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You Shouldve Told Me

I wouldnt call in the midnight hour
I wouldnt tuck you in and turn the nightlight out
You would walk through the door and I wouldnt say hi
I would walk out the door and wouldnt say bye-bye
Its funny that I never thought about it that way
I never knew the things that I did not say
But you were lonely and you were hungry
And I was living in my own world
Thinking Im a perfect lady
You shouldve told me
I wasnt small enough
You shouldve told me
I didnt call enough
But you led me on
And kept me going
And we never shouldve wasted this time
You shouldve told me
I wasnt wild enough
You shouldve told me
I didnt smile enough
What you had in my mind
Made me lose my mind
And we never shouldve wasted this time
I was in bed Id help you take your clothes off
When it was time for work didnt see you off
When your tense didnt give a massage
I never told you I think youre hot
Its funny I never thought about it that way
Never knew the things I did not say
But you were lonely and you were hungry
And I was living in my own world
Thinking Im a perfect lady
You shouldve told me
I wasnt small enough
You shouldve told me
I didnt call enough
But you led me on
And kept me going
And we never shouldve wasted this time
You shouldve told me
I wasnt wild enough
You shouldve told me
I didnt smile enough
What you had in my mind
Made me lose my mind
And we never shouldve wasted this time
When you thought you had to lie
Why didnt you come and tell me why?
Didnt you see those tears I cried?
Oh why?

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song performed by Kelly Price
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

poem by Robert Browning from The Ring and the Book
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Bye Bye Bird

I say bye bye, bird.
I say bye bye, bird.
I say bye bye, baby.
I say bye bye.
Bye bye, baby, bye bye.
Bye bye, baby, bye bye.
Bye bye, baby, bye bye.
Bye bye, Birdie.
Now if you wanna say goodbye to your girl
I wanna give you one or two little tips, yeah.
Say Bye bye, baby
And then you say Bye bye, girl
And then you say Get the suitcases, honey
I don't wanna see you, hear the words.
Say bye bye.
Say bye bye.
Bye bye, baby.
Bye bye, bird.
Now if you wanna say goodbye to your girl
I wanna give you one or two little tips, yeah.
Say Bye bye, bird
Then say Bye bye, baby
Bye bye, girl
Mmm, not another word.
I say bye.
I say bye.
Say bye bye.
Say bye bye.
Bye baye, babe.
Yeah, let's swing it on, now.
Bye bye, baby,
I say bye bye, baby.
I say bye bye, baby.
Bye bye.
Bye bye, baby.
Bye bye, baby.
Bye bye, baby.
Bye bye bye, baby, yeah.
Bye bye, girl.
I say bye bye, babe.

song performed by Moody Blues
Added by Lucian Velea
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Bye Bye Bluebird

Bye bye bluebird, bye bye bluebird
You were lots of fun to know
But I have to let you go
Bye bye bluebird, bye bye bluebird
Youre the flyin saucer kind
In and out and hard to find
Bye bye bluebird
Bye bye bluebird
Bye bye bluebird
Bye bye bluebird
Bye bye bluebird
Bye bye bluebird
When you came I flipped my lid
I never thought Id lose you kid
Bye bye bluebird
Bye bye bluebird
Bye bye bluebird
Bye bye bluebird
Though we were a perfect pair
It was a flight-by-night affair
Bye bye bluebird
Bye bye bluebird
Oh I should have clipped your wings
Im not gonna do these things
Bye bye bluebird
Bye bye bluebird
If you ever should be near
Dont forget to drop in here
Bye bye bluebird
Bye bye bluebird
Bye bye bluebird
Bye bye bluebird
Bye bye bluebird
Bye bye bluebird
Call me when youre short of dough
Or maybe just to say hello
Bye bye bluebird
Bye bye bluebird
Bye bye bluebird
Bye bye bluebird
No hard feelings anyway
Its nice to know we had our way
Bye bye bluebird
Bye bye bluebird
Bye bye bluebird
Bye bye bluebird

song performed by Boney M.
Added by Lucian Velea
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It Aint No Use

