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Originality?

Repetition or revelation
Inspiration or imitation
Originality, individuality
Purpose, duality

Re-iteration of justification
Empty head, brain dead
Idiosyncratic representation
Copied, borrowed, re-worded
Or real

poem by Sam Jones
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Truth Through Repetition

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Truth through repetition Truth through repetition Truth through repetiion
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poem by David Keig
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Borrowed

borrowed shirts, borrowed shoes,
borrowed books, borrowed thoughts,
borrowed bed, borrowed lover,
borrowed dreams, borrowed salt.

borrowed children, borrowed mothers,
borrowed study, borrowed lives.
borrowed God, borrowed heaven,
borrowed killers with borrowed knives.

borrowed flags, borrowed lies,
borrowed virtue, borrowed freedom.
borrowed bombs, borrowed bullets,
borrowed puppets, borrowed kingdoms.

borrowed soup bowls, borrowed numbers,
borrowed tents, borrowed bridge.
borrowed hope, borrowed survival,
borrowed till it's sacrilige!

poem by Eric Cockrell
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Song: On Borrowed Time

We're all living on borrowed time,
Near the brooding sea and brine.
And we grow our primate's spine,
In every clime.

Since we crawled out from 'neath the grime,
And evolved to a species – prime.
We've been living on borrowed time,
On borrowed time.

On borrowed time. We feed and dine.
On borrowed time. In swill like swine.
On borrowed time. We sup our wine.
On borrowed time. On borrowed time!

On borrowed time. In slow decline.
On borrowed time. No season shines.
On borrowed time. No reason rhymes.
On borrowed time. On borrowed time!

We're all living on borrowed time,
Acting out our roles in mime,
As if you cannot tell that I'm confused.
We're all living on borrowed time,
And we're captured hook and line.
Enraptured lives entwine as minds unloose.

On borrowed time, by frantic chime,
Of doomsday clocks and scam sub-prime.
On borrowed time, we count the dime.
On borrowed time. On borrowed time!

From that day of Eve's droll crime,
When dull Adam su*ked the lime,
We've been living on borrowed time,
On borrowed time.

On borrowed time. By dread defined.
On borrowed time. Knee-deep in slime.
On borrowed time. We moan and whine.
On borrowed time. On borrowed time!

On borrowed time. To heights sublime.
On borrowed time. Statistics climb.
On borrowed time. Who reads the signs?
On borrowed time. On borrowed time!

poem by David SmithWhite
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Her love is my inspiration

Her love is my inspiration

Love is the inspiration for my heart to sing a tune,
love is the inspiration for my ear to hear,
love is the inspiration for my soul to warm,
love is the inspiration for my mouth to smile,
love is the inspiration for my eyes to glisten.

Love is the inspiration to draw my soul near another
love is the inspiration for my mouth to utter sweet words,
love is the inspiration for my eyes to gaze upon her,
love is the inspiration for my heart to speak out.

Love is the inspiration for need, love is the inspiration for my mouth to touch hers,
love is the inspiration for my eyes to close,
love is the inspiration for my heart to race,
love is the inspiration for my tears to burn.

Love is the inspiration for longing,
love is the inspiration for my eyes to see only her,
love is the inspiration for my heart to cry out,
love is the inspiration for my ear to hear her whispers,
love is the inspiration for my soul to join hers forever.

Love is the inspiration for forever,
love is the inspiration for my heart to be whole,
love is the inspiration for my ear to always hear those words,
love is the inspiration for my soul to have hers,
love is the inpiration for my mouth to speak the truth.

Love is the inspiration for my soul to seek life
love is the inspirationfor my ear to hear her words,
love is the inspiration for my soul to reach for her,
love is the inspiration for my mouth to speak her truths,
love is the inspiration for my eyes to always look upon her first,

For she is the inspiration for my Love.

Nathaniel Cole Buddington

poem by Nathan Buddington
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Joy In Repetition

