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Painting A Picture

["No Longer Umpire"]
We've been so caught up in the subject of personnel
Playing and acting, and slaving and bathing ourselves
Who lies and who tries to come over everyone
Painting a picture to show everyone in the world
Fearing is natural
New names and faces can bring
Build ups and barriers hiding behind everything
Who lies and who tries to come over everyone
Painting a picture to show everyone in the world

song performed by Alice Cooper
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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After bathing in the first showers of priceless rain…

The most haplessly swishing of arid hair; suddenly metamorphosed into the most ravishingly titillating fronds of supreme ecstasy; after bathing in the first showers of golden rain; that so celestially tumbled from fathomless sky,

The most abjectly chapped lips; suddenly metamorphosed into the most lusciously pink lotus’s of voluptuous glory; after bathing in the first showers of priceless rain; that so unabashedly tumbled from enchanting sky,

The most drearily pulverized soles suddenly metamorphosed into the most exhilarating pathways of an intrepidly optimistic tomorrow; after bathing in the first showers of inimitable rain; that so peerlessly tumbled from ebullient sky,

The most deliriously thwarted of brains suddenly metamorphosed into the most spell bindingly intriguing civilizations of sparkling newness; after bathing in the first showers of voluptuous rain; that so majestically tumbled from triumphant sky,

The most exhaustedly flustered of palms suddenly metamorphosed into the most invincibly philanthropic pillars of united strength; after bathing in the first showers of exultating rain; that so uninhibitedly tumbled from infallible sky,

The most demonically constipated of bellies suddenly metamorphosed into the most vivaciously dancing fairies of the tantalizing night; after bathing in the first showers of inscrutable rain; that so poignantly tumbled from ubiquitous sky,

The most morosely sulking eyes suddenly metamorphosed into the most eternally fructifying cisterns of benign happiness; after bathing in the first showers of astounding rain; that so unwontedly tumbled from limitless sky,

The most dismally febrile and shivering teeth suddenly metamorphosed into the most immaculately amazing pearls of exuberance; after bathing in the first showers of royal rain; that so spectacularly tumbled from charismatic sky,

The most lividly deteriorating of pallid skins suddenly metamorphosed into the most miraculously proliferating nests of freshness; after bathing in the first showers of replenishing rain; that so magically tumbled from passionate sky,

The most discriminatingly bigoted of blood suddenly metamorphosed into the most unassailable waterfall of unshakably glorious humanity; after bathing in the first showers of effulgent rain; that so sensuously tumbled from undefeatable sky,

The most meaninglessly yawning of mouths suddenly metamorphosed into the most insuperably emollient heavens of creative energy; after bathing in the first showers of mesmerizing rain; that so seductively tumbled from resplendent sky,

The most disastrously flabbergasted of bones suddenly metamorphosed into the most handsomely unconquerable apogees of patriotism; after bathing in the first showers of virile rain; that so unrelentingly tumbled from unimpeachable sky,

The most despondently squelched of spines suddenly metamorphosed into the most compassionately electrifying beanstalks of sensitivity; after bathing in the first showers of fecund rain; that so indefatigably tumbled from vibrant sky,

The most barbarously robotic of fingers suddenly metamorphosed into the most invincibly burgeoning lanes of ubiquitous artistry; after bathing in the first showers of gregarious rain; that so unbelievably tumbled from azure sky,

The most pugnaciously commercial of destinies suddenly metamorphosed into the most unfathomably bewildering meadows of salivating desire; after bathing in the first showers of vivid rain; that so copiously tumbled from unending sky,

The most vindictively asphyxiated of ears suddenly metamorphosed into the most serenading labyrinths of intricate intimacy; after bathing in the first showers of ameliorating rain; that so fantastically tumbled from egalitarian sky,

The most dejectedly flailing of necks suddenly metamorphosed into the most excitedly reverberating summits of Everest; after bathing in the first showers of adventurous rain; that so effeminately tumbled from aristocratic sky,

The most pervertedly impotent of personalities suddenly metamorphosed into the most incessantly evolving oceans of godly fertility; after bathing in the first showers of Omnipotent rain; that so uncompromisingly tumbled from erudite sky,

And the most satanically betraying of hearts suddenly metamorphosed into the most perpetually blessing calendars of all-time immortal love; after bathing in the first showers of holistic rain; that so everlastingly tumbled from bountiful sky….

poem by Nikhil Parekh
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Picture Picture by Tanya Markova

Picture picture ohh...
Picture picture ohh...

