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Fat Dame in Maine.

You know the fat dame in Maine
Whose husband used to carry a
Gun for the Mob until they banged
Him up for shooting some guy in
The head? Well she rang Eddie the
Other night and said why don’t you
Come over and spend a little time
With me? And Eddie said sorry Honey
But I’m washing my hair then I’m sitting
Down with a JD and going to listen to
Some jazz and maybe get in a take away
And so the fat dame said ok then I’ll
Come over to you and dry your hair
And share the JD and bring a pizza and
Snuggle up close and listen to some jazz
And maybe later we can hit the sack and
Make some hot sex and dig deep into each
Other so Eddie said hang on there Babe
I’ve just now remembered my mother’s
Coming to see my new pad and I’m taking
Her for a bite to eat and maybe take in a
Movie ok the fat dame said then I‘ll stay
Home and drink my booze and watch the
Late night TV and eat some chocs and sit
Sad so well the next day they found her in
Her bathtub throat cut lying in water dead.

poem by Terry Collett
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The Believer's Jointure : Chapter II.

Containing the Marks and Characters of the Believer in Christ; together with some further privileges and grounds of comfort to the Saints.

Sect. I.

Doubting Believers called to examine, by marks drawn from their love to Him and his presence, their view of his glory, and their being emptied of Self-Righteousness, &c.

Good news! but, says the drooping bride,
Ah! what's all this to me?
Thou doubt'st thy right, when shadows hide
Thy Husband's face from thee.

Though sin and guilt thy spirit faints,
And trembling fears thy fate;
But harbour not thy groundless plaints,
Thy Husband's advent wait.

Thou sobb'st, 'O were I sure he's mine,
This would give glad'ning ease;'
And say'st, Though wants and woes combine,
Thy Husband would thee please.

But up and down, and seldom clear,
Inclos'd with hellish routs;
Yet yield thou not, nor foster fear:
Thy Husband hates thy doubts.

Thy cries and tears may slighted seem,
And barr'd from present ease;
Yet blame thyself, but never dream
Thy Husband's ill to please.

Thy jealous unbelieving heart
Still droops, and knows not why;
Then prove thyself to ease thy smart,
Thy Husband bids the try.

The following questions put to the
As scripture-marks, may tell
And shew, what'er thy failings be,
Thy Husband loves thee well.

MARKS.

Art thou content when he's away?
Can earth allay thy pants?
If conscience witness, won't it say,
Thy Husband's all thou wants?

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poem by Ralph Erskine
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The Believer's Jointure : Chapter I.

Containing the Privileges of the Believer that is espoused to Christ by faith of divine operation.

Sect. I.

The Believer's perfect beauty, free acceptance, and full security, through the imputation of Christ's perfect righteousness, though imparted grace be imperfect.

O Happy soul, Jehovah's bride,
The Lamb's beloved spouse;
Strong consolation's flowing tide,
Thy Husband thee allows.

In thee, though like thy father's race,
By nature black as hell;
Yet now so beautify'd by grace,
Thy Husband loves to dwell.

Fair as the moon thy robes appear,
While graces are in dress:
Clear as the sun, while found to wear
Thy Husband's righteousness.

Thy moon-like graces, changing much,
Have here and there a spot;
Thy sun-like glory is not such,
Thy Husband changes not.

Thy white and ruddy vesture fair
Outvies the rosy leaf;
For 'mong ten thousand beauties rare
Thy Husband is the chief.

Cloth'd with the sun, thy robes of light
The morning rays outshine:
The lamps of heav'n are not so bright,
Thy Husband decks thee fine.

Though hellish smoke thy duties stain,
And sin deforms thee quite;
Thy Surety's merit makes thee clean,
Thy Husband's beauty white.

Thy pray'rs and tears, nor pure, nor good,
But vile and loathsome seem;
Yet, gain by dipping in his blood,
Thy Husband's high esteem.

No fear thou starve, though wants be great,
In him thou art complete;

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poem by Ralph Erskine
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The Example of Vertu : Cantos VIII.-XIV.

Capitalum VIII.

