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Pink Life

Pink flowers
Pink pens
What about a pink life

Pink stars
Pink trees
What a pink life that would be

Pink shoes
Pink dresses
That is the pink fashion life for me!

poem by Claudia Wilson
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White Shoes

(jack tempchin)
I want em, I need em
And Im gonna go out and get em
White shoes
I know Ill feel better
When I slide down into the leather
White shoes
White shoes ... woah, oh, oh... white shoes
White shoes ... woah, oh, oh... white shoes
I woke up from a dream
When I saw em in a magazine
White shoes
I said lou you gotta start new
And the first thing you gotta do
Is get some white shoes
White shoes ... woah, oh, oh... white shoes
White shoes ... woah, oh, oh... white shoes
You know he left me with the lonesome blues
Been hangin round too long with nothin to do
Yeah, he really made me pay those dues
But Im goin out on the town tonight in
White shoes
Well, I wanted em, I needed em
Yeah, and I went out and got em
White shoes
That new boy when I see him
Im gonna walk right up and meet him in
White shoes
White shoes ... woah, oh, oh... white shoes
White shoes
Im goin out on the town tonight
White shoes ... woah, oh, oh... white shoes
White shoes ... woah, oh, oh... white shoes

song performed by Emmylou Harris
Added by Lucian Velea
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Seasonal Cycle - Chapter 06 - Spring

"Oh, dear, with the just unfolded tender leaflets of Mango trees as his incisive arrows, and with shining strings of honeybees as his bowstring, the assailant named Vasanta came very nigh, to afflict the hearts of those that are fully engaged in affairs of lovemaking...

"Oh, dear, in Vasanta, Spring, trees are with flowers and waters are with lotuses, hence the breezes are agreeably fragrant with the fragrance of those flowers, thereby the eventides are comfortable and even the daytimes are pleasant with those fragrant breezes, thereby the women are with concupiscence, thus everything is highly pleasing...

"This Spring season endows prosperity to waters of swimming pools, and to moonshine, for their water or shine is pleasurable, and even to mango trees, as their flowers are just flowered, more so, to the bejewelled girdle strings of women, for their wearing is neither cumbersome nor irksome in this season, thus it endows prosperity to womenfolk of age, as they enjoy in wearing them, thus they too, become enjoyable, these days...

"These days the flirtatious women are adorning their roundish behinds with silk cloths that are dyed with Kusumbha flower's reddish dye, and their bosomy busts with thin silks that are dyed with ocherish and reddish colours, for thinness and silkiness are agreeable in this thinnish ambience...

"The womenfolk of age are now decorating their temples with just unfolded new whitish flowers of Karnikara, and with new and reddish Ashoka flowers and with whitish jasmines flowers in their blackish hair-locks that are swaying, thus unfolded is the beauty of these women, with the flourishing resplendence of these newly unfolded flowers...

"The bosoms of women with burly rumps, whose hearts are now flurried by the Love-god, are now sharing pearly pendants that are wetted with white sandal-paste that is bedaubed on their busts, and their biceps with circlets of bicep-lets, and their hiplines with the strings of cinctures, that are till recently unbearably coldish to touch... thus, the touch of season is romantic...

"The golden lotuses like faces of flirtatious women are tattooed with erasable foliage tattoos with black Kasturi lines, and in those designs sweat-drops are now percolating, with them those faces are delightfully beautified as gem-studded jewellery, interspersed with pearls...

"Now the limbs of womenfolk are flustered by the Love-god, thus they are panting for their need-fulfilment, hence they are now loosening the fastenings of their undergarments, since spring fever makes them sultrily fervent, thus they are enamoured of their lovers, who are tarrying at their nearby...

"The Love-god is making the limbs of sybaritic women as thinnish, palish and lethargic, and tending to yawn time and again, and with these syndromes the bodies of women are becoming restless in the spring fever, with an air of enchantment...

"Now the Love-god is diversely apparent in women, who are jaded out by hard drinks, for their eyes are fluttery, their cheeks are whitely, their bosoms are stony, their waists are slimly, and their behinds are sturdy... thus these features are the evidences for their seasonal infatuation with Him...

"Advent to spring Love-god makes the limbs of womenfolk sluggishly dizzy with sleepiness, He makes their speech a little teeter-tottering with sensualities, and He also makes their looks aslant with the knitting and unknitting of their eyebrows, seeking vehement sensual pleasures...

"The frolicsome and lustful women that are with faineance are bedaubing their whitish bosoms with sandal-paste, in which well kneaded are the fragrant seeds of Priyangu, yellowish turmeric, saffron and musk, to relieve themselves of spring fever...

"These days the people, whose limbs are wearied down with their desire induced ebullience, are wearing thinnish cloths, that are fumigated with fragrant aloe vera resin and dyed in the colour of reddish lac resin, quickly discarding their coarse clothing, for this season is neither coarse nor crude...

"The passionate male koel, black singing bird, on savouring the invigorative essence of just grown flowers of Mango trees, is gladdened and passionately kissing his love, so also this honeybee, abiding in lotuses, and savouring their nectar, this too is passionately mating with his love to her complaisance, sequestered in the petals of lotuses...

