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House

This house aches
I whistle its tune
After so much noise
Freedom is silence
Half the house is missing
Taken half of me with it
I had imagined this
Hurting in a different way
Hurting in a different way
I still have the hi-fi
Quiet at all volumes
As my dull thoughts
Echo viscous and slow like the tolling of some great bell under water
When she cries she cuts me
And when she smiles I wanna die
Afraid of knowing myself
Our eyes stare out while we hide inside
Looking at it, not seeing it
Looking at it, not seeing it
The open windows
Let in the spring air today
And the birds sing their thankfully happy, brainless song
But the silence here finds a way to stay
Some kind of explosion
God, if you hear me
Throw me a line or strike me down
Do you refuse even to accuse
Cmon, do your worst
But lift this curse
Built this house on solid ground
But now its crumbling tumbling down
Will nobody here even cry out for help?
As it slowly collapses into itself
Looking at it, not seeing it
Looking at it, not seeing it
Hanging on to this pain
Its no good
Its no good
But we try again
We try again

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

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Universal Freedom Is......

Freedom from hunger and freedom from pain
freedom from loss and so freedom from gain.
Freedom to give and freedom to share
freedom from want and that of despair.

Freedom to think and freedom to know
freedom to achieve and freedom to grow.
Freedom from bondage and freedom of liberation
freedom from ignorance and any unknown situation.

Freedom to come and freedom to leave
freedom to stay and freedom to conceive.
Freedom from struggle and freedom of ease
freedom to enjoy and the capacity to please.

Freedom from failure and freedom of success
freedom from denial and freedom of access.
Freedom from illusion and freedom of reality
freedom to become what we are in actuality.

Freedom to live and freedom to die
freedom to laugh and freedom to cry.
Freedom to speak and freedom to listen
freedom to act based on a wise decision.

Freedom from hate and freedom of love
freedom of below and freedom of above.
Freedom of the past and freedom of the present
freedom of the future and what it can represent.

Freedom from war and freedom of peace
freedom to begin and freedom to cease.
Freedom from sickness and freedom of health
freedom from poverty and mishandled wealth.

Freedom from wrong and freedom being right
freedom of the day and freedom of the night.
Freedom to choose and freedom to reject
freedom to imagine what there is to expect.

Freedom from lust and freedom from greed
freedom from anger and freedom from breed.
Freedom from jealousy and freedom from pride
freedom from within and freedom from outside.
Freedom of always not having anything to hide.

Freedom from space and also freedom from time
freedom from attachment and freedom from crime
Freedom to work and freedom to play
freedom to believe and freedom to pray.

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Whistle by Flo-Rida

Can you blow my whistle baby, whistle baby (ohh baby ohh baby poooo)
Let me know
Girl I'm gonna show you how to do it
And we start real slow
You just put your lips together
And you come real close
Can you blow my whistle baby, whistle baby
Here we go

I'm betting you like bebop
And I'm betting you love creep mode
And I'm betting you like girls that give love to girls
And stroke your little ego
I bet you're guilty your honor
But that's how we live in my genre
When I hell I pay the rottweiler
There's only one flo, and one rida
I'm a damn shame
Order more champagne, pull a damn hamstring
Tryna put it on ya
Bet your lips spin back around corner
Slow it down baby take a little longer

Can you blow my whistle baby, whistle baby
Let me know
Girl I'm gonna show you how to do it
And we start real slow
You just put your lips together
And you come real close
Can you blow my whistle baby, whistle baby
Here we go

Whistle baby, whistle baby,
Whistle baby, whistle baby

It's like everywhere I go
My whistle ready to blow
Shorty don't leave a note
She can get any by the low
Permission not approved
It's okay, it's under control
Show me soprano, cause girl you can handle
Baby we start snagging, you come in part clothes
Girl I'm losing wing, my bucatti the same road
Show me your perfect pitch,
You got it my banjo
Talented with your lips, like you blew out candles
So amusing, now you can make a whistle with the music
Hope you ain't got no issue, you can do it
Give me the perfect picture, never lose it

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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Dontcha Wanna

If you had the chance I know you, surely would
And anytime I want it baby, I could
Said youd never saw it coming, did you dear
But you cant run from everything you fear
Hey, dont you wanna fall in love?
(dont you wanna, dont you wanna, dont you wanna fall in love with me? )
Ahha yeah
Oh baby you and i
(dont you wanna, dont you wanna, dont you wanna fall in love? )
Hey
Why dont you push your precious pride aside?
(dont you wanna, dont you wanna, dont you wanna fall in love with me? )
Hey yeah oh yeah
Dont you wanna
cause you cant let your whole life pass you by
Oooh
Sure that you aint had nothing like, this before
You can be the same if I give, anymore
I dont wanna waste any of your, precious time
But you wont have no choice but to be mine
Baby dont you wanna play it, on the line?
(dont you wanna, dont you wanna, dont you wanna fall in love with me? )
Yeah yeah yeah ooh
Dont you wanna, ooh
(dont you wanna, dont you wanna, dont you wanna fall in love? )
In love
Dont you wanna fall in love?
(dont you wanna, dont you wanna, dont you wanna fall in love with me? )
Hey yeah yeah yeah yeah
cause you cant let your whole life pass you by
Oooh whoo ooooh
(you cant put nothing before your pride)
I said nothing, nothing
(but baby what I give)
Whoo, you can lay your pride aside
Whoo ooooooh
(baby dont you wanna fall in love with me? )
(cause we can take it all night and Ill make you see)
Fall in love with me
(but baby let me know, dont you wanna fall? )
He haha haha
Dont you wanna?
(dont you wanna fall in love with me? )
(cause we can take it all noight and Ill make you see)
Heeey yeah hey
(but baby let me know, dont you wanna fall? )
I wanna fall in love!
(baby dont you wanna fall in love with me? )
(dont you wanna, dont you wanna, dont you wanna fall in love with me? )
(cause we can take it all night and Ill make you see)

[...] Read more

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Peter Bell, A Tale

PROLOGUE

There's something in a flying horse,
There's something in a huge balloon;
But through the clouds I'll never float
Until I have a little Boat,
Shaped like the crescent-moon.