Dame Sapyence taryed a lytell whyle
Behynd the other saynge to Dyscrecyon
And began on her to laugh and smyle
Axynge her how I stode in condycyon
Well she sayd in good perfeccyon
But best it is that he maryed be
For to eschewe all yll censualyte
I knowe a lady of meruelous beaute
Spronge out of hyghe and noble lynage
Replete with vertue and full of bounte
Whiche vnto youth were a good maryage
For she is comen of royall apparage
But herde it wyll be to gete her loue
Without youth frayltye do sore reproue
I kneled downe than vpon my kne
Afore dame Sapyence with humble chere
Besechynge her of me to haue pyte
And also Dyscrecyon her syster dere
Than dame Sapyence came me nere
Saynge youth wyll ye haue a wyfe
And her to loue durynge her lyfe
Ye madame that wolde I fayne
Yf that she be both fayre and bryght
I wyll her loue euer more certayne
And pleas her alway with all my myght
Of suche a persone wolde I haue a syght
With all my herte now at this houre
Wolde to god I had so fayre a floure
Than sayd dyscrecyon there is a kynge
Dwellynge fer hens in a fayre castell
Of whome I oft haue herd grete talkynge
Whiche hath a doughter as I you tell
I trowe that youth wyll lyke her well
She is both good eke fayre and pure
As I report me vnto dame Nature
But yf that youth sholde her go seke
Ye must syster than hym well indue
With your grete power so good and meke
That he all frayltye may eschue
For by the way it wyll oft pursue
On hym by flatery and grete temptacyon
That shall brynge hym in tribulacyon
As for that sayd she he shall not care
For he shall theym sone ouercome
And of theyr flatery ryght well beware
For I to hym shall gyue grete wysedome
Theyr dedes to withstande & make theym dōme
Wherfore dere syster as I you pray

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poem by Stephen Hawes
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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poem by Robert Browning from The Ring and the Book
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Fat

Your butt is wide, well mine is too
Just watch your mouth or Ill sit on you
The word is out, better treat me right
cause Im the king of cellulite
Ham on, ham on, ham on whole wheat, all right
My zippers bust, my buckles break
Im too much man for you to take
The pavement cracks when I fall down
Ive got more chins than chinatown
Well, Ive never used a phone booth
And Ive never seen my toes
When Im goin to the movies
I take up seven rows
Because Im fat, Im fat, come on
(fat, fat, really really fat)
You know Im fat, Im fat, you know it
(fat, fat, really really fat)
You know Im fat, Im fat, come on you know
(fat, fat, really really fat)
Dontcha call me pudgy, portly or stout
Just now tell me once again whos fat
When I walk out to get my mail
It measures on the richter scale
Down at the beach Im a lucky man
Im the only one who gets a tan
If I have one more pie a la mode
Im gonna need my own zip code
When youre only having seconds
Im having twenty-thirds
When I go to get my shoes shined
I gotta take their word
Because Im fat, Im fat, sha mone
(fat, fat, really really fat)
You know Im fat, Im fat, you know it
(fat, fat, really really fat)
You know Im fat, Im fat, you know it you know
(fat, fat, really really fat)
And my shadow weighs forty-two pounds
Lemme tell you once again whos fat
If you see me comin your way
Better give me plenty space
If I tell you that Im hungry
Then wont you feed my face
Because Im fat, Im fat, come on
(fat, fat, really really fat)
You know Im fat, Im fat, you know it
(fat, fat, really really fat)
You know Im fat, Im fat, you know it, you know
(fat, fat, really really fat)
Woo woo woo, when I sit around the house

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song performed by Weird Al Yankovic
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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poem by Robert Browning from The Ring and the Book
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The Example of Vertu : Cantos I.-VII.

Here begynneth the boke called the example of vertu.

The prologe.

Whan I aduert in my remembraunce
The famous draughtes of poetes eloquent
Whiche theyr myndes dyd well enhaunce
Bokes to contryue that were expedyent
To be remembred without Impedyment
For the profyte of humanyte
This was the custume of antyquyte.
I now symple and moost rude
And naked in depured eloquence
For dulnes rethoryke doth exclude
Wherfore in makynge I lake intellygence
Also consyderynge my grete neglygence
It fereth me sore for to endyte
But at auenture I wyll now wryte.
As very blynde in the poetys art
For I therof can no thynge skyll
Wherfore I lay it all a part
But somwhat accordynge to my wyll
I wyll now wryte for to fulfyll
Saynt Powles wordes and true sentement
All that is wryten is to oure document
O prudent Gower in langage pure
Without corrupcyon moost facundyous
O noble Chauser euer moost sure
Of frutfull sentence ryght delycyous
O vertuous Lydgat moche sentencyous
Unto you all I do me excuse
Though I your connynge do now vse
Explicit prologus.