"Delightful are the branches of mango trees that are laden with bunches of coppery tender leaves, and with just flowered flowers, and with their heads a little bent down, for they simile with the bashful women, whose heads are with flowery hairdos and coppery half-veils, and a little bent down and swaying in lustiness, like mango treetops that are gently swaying, swayed by the gentle breezes of this season, and on identifying themselves with those mango trees, the womenfolk is rendered muchly overenthusiastic for love, in this spring time...

"All-over adorned are those Ashoka trees with bunches of reddish folioles, and reddish flowers that resemble the hue of red corals, and when the new entrants to adulthood are observing those unfolded red flowers, those Ashoka trees are making them agonised, for unfulfilled is their new longing for a newish love...

"The charming flowers of mango trees are with delightful thickish buds, and they are overly swilled by tipsy honeybees, and slow breezes are flurrying and tilting their delicate leaflets, thus when lovelorn youngsters observe them, their hearts are quickly ecstasized by those mango trees...

"Oh, dear, the mien of this season is akin to the facial resplendence of ladyloves, with the utmost beauty of the clusters of flowers of Kuravaka plants that are uprisen in this season, and if this is observed by any good-hearted person, won't his heart be agonised, indeed, struck by the arrow of Love-god?

"The ruddy flowers in springtime are sprung by the winds simile with the reddy flames that are just now set to flame, and everywhere the earth is overspread with such brakes of Kimshuka trees, and presently when their treetops are bent under the weight of those red flowers, whole of this earth similes with a new bride, shining forth in her new bridal redly costume, and her head a little bent under the half-veil of that costume...

"Aren't the youthful hearts of youthful lovers that are hidden in the hearts of their pretty faced ladyloves unsplit by these Kimshuka flowers, that are in shine with the reddish bills of parrots... aren't they already and definitely burnt by the flame-like redly Karnikaara flowers... then why for this Kokila, the black singing bird, is again gnawing away those hearts, with its gnawingly melodious singing...

"Passion is surging out in male Kokila-s, singing birds, as they obtained jollity in this springtime on chewing mango flowers, thus they are singing inexplicably, and the honeybees, when they are drunk with the flowery nectar of those flowers, they are also droning hums murmuringly as their drinking song, and with these hums and drones the hearts of new brides are flustered in a trice, even if they are in the service of their in-laws, where certain docility and prudishness are in demand...

"On the departure of mist-fall in springtime, the propitious breeze is breezing pleasantly to undulate the flowered branches of Mango trees, and to transmit the singings of Kokila-s in all directions, thereby to steal the hearts of humans, who can neither be blatant nor silent, of their longings...

"These days the pleasure gardens are brightened up with whitely jasmines, thus they simile with the toothy grins of sprightly brides, and hence they are heart-stealing, and these gardens are now stealing the hearts of saints or sages that have neutralised their materialistic indulgences long back, as such, these gardens must have stolen the hearts of youths, which are already tainted with seasonal sensualities...

"This Madhu month, Chaitra, nectarean month at the end of springtime, is forcefully stealing away the hearts of people, for the womenfolk, whose bodies are slenderised by the pride of Love-god, is eyeful with their golden strings of girdle that are pensile onto their hiplines, and their bosoms are clung by pendulous pearly pendants, besides, earful are the singings of Kokila-s and the humming of honeybees...

"These interiors of visible horizon are comprised of mountains that are adorned with divers and delightful flowery trees, and the areas of those mountainsides are hurly-burly with the singings of Kokila-s, and the masses of their rock faces are hemmed in and enwrapped with fragrant mountainy moss, that comes out now when those rocks were fissured during last summer, to see such an environ, all the people are rejoiced...

[...] Read more

poem by Kalidasa
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High Fashion

I know a sexy little girl
She's never in the low class world
This woman is all the way vogue
High Fashion is where her money goes
She dines at Le Dome up on the strip
Cheap liquor never touches her lips
Her brandy's imported every week
No problem, 7,000 easy
High Fashion is where her money goes
High Fashion - This girl is all the way vogue
She's never in the low class world
High Fashion - Stuck up little rich girl
High Fashion
High Fashion, yeah
I met her dancin' at Le Dome
I offered dinner at my home
She said no, all of her friends laughed
Funny how the laughin' stopped when I flashed all the cash I had
(I'm talkin') $1900 is 2 much cash 2 hold
One of my boys had 2 carry half, now honey U know that's bold
Wait a minute
She had the nerve 2 ask what kinda car I had
"Honey, I'm ridin' in back of a Rolls Royce limo custom-painted plaid!"
High Fashion is where my money goes
High Fashion - Honey, I'm all the way vogue
I'm never in the low class world
High Fashion - And I just love little rich girls
(High Fashion) High Fashion (High Fashion)
Hot Station - I took the child 2 my crib
Donation - Do U take or do U give?
She took one look at the swimmin' pool
I said "I'll donate" - We were 2 swimmin' fools
High Fashion is where our money goes
High Fashion - All the way vogue
We're never in the low class world
High Fashion - Don't be a little stuck up rich girl
All the way vogue {x2}
I'm all the way vogue
Yeah, yeah
(High Fashion) {repeats in BG}
Dinner at Le Dome
Little girl
Money man
I'm the money man
Money man {x2}
High Fashion {x4}
Ohhhhh
(High Fashion) {x2

song performed by Prince
Added by Lucian Velea
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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