{crowd noise same as for alphabet street}
He like to frequent this club down up on 36th
Pimps and thangs like 2 hang outside and cuss for kicks
Talking 2 no one in particular, they say the baddest I am tonight
4 letter words are seldom heard with such dignity and bite.
All the poets and the part time singers always hang inside
Live music from a band plays a song called soul psychodelicide.
The songs a year long and had been playing 4 months when he
Walked into the place.
No one seemed to care, an introverted this-is-it look on most of their faces.
Up on the mic repeating 2 words, over and over again
Was this woman he had never noticed before he lost himself in the
Articulated manner in which she said them.
These 2 words, a little bit behind the beat.
I mean just enough 2 turn u on.
4 everytime she said the words another one of his doubts were gone.
Should he try 2 rap with her? should he stand and stare?
No one else was watching her, she didnt seem 2 care.
So over and over, she said the words til he could take no more, (no more)
He dragged her from the stage and together they ran through the back door
In the alley over by the curb he said tell me whats your name
She only said the words again and it started to rain (rain, rain, rain)
2 words falling between the drops and the moans of his condition
Holding someone is truly believing theres joy in repetition.
Theres joy in repetition.
Theres joy in repetition.
Theres joy in repetition.
Theres joy in repetition.
She said love me, love me, what she say?
She say love me, love me.
Joy, why dont u love me baby, joy, why cant u love me baby
Joy, come on and love me baby, joy in repetition
Alright, joy in repetition,
Alright, joy in repetition,
Alright, joy in repetition,
Alright, joy, all my wishes add up to one
Love me, joy, love me, joy, love me, joy
Love me, love me, joy, joy, joy in repetition
Joy, joy in repetition,
Joy, joy (love me) in repetition,
Love me, love, joy, joy, joy in repetition
Joy, and Im gonna say it again, joy, joy, and Im gonna say it again,
Joy, Id like 2 go way up high and say, love me, joy
Ill say love me, joy
Joy, joy in repetition, joy in repetition
Theres joy in repetition

song performed by Prince
Added by Lucian Velea
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Whats is Your Life?

Life is
Repetition or revelation
Inspiration or imitation
Originality, individuality
Purpose, duality

Re-iteration of justification
Empty headed, brain dead
Individual representation
Copied, borrowed, re-worded
Or real
What is your life?

poem by Kat Mercado
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The City of Dreadful Night

Per me si va nella citta dolente.

--Dante

Poi di tanto adoprar, di tanti moti
D'ogni celeste, ogni terrena cosa,
Girando senza posa,
Per tornar sempre la donde son mosse;
Uso alcuno, alcun frutto
Indovinar non so.

Sola nel mondo eterna, a cui si volve
Ogni creata cosa,
In te, morte, si posa
Nostra ignuda natura;
Lieta no, ma sicura
Dell' antico dolor . . .
Pero ch' esser beato
Nega ai mortali e nega a' morti il fato.

--Leopardi

PROEM

Lo, thus, as prostrate, "In the dust I write
My heart's deep languor and my soul's sad tears."
Yet why evoke the spectres of black night
To blot the sunshine of exultant years?
Why disinter dead faith from mouldering hidden?
Why break the seals of mute despair unbidden,
And wail life's discords into careless ears?

Because a cold rage seizes one at whiles
To show the bitter old and wrinkled truth
Stripped naked of all vesture that beguiles,
False dreams, false hopes, false masks and modes of youth;
Because it gives some sense of power and passion
In helpless innocence to try to fashion
Our woe in living words howe'er uncouth.

Surely I write not for the hopeful young,
Or those who deem their happiness of worth,
Or such as pasture and grow fat among
The shows of life and feel nor doubt nor dearth,
Or pious spirits with a God above them
To sanctify and glorify and love them,
Or sages who foresee a heaven on earth.

For none of these I write, and none of these
Could read the writing if they deigned to try;

[...] Read more

poem by James Thomson
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Sweet Inspiration

Written by s. welton-jaimes, j. & m. jaimes
Sweet inspiration
Through the nation
With elation for your love
Inspiration, sweet inspiration
Sweet inspiration
Through the nation
With elation for your love
Inspiration, sweet sensation
You really do something special to me
And theres nothing better
Than when youre lying in my arms
So glad we got together
I never needed nobody
Until you came along
And this feelings so strong
I should be working on something
But I aint got the time
Ive got you on my mind
Sweet inspiration
Baby youre my, sweet inspiration
Baby youre my, sweet inspiration
Baby youre my, sweet inspiration
The thought of you gives me butterflies
And I feel so happy
Whenever you reach out for me
This is how it should be
And Ive just got to be with you
Nothing else can compare
Just as long as youre there
And Ill never desert you
Cos you fill me with pride
Baby you changed my life
Sweet inspiration
Baby youre my, sweet inspiration
Baby youre my, sweet inspiration
Baby youre my, sweet inspiration
When I cant think clearly
Just one kiss is all I need
Then I look in your eyes
And I know, I know, I know, Im yours
Sweet inspiration
Through the nation
With elation for your love
Inspiration, sweet sensation
Sweet inspiration
Baby youre my, sweet inspiration
Baby youre my, sweet inspiration
Baby youre my, sweet inspiration
We got the love

[...] Read more

song performed by Kim Wilde
Added by Lucian Velea
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Justification

Sometimes I wish I was dusted.
Under a rug!
And not be dedicated...
To observe those medicated.