Picture picture ohh...
Picture picture ohh...

Picture picture ohh...
Picture picture
Picture picture ohh...
Picture picture ohh...
Picture picture

Picture picture ohh...

Nang gabing masilayan ka...
Dala-dala ko pa
Ang aking lumang camera

Picture picture ohh...
Picture picture

Picture picture ohh...
Picture picture ohh...
Picture picture

Picture picture ohh...

Campus gig noon at nag-aya ang tropa
Maraming bebot ang nagsasayaw
Nang biglang mapansin kita

What a beautiful face
At kinunan kita
What a beautiful face
Angat ka sa iba

Picture picture ohh...
Picture picture

Picture picture ohh...
Picture picture

What a beautiful
What a beautiful face

I saw her face
Mukha syang taga-a a outerspace
Si Mang Roger ako'y kinalabit
Ang sabi
Halika na balot muna

[...] Read more

poem by Shi Yelami
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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Show Me Love

(spoken) Hello
This was an accident
Not the kind where sorrow sounds
Never even noticed
We're suddenly crumbling
Tell me how you've never felt
Delicate or innocent
Do you still have doubts that
Us having faith makes any sense
Tell me nothing ever counts
Lashing out or breaking down
Still somebody loses 'cause
There's no way to turn around
Staring at your photograph
Everything now in the past
Never felt so lonely
I wish that you could show me love
Shov me love
Show me love
Show me love
Show me love
Show me love
'Til you open that door
Show me love
Show me love
Show me love
Show me love
Show me love
'Til I'm up off the floor
Show me love
Show me love
Show me love
Show me love
Show me love
'Til it's inside my pores
Show me love
Show me love
Show me love
Show me love
Show me love
'Til I'm screaming for more
Random acts of mindlessness
Commonplace occurences
Chances and surprises
Another state of consciousness
Tell me nothing ever counts
Lashing out or breaking down
Still somebody loses 'cause
There's no way to turn around
Tell me how you've never felt

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song performed by Tatu
Added by Lucian Velea
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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Seventh Book

'THE woman's motive? shall we daub ourselves
With finding roots for nettles? 'tis soft clay
And easily explored. She had the means,
The moneys, by the lady's liberal grace,
In trust for that Australian scheme and me,
Which so, that she might clutch with both her hands,
And chink to her naughty uses undisturbed,
She served me (after all it was not strange,;
'Twas only what my mother would have done)
A motherly, unmerciful, good turn.

'Well, after. There are nettles everywhere,
But smooth green grasses are more common still;
The blue of heaven is larger than the cloud;
A miller's wife at Clichy took me in
And spent her pity on me,–made me calm
And merely very reasonably sad.
She found me a servant's place in Paris where
I tried to take the cast-off life again,
And stood as quiet as a beaten ass
Who, having fallen through overloads, stands up
To let them charge him with another pack.

'A few months, so. My mistress, young and light,
Was easy with me, less for kindness than
Because she led, herself, an easy time
Betwixt her lover and her looking-glass,
Scarce knowing which way she was praised the most.
She felt so pretty and so pleased all day
She could not take the trouble to be cross,
But sometimes, as I stooped to tie her shoe,
Would tap me softly with her slender foot
Still restless with the last night's dancing in't,
And say 'Fie, pale-face! are you English girls
'All grave and silent? mass-book still, and Lent?
'And first-communion colours on your cheeks,
'Worn past the time for't? little fool, be gay!'
At which she vanished, like a fairy, through
A gap of silver laughter.
'Came an hour
When all went otherwise. She did not speak,
But clenched her brows, and clipped me with her eyes
As if a viper with a pair of tongs,
Too far for any touch, yet near enough
To view the writhing creature,–then at last,
'Stand still there, in the holy Virgin's name,
'Thou Marian; thou'rt no reputable girl,
'Although sufficient dull for twenty saints!
'I think thou mock'st me and my house,' she said;
'Confess thou'lt be a mother in a month,