[...] Read more

poem by Gilbert Keith Chesterton
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Fashion

Theres a brand new dance but I dont know its name
That people from bad homes do again and again
Its big and its bland full of tension and fear
They do it over there but we dont do it here
Fashion! turn to the left
Fashion! turn to the right
Oooh, fashion!
We are the goon squad and were coming to town
Beep-beep
Beep-beep
Listen to me - dont listen to me
Talk to me - dont talk to me
Dance with me - dont dance with me, no
Beep-beep
Theres a brand new talk, but its not very clear
Oh bop
That people from good homes are talking this year
Oh bop, fashion
Its loud and tasteless and Ive heard it before
Oh bop
You shout it while youre dancing on the ole dance
Floor
Oh bop, fashion
Fashion! turn to the left
Fashion! right
Fashion!
We are the goon squad and were coming to town
Beep-beep
Beep-beep
Listen to me - dont listen to me
Talk to me - dont talk to me
Dance with me - dont dance with me, no
Beep-beep
Beep-beep
Oh, bop, do do do do do do do do
Fa-fa-fa-fa-fashion
Oh, bop, do do do do do do do do
Fa-fa-fa-fa-fashion
La-la la la la la la-la
Oh, bop, do do do do do do do do
Fa-fa-fa-fa-fashion
Oh, bop, do do do do do do do do
Fa-fa-fa-fa-fashion
La-la la la la la la-la
Oh, bop, do do do do do do do do
Fa-fa-fa-fa-fashion
Oh, bop, do do do do do do do do
Fa-fa-fa-fa-fashion
La-la la la la la la-la
Oh, bop, do do do do do do do do

[...] Read more

song performed by David Bowie
Added by Lucian Velea
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Fireflies

My fancies are fireflies, —
Specks of living light
twinkling in the dark.

he voice of wayside pansies,
that do not attract the careless glance,
murmurs in these desultory lines.

In the drowsy dark caves of the mind
dreams build their nest with fragments
dropped from day's caravan.

Spring scatters the petals of flowers
that are not for the fruits of the future,
but for the moment's whim.

Joy freed from the bond of earth's slumber
rushes into numberless leaves,
and dances in the air for a day.

My words that are slight
my lightly dance upon time's waves
when my works havy with import have gone down.

Mind's underground moths
grow filmy wings
and take a farewell flight
in the sunset sky.

The butterfly counts not months but moments,
and has time enough.

My thoughts, like spark, ride on winged surprises,
carrying a single laughter.
The tree gazes in love at its own beautiful shadow
which yet it never can grasp.

Let my love, like sunlight, surround you
and yet give you illumined freedom.

Days are coloured vbubbles
that float upon the surface of fathomless night.

My offerings are too timid to claim your remembrance,
and therefore you may remember them.

Leave out my name from the gift
if it be a burden,
but keep my song.

[...] Read more

poem by Rabindranath Tagore
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I too, have got shoes

Have you seen shoes on children here
No shoes for other children
No shoes for your children
My uncle said to my dad

I lost my shoes—small shoes
from then on
My feet crushed the thorns
from then on

The city was taken from me
But not me from the city
from then on

Many years later my shoe remover died
And I got back my shoes
Bigger shoes—for crushing thorns
from then on

I cat walked in them
And went to bed in them
from then on

I got the city back
Even when I stayed there
from then on

Believe me I too have got shoes
And I slip my feet in them
But not for sleep anymore
Yes I too have got shoes

Other children wear shoes
My children wear shoes
Wear shoes why not
Why not why not why not why not

Shoes in the cot
Shoes to school
Shoes to the market
Shoes to the office
Why not wear shoes

poem by Moses Kainwo
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Adam: A Sacred Drama. Act 1.

CHORUS OF ANGELS, Singing the Glory of God.

To Heaven's bright lyre let Iris be the bow,
Adapt the spheres for chords, for notes the stars;
Let new-born gales discriminate the bars,
Nor let old Time to measure times be slow.
Hence to new Music of the eternal Lyre
Add richer harmony and praise to praise;
For him who now his wondrous might displays,
And shows the Universe its awful Sire.
O Thou who ere the World or Heaven was made,
Didst in thyself, that World, that Heaven enjoy,
How does thy bounty all its powers employ;
What inexpressive good hast thou displayed!
O Thou of sovereign love almighty source,
Who knowest to make thy works thy love express,
Let pure devotion's fire the soul possess,
And give the heart and hand a kindred force.
Then shalt thou hear how, when the world began,
Thy life-producing voice gave myriads birth,
Called forth from nothing all in Heaven and Earth
Blessed in thy light Eagles in the Sun.

ACT I.
Scene I. -- God The Father. -- Chorus of Angels.