Um um um um
Um um um um
There aint no reason for us sittin down
To try to talk our problems out
cause we know the truth,
It aint no use each other we must do without.
There aint no reason tryin to force a smile
When pain is really in its place
cause we know the truth,
It aint no use lets part before we lose loves trace.
(weve got to say)
Wow oh oh ooh
(bye bye bye bye bye)
Wow oh oh ooh
(bye bye bye bye bye)
Wow oh ooh oh ooh wow oh ooh
Wow oh oh oh ooh
As I look back Im really tryn to see
Just what it was that made us spark
cause the fires out
It leaves no doubt, the flames not burning in our hearts.
We still are young and both of us have time
To find our winter love in spring
Yes we know the truth
It aint no use, were not each others evrything.
(we always must say bye)
Wow oh oh ooh yeah
(bye bye bye bye bye)
Wow oh oh ooh yeah
(bye bye bye bye bye)
Wow oh ooh oh ooh wow oh ooh
Wow oh oh oh ooh
(hate to say goodbye)
Wow oh oh ooh yeah
(bye bye bye bye bye)
Wow oh oh ooh yeah
(bye bye bye bye bye)
Wow oh ooh oh ooh wow oh ooh
Wow oh oh oh ooh
(why we say bye)
Wow oh oh ooh
(bye bye bye bye bye)
The trill is gone babe, yeah, yeah, yeah
(bye bye bye bye bye)
I tried my best to make it work
(wow oh oh oh ooh)
But it seems that we cant get it together, yeah,
(wow oh ooh)
Weve got to run in the world
(bye bye bye bye bye)

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song performed by Stevie Wonder
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Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

[...] Read more

poem by Byron from Don Juan (1824)
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Shouldve Been The One

My baby, shouldve been the one
Last night I was so scared I couldnt close my eyes
You still live in me
Some how I made it through the night
Rescued by the break of day, once again
I know someones in your heart, its pulling me apart
But I guess Im the one to blame (its so hard)
And its so hard (so hard) holding back the tears now youve
Dissapeared
How I long to hold you near
Chorus:
Oh I shouldve been the one whos with you now
Shouldve been the one thats feeling proud
I failed you now
Oh I shouldve read the signs in your eyes
Shouldve had the sense to realise
Ive lost you now
I see you, laughing out loud standing in the crowd
The same crowd I used to know
But its too late now to change anything
Ive lost everything
Gotta learn to let you go
Chorus
I shouldve been the light in your eyes (shouldve been the light)
Shouldve been the fire in your smile (shouldve been the fire)
I shouldve been your spirit and your guide
I wonder do you think of me? (do you think of me? )
Maybe you shed a tear for me (shed a tear for me)
I realise I paid the price but nothings gonna change the way I fell
For
You
Oh I shouldve been the one whos with you now
Shouldve been the one whos feeling proud
Girl Ive failed you now
Shouldve read the signs in your eyes
Shouldve had the sense to realise
Ive lost you now
I know I let you down, baby had to fool around
Oh I shouldve been the one whos with you now
Shouldve been the one whos feeling proud
I failed you now
I shouldve read the signs, baby shouldve realised
Oh I shouldve read the signs in your eyes
Shouldve had the sense to realise
Ive lost you now
I know I let you down, baby had to fool around.

song performed by 911
Added by Lucian Velea
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The Court Of Love

With timerous hert and trembling hand of drede,
Of cunning naked, bare of eloquence,
Unto the flour of port in womanhede
I write, as he that non intelligence
Of metres hath, ne floures of sentence;
Sauf that me list my writing to convey,
In that I can to please her hygh nobley.

The blosmes fresshe of Tullius garden soote
Present thaim not, my mater for to borne:
Poemes of Virgil taken here no rote,
Ne crafte of Galfrid may not here sojorne:
Why nam I cunning? O well may I morne,
For lak of science that I can-not write
Unto the princes of my life a-right

No termes digne unto her excellence,
So is she sprong of noble stirpe and high:
A world of honour and of reverence
There is in her, this wil I testifie.
Calliope, thou sister wise and sly,
And thou, Minerva, guyde me with thy grace,
That langage rude my mater not deface.

