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Blues Leave Me Alone

(by james lane)
Blues, blues trying to drive me away from home.
Blues, blues trying to drive me away from home.
Had the blues so bad, blues followed me all day long.
Blues, blues wont let me take my rest.
Blues, blues wont let me take my rest.
My mind is rambling like a wild geese out in the west.
Well, youre my all day steady, baby youre my midnight dream.
Yes, youre my all day steady, baby youre my midnight dream.
I love that woman better than anyone Ive ever seen.
Blues, blues follow me all day long.
Blues, blues follow me all day long.
Blues, blues wont you please leave me alone.

song performed by Eric Clapton
Added by Lucian Velea
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Lubie

I said I, I left my wife and child (Lubie come back home),
I said i, i left my wife and child (lubie come back home),
And lord my conscience is about to drive me wild (Lubie come back home),
And lord my conscience is about to drive me wild (lubie come back home),
A little voice inside my head goes on and on (Lubie come back home),
A little voice inside my head goes on and on (lubie come back home),
Said Lubie Lubie you better go back home.
Said lubie lubie you better go back home.
I said I, I thought I'd make it by myself (Lubie come back home),
I said i, i thought i'd make it by myself (lubie come back home),
And now my baby she got my heart dropped on a shelf (Lubie come back home),
And now my baby she got my heart dropped on a shelf (lubie come back home),
I said I, I still you're my baby now (Lubie come back home),
I said i, i still you're my baby now (lubie come back home),
Said Lubie Lubie you better go back home.
Said lubie lubie you better go back home.
You better go on home (Lubie come back home),
You better go on home (lubie come back home),
I said yeah Lubie go on home (Lubie come back home),
I said yeah lubie go on home (lubie come back home),
I said you better go home girl,
I said you better go home girl,
Ah yeah you go home.
Ah yeah you go home.
Go on home home home home home home,
Go on home home home home home home,
Yeah Lubie go on home home home home home home,
Yeah lubie go on home home home home home home,
Yeah Lubie go on home home home home home home,
Yeah lubie go on home home home home home home,
Little bit soft, everybody go soft,
Little bit soft, everybody go soft,
Go on home to see my baby,
Go on home to see my baby,
Yeah you know that she loves you daddy like crazy.
Yeah you know that she loves you daddy like crazy.
I say my misses I'm gonna stay what I'm gonna do,
I say my misses i'm gonna stay what i'm gonna do,
Gonna buy you a monkey and a new dog too yeah,
Gonna buy you a monkey and a new dog too yeah,
The guys have got yeah to get 'em to see my baby,
The guys have got yeah to get 'em to see my baby,
A little bit louder, everybody go on go louder, yeah yeah yeah yeah.
A little bit louder, everybody go on go louder, yeah yeah yeah yeah.
Now Lubie where you been,
Now lubie where you been,
I said I, I left my wife and child (Lubie come back home),
I said i, i left my wife and child (lubie come back home),
And lord my conscience is about to drive me wild (Lubie come back home),
And lord my conscience is about to drive me wild (lubie come back home),

[...] Read more

song performed by Who
Added by Lucian Velea
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West End Girls

(....forever)
Sometimes youre better off dead
Theres gun in your hand and its pointing at your head
You think youre mad, too unstable
Kicking in chairs and knocking down tables
In a restaurant in a west end town
Call the police, theres a madman around
Running down underground to a dive bar
In a west end town
In a west end town, a dead end world
The east end boys and west end girls
In a west end town, a dead end world
The east end boys and west end girls
West end girls
Too many shadows, whispering voices
Faces on posters, too many choices
If, when, why, what?
How much have you got?
Have you got it, do you get it, if so, how often?
And which do you choose, a hard or soft option?
(how much do you need? )
In a west end town, a dead end world
The east end boys and west end girls
In a west end town, a dead end world
The east end boys and west end girls
West end girls
West end girls
(how much do you need? )
In a west end town, a dead end world
The east end boys and west end girls
Oooh west end town, a dead end world
East end boys, west end girls
West end girls
Youve got a heart of glass or a heart of stone
Just you wait till I get you home
Weve got no future, weve got no past
Here today, built to last
In every city, in every nation
From lake geneva to the finland station
(how far have you been? )
In a west end town, a dead end world
The east end boys and west end girls
A west end town, a dead end world
East end boys, west end girls
West end girls
West end girls
West end girls
(how far have you been? )
Girls
East end boys

[...] Read more

song performed by Pet Shop Boys
Added by Lucian Velea
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The Dream

'TWAS summer eve; the changeful beams still play'd
On the fir-bark and through the beechen shade;
Still with soft crimson glow'd each floating cloud;
Still the stream glitter'd where the willow bow'd;
Still the pale moon sate silent and alone,
Nor yet the stars had rallied round her throne;
Those diamond courtiers, who, while yet the West
Wears the red shield above his dying breast,
Dare not assume the loss they all desire,
Nor pay their homage to the fainter fire,
But wait in trembling till the Sun's fair light
Fading, shall leave them free to welcome Night!