Raise from this dark abyss thy horrid visage,
O Lucifer! aggrieved by light so potent,
Shrink from the blaze of these refulgent planets
And pant beneath the rays of no fierce sun;
Read in the sacred volumes of the sky,
The mighty wonders of a hand divine.
Behold, thou frantic rebel,
How easy is the task,
To the great Sire of Worlds,
To raise his his empyrean seat sublime:
Lifting humility
Thither whence pride hath fallen.
From thence with bitter grief,
Inhabitant of fire, and mole of darkness,
Let the perverse behold,
Despairing his escape and my compassion,
His own perdition in another's good,
And Heaven now closed to him, to others opened;
And sighing from the bottom of his heart,
Let him in homage to my power exclaim,
Ah, this creative Sire,
(Wretch as I am) I see,
Hath need of nothing but himself alone
To re-establish all.

[...] Read more

poem by William Cowper
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Seasonable Retour-Knell

SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS

Author notes

A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000

In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.

For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.

Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.

One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.

Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER

Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.

Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.

AUTUMN WINTER

Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.

Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,

[...] Read more

poem by Jonathan Robin
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Adam: A Sacred Drama. Act 2.

SCENE I. -- CHORUS OF ANGELS Singing.

Now let us garlands weave
Of all the fairest flowers,
Now at this early dawn,
For new-made man, and his companion dear;
Let all with festive joy,
And with melodious song,
Of the great Architect
Applaud this noblest work,
And speak the joyous sound,
Man is the wonder both of Earth and Heaven.

FIRST Angel.

Your warbling now suspend,
You pure angelic progeny of God,
Behold the labour emulous of Heaven!
Behold the woody scene,
Decked with a thousand flowers of grace divine;
Here man resides, here ought he to enjoy
In his fair mate eternity of bliss.

SECOND Angel.

How exquisitely sweet
This rich display of flowers,
This airy wild of fragrance,
So lovely to the eye,
And to the sense so sweet.

THIRD Angel.

O the sublime Creator,
How marvellous his works, and more his power!
Such is the sacred flame
Of his celestial love,
Not able to confine it in himself,
He breathed, as fruitful sparks
From his creative breast,
The Angels, Heaven, Man, Woman, and the World.

FOURTH Angel.

Yes, mighty Lord! yes, hallowed love divine!
Who, ever in thyself completely blest,
Unconscious of a want,
Who from thyself alone, and at thy will,
Bright with beignant flames,
Without the aid of matter or of form,

[...] Read more

poem by William Cowper
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Seasonal Cycle - Chapter 02 - Rainy Season

"Oh, dear, now the kingly monsoon is onset with its clouds containing raindrops, as its ruttish elephants in its convoy, and with skyey flashes of lighting as its pennants and buntings, and with the thunders of thunderbolts as its percussive drumbeats, thus this rainy season has come to pass, radiately shining forth like a king, for the delight of voluptuous people...

"By far, the vault of heaven is overly impregnated with massive clouds, that are similar to the gleam of blackish petals of black-costuses... somewhere they are similar to the glitter of the heaps of well-kneaded blackish mascara... and elsewhere they glisten like the blackened nipples of bosoms of pregnant women, ready to rain the elixir of life on the lips of her offspring, when that offspring is actualised...

"The stock of Caataka birds that is disquieted with thirst, and though praying prayerfully for raindrops, those water-filled danglers in the sky, namely the clouds, that have many showers to shower, and though their rumblings are heart-stealing and ear-filling indicating rainfall, but those clouds are drifting away, slowly... heedless of the prayers of poor Caataka birds...

"The clouds in their warrior-march are wielding crashes of thunderbolts as their drum kits, and the flashes of lightning as the fluttering flashes of the bowstring of rainbow, and even they are unloosening very sharp arrows from that rainbow, called the sharply torrents, only to rend the lovelorn hearts of itinerants, that too ruthlessly... in their war on behalf of their ladyloves...

"The earth with grass sprouts seems spread with lapis gems that are shred to smithereens, for the grass has yet not attained that much greenery, and muchly sprouted and overspread are the greenish leaves of Kandali plants that suddenly sprout in rainy seasons, and amidst which greensward red insects are muchly mosaicked, thus the earth is beaming forth like a best lady decorated in many coloured jewels, other than whitish diamonds and other crystalline ones...

"This cloudy and showery environ is evermore heart-pleasing to peacocks, hence they are screaming with hilarity and fidgety, and the whole stock of peacocks is brilliant when its fanlike expansive plumage is outstretched, and on impulsively petting and pecking peahens, now they have commenced their peacock-dance

"Highly intensified is the rapidity of the waters of these maidens called rivers, which similes with the promptitude of maidens with misdemeanour, where these waters are new and thus miry, while those dames are newly maturated and thus they are in the mire of maturity, while these waters are hurtling hastily towards their lover, called the ocean, with a seasonally created excitement, those damsels are flirtatiously jaunting with their flirty lovers, and in doing so both of them are reckless about their own kith and kin, since the rapid watercourse of rivers is felling its riverine trees, ubiquitously... and the flirty jaunting of those dames is felling the reputation of her family, far and wide... ah, a season is the culprit to cause a seasonal itch...