Thy suger-dropes swete of Elicon
Distill in me, thou gentle Muse, I pray;
And thee, Melpomene, I calle anon,
Of ignoraunce the mist to chace away;
And give me grace so for to write and sey,
That she, my lady, of her worthinesse,
Accepte in gree this litel short tretesse,

That is entitled thus, 'The Court of Love.'
And ye that ben metriciens me excuse,
I you besech, for Venus sake above;
For what I mene in this ye need not muse:
And if so be my lady it refuse
For lak of ornat speche, I wold be wo,
That I presume to her to writen so.

But myn entent and all my besy cure
Is for to write this tretesse, as I can,
Unto my lady, stable, true, and sure,
Feithfull and kind, sith first that she began
Me to accept in service as her man:

[...] Read more

poem by Anonymous Olde English
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Christabel

PART I

'Tis the middle of night by the castle clock
And the owls have awakened the crowing cock;
Tu-whit!- Tu-whoo!
And hark, again! the crowing cock,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff, which
From her kennel beneath the rock
Maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady's shroud.

Is the night chilly and dark?
The night is chilly, but not dark.
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:
'T is a month before the month of May,
And the Spring comes slowly up this way.
The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,
A furlong from the castle gate?
She had dreams all yesternight
Of her own betrothed knight;
And she in the midnight wood will pray
For the weal of her lover that's far away.

She stole along, she nothing spoke,
The sighs she heaved were soft and low,
And naught was green upon the oak,
But moss and rarest mistletoe:
She kneels beneath the huge oak tree,
And in silence prayeth she.

The lady sprang up suddenly,
The lovely lady, Christabel!
It moaned as near, as near can be,
But what it is she cannot tell.-
On the other side it seems to be,
Of the huge, broad-breasted, old oak tree.
The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air

[...] Read more

poem by Samuel Taylor Coleridge
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Roller

(myles goodwyn)
Published by goody two tunes, inc. - bmi
Yeah, yeah, yeah, yeah, ooh alright
Gonna catch a flight to nevada
Leave her friends at home in l.a.
Seven come eleven or blackjack
Gamblin night and day, yeah
Cause shes a roller, now
A high roller baby, she is, mmm
Shes a roller, yeah
A high roller baby, alright, ooh
She likes to play for double or nothing
Shes tellin all the boys shes hot
And everybody knows shes ready, yeah
To give it everything that she got, ooh
Shes a roller, yeah
A high roller baby, my my, ooh
Shes a roller, yeah
A high roller baby, look out, ooh yeah
My my my my my, my my, my my, my my, yeah
People try to tell her shes crazy
She doesnt hear a word they say, yeah
Tellin all the boys to get ready
Cause shes givin it all away, ooh
Shes a roller, yeah (roller)
A high roller baby, yeah
Cause shes a roller, yeah (roller)
A high roller baby, she is
Shes a roller (roller)
A high roller baby, yeah yeah
Shes a roller (shes a roller, shes a roller)
A high roller baby, a high roller baby, ooh (ooh)
Bye bye, bye bye, bye bye
Bye bye, bye bye, bye bye, bye bye
Bye bye, bye bye, bye bye
Bye bye, bye bye, bye bye
Bye bye, bye bye bye, bye bye
Bye bye, bye bye bye, bye bye
Bye bye, bye bye bye, bye bye, bye bye, yeah, yeah

song performed by April Wine
Added by Lucian Velea
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The Royal Air Force Hero and the Luftwaffe General

Britain fought for her life.
Hitler’s armies prepared
For an invasion of England.
Savage air battles took place
Over the skies of Albion.

Then a miracle happened:
In the summer and autumn of 1940
The Royal Air Force defeated
The numerically superior Luftwaffe.

This was a turning point in the war.
Lacking adequate air support,
The Fuehrer could not carry out
His invasion plans.

Deeply touched by the heroism
Of the pilots, Winston Churchill said:
“Never in the field of human conflict
Was so much owed by so many
To so few”.

Only three thousand young aviators
Defended the skies of England;
Among them scores of Jewish pilots.

The British ace pilot Robert Stanford Tuck
Was one of the outstanding Jewish heroes
Of World War II. He was born in 1917
And grew up in the Greater London district
Of Catford. In 1935 the 18-year-old Robert
Joined the RAF. During the war
He distinguished himself in the skies
Of Dunkirk and in the Battle of Britain.