So when some Chief, whose name through realms afar
Was still the watchword of succesful war,
Met by the fatal hour which waits for all,
Is, on the field he rallied, forced to fall,
The conquerors pause to watch his parting breath,
Awed by the terrors of that mighty death;
Nor dare the meed of victory to claim,
Nor lift the standard to a meaner name,
Till every spark of soul hath ebb'd away,
And leaves what was a hero, common clay.

Oh! Twilight! Spirit that dost render birth
To dim enchantments; melting Heaven with Earth,
Leaving on craggy hills and rumning streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,
And, tho' such radliance round him brightly glows,
Marks the small spark his cottage window throws.
Still as his heart forestals his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life,
His rosy children, and his sunburnt wife,

To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past,
And those poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turn'd quietly aside;
But him they wait for, him they welcome home,
Fond sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
The frugal meal prepared, are all for him;
For him the watching of that sturdy boy,

[...] Read more

poem by Caroline Elizabeth Sarah Norton
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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I'm Bad

bad bad bad bad bad
bad bad bad bad bad
bad bad bad bad
I was bas born
I'd be badder when I die
I'm bad when I am sober
I'm badder when I'm high
I'm when I feel good
I'm bad when I'm blue
I'm bad to myself
So I'll be bad to you
So I'll be bad to you
I should've been good
Look at the trouble I've had
I would if I could
But I'm just bad
bad bad bad bad bad
bad bad bad bad
I'm, bad and I'm alive
I'll be badder when I'm dead
I'm bad in my body
man I'm badder in the head
I'm bad in the bed
Something wrong from the start
Guilt in my mind
Evil in my heart
Evil in my heart
I don't need to be happy
I don't care if I'm sad
I don't care about nothin'
Cause I'm bad bad bad bad bad
bad bad bad bad
Don't lend me a dollar
Don't lend me a dime
Don't lend me your wife
She'll have a good time
I'm bad in my car
I'm badder when I'm home
I'm bad when I'm with you
And I'm badder all alone
I'm a low down worm
I'm a conquering worm
I'm a blood-suckin' worm
I'm a slime baitin' worm
I'll put you on the hook
And I'll watch you squirm
I could never learn
Any young turks new tricks
I could never learn
Not to kick against the pricks

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song performed by Violent Femmes
Added by Lucian Velea
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Marmion: Canto V. - The Court

I.

The train has left the hills of Braid;
The barrier guard have open made
(So Lindesay bade) the palisade,
That closed the tented ground;
Their men the warders backward drew,
And carried pikes as they rode through
Into its ample bound.
Fast ran the Scottish warriors there,
Upon the Southern band to stare.
And envy with their wonder rose,
To see such well-appointed foes;
Such length of shaft, such mighty bows,
So huge, that many simply thought,
But for a vaunt such weapons wrought;
And little deemed their force to feel,
Through links of mail, and plates of steel,
When rattling upon Flodden vale,
The clothyard arrows flew like hail.

II.

Nor less did Marmion's skilful view
Glance every line and squadron through;
And much he marvelled one small land
Could marshal forth such various band:
For men-at-arms were here,
Heavily sheathed in mail and plate,
Like iron towers for strength and weight,
On Flemish steeds of bone and height,
With battle-axe and spear.
Young knights and squires, a lighter train,
Practised their chargers on the plain,
By aid of leg, of hand, and rein,
Each warlike feat to show,
To pass, to wheel, the croupe to gain,
The high curvet, that not in vain
The sword sway might descend amain
On foeman's casque below.
He saw the hardy burghers there
March armed, on foot, with faces bare,
For vizor they wore none,
Nor waving plume, nor crest of knight;
But burnished were their corslets bright,
Their brigantines, and gorgets light,
Like very silver shone.
Long pikes they had for standing fight,
Two-handed swords they wore,
And many wielded mace of weight,

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poem by Sir Walter Scott
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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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poem by Robinson Jeffers
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Peter Bell, A Tale

PROLOGUE

There's something in a flying horse,
There's something in a huge balloon;
But through the clouds I'll never float
Until I have a little Boat,
Shaped like the crescent-moon.