"With the advent of rains upshot are the tender sprouts of grass, and the greensward when grazed by deer and other grazers, it is divers in its hue, somewhere with blackish patches, elsewhere with stacks of grass, and somewhere else with verdant pastures, and with their upcast tender leaflets the trees are ornately decorating the Vindhya mountains, thus the environ is heart-stealing, picturesquely...

"Oh, dear, sheeny are the faces of the deer with their swiftly zipping eyes, which are akin to black-lotuses and to your eyes as well, and they the deer and you, zip your eyes more and more, when there is a thunder or a rumble, then you run into my embrace, as they run to overcrowd the white sand-beds amidst lushly thickets of forests, and this georgic beauty of forests and the graceful beauty of yours, all this is promptly rendering the heart highly ecstatic...

"Though the cloud-cover rendered the nights as pitch-dark, and though thundering is thunderous, and though the pathways on ground are indiscernible for it is pitch-black, even in such nights the lover-seeking women are making haste on those paths, that are indiscernibly shown by the flashes of torch-lights, called the flashes of lightning, for they are impassioned to meet their lovers, to all intents and purposes...

A couple sleeping on a bed, but each at the each end of that bed, and when her man is in sound sleep, she is without any rapid eye-movement, for she is thinking that rapidly about the peccadilloes of her man with some 'other' woman/women, and when she wanted to conclude her man to be a beguiler, as said guuDha vi priya kR^it SaThaH 'one who performs libidinous deeds stealthily, is a beguiler...' then a thunderous cloud thundered thunderingly, and in a trice she embraced her man in an airtight manner, notwithstanding his slyness, for he is her man... thus the seasons unite the divided...

"While their lotus-like eyes are shedding teardrops that are moistening their delicate and tender leaf-like lower lips, that are crimson in colour like Bimba fruit, a lip-like small gourd fruit that becomes crimson red when ripened, and they are rejecting their garlands, ornaments or cosmetics, for those ladyloves of itinerants are staying back at home, hopeless of the return of their men in this season, as said proSite malinaa kR^ishaa 'by sojourners enmired and emaciated are their wives...' thus the seasons divide the united...

"Though the rainwater is new and crystalline but when collected by river it turned to whitish yellow colour of the soil, for begrimed is the river water with dirt, grass, and insects, and when it is skittering off in a serpiginous course facing a declivitous path towards ocean, the stock of frogs that have come out of that river seeking rain, they have observed that river with some trepidation, for those frogs are sceptical whether a python is snaking or a pythonic river is slinking...

"Rains denuded the flowers of their petals, therefor on abandoning the petal-less lotuses the honeybees, solicitous of nectar and desirous to swarm the newborn peacock-coloured costuses, buzzing mellifluously they are muddle-headedly swarming on the circular fanlike plumages of peacocks, that are twitch-dancing in the rain...

"When dark clouds full with new waters are thundering repeatedly, the ruttish wild elephants are repeatedly responding them with their own trumpeting, on the premiss that the thunders are the trumping of the 'other-she-elephants' in rut, and while the cheeks of those elephants are shining like the shiny black-lotuses, and rife with ruttish tallowy fluids, hordes of honeybees are harrying them, for that tallowy stench...

"The silver clouds that vie with the whiteness of white lotuses are kissing the black boulders of mountains on mountaintops, while the mountainsides are bestrewn with mountain-rapids, and widespread with debut dancing of peacocks, and all this is inducing a carnivalesque visual revelry...

"The zephyr is smoothly ruffling the treetops of Kadamba, Sarja, Arjuna and Ketaki trees in woodlands, and the fragrance of those flowers is wafting windswept, further allied with the coolant clouds that are with cool droplets of rainwater, the breeze in this rainy season is muchly fragranced and coolant as well, then why can't this breeze breath affair of the heat in any heart...

"While the braids are dangling down onto the convexities of the their fundaments, their heads coroneted with flowers of fine fragrance and while the pearly pendants are dangling from upon the convexities of their breasts, and while their gleeful faces are aromatic with strong drinks, thus these voluptuous women are niftily arousing arousal in their lovers...

"Well decorated are the water-bearing blackish clouds with the wiry flashes of lightning and with rainbows, and they are flashily dangling down with the weight of water, likewise the jewelly ear-hangings and waist-strings of the womenfolk are dangling down that flashily, thus even those vivacious women are instantly stealing the hearts of sojourners, for these exotic women are reminiscent of the ladyloves of those sojourners...

"Now the women are wearing the concatenated tassels of newborn flowers of Kadamba, Kesara, and Ketaki trees, and at the place of hairslide they are wearing the bunches of flowers of Kakubha trees as their ear-hangings, on concatenating them as they like...

"These days the women are not applying sandal-paste that is mixed with yellow camphor etc., for it will be too coolant, and hence their limbs are quietly bedaubed with the powder of aloe vera and sandal-paste as bodily scents, and with flowers bedecked as ear-hangings at hairslides, their plaited hairdo is rendered fragrant with these flowers and shampoos, such as they are, they are in the service of their in-laws in their chambers, but on hearing the rumbles of clouds, they are hastening themselves to their own bedchambers, where their men are in long wait, though the nightfall has not fallen that deep...