I wish to speak my mind,
Most times!
To those who mainline.
To escape from the unkindness,
Shown and many find!

But a growing addiction...
Restricts many to shadows.
Bleeding inside secretly.
Believing no one cares for them.
Their hopes,
Desires or their need to dream.

And 'I' find...
My heart just pounds,
When I see the young folks...
Lying cold on the ground.

And 'I' find...
No reason or rhyme,
Why society leaves these young folks to bleed!

No 'I' don't find,
In my mind...
Justification,
For these sickening times.
Justification,
For these human crimes.
Justification,
For these scenes to blind!

No 'I' don't find,
In my mind...
Justification,
For them left behind.
Nor will I find this,
Justified in these times!

No 'I' don't find,
In my mind...
Justification,
For these sickening times.
Justification,
For these human crimes.
Justification,

[...] Read more

poem by Lawrence S. Pertillar
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With every beat of my heart

Not even the most voluptuously sensuous of clouds; surreally wandering till eternity in fathomless cosmotic space; had the slightest of inspiration,

Not even the most tantalizingly nubile of dewdrops; profoundly shimmering in nocturnal moonlight like the ultimate queen’s garland of exotic pearls; had the slightest of inspiration,

Not even the most invincibly Herculean mountaintops; unflinchingly towering towards the heavens in the face of the mightiest of attack; had the slightest of inspiration,

Not even the most royally undulating seas; timelessly blessing the pristine shores with gloriously unassailable froth; had the slightest of inspiration,

Not even the most perennially overflowing of treasuries; from which rained solely a torrentially unstoppable cascade of mystically resplendent silver and gold; had the slightest of inspiration,

Not even the most mellifluously rejuvenating of nightingales; perpetuating the unlimitedly dreary atmosphere with miraculously ameliorating sounds; had the slightest of inspiration,

Not even the most boundlessly burgeoning of skies; celestially reflecting an ocean of bounteously virile crystalline blue; had the slightest of inspiration,

Not even the most vivaciously cascading droplets of rain; metamorphosing every tawdrily sinister patch of aridness on earth into a paradise of mesmerizing beauty; had the slightest of inspiration,

Not even the most ubiquitously silken strands of the inscrutable spider’s web; aristocratically glimmering in opulently milky moonlight; had the slightest of inspiration,

Not even the most amazingly vivid of rainbows; filtering fresh rays of optimism and hope in the forlornly dreary sky; had the slightest of inspiration,

Not even the most redolently proliferating of soil; the magical virility which unfathomably multiplied in lightening seconds of time; had the slightest of inspiration,

Not even the most beautifully poignant of roses; synergistically radiating their handsomely scarlet personality to every conceivable cranny of this boundless Universe; had the slightest of inspiration,

Not even the most triumphantly blazing of Sunshine; blistering a path of irrefutably fearless righteousness in the most bashful face of blemishing defeat; had the slightest of inspiration,

Not even the most victoriously iridescent of moonlight; unceasingly enlightening the sordidly hedonistic fabric of the wretchedly incarcerating night; had the slightest of inspiration,

Not even the most effulgently undefeated of blood; indefatigably diffusing the spirit of intrepidly exhilarating camaraderie; had the slightest of inspiration,

Not even the most boundlessly unfettered of deserts; the flamingly impregnable expanse of poignant golden granules; had the slightest of inspiration,

Not even the most tranquilly bewitching of shadows; the uncannily titillating tinge of timeless mystery that they incessantly emanated; had the slightest of inspiration,

Not even the most fierily magnetic of breath; the endlessly insuperable cavern of seduction that it ignited in every tangible and intangible open space which it wholesomely enshrouded; had the slightest of inspiration,

Whilst with every beat of my heart; there unlimitedly triggered unconquerably sparkling fantasy in even the most obsolete dormitory of my brain; and I inevitably and inspiringly wrote an infinite lines of “Immortal Love Poetry”; till even beyond the definitions of veritably ultimate and hopelessly silencing death….

poem by Nikhil Parekh
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Repetition

You get up in the morning
And every single day
Is just a repetition
Its always been that way
You live alone inside your head
Incommunicado, in the land of living dead
Each days a repetition
Of the one that went before
Like watching an old movie
You cant sit through anymore
Why dont you kick the habit
And walk right out that door?
From all the repetition
Day after day
All the repetition
Its always been that way
Its in your head, its in your eyes
Youre boring and its no surprise
With all the repetition
Day after day
All the repetition
They say its time to start all over
And call it a day
But you go right back where you started
Day after day
You go right back to where you started
Day after day, after day, after day, after day
You look in the mirror
Is anybody there?
Its only a reflection
That doesnt really care
Youre a product of your time
Looking hard for something, but you never saw the sign
Lock inside a prison
But thats where you wanna be
Stuck in solitary
And youve thrown away the key
You say you want your freedom
But you dont wanna get away
Then you wake up, its time for you
To start another day
With all the repetition, day after day, all the repetition
All the repetition day after day
Another chance, another day
You know its time to get away from all the repetition
Day after day
How long you gonna sit and wait
Youre getting on its getting late
They say its time to start all over
And call it a day