And now I 'have' a little Boat,
In shape a very crescent-moon
Fast through the clouds my boat can sail;
But if perchance your faith should fail,
Look up--and you shall see me soon!

The woods, my Friends, are round you roaring,
Rocking and roaring like a sea;
The noise of danger's in your ears,
And ye have all a thousand fears
Both for my little Boat and me!

Meanwhile untroubled I admire
The pointed horns of my canoe;
And, did not pity touch my breast,
To see how ye are all distrest,
Till my ribs ached, I'd laugh at you!

Away we go, my Boat and I--
Frail man ne'er sate in such another;
Whether among the winds we strive,
Or deep into the clouds we dive,
Each is contented with the other.

Away we go--and what care we
For treasons, tumults, and for wars?
We are as calm in our delight
As is the crescent-moon so bright
Among the scattered stars.

Up goes my Boat among the stars
Through many a breathless field of light,
Through many a long blue field of ether,
Leaving ten thousand stars beneath her:
Up goes my little Boat so bright!

The Crab, the Scorpion, and the Bull--
We pry among them all; have shot
High o'er the red-haired race of Mars,
Covered from top to toe with scars;
Such company I like it not!

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poem by William Wordsworth
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The Lady of the Lake: Canto IV. - The Prophecy

I.
The rose is fairest when 't is budding new,
And hope is brightest when it dawns from fears;
The rose is sweetest washed with morning dew
And love is loveliest when embalmed in tears.
O wilding rose, whom fancy thus endears,
I bid your blossoms in my bonnet wave,
Emblem of hope and love through future years!'
Thus spoke young Norman, heir of Armandave,
What time the sun arose on Vennachar's broad wave.

II.
Such fond conceit, half said, half sung,
Love prompted to the bridegroom's tongue.
All while he stripped the wild-rose spray,
His axe and bow beside him lay,
For on a pass 'twixt lake and wood
A wakeful sentinel he stood.
Hark!-on the rock a footstep rung,
And instant to his arms he sprung.
'Stand, or thou diest!-What, Malise?-soon
Art thou returned from Braes of Doune.
By thy keen step and glance I know,
Thou bring'st us tidings of the foe.'-
For while the Fiery Cross tried on,
On distant scout had Malise gone.-
'Where sleeps the Chief?' the henchman said.
'Apart, in yonder misty glade;
To his lone couch I'll be your guide.'-
Then called a slumberer by his side,
And stirred him with his slackened bow,-
'Up, up, Glentarkin! rouse thee, ho!
We seek the Chieftain; on the track
Keep eagle watch till I come back.'

III.
Together up the pass they sped:
'What of the foeman?' Norman said.-
'Varying reports from near and far;
This certain,-that a band of war
Has for two days been ready boune,
At prompt command to march from Doune;
King James the while, with princely powers,
Holds revelry in Stirling towers.
Soon will this dark and gathering cloud
Speak on our glens in thunder loud.
Inured to bide such bitter bout,
The warrior's plaid may bear it out;
But, Norman, how wilt thou provide
A shelter for thy bonny bride?''-

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poem by Sir Walter Scott
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Loraine

This is the story of one man’s soul.
The paths are stony and passion is blind,
And feet must bleed ere the light we find.
The cypher is writ on Life’s mighty scroll,
And the key is in each man’s mind.
But who read aright, ye have won release,
Ye have touched the joy in the heart of Peace.

PART I

THERE’S a bend of the river on Glenbar run
Which the wild duck haunt at the set of sun,
And the song of the waters is softened so
That scarcely its current is heard to flow;
And the blackfish hide by the shady bank
’Neath the sunken logs where the reeds are rank,
And the halcyon’s mail is an azure gleam
O’er the shifting shoals of the silver bream,
And the magpies chatter their idle whim,
And the wagtails flitter along the brim,
And tiny martins with breasts of snow
Keep fluttering restlessly to and fro,
And the weeping willows have framed the scene
With the trailing fall of their curtains green,
And the grass grows lush on the level leas
’Neath the low gnarled boughs of the apple trees,
Where the drowsy cattle dream away
The noon-tide hours of the summer day.
There’s a shady nook by the old tree where
The track comes winding from Bendemeer.
So faint are the marks of the bridle track,
From the old slip-rails on the ridge’s back,
That few can follow the lines I know—
But I ride with the shadows of long ago!
I am gaunt and gray, I am old and worn,
But my heart goes back to a radiant morn
When someone waited and watched for me
In the friendly shade of that grand old tree.
The winter of Memory brings again
The summer rapture of passionate pain,
And she comes to me with the morning grace
On her sun-gold hair and her lily face,
And her blue eyes soft with the dreamy light
She stole from the stars of the Southern night,
And her slender form like a springtide flower
That sprang from the earth in a magic hour,
With the trembling smile and the tender tone
And the welcome glance—that were mine alone.
And we sit once more as we sat of old
When the future lay in a haze of gold—