"The far-flung clouds are blackish like the black-lotus petals, enchased with rainbows, and they are now stooping, as with Manmadha, the Love-god, who stoops to take an aim with his love-bow, and then lightly whiffed by the whiffle of wind these clouds are milling about slowly and slowly, and the young wives of wayfarers, who are disconcerted mainly by the reason of separation from their men, and additionally by these whifflling, milling, stooping archers, called clouds, wielding rainbows as their love-bows, as they seem coming slowly and slowly only to steal the hearts of the lonely young wives of wayfarers...

"When new waters are besprinkled abated is the ardour of the forest, up to its endmost parts, that was once caused by the simmering summer, and with the newborn flowers of Kadamba trees that forest appears as though gladdened, and when the wind is whiffling the boughs, whiffled boughs are dancing as though to the tune of rumbling clouds, and in that dance the whitish needle-like blades of Mogra flowers are appearing to be that forest's whitish toothy grins, and all-over the forest it bears those grins and giggles...

"In this rainy season when congeries of clouds have showered enough, plethoric is the flowery blossom, hence the womenfolk embed their hairdos with the tassels of Maalati flowers together with Vakula flowers, and with other new blossomy flowers, and the tassels of new buds of Kadamba flowers are pinned and pensile like their ear-hangings, and this has all the hallmarks of lovers, that decorate the hairdos of their ladyloves, themselves with their own hands...

"The women are wearing sets of chains of pearls on the top of their busty bosoms, and on their beamy pelvic girdles and on their torsos a very thin and white finery, and those torsos wear a delicately crimpy triple-waistline, while their belly wears a very fine hairline that suggests their maturity, which bristles up with the sprinkles of new water...

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poem by Kalidasa
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Sun-Up

(Shadows over a cradle…
fire-light craning….
A hand
throws something in the fire
and a smaller hand
runs into the flame and out again,
singed and empty….
Shadows
settling over a cradle…
two hands
and a fire.)

I

CELIA

Cherry, cherry, glowing on the hearth, bright red cherry…. When you try to pick up cherry Celia's shriek sticks in you like a pin.

When God throws hailstones you cuddle in Celia's shawl and press your feet on her belly high up like a stool. When Celia makes umbrella of her hand. Rain falls through big pink spokes of her fingers. When wind blows Celia's gown up off her legs she runs under pillars of the bank— great round pillars of the bank have on white stockings too.

Celia says my father
will bring me a golden bowl.
When I think of my father
I cannot see him
for the big yellow bowl
like the moon with two handles
he carries in front of him.

Grandpa, grandpa…
(Light all about you…
ginger… pouring out of green jars…)
You don't believe he has gone away and left his great coat…
so you pretend… you see his face up in the ceiling.
When you clap your hands and cry, grandpa, grandpa, grandpa,
Celia crosses herself.

It isn't a dream…. It comes again and again…. You hear ivy crying on steeples the flames haven't caught yet and images screaming when they see red light on the lilies on the stained glass window of St. Joseph. The girl with the black eyes holds you tight, and you run… and run past the wild, wild towers… and trees in the gardens tugging at their feet and little frightened dolls shut up in the shops crying… and crying… because no one stops… you spin like a penny thrown out in the street. Then the man clutches her by the hair…. He always clutches her by the hair…. His eyes stick out like spears. You see her pulled-back face and her black, black eyes lit up by the glare…. Then everything goes out. Please God, don't let me dream any more of the girl with the black, black eyes.

Celia's shadow rocks and rocks… and mama's eyes stare out of the pillow as though she had gone away and the night had come in her place as it comes in empty rooms… you can't bear it— the night threshing about and lashing its tail on its sides as bold as a wolf that isn't afraid— and you scream at her face, that is white as a stone on a grave and pull it around to the light, till the night draws backward… the night that walks alone and goes away without end. Mama says, I am cold, Betty, and shivers. Celia tucks the quilt about her feet, but I run for my little red cloak because red is hot like fire.

I wish Celia
could see the sea climb up on the sky
and slide off again…

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poem by Lola Ridge
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Step Into These Shoes

Step into these shoes feel this heart
Step into these shoes they might fit you
See through these eyes might be the same view
If Id lived through the same things as you
Id share the laughs, and cry the tears that you do
Chorus
Step into these shoes and feel this heart
Step into these shoes no reason to fight
Look into m mind it might fit you
Act out this part is it so different to you
Even if we dont ever agree
The only difference is cosmetically
Step into these shoes no reason to fight
Step in step into these shoes and feel this heart
Just feel my heart it beats with you
We float downstream in the same canoe
You might find the ocean faster than me
But Ill see it eventually
Step into these shoes and feel this heart
Step into these shoes no reason to fight
Step into these shoes and feel this heart
Oh feel this heart please feel it
Step into these shoes and feel this heart oh feel
This heart please feel it
Step into these shoes and feel this heart
Step in step into these shoes no reason to fight
Step in step into these shoes and feel this heart
Step in step into these shoes no reason to fight anymore
Feel this heart oh feel it
Step in step into these shoes no reason to fight

song performed by Howard Jones
Added by Lucian Velea
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Blue Suede Shoes