[...] Read more

song performed by Kinks
Added by Lucian Velea
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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

[...] Read more

poem by Charles Churchill
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A poem on divine revelation

This is a day of happiness, sweet peace,
And heavenly sunshine; upon which conven'd
In full assembly fair, once more we view,
And hail with voice expressive of the heart,
Patrons and sons of this illustrious hall.
This hall more worthy of its rising fame
Than hall on mountain or romantic hill,
Where Druid bards sang to the hero's praise,
While round their woods and barren heaths was heard
The shrill calm echo of th' enchanting shell.
Than all those halls and lordly palaces
Where in the days of chivalry, each knight,
And baron brave in military pride
Shone in the brass and burning steel of war;
For in this hall more worthy of a strain
No envious sound forbidding peace is heard,
Fierce song of battle kindling martial rage
And desp'rate purpose in heroic minds:
But sacred truth fair science and each grace
Of virtue born; health, elegance and ease
And temp'rate mirth in social intercourse
Convey rich pleasure to the mind; and oft
The sacred muse in heaven-breathing song
Doth wrap the soul in extasy divine,
Inspiring joy and sentiment which not
The tale of war or song of Druids gave.
The song of Druids or the tale of war
With martial vigour every breast inspir'd,
With valour fierce and love of deathless fame;
But here a rich and splendid throng conven'd
From many a distant city and fair town,
Or rural seat by shore or mountain-stream,
Breathe joy and blessing to the human race,
Give countenance to arts themselves have known,
Inspire the love of heights themselves have reach'd,
Of noble science to enlarge the mind,
Of truth and virtue to adorn the soul,
And make the human nature grow divine.

Oh could the muse on this auspicious day
Begin a song of more majestic sound,
Or touch the lyre on some sublimer key,
Meet entertainment for the noble mind.
How shall the muse from this poetic bow'r
So long remov'd, and from this happy hill,
Where ev'ry grace and ev'ry virtue dwells,
And where the springs of knowledge and of thought
In riv'lets clear and gushing streams flow down
Attempt a strain? How sing in rapture high

[...] Read more

poem by Hugh Henry Brackenridge
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

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poem by Conrad Potter Aiken
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Heavenly Poetry

It was my incessant inspiration; to diffuse into an
unfathomable valley of goodness; perpetually coalesce
with my bountiful rudiments; irrespective of the
contemporarily bombastic slang and slime,

It was my tireless inspiration; to float in the aisles
of untamed sensuousness; assimilate all fathomless
beauty of this resplendent Universe; in every
ingredient of my agonizingly famished blood,

It was my unrelenting inspiration; to embrace the
winds of timeless fantasy; let the spirit of
euphorically rhapsodic existence; take wholesome
control upon my countenance from all sides,

It was my limitless inspiration; to blazingly surge
forward in the chapter of vibrantly enthralling life;
gloriously emerge as a triumphant winner in every
direction that I even remotely conceived to tread,

It was my boundless inspiration; to poignantly break
the heinous shackles of crippling monotony;
uninhibitedly liberate each of my senses to blend with
the unparalleled ecstasy of this Omnipotent cosmos,

It was my unprecedented inspiration; to unfurl into an
insatiable civilization of creativity every unfurling
instant of the day; fabulously decipher the enigmatic
meanings of survival; with the silken dexterity of an
embellished prince,

It was my indefatigable inspiration; to coin new
benchmarks on even the most diminutive step that I
transgressed; digressing from conventionally
treacherous turgidity; to sparklingly enhance the
fireballs of optimism in every tomorrow,

It was my profuse inspiration; to unstoppably
reminisce the caverns of mischief of my innocuous
childhood; Omnisciently cherish the compassionate lap
of my divinely mother; for infinite more births of
mine,

It was my undaunted inspiration; to philanthropically
serve all bereaved humanity till the very last breath
of mine; assiduously persevere all day and twinkling
night; to unite all religion; caste; creed and tribe;
handsomely alike,

It was my incorrigible inspiration; to romantically

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poem by Nikhil Parekh
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The Ghost - Book IV

Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;

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poem by Charles Churchill
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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

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poem by Robinson Jeffers
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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poem by Robert Browning from The Ring and the Book
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