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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No Longer Umpire

We've been so caught up in the subject of personnel
Playing and acting, and slaving and bathing oursleves
Her lies and her tries to come over everyone
Painting a picture to show everyone in the world
Fearing is natural
New names and places can bring
Build ups and barriers hiding behind everything
Her lies and her tries to come over everyone
Painting a picture to show everyone in the world

song performed by Alice Cooper
Added by Lucian Velea
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Sounds From The Baseball Field

Batter in the home place,
That was nobly done;
Try and get the first base-
Run!
Run
! RUN!
Ah, there, short stop, will you miss?
Hear the people cheer and hiss,
Hear them yell and shout.
Twinkling legs and flying feet-
(Oh, I wonder who will beat!)
Faster, faster, out!
Umpire, umpire, go along;
That was wrong, sir, that was wrong.

Pitcher pitches, four balls,
'Take your base, my man.'
Toward the second now he crawls-
'Steal it if you can.'
Oh, the ball has gone so high,
Can they catch it on the fly?
Ah, there is no doubt,
He will get his third, I vow-
Pshaw! the ball has got there now,
'Two men out!'
Umpire, umpire, that was wrong;
Go along, sir, go along.

One man on the first base,
Not a single run.
Boys are warming to the race-
Now look out for fun.
Pitcher's arm maybe is tired;
Batter sudden seems inspired,
Grounds the ball to win.
Run there, run there, run your best,
I am screaming with the rest
'Two men in!'
Umpire, umpire, go away;
Dead wrong, dead wrong, sir, I say.

What's the matter now, pray?
Taking breath, that's all;
But the restless people say
'Play ball, play ball.'
One ball, two strikes, two balls-'Foul.'
Umpire calls, and people howl:

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poem by Ella Wheeler Wilcox
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Gone To Forget To Leave

There are those who may choose to die.
For whatever reason...
Eyes are wanting to feel,
A realness and not a friction to absorb.
When platters of gold filled deceit,
Offer nothing else to be fed....
With a side order of sincerity seen,
Or felt to mention.

'Gone to forget to leave'

And the feasting of this is encouraged.

Until dishonesty is all that one dreads.
With a wish to numb the head,
From the stirrings that occur from truths.
And although the eating of deceit weakens,
On a daily basis when that addiction eats...
A cry goes unheard.
A sickening overwhelms...
And,
A wish to be released from it increases.

'Gone to forget to leave'

An encouraged emotionally abandoned mind...
Feeds until the peace of eternal rest has come,
Of what is wished.
And with a consciousness,
Desperately wanting transistion now a mission...
But never accepted to come from one so...
Talented and gifted!

But hurting from a place...
No one took the time to touch to get to know,
And so much pain was inside hiding.

And what was known to God,
Has joined the stars awaiting.
Pain was inside hiding.
Pain was inside hiding.

And what was known to God,
Has joined...
With the others worthy.

Pain was inside hiding.
Pain was inside hiding.

And what was known,

[...] Read more

poem by Lawrence S. Pertillar
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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

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poem by Sir Francis Bacon
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A Friendly Game Of Football

We were challenged by The Dingoes - they're the pride of Squatter's Gap-
To a friendly game of football on the flat by Devil's Trap.
And we went along on horses, sworn to triumph in the game,
For the honour of Gyp's Diggings, and the glory of the same.

And we took the challenge with us. It was beautiful to see,
With its lovely curly letters, at its pretty filigree.
It was very gently worded, and it made us all feel good,
For it breathed the sweetest sentiments of peace and brotherhood.

We had Chang, and Trucker Hogan, and the man who licked The Plug,
Also Heggarty, and Hoolahan, and Peter Scott, the pug;
And we wore our knuckle-dusters, and we took a keg on tap
To our friendly game of football with The Dingoes at The Gap.