(carl perkins)
Well, its one for the money, two for the show
Three to get ready and its go man go
You can do anything that you want to do
But uh-huh honey, lay off of my shoes
And dont you step on my shoes
Dont you step on my blue suede shoes
You can do anything that you want to do
But uh-uh honey stay off of my shoes
And dont you step on my blue suede shoes
You can burn my house, steal my car
And drink my liquor out of my fruit jar
You can do anything that you want to do
But uh-uh honey stay off of my shoes
And dont you step on my shoes
Dont step on my blue suede shoes
You can do anything that you want to do
But uh-uh honey stay off of my shoes
And dont you step on my blue suede shoes
Well, its down on beale street late one night
A woman got mad and started a fight
Split my chin and bust my nose
Tore out the back of my best suit of clothes
I said, knock me down, step in my face
Slander my name all over the place
Do anything that you want to do
But uh-uh honey stay off of my shoes
And dont you step on my shoes
Dont step on my blue suede shoes
You can do anything that you want to do
But uh-uh honey stay off of my shoes
And dont you step on my blue suede shoes

song performed by Ry Cooder
Added by Lucian Velea
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Malmaison

I

How the slates of the roof sparkle in the sun, over there, over there,
beyond the high wall! How quietly the Seine runs in loops and windings,
over there, over there, sliding through the green countryside! Like ships
of the line, stately with canvas, the tall clouds pass along the sky,
over the glittering roof, over the trees, over the looped and curving river.
A breeze quivers through the linden-trees. Roses bloom at Malmaison.
Roses! Roses! But the road is dusty. Already the Citoyenne Beauharnais
wearies of her walk. Her skin is chalked and powdered with dust,
she smells dust, and behind the wall are roses! Roses with
smooth open petals, poised above rippling leaves . . . Roses . . .
They have told her so. The Citoyenne Beauharnais shrugs her shoulders
and makes a little face. She must mend her pace if she would be back
in time for dinner. Roses indeed! The guillotine more likely.

The tiered clouds float over Malmaison, and the slate roof sparkles
in the sun.

II

Gallop! Gallop! The General brooks no delay. Make way, good people,
and scatter out of his path, you, and your hens, and your dogs,
and your children. The General is returned from Egypt, and is come
in a `caleche' and four to visit his new property. Throw open the gates,
you, Porter of Malmaison. Pull off your cap, my man, this is your master,
the husband of Madame. Faster! Faster! A jerk and a jingle
and they are arrived, he and she. Madame has red eyes. Fie! It is for joy
at her husband's return. Learn your place, Porter. A gentleman here
for two months? Fie! Fie, then! Since when have you taken to gossiping.
Madame may have a brother, I suppose. That -- all green, and red,
and glitter, with flesh as dark as ebony -- that is a slave; a bloodthirsty,
stabbing, slashing heathen, come from the hot countries to cure your tongue
of idle whispering.

A fine afternoon it is, with tall bright clouds sailing over the trees.

'Bonaparte, mon ami, the trees are golden like my star, the star I pinned
to your destiny when I married you. The gypsy, you remember her prophecy!
My dear friend, not here, the servants are watching; send them away,
and that flashing splendour, Roustan. Superb -- Imperial, but . . .
My dear, your arm is trembling; I faint to feel it touching me! No, no,
Bonaparte, not that -- spare me that -- did we not bury that last night!
You hurt me, my friend, you are so hot and strong. Not long, Dear,
no, thank God, not long.'

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poem by Amy Lowell
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Endymion: Book I

ENDYMION.

A Poetic Romance.

"THE STRETCHED METRE OF AN AN ANTIQUE SONG."
INSCRIBED TO THE MEMORY OF THOMAS CHATTERTON.

Book I

A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.

Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple's self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast,
That, whether there be shine, or gloom o'ercast,
They alway must be with us, or we die.

Therefore, 'tis with full happiness that I
Will trace the story of Endymion.
The very music of the name has gone
Into my being, and each pleasant scene

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poem by John Keats
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Flowers Are The Clocks Of The Light

Flowers are the clocks of the light.
Spring grey. Clouds. Half smoke, half crocus.
The rivulets are carrying last November's leaves away
like long lines of ants bearing the gnostic gospels
of the snow thawing into a spiritual life of water
back to the shrine of their colony
to be chewed over by the divines
masticating the mystery into something
like an edible orthodoxy of mystic impiety.

My heart is a bruised apple with purple blood today.
Neither passionate, nor aloof, clinging
nor unwilling to let go if that's what I must do.
One foot on shore. One in a lifeboat.
O what funny bridges we make as if
we were trying to balance the axis
of heaven and earth upon our nose
like the calves of giraffes learning to walk on stilts.
But there you go. What are you going to do?
That's the way it seems.
You've got to look up and stick your neck out
if you want to graze on the stars.
Same way with dreams. You've got to
risk waking up if you don't want to lose them.

I've wandered off from the carnage
of my doomed holy war of one with my heart
into a peaceful valley where I can sit
on a glacial skull of prophetic rock
and sheathe my sword in the wound I drew it from
like fire from the ore of a crippled dragon
that walked with a limp out of the war
weary of winning these honourable surrenders
like Jacob wrestling with the angel in the way.