A Flight Lieutenant and Wing Commander
With 92 and 257 Squadrons, Tuck became
One of the top ace aviators of the RAF,
Credited with 29 confirmed victories
Of downed enemy airplanes. Flying a Spitfire,
He had first engaged in aerial combat during
The Battle of France and claimed
His first plane kills over Dunkirk.

In September 1940,
As the Battle of Britain
Gathered momentum,
Tuck was promoted
To lead the 257 Squadron
Of Hawker Hurricanes.

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poem by Paul Hartal
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The Flight of the Duchess

I

You're my friend:
I was the man the Duke spoke to;
I helped the Duchess to cast off his yoke, too;
So here's the tale from beginning to end,
My friend!

II

Ours is a great wild country:
If you climb to our castle's top,
I don't see where your eye can stop;
For when you've passed the cornfield country,
Where vineyards leave off, flocks are packed,
And sheep-range leads to cattle-tract,
And cattle-tract to open-chase,
And open-chase to the very base
Of the mountain where, at a funeral pace,
Round about, solemn and slow,
One by one, row after row,
Up and up the pine-trees go,
So, like black priests up, and so
Down the other side again
To another greater, wilder country,
That's one vast red drear burnt-up plain,
Branched through and through with many a vein
Whence iron's dug, and copper's dealt;
Look right, look left, look straight before—
Beneath they mine, above they smelt,
Copper-ore and iron-ore,
And forge and furnace mould and melt,
And so on, more and ever more,
Till at the last, for a bounding belt,
Comes the salt sand hoar of the great sea shore
—And the whole is our Duke's country.

III

I was born the day this present Duke was—
(And O, says the song, ere I was old!)
In the castle where the other Duke was—
(When I was happy and young, not old!)
I in the kennel, he in the bower:
We are of like age to an hour.
My father was huntsman in that day;
Who has not heard my father say
That, when a boar was brought to bay,

[...] Read more

poem by Robert Browning from Dramatic Romances and Lyrics (1845)
Added by Veronica Serbanoiu
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Flight Of The Duchess, The

I.

You're my friend:
I was the man the Duke spoke to;
I helped the Duchess to cast off his yoke, too;
So here's the tale from beginning to end,
My friend!

II.

Ours is a great wild country:
If you climb to our castle's top,
I don't see where your eye can stop;
For when you've passed the cornfield country,
Where vineyards leave off, flocks are packed,
And sheep-range leads to cattle-tract,
And cattle-tract to open-chase,
And open-chase to the very base
Of the mountain where, at a funeral pace,
Round about, solemn and slow,
One by one, row after row,
Up and up the pine-trees go,
So, like black priests up, and so
Down the other side again
To another greater, wilder country,
That's one vast red drear burnt-up plain,
Branched through and through with many a vein
Whence iron's dug, and copper's dealt;
Look right, look left, look straight before,---
Beneath they mine, above they smelt,
Copper-ore and iron-ore,
And forge and furnace mould and melt,
And so on, more and ever more,
Till at the last, for a bounding belt,
Comes the salt sand hoar of the great sea-shore,
---And the whole is our Duke's country.

III.

I was born the day this present Duke was---
(And O, says the song, ere I was old!)
In the castle where the other Duke was---
(When I was happy and young, not old!)
I in the kennel, he in the bower:
We are of like age to an hour.
My father was huntsman in that day;
Who has not heard my father say
That, when a boar was brought to bay,
Three times, four times out of five,
With his huntspear he'd contrive

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poem by Robert Browning
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Highgate Shuffle

(public domain / rod stewart)
Oh, yeah
Let the band play one time now
It was early one morning,
I was on my way to school
Early one morning,
I was on my way to school
Got lost on monday morning,
I broke my teachers rule
I was in love with you, baby,
Before I learned to call your name
I was in love with you, baby,
Before I learned to call your name
Now youre in love with someone else
Youre bound to drive poor me insane
Oh, yeah ( )
I said bye, bye bye, baby, bye bye
I said bye, bye bye, baby, bye, bye ...
Ha ha
I said bye, bye bye, baby, bye, bye ...
Bring it down here
I said bye, bye bye, baby, bye, bye ...
Bye, bye bye, baby, bye, bye ...
I said bye, bye bye, baby, bye, bye ...
Yeah,
Bye, bye bye, baby, bye, bye ...
Bye, bye bye, baby, bye, bye ...
I said bye, bye bye, baby, bye, bye ...