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poem by George Essex Evans
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Mommy And Daddy

by Micky Dolenz
M=Micky, C=Coco Dolenz, CR=Control Room (Chip Douglas)
M: ...or we could do...
C: Ha-ha, Micky, just do what they want...
CR: Do, uh, do both of these again...
Well, I'm an angry man, I sing an angry song,
Tell you, honey, it won't be long,
Well, I'll pack my bags, get out of here
With my guitar and a case of beer.
Well I'm going north and I'm going south,
Tell you, honey, better shut your mouth,
Well, I'll kick your head from here to hell,
You better know I can do it well.
Midnight train, rambling, rambling,
All night long I'm gambling, gambling,
Losing all my money, well, it really ain't so funny, hon,
Midnight train, rambling, rambling,
All night long I'm gambling, gambling,
Tell you what baby, well you better be moving on.
Well I really don't know I'm going for sure,
Ain't got a map and it ain't no tour,
I'm just heading out for the open sky,
Who knows, I might even die.
Well, don't you worry your pretty little head,
I never give a damn what I did or said,
That's why I'm packing to leave this place,
Can't stand to look at your cheating face.
Midnight train, rambling, rambling,
All night long I'm gambling, gambling,
Losing all my money, well, it really ain't so funny, hon,
Midnight train, rambling, rambling,
All night long I'm gambling, gambling,
Tell you what baby, well you better be moving on.
Well you treated me like a little boy
And you played around like I was a toy,
Guess you thought I'd have the blues,
Look whose crying, guess you lose.
Midnight train, rambling, rambling,
All night long I'm gambling, gambling,
Losing all my money, well, it really ain't so funny, hon,
Midnight train, r

song performed by Monkees
Added by Lucian Velea
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The Undying One- Canto III

'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?

If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!

'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!

'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst

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poem by Caroline Elizabeth Sarah Norton
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Rosalind and Helen: a Modern Eclogue

ROSALIND, HELEN, and her Child.

SCENE. The Shore of the Lake of Como.

HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?
None doth behold us now; the power
That led us forth at this lone hour
Will be but ill requited
If thou depart in scorn. Oh, come,
And talk of our abandoned home!
Remember, this is Italy,
And we are exiles. Talk with me
Of that our land, whose wilds and floods,
Barren and dark although they be,
Were dearer than these chestnut woods;
Those heathy paths, that inland stream,
And the blue mountains, shapes which seem
Like wrecks of childhood's sunny dream;
Which that we have abandoned now,
Weighs on the heart like that remorse
Which altered friendship leaves. I seek
No more our youthful intercourse.
That cannot be! Rosalind, speak,
Speak to me! Leave me not! When morn did come,
When evening fell upon our common home,
When for one hour we parted,--do not frown;
I would not chide thee, though thy faith is broken;
But turn to me. Oh! by this cherished token
Of woven hair, which thou wilt not disown,
Turn, as 't were but the memory of me,
And not my scornèd self who prayed to thee!

ROSALIND
Is it a dream, or do I see
And hear frail Helen? I would flee
Thy tainting touch; but former years
Arise, and bring forbidden tears;

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poem by Percy Bysshe Shelley
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Tale XV

ADVICE; OR THE 'SQUIRE AND THE PRIEST.