Capitulum Primsi.
In Septembre in fallynge of the lefe
Whan phebus made his declynacyon
And all the whete gadred was in the shefe
By radyaunt hete and operacyon
Whan the vyrgyn had full domynacyon
And Dyane entred was one degre
Into the sygne of Gemyne
Whan the golden sterres clere were splendent
In the firmament puryfyed clere as crystall
By imperyall course without incombrement
As Iuppyter and Mars that be celestyall
With Saturne and Mercury that wer supernall
Myxt with venus that was not retrograte
That caused me to be well fortunate
In a slombrynge slepe with slouth opprest

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poem by Stephen Hawes
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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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poem by Robert Browning from The Ring and the Book
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poem by Caasder Fronds
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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

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poem by Robert Browning from The Ring and the Book
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The Blues, The Jazz, The City

The city is jazz under neon lights
The jazz is blues stoned
And the city never forgets this
Like the heart never forgets to pulse
And the stars never forget to shine in the night
But it takes jazz to move it, to move it all
So the jazz is the beat that always burns
So the heavens continue to shine on and shine all

The jazz soothes the souls of the children
Though the city is old, the jazz is young
Thus the jazz, fast and heavy, radiates the city
She returns her to her ember glow in night

The city is high on the hill and low in the valley
She is the heart, the blessed nectar, the blossom shower
The jazz glows in prosperous tombs
She serves the crashing wave of the monsoon, to the city's bay, to the ancient harbor, across bold rivers, to lakes nestled in the safety of moors and battlefields, and sings to the forest and soaks the timber and every reborn city is cloaked in the fingertip of jazz
Since jazz destroys and creates, it is the fire, and so the smoke rises higher
Hark the newborn guff of jazz
The baptized funeral pyre

Hench jazz is the gospel, the good news
She returns though, always to the blues
Love the blue lady, her old cracked voice
The blues, the jazz, and the lady unite
To the bravery of her song she sang to the evil eyes of the Kodak dragon whose hair in the hiding bear under masks of hatred
The jealous lair, the haunt of despair
And jazz shines on, they can't stop her
The lady of the city sings to the farm
No choir can match the timbre of the lady
My first love,
She shines on for me when I am sad, through me in melancholy
And we join in joy, the lady sees all, feels all, and sings on
Rambunctious be the lady, the city, the blues
Who beat for hearts at night

From the slide trombone, the tut-tut-tut of the mighty snare
The brass milieu for brighter days and neon lights
The whimper
The whimper of the stand-up bass, who carries the beat, the jazz, the blues, the night
In your arms I am safe and sound, the sounds who hold me tight
And above all, upon the highest peak, the great black giants, the black hands and breath of jazz, food for the soul and fodder, who inspire all in the world
But the two giants upon the highest mountain compete for the night and walk away friends as we do
They too are the shine, the noble sheen, and while the lady sings, they dance, the boozers hound and prance, the lovers kneel and romance and the giants push the pebbles from beneath their mountain feet

Who knows how many souls the jazz saved, but I know she saved mine
The giants, trumpet and sax, and even the sweet other of New Orleans, a trumpet and voice, a demigod, and every other band and face and time
So the jazz soothed them too to be saved, as they played, we all played, and jazz shines for the night
And Jack drew the map in sketches, he saw the jazz, but the jazz sees all, and saves all who smile upon her because she loves all, but can only save those who hear her call because she is human

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poem by Jay Bradley
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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poem by Robert Browning from The Ring and the Book
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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poem by Robert Browning from The Ring and the Book
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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Saigon

You got everything that a girl should grow
Im so afraid to kiss you I might lose control
You can hold me tighter but turn loose of my gun
Its a sentimental present all the way from saigon
Honey, honey, honey, please call me
You dont need no money we can do it for free
I got a friend in phoenix with a two-way radio
All the static in my attic getting ready to blow
Saigon, honey, honey, honey
Saigon, honey, honey, honey
Saigon, honey, honey, honey
All the static in my attic getting ready to blow
I was talking to the mailman late last week
He had a letter in his sweater from stuttering don
He said things are getting better in sa, sa, sa, sa, sa
Saigon, honey, honey, honey
Saigon, honey, honey, honey
Saigon, honey, honey, honey
Things are getting better back in saigon
Saigon, honey, honey, honey
Saigon, honey, honey, honey
Things are getting better back in saigon
Saigon, honey, honey, honey
Saigon, honey, honey, honey
Saigon, honey, honey, honey
Things are getting better back in saigon
Saigon, honey, honey, honey
Saigon, honey, honey, honey
Saigon, honey, honey, honey
Things are getting better back in saigon

song performed by John Prine
Added by Lucian Velea
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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.

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poem by Robert Browning from The Ring and the Book
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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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poem by Robert Browning from The Ring and the Book
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Booth's Drum [1]

They were “ratty” they were hooted by the meanest and the least,
When they woke the Drum of Glory long ago in London East.
They were often mobbed by hoodlums—they were few, but unafraid—
And their Lassies were insulted, but they banged the drum—and prayed.
Prayed in public for the sinners, prayed in private for release,
Till they saved some brawny lumpers—then they banged the drum in peace.
(Saved some prize-fighter and burglars)—and they banged the drum in peace.
Booth’s Drum.
He was hook-nosed, he was “scrawny,”
He was nothing of a Don.
And his business ways seemed Yiddish,
And his speeches “kid”—or kiddish;
And we doubted his “convictions”—
But his drum is going on.