song performed by Rod Stewart
Added by Lucian Velea
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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Loves of the Angels

'Twas when the world was in its prime,
When the fresh stars had just begun
Their race of glory and young Time
Told his first birth-days by the sun;
When in the light of Nature's dawn
Rejoicing, men and angels met
On the high hill and sunny lawn,-
Ere sorrow came or Sin had drawn
'Twixt man and heaven her curtain yet!
When earth lay nearer to the skies
Than in these days of crime and woe,
And mortals saw without surprise
In the mid-air angelic eyes
Gazing upon this world below.

Alas! that Passion should profane
Even then the morning of the earth!
That, sadder still, the fatal stain
Should fall on hearts of heavenly birth-
And that from Woman's love should fall
So dark a stain, most sad of all!

One evening, in that primal hour,
On a hill's side where hung the ray
Of sunset brightening rill and bower,
Three noble youths conversing lay;
And, as they lookt from time to time
To the far sky where Daylight furled
His radiant wing, their brows sublime
Bespoke them of that distant world-
Spirits who once in brotherhood
Of faith and bliss near ALLA stood,
And o'er whose cheeks full oft had blown
The wind that breathes from ALLA'S throne,
Creatures of light such as still play,
Like motes in sunshine, round the Lord,
And thro' their infinite array
Transmit each moment, night and day,
The echo of His luminous word!

Of Heaven they spoke and, still more oft,
Of the bright eyes that charmed them thence;
Till yielding gradual to the soft
And balmy evening's influence-
The silent breathing of the flowers-
The melting light that beamed above,
As on their first, fond, erring hours,-
Each told the story of his love,
The history of that hour unblest,
When like a bird from its high nest

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poem by Thomas Moore
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If It Wasnt For The Nights

I got appointments, work I have to do
Keeping me so busy all the day through
Theyre the things that keep me from thinking of you
(ohhh) baby, I miss you so, I know Im never gonna make it
Oh, Im so restless, I dont care what I say
And I lose my temper ten times a day
Still its even worse when the nights on its way
Its bad, oh, so bad
Somehow Id be doing alright if it wasnt for the nights
(if it wasnt for the nights I think that I could make it)
Id have courage left to fight if it wasnt for the nights
(if it wasnt for the nights I think that I could take it)
How I fear the time when shadows start to fall
Sitting here alone and staring at the wall
Even I could see a light if it wasnt for the nights
(even I could see a light I think that I could make it)
Somehow Id be doing alright if it wasnt for the nights
(if it wasnt for the nights I think that I could take it)
No one to turn to, you know how it is
I was not prepared for something like this
Now I see them clearly, the things that I miss
(ohhh) baby, I feel so bad, I know Im never gonna make it
I got my business to help me through the day
People I must write to, bills I must pay
But everythings so different when nights on its way
Its bad, oh, so bad
Somehow Id be doing alright if it wasnt for the nights
(if it wasnt for the nights I think that I could make it)
Id have courage left to fight if it wasnt for the nights
(if it wasnt for the nights I think that I could take it)
How I fear the time when shadows start to fall
Sitting here alone and staring at the wall
Even I could see a light if it wasnt for the nights
(even I could see a light I think that I could make it)
Guess my future would look bright if it wasnt for the nights
(if it wasnt for the nights I think that I could make it)
If it wasnt for the nights
(if it wasnt for the nights I think that I could take it)
If it wasnt for the nights
(if it wasnt for the nights I think that I could make it)
Even I could see a light if it wasnt for the nights
(even I could see a light I think that I could make it)
Guess my future would look bright if it wasnt for the nights
(if it wasnt for the nights I think that I could take it)
If it wasnt for the nights
(if it wasnt for the nights I think that I could make it)
If it wasnt for the nights
(if it wasnt for the nights I think that I could take it)
Even I could see a light if it wasnt for the nights
(even I could see a light I think that I could make it)

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song performed by ABBA
Added by Lucian Velea
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Sixth Book

THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Fourth Book

THEY met still sooner. 'Twas a year from thence
When Lucy Gresham, the sick semptress girl,
Who sewed by Marian's chair so still and quick,
And leant her head upon the back to cough
More freely when, the mistress turning round,
The others took occasion to laugh out,–
Gave up a last. Among the workers, spoke
A bold girl with black eyebrows and red lips,–
'You know the news? Who's dying, do you think?
Our Lucy Gresham. I expected it
As little as Nell Hart's wedding. Blush not, Nell,
Thy curls be red enough without thy cheeks;
And, some day, there'll be found a man to dote
On red curls.–Lucy Gresham swooned last night,
Dropped sudden in the street while going home;
And now the baker says, who took her up
And laid her by her grandmother in bed,
He'll give her a week to die in. Pass the silk.
Let's hope he gave her a loaf too, within reach,
For otherwise they'll starve before they die,
That funny pair of bedfellows! Miss Bell,
I'll thank you for the scissors. The old crone
Is paralytic–that's the reason why
Our Lucy's thread went faster than her breath,
Which went too quick, we all know. Marian Erle!
Why, Marian Erle, you're not the fool to cry?
Your tears spoil Lady Waldemar's new dress,
You piece of pity!'
Marian rose up straight,
And, breaking through the talk and through the work,
Went outward, in the face of their surprise,
To Lucy's home, to nurse her back to life
Or down to death. She knew by such an act,
All place and grace were forfeit in the house,
Whose mistress would supply the missing hand
With necessary, not inhuman haste,
And take no blame. But pity, too, had dues:
She could not leave a solitary soul
To founder in the dark, while she sate still
And lavished stitches on a lady's hem
As if no other work were paramount.
'Why, God,' thought Marian, 'has a missing hand
This moment; Lucy wants a drink, perhaps.
Let others miss me! never miss me, God!'

So Marian sat by Lucy's bed, content
With duty, and was strong, for recompense,
To hold the lamp of human love arm-high
To catch the death-strained eyes and comfort them,
Until the angels, on the luminous side

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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The Cōforte of Louers

The prohemye.

The gentyll poetes/vnder cloudy fygures
Do touche a trouth/and clokeit subtylly
Harde is to cōstrue poetycall scryptures
They are so fayned/& made sētēcyously
For som do wryte of loue by fables pryuely
Some do endyte/vpon good moralyte
Of chyualrous actes/done in antyquyte
Whose fables and storyes ben pastymes pleasaunt
To lordes and ladyes/as is theyr lykynge
Dyuers to moralyte/ben oft attendaunt
And many delyte to rede of louynge
Youth loueth aduenture/pleasure and lykynge
Aege foloweth polycy/sadnesse and prudence
Thus they do dyffre/eche in experyence
I lytell or nought/experte in this scyence
Compyle suche bokes/to deuoyde ydlenes
Besechynge the reders/with all my delygence
Where as I offende/for to correct doubtles
Submyttynge me to theyr grete gentylnes
As none hystoryagraffe/nor poete laureate
But gladly wolde folowe/the makynge of Lydgate
Fyrst noble Gower/moralytees dyde endyte
And after hym Cauncers/grete bokes delectable
Lyke a good phylozophre/meruaylously dyde wryte
After them Lydgate/the monke commendable
Made many wonderfull bokes moche profytable
But syth the are deed/& theyr bodyes layde in chest
I pray to god to gyue theyr soules good rest

Finis prohemii.

Whan fayre was phebus/w&supere; his bemes bryght
Amyddes of gemyny/aloft the fyrmament
Without blacke cloudes/castynge his pured lyght
With sorowe opprest/and grete incombrement
Remembrynge well/my lady excellent
Saynge o fortune helpe me to preuayle
For thou knowest all my paynfull trauayle
I went than musynge/in a medowe grene
Myselfe alone/amonge the floures in dede
With god aboue/the futertens is sene
To god I sayd/thou mayst my mater spede
And me rewarde/accordynge to my mede
Thou knowest the trouthe/I am to the true
Whan that thou lyst/thou mayst them all subdue
Who dyde preserue the yonge edyppus
Whiche sholde haue be slayne by calculacyon
To deuoyde grete thynges/the story sheweth vs

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poem by Stephen Hawes
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Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

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poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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