A wealthy Lord of far-extended land
Had all that pleased him placed at his command;
Widow'd of late, but finding much relief
In the world's comforts, he dismiss'd his grief;
He was by marriage of his daughters eased,
And knew his sons could marry if they pleased;
Meantime in travel he indulged the boys,
And kept no spy nor partner of his joys.
These joys, indeed, were of the grosser kind,
That fed the cravings of an earthly mind;
A mind that, conscious of its own excess,
Felt the reproach his neighbours would express.
Long at th' indulgent board he loved to sit,
Where joy was laughter, and profaneness wit;
And such the guest and manners of the hall,
No wedded lady on the 'Squire would call:
Here reign'd a Favourite, and her triumph gain'd
O'er other favourites who before had reign'd;
Reserved and modest seemed the nymph to be,
Knowing her lord was charm'd with modesty;
For he, a sportsman keen, the more enjoy'd,
The greater value had the thing destroyed.
Our 'Squire declared, that from a wife released,
He would no more give trouble to a Priest;
Seem'd it not, then, ungrateful and unkind
That he should trouble from the priesthood find?
The Church he honour'd, and he gave the due
And full respect to every son he knew;
But envied those who had the luck to meet
A gentle pastor, civil and discreet;
Who never bold and hostile sermon penned,
To wound a sinner, or to shame a friend;
One whom no being either shunn'd or fear'd:
Such must be loved wherever they appear'd.
Not such the stern old Rector of the time,
Who soothed no culprit, and who spared no crime;
Who would his fears and his contempt express
For irreligion and licentiousness;
Of him our Village Lord, his guests among,
By speech vindictive proved his feelings stung.
'Were he a bigot,' said the 'Squire, 'whose zeal
Condemn'd us all, I should disdain to feel:
But when a man of parts, in college train'd,
Prates of our conduct, who would not be pain'd?
While he declaims (where no one dares reply)
On men abandon'd, grov'ling in the sty
(Like beasts in human shape) of shameless luxury.
Yet with a patriot's zeal I stand the shock

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poem by George Crabbe
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The Child Of The Islands - Summer

I.

FOR Summer followeth with its store of joy;
That, too, can bring thee only new delight;
Its sultry hours can work thee no annoy,
Veiled from thy head shall be its glowing might.
Sweet fruits shall tempt thy thirsty appetite;
Thy languid limbs on cushioned down shall sink;
Or rest on fern-grown tufts, by streamlets bright,
Where the large-throated deer come down to drink,
And cluster gently round the cool refreshing brink.
II.

There, as the flakèd light, with changeful ray
(From where the unseen glory hotly glows)
Through the green branches maketh pleasant way,
And on the turf a chequered radiance throws,
Thou'lt lean, and watch those kingly-antlered brows--
The lustrous beauty of their glances shy,
As following still the pace their leader goes,
(Who seems afraid to halt--ashamed to fly,)
Rapid, yet stately too, the lovely herd troop by.
III.

This is the time of shadow and of flowers,
When roads gleam white for many a winding mile;
When gentle breezes fan the lazy hours,
And balmy rest o'erpays the time of toil;
When purple hues and shifting beams beguile
The tedious sameness of the heath-grown moor;
When the old grandsire sees with placid smile
The sunburnt children frolic round his door,
And trellised roses deck the cottage of the poor.
IV.

The time of pleasant evenings! when the moon
Riseth companioned by a single star,
And rivals e'en the brilliant summer noon
In the clear radiance which she pours afar;
No stormy winds her hour of peace to mar,
Or stir the fleecy clouds which melt away
Beneath the wheels of her illumined car;
While many a river trembles in her ray,
And silver gleam the sands round many an ocean bay!
V.

Oh, then the heart lies hushed, afraid to beat,
In the deep absence of all other sound;
And home is sought with loth and lingering feet,
As though that shining tract of fairy ground,

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poem by Caroline Elizabeth Sarah Norton
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Wild Dancing

Dance to the beat
Dance to the beat
Dance to the beat
Wild dancing [wild dancing]
Dance to the beat
Da, da, da, dance
Looking for some wild dancing
Looking for some wild dancing
[Wi, wi , wi, wild dancing]
[Wild dancing]
Dance to the beat
Da, da, da, dance
Da, da, da, dance to the beat
Looking for some wild dancing
Wild dancing
Wild dancing beat
Dancing beat
Wi, wild da, dancing
Dancing beat
Be, be, be, beat
Da, da, da, dancing beat
Wild dancing
Wi, wild
Dancing beat
Wild dancing
Wild dancing
Wi, wi, wild dancing
Wild dancing
Wild dancing
[Wild dancing]
Wild dancing
[Wild dancing]
Wild dancing
[Wild dancing]
Dance to the beat
Dance to the beat
Wi, wild da, dance
Wild dancing
Dancing beat
Wild dancing
Wild, wild
Dance to the beat
Wild dancing
Wild, wild
[Wild dancing]
Wild dancing
Dance to the beat
Dance to the beat
[Wild dancing]
Dance to the beat

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song performed by Madonna
Added by Lucian Velea
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Bad Bad Boy