Oh, they drummed it ever onward with old Blood-and-Fire unfurled,
And they drummed it ever outward to the corners of the world.
Till they banged the drum in Greenland and they banged in Ispahan,
And they banged it round to India and China and Japan.
And they banged it through the Islands where each seasoned Son of Rum
Took them for new-fangled Jim Jams when he heard the Army Drum.
(For a bran’ new brand of Horrors, when he saw the Army come.)
So they banged it in the desert, and they banged in the snow—
They’d have banged the Drum to Mecca! with the shadow of a “show.”
(But Mohammed cut their heads off, so they had to let it go.)

Somewhere in the early eighties they had banged the drum to Bourke,
Where the job of fighting Satan was white-hot and dusty work.
Oh, the Local Lass was withered in the heat that bakes and glares,
And we sent her food and firewood but took small heed of her prayers.
We were blasphemous and beery, we were free from Creed or Care,
Till they sent their prettiest Lassies—and they broke our centre there.
So that, moderately sober, we could stand to hear them sing—
And we’d chaff their Testifiers, and throw quids into the ring.
(Never less than bobs or “dollars”—sometimes quids into the ring.)

They have “stormed” our sinful cities—banged for all that they were worth—
From Port Darwin to Port Melbourne, and from Sydney round to Perth.
We’d no need for them (or woman) when we were all right and well,
But they took us out of prison, and they took us out of Hell.
And they helped our fallen sisters who went down for such as we,
And our widows and our orphans in distress and poverty.
And neglected wives and children of the worst of us that be;
And they made us fit for Glory—or another Glorious Spree.
(So I rather think there’s something that is up to you or me.)

Oh! the Blindness of the Future!—Ah, we never reckoned much
That they’d beat the quids we gave them into bayonets and such.
That the coin would be devoted, when our world was looking blue,
To another kind of orphan—wife, or child, or widow too.

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poem by Henry Lawson
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Dame Dame Dame (Amor Esta Noche)

El reloj
ya marc medianoche
y otra vez encontr
que tan slo me acompaña la TV
El soplar
de ese viento afuera
vive la deolacin
me oprime con angustia el corazn
No hay mas que soledad
nadie, ni por piedad
Dame, dame, dame
amor esta noche
alguien que me ayude
a las sombras borrar
Dame, dame, dame
amor esta noche
hasta que amanezca
ver el dia aclarar
Tantos hay
con gran suerte y fortuna
todo pueden conseguir
tan distinto a lo que tengo que vivir
Aburrida me encuentro esta noche
y la gran oscuridad
es mi siempre obligada amistad
No hay mas que soledad
nadie, ni por piedad
Dame, dame, dame
amor esta noche
alguien que me ayude
a las sombras borrar
Dame, dame, dame
amor esta noche
hasta que amanezca
ver el dia aclarar
Dame, dame, dame
amor esta noche
Dame, dame, dame
amor esta noche
No hay mas que soledad
nadie, ni por piedad
Dame, dame, dame
amor esta noche
alguien que me ayude
a las sombras borrar
Dame, dame, dame
amor esta noche
hasta que amanezca
ver el dia aclarar
Dame, dame, dame

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song performed by ABBA
Added by Lucian Velea
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Song of Wink Star

The Song of Wink Star
a happy story for children of all ages
story and text © Raj Arumugam, June 2008

☼ ☼

☼ Preamble

Come…children all, children of all ages…sit close and listen…
Come and listen to this happy story of the stars and of life…
Come children of the universe, children of all nations and of all races, and of all climates and of all kinds of space and dimensions and universes…
Come, dearest children of all beings of the living universe, come and listen to The Song of Wink Star…

Come and listen to this story, this happy story…listen, as the story itself sings to you…

Sit close then, and listen to the story that was not made by any, or written by a poet, or fashioned by grandfathers and grandmothers warming themselves at the fire of burning stars…

O dearest children all, come and listen to the story that lives
of itself, and that glows bright and happy….

Come…children all, children of all ages, come and listen to this happy story, the story so natural and smooth as life, as it sings itself to you….

☼ The Song of Wink Star
a happy story for children of all ages

☼ 1

Night Child, always so light and gentle, slept on a flower.
And every night, before he went to sleep, he would look up at the sky.
He would look at the eastern corner, five o’clock.

And there he would see all the stars in near and distant galaxies that were only visible to the People of Star Eyes.

Night Child was one of the People of Star Eyes. And so he could see the stars. And of all the stars he could see, he loved to watch Wink Star.

Wink Star twinkled and winked and laughed.
Every night Wink Star did that. Winked and laughed.

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poem by Raj Arumugam
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