Soft here. Easy on the eyes. A gentle touch.
The air on the verge of tears and the trees
about to see who's a skeleton and who's a survivor.
Who made it through the winter, and who
dreamed they died in their sleep and did,
and who, the ghost amputee of the limbs they lost.
I have a mindful heart and a warrior's compassion
for lost lovers, friends, suicides, martyrs, heretics,
neglected gods, defrocked saints, those
who fell half crazy on the broken panes
of their own clarity, committing hara kiri
on the splintered plinths of their own love-crossed stars.
One-eyed artists riding a pair of red bicycle glasses
in a high-wire act without safety nets
like a dropp of dew on a spider's thread

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poem by Patrick White
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The King of the Vasse

A LEGEND OF THE BUSH.

MY tale which I have brought is of a time
Ere that fair Southern land was stained with crime,
Brought thitherward in reeking ships and cast
Like blight upon the coast, or like a blast
From angry levin on a fair young tree,
That stands thenceforth a piteous sight to see.
So lives this land to-day beneath the sun,—
A weltering plague-spot, where the hot tears run,
And hearts to ashes turn, and souls are dried
Like empty kilns where hopes have parched and died.
Woe's cloak is round her,—she the fairest shore
In all the Southern Ocean o'er and o'er.
Poor Cinderella! she must bide her woe,
Because an elder sister wills it so.
Ah! could that sister see the future day
When her own wealth and strength are shorn away,
A.nd she, lone mother then, puts forth her hand
To rest on kindred blood in that far land;
Could she but see that kin deny her claim
Because of nothing owing her but shame,—
Then might she learn 'tis building but to fall,
If carted rubble be the basement-wall.

But this my tale, if tale it be, begins
Before the young land saw the old land's sins
Sail up the orient ocean, like a cloud
Far-blown, and widening as it neared,—a shroud
Fate-sent to wrap the bier of all things pure,
And mark the leper-land while stains endure.
In the far days, the few who sought the West
Were men all guileless, in adventurous quest
Of lands to feed their flocks and raise their grain,
And help them live their lives with less of pain
Than crowded Europe lets her children know.
From their old homesteads did they seaward go,
As if in Nature's order men must flee
As flow the streams,—from inlands to the sea.

In that far time, from out a Northern land,
With home-ties severed, went a numerous band
Of men and wives and children, white-haired folk:
Whose humble hope of rest at home had broke,
As year was piled on year, and still their toil
Had wrung poor fee from -Sweden's rugged soil.
One day there gathered from the neighboring steads,
In Jacob Eibsen's, five strong household heads,—
Five men large-limbed and sinewed, Jacob's sons,

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poem by John Boyle O'Reilly
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Evangeline: A Tale of Acadie

This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.

This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.

Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.

PART THE FIRST

I

In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors

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poem by Henry Wadsworth Longfellow
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The Latest Fashion

Performed by the time with prince
Fellas? yeah! hit me!
R we ready? I do believe we r ready!
What time is it? yount! its killing time, morris!
I know thats right, cause I am the latest fashion
(go morris, go morris, go morris, go morris, go morris, go morris, go morris,
Yount, go morris, go morris, go morris, go morris, go morris, go morris,
Go morris, go morris)
I know I said I loved u
I know I said I needed u
I know I said that Id b here always
But I what I didnt tell u is that
This year the latest fashion is 2 lie in the heat of passion
This year the latest fashion is 2 lie in the heat of passion
People tell us what we want 2 hear
(time) this time the tables r turned
This time were the ones thats painting fires
Instead of getting burned (yount)
This year the latest fashion is 2 lie in the heat of passion
This year the latest fashion is 2 lie in the heat of passion
(go morris, go morris, go morris, go morris, go morris)
Jellybean, (go morris) dont be so mean, (go morris)
Cowboy. heh heh, youre fired!
Jam jimmy jam jimmy jam jimmy jam jimmy jam jimmy jam jimmy jam jimmy jam!
People tell me what I want to hear
This time the tables r turned
Jerome, body language
{go morris chanted 16 times over}
Now do the horse (yeah)
Oak tree! (look out)
I like that, oak tree!
Get ready, chili sauce!
This year the latest fashion is 2 lie in the heat of passion
Fellas? (yeah) hit me, but dontcha lag
Tell me what dance to do...it starts with an m ... (murph drag)
I aint thru yet...band!
Whaa...hallelujah...whoa whoa whoa whoa
Everybody wanna tell me how to play the game
When I run it better than a madame runs dames
Trying to beat me like playing pool with a rope
My funk will leave ya dead cause its good and plenty dope
All in all Im still the king and all yall the court
If you thinking about ruling me ya better get abortions, yes!
Its jacked, cause Im back, and Im harder than a heart attack
And Im the cure for any disease cause there aint nobody funky like me!
(go morris go morris go morris)
Dont be a fool
(go morris, go morris, go morris)
This year the latest fashion is 2 lie in the heat of passion
The latest fashion

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song performed by Prince
Added by Lucian Velea
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