't go on anymore
As she pulled the trigger of the gun'
Anonymous Ghurl Anonymous Ghurl
Said one day to me
'Leave your body far behind
And you too can be free'

poem by Anonymous Ghurl
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The Roof

Verse 1
It wasnt raining yet
But it was definitely a little misty on
That warm november night
And my heart was pounding
My inner voice resounding
Begging me to turn away
But I just had to see your face
To feel alive
And then you casually walked in the room
And I was twisted in the web
Of my desire for you
(and I was twisted)
My apprehension blew away
I only wanted you
To taste my sadness
As you kissed me in the dark
Chorus 1
Every time I feel the need
I envision you caressing me
And go back in time
To relieve the splendor of you and i
On the rooftop that rainy night
Verse 2
And so we finished the moet and
Started feeling liberated
And I surrendered as you took me
In your arms
I was so caught up in the moment
I couldnt bear to let you go yet
So I threw caution to the wind
And started listening to my longing heart
And then you softly pressed your lips to mine
And feelings surfaced Id suppressed
For such a long time
(and I was lifted)
And for a while I forgot
The sorrow and the pain
And melted with you as we stood
There in the rain
Chorus 2
Every time I feel the need
I envision you caressing me
And go back in time
To relieve the splendor of you and i
On the rooftop that rainy night
Every time I feel the need
I envision you caressing me
And go back in time
To relieve the splendor of you and i

[...] Read more

song performed by Mariah Carey
Added by Lucian Velea
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Shes A Mystery To Me

Darkness falls and she
Will take me by the hand
Take me to some twilight land
Where all but love is gray
Where I can find my way
Without her as my guide
Night falls, Im cast beneath her spell
Daylight falls, our heaven turns to hell
Am I left to burn
And burn eternally
Shes a mystery to me
Shes a mystery girl
Shes a mystery girl
Shes a mystery girl
Shes a mystery girl
In the night of love
Words tangled in her hair
Words soon to disappear
A love so sharp it cut
Like a switchblade to my heart
Words tearing me apart
She tears again my bleeding heart
I want to run, shes pulling me apart
Fallen angel cries
Then I just melt away
Shes a mystery girl
Shes a mystery girl
Shes a mystery girl
Shes a mystery girl
Shes a mystery girl
Haunted by her side
Its a darkness in her eyes
That so enslaves me
And if my love is blind
Then I dont want to see
Shes a mystery to me
Night falls, Im cast beneath her spell
Daylight comes, our heaven turns to hell
Am I left to burn
And burn eternally
Shes a mystery to me
Shes a mystery girl
Shes a mystery girl
Shes a mystery girl
Shes a mystery girl
Shes...a mystery girl
Mystery girl
Shes a mystery girl
Shes...a mystery girl
Shes a mystery girl

[...] Read more

song performed by U2
Added by Lucian Velea
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The Corsair

'O'er the glad waters of the dark blue sea,
Our thoughts as boundless, and our soul's as free
Far as the breeze can bear, the billows foam,
Survey our empire, and behold our home!
These are our realms, no limits to their sway-
Our flag the sceptre all who meet obey.
Ours the wild life in tumult still to range
From toil to rest, and joy in every change.
Oh, who can tell? not thou, luxurious slave!
Whose soul would sicken o'er the heaving wave;
Not thou, vain lord of wantonness and ease!
whom slumber soothes not - pleasure cannot please -
Oh, who can tell, save he whose heart hath tried,
And danced in triumph o'er the waters wide,
The exulting sense - the pulse's maddening play,
That thrills the wanderer of that trackless way?
That for itself can woo the approaching fight,
And turn what some deem danger to delight;
That seeks what cravens shun with more than zeal,
And where the feebler faint can only feel -
Feel - to the rising bosom's inmost core,
Its hope awaken and Its spirit soar?
No dread of death if with us die our foes -
Save that it seems even duller than repose:
Come when it will - we snatch the life of life -
When lost - what recks it but disease or strife?
Let him who crawls enamour'd of decay,
Cling to his couch, and sicken years away:
Heave his thick breath, and shake his palsied head;
Ours - the fresh turf; and not the feverish bed.
While gasp by gasp he falters forth his soul,
Ours with one pang - one bound - escapes control.
His corse may boast its urn and narrow cave,
And they who loath'd his life may gild his grave:
Ours are the tears, though few, sincerely shed,
When Ocean shrouds and sepulchres our dead.
For us, even banquets fond regret supply
In the red cup that crowns our memory;
And the brief epitaph in danger's day,
When those who win at length divide the prey,
And cry, Remembrance saddening o'er each brow,
How had the brave who fell exulted now!'

II.
Such were the notes that from the Pirate's isle
Around the kindling watch-fire rang the while:
Such were the sounds that thrill'd the rocks along,
And unto ears as rugged seem'd a song!
In scatter'd groups upon the golden sand,
They game-carouse-converse-or whet the brand:

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poem by Byron
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The Shepherds Calendar - July

Daughter of pastoral smells and sights
And sultry days and dewy nights
July resumes her yearly place
Wi her milking maiden face
Ruddy and tand yet sweet to view
When everywhere's a vale of dew
And raps it round her looks that smiles
A lovly rest to daily toils
Wi last months closing scenes and dins
Her sultry beaming birth begins

Hay makers still in grounds appear
And some are thinning nearly clear
Save oddly lingering shocks about
Which the tithman counteth out
Sticking their green boughs where they go
The parsons yearly claims to know
Which farmers view wi grudging eye
And grumbling drive their waggons bye
In hedge bound close and meadow plains
Stript groups of busy bustling swains
From all her hants wi noises rude
Drives to the wood lands solitude
That seeks a spot unmarkd wi paths
Far from the close and meadow swaths
Wi smutty song and story gay
They cart the witherd smelling hay
Boys loading on the waggon stand
And men below wi sturdy hand
Heave up the shocks on lathy prong
While horse boys lead the team along
And maidens drag the rake behind
Wi light dress shaping to the wind
And trembling locks of curly hair
And snow white bosoms nearly bare
That charms ones sight amid the hay
Like lingering blossoms of the may
From clowns rude jokes they often turn
And oft their cheeks wi blushes burn
From talk which to escape a sneer
They oft affect as not to hear
Some in the nooks about the ground
Pile up the stacks swelld bellying round
The milking cattles winter fare
That in the snow are fodderd there
Warm spots wi black thorn thickets lind
And trees to brake the northern wind
While masters oft the sultry hours
Will urge their speed and talk of showers
When boy from home trotts to the stack

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poem by John Clare
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