Im a bad, bad, boy
And Im gonna steal your love
Said Im a bad, bad, boy
And Im gonna steal your love
Come take me to your house
Then Im gonna rip you off
Well I made my first kill
With the old town girl
She was the apple of her daddys eye
Well that woman looked up at me
And I said honey well be
Together till the day I die
But I lied
Im a bad, bad, boy
And Im gonna steal your love
Im a bad, bad, boy
And Im gonna steal your love
Come take me to your house
Then Im gonna rip you off
There seems to be no end
Of women who are lookin for a man
My services dont come cheap
But I help out when I can
Tell them lies that they wanna hear
Andi really lead em on
Spend all of their money
And Im long, gone
Im a bad, bad, boy
And Im gonna steal your love
Im a bad, bad, boy
And Im gonna steal your love
Come take me to your house
Then Im gonna rip you off
Ive got tastes for fast cars
I dont wanna settle down
The good life sure come s easily
With all the mugs around
The women they just come to me
I dont have to look around
I move into their homes with them
Then I move on
Im a bad, bad, boy
And Im gonna steal your love
Im a bad, bad, boy
Im gonna steal your love
Come take me to your house
Then Im gonna rip you off
Im a bad, bad, bad, bad, bad,bad, bad, bad, bad,bad,bad, bad, boy
Im bad, Im bad, Im bad, Im such a, such a bad, bad boy
Im gonna rip you off

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song performed by Nazareth
Added by Lucian Velea
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The Witch of Hebron

A Rabbinical Legend

Part I.
From morn until the setting of the sun
The rabbi Joseph on his knees had prayed,
And, as he rose with spirit meek and strong,
An Indian page his presence sought, and bowed
Before him, saying that a lady lay
Sick unto death, tormented grievously,
Who begged the comfort of his holy prayers.
The rabbi, ever to the call of grief
Open as day, arose; and girding straight
His robe about him, with the page went forth;
Who swiftly led him deep into the woods
That hung, heap over heap, like broken clouds
On Hebron’s southern terraces; when lo!
Across a glade a stately pile he saw,
With gleaming front, and many-pillared porch
Fretted with sculptured vinage, flowers and fruit,
And carven figures wrought with wondrous art
As by some Phidian hand.

But interposed
For a wide space in front, and belting all
The splendid structure with a finer grace,
A glowing garden smiled; its breezes bore
Airs as from paradise, so rich the scent
That breathed from shrubs and flowers; and fair the growths
Of higher verdure, gemm’d with silver blooms,
Which glassed themselves in fountains gleaming light
Each like a shield of pearl.

Within the halls
Strange splendour met the rabbi’s careless eyes,
Halls wonderful in their magnificance,
With pictured walls, and columns gleaming white
Like Carmel’s snow, or blue-veined as with life;
Through corridors he passed with tissues hung
Inwrought with threaded gold by Sidon’s art,
Or rich as sunset clouds with Tyrian dye;
Past lofty chambers, where the gorgeous gleam
Of jewels, and the stainèd radiance

Of golden lamps, showed many a treasure rare
Of Indian and Armenian workmanship
Which might have seemed a wonder of the world:
And trains of servitors of every clime,
Greeks, Persians, Indians, Ethiopians,
In richest raiment thronged the spacious halls.

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poem by Charles Harpur
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Disobedience

James James
Morrison Morrison
Weatherby George Dupree
Took great
Care of his Mother,
Though he was only three.
James James Said to his Mother,
"Mother," he said, said he;
"You must never go down
to the end of the town,
if you don't go down with me."

James James
Morrison's Mother
Put on a golden gown.
James James Morrison's Mother
Drove to the end of the town.
James James Morrison's Mother
Said to herself, said she:
"I can get right down
to the end of the town
and be back in time for tea."

King John
Put up a notice,
"LOST or STOLEN or STRAYED!
JAMES JAMES MORRISON'S MOTHER
SEEMS TO HAVE BEEN MISLAID.
LAST SEEN
WANDERING VAGUELY:
QUITE OF HER OWN ACCORD,
SHE TRIED TO GET DOWN
TO THE END OF THE TOWN -
FORTY SHILLINGS REWARD!"

James James
Morrison Morrison
(Commonly known as Jim)
Told his
Other relations
Not to go blaming him.
James James
Said to his Mother,
"Mother," he said, said he:
"You must never go down to the end of the town
without consulting me."

James James
Morrison's mother
Hasn't been heard of since.

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poem by Alan Alexander Milne
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