All the fellows came to meet us, and we spoke like brothers dear.
They'd a tip-dray full of tucker, and a waggon load of beer,
And some lint done up in bundles; so we reckoned there'd be fun
Ere our friendly game of football with the Dingo Club was done.

Their umpire was a homely man, a stranger to the push,
With a sweet, deceitful calmness, and a flavour of the bush.
He declared he didn't know the game, but promised on his oath
To see fair and square between the teams, or paralyse them both.

Then we bounced the ball and started, and for twenty minutes quite
We observed a proper courtesy and a heavenly sense of right,
But Fitzpatrick tipped McDougal in a handy patch of mud,
And the hero rose up, chewing dirt, and famishing for blood.

Simple Simonsen, the umpire, sorted out the happy pair,
And he found a pitch to suit them, and we left them fighting there;
But The Conqueror and Cop-Out met with cries of rage and pain,
And wild horses couldn't part those ancient enemies again.

So the umpire dragged them from the ruck, and pegged them off a patch,
And then gave his best attention to the slugging and the match.
You could hardly wish to come across a fairer-minded chap
For a friendly game of football than that umpire at The Gap.

In a while young Smith, and Henty, and Blue Ben, and Dick, and Blake,
Chose their partners from The Dingoes, and went pounding for the cake.
Timmy Hogan hit the umpire, and was promptly put to bed
'Neath the ammunition waggon, with a bolus on his head.

Feeling lonely-like, Magee took on a local star named Bent,
And four others started fighting to avoid an argument:
So Simonsen postponed the game, for fear some slight mishap
Might disturb the pleasant feeling then prevailing at The Gap.

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poem by Edward George Dyson
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Faces & Names

Faces and names, I wish they were the same
Faces and names only cause trouble for me
Faces and names
If we all looked the same and we all had the same name
I wouldnt be jealous of you or you jealous of me
Faces and names
I always fall in love with someone who looks
The way I wish that I could be
Im always staring at someone who hurts
And the one they hurt is me
Faces and names, to me theyre all the same
If I looked like you and you looked like me
Thered be less trouble you see
Faces and names, I wish theyd go away
Id disappear into that wall and never talk
Talk, not talk
I wish I was a robot or a machine
Without a feeling or a thought
People who want to meet the name I have
Are always disappointed when they meet me
Faces and names, I wish they were the same
Faces and names only cause problems for me
Faces and names
Id rather be a hole in the wall
Looking out on the other side
Id rather look and listen, listen and not talk
To faces and names
If I had a breakdown when I was a kid
I lost my hair when I was young
If you dress older when youre not
As your really age you look the same
If we all looked the same, we wouldnt play these games
Me dressing for you and you dressing for me
Undressing for me
Faces and names, if they all were the same
You wouldnt be jealous of me or me jealous of you
Me jealous of you, me jealous of you
Your face and your name
Your face and your name
Faces and names
Faces and names

song performed by Lou Reed
Added by Lucian Velea
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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poem by Robert Browning from The Ring and the Book
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

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poem by Conrad Potter Aiken
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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

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poem by Robinson Jeffers
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Dreams of Jhana

Thoughts travel
riding the ripples.
Pluvial pattering
innumerable
driblets fuse into
vast cyan-blue body.
Solemn reverie,
reflections by the water.
Coincidental myths?
Matter's solid illusion?
Propaganda spread
over Linear Time?
natural hidden treasures
lost in a darkened sub-region
of a mountain top Mind?

Pining amongst
heathers and lindens.
Nasal donations.
Sweet nosegays
baskets of gold
and lavender.
Sky bohemians'
organic tenements.
No leases
no mortgages
no rent to be paid
no landlords
no concept of
ownership.

Inhaling every
deep delicious breath
the airborne essence of
sugar beets
cherries
blueberries
peaches and plums.
Thanks and praise
to the soil and its
generous sentient
pillars of plenty!
Thanks and praise
to the Great Lakes'
fecund mitten and
most bountiful
open hand of
vegetation!

Bluebells sway

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poem by Gregory Allen Uhan
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