And now I 'have' a little Boat,
In shape a very crescent-moon
Fast through the clouds my boat can sail;
But if perchance your faith should fail,
Look up--and you shall see me soon!

The woods, my Friends, are round you roaring,
Rocking and roaring like a sea;
The noise of danger's in your ears,
And ye have all a thousand fears
Both for my little Boat and me!

Meanwhile untroubled I admire
The pointed horns of my canoe;
And, did not pity touch my breast,
To see how ye are all distrest,
Till my ribs ached, I'd laugh at you!

Away we go, my Boat and I--
Frail man ne'er sate in such another;
Whether among the winds we strive,
Or deep into the clouds we dive,
Each is contented with the other.

Away we go--and what care we
For treasons, tumults, and for wars?
We are as calm in our delight
As is the crescent-moon so bright
Among the scattered stars.

Up goes my Boat among the stars
Through many a breathless field of light,
Through many a long blue field of ether,
Leaving ten thousand stars beneath her:
Up goes my little Boat so bright!

The Crab, the Scorpion, and the Bull--
We pry among them all; have shot
High o'er the red-haired race of Mars,
Covered from top to toe with scars;
Such company I like it not!

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Gettin In Tune

Im singing this note cause it fits in well
Im singing this note cause it fits in well
With the chords Im playing
With the chords Im playing
I cant pretend theres any meaning here
I cant pretend theres any meaning here
Or in the things Im saying
Or in the things Im saying
But Im in tune
But Im in tune
Right in tune
Right in tune
Im in tune
Im in tune
And Im gonna tune
And Im gonna tune
Right in on you
Right in on you
Right in on you
Right in on you
Right in on you
Right in on you
I get a little tired of having to say
I get a little tired of having to say
do you come here often?
Do you come here often?
But when I look in your eyes and see the harmonies
But when I look in your eyes and see the harmonies
And the heartaches soften
And the heartaches soften
Im getting in tune
Im getting in tune
Right in tune
Right in tune
Im in tune
Im in tune
And Im gonna tune
And Im gonna tune
Right in on you (right in on you)
Right in on you (right in on you)
Right in on you (right in on you)
Right in on you (right in on you)
Right in on you
Right in on you
Ive got it all here in my head
Ive got it all here in my head
Theres nothing more needs to be said
Theres nothing more needs to be said
Im just bangin on my old piano
Im just bangin on my old piano

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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;


Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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Don't Stop (Doin It)

If you had the chance
I know you surely would
At any time I want it baby
I could
Said you\'d never saw it coming, did you dear
But you can run from everything you fear
Hey, don\'t you wanna fall in love?
(Don\'t you wanna, don\'t you wanna, don\'t you wanna fall in love with me)
Oh baby you and I
(Don\'t you wanna, don\'t you wanna, don\'t you wanna fall in love)
Why don\'t you push your precious pride aside
(Don\'t you wanna, don\'t you wanna, don\'t you wanna fall in love with me)
Oh yeah
Don\'t you wanna
Cause you can\'t let your whole life pass you by
Sure that you ain\'t had nothing like this before
You can be the same if I give anymore
I don\'t wanna waste none of your precious time
But you won\'t have no choice but to be mine
Baby don\'t you wanna live on a line
(Don\'t you wanna, don\'t you wanna, don\'t you wanna fall in love with me)
Don\'t you wanna
(Don\'t you wanna, don\'t you wanna, don\'t you wanna fall in love)
Yeah ohh, don\'t you wanna fall in love yeah
(Don\'t you wanna, don\'t you wanna, don\'t you wanna fall in love with me)
Yeaaaah
Cause you can\'t let your whole life pass you by oh
(You can\'t put nothing before your pride)
Oh I said nothing, nothing
But baby what I give you can lay your pride aside
(Baby don\'t you wanna fall in love with me)
(Cause you could take it all night)
(And I make you see)
Fall in love with me
(Baby let me know don\'t you wanna fall)
Don\'t you wanna
(Baby don\'t you wanna fall in love with me)
(Cause you could take it all night) Yeah yeah
(And I make you see)
(Baby let me know don\'t you wanna fall)
Don\'t you wanna fall in love
(Don\'t you wanna, don\'t you wanna, don\'t you wanna fall in love with me)
I said fall in love with me
(Don\'t you wanna, don\'t you wanna, don\'t you wanna fall in love)
Don\'t you wanna, don\'t you wanna
(Don\'t you wanna, don\'t you wanna, don\'t you wanna fall in love with me)
Fall in love with me, I wanna fall, I wanna fall
(Don\'t you wanna, don\'t you wanna, don\'t you wanna fall in love)
Oh yeah oh yeah oh yeah oh yeah oh yeah
(Don\'t you wanna, don\'t you wanna, don\'t you wanna fall in love with me)

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In The Afternoon

The light is fading in the afternoon
Wont you see me baby in my room
Theres something that I wanna say to you
Tell me baby am I getting through
Wanna make, wanna make, wanna make, wanna make
Love to you
Wanna make, wanna make, wanna make, wanna make
Love to you
Wanna make, wanna make, wanna make, wanna make
Love to you
In the afternoon, in the afternoon
The light is fading from across the way
I see you coming baby every day
I see you running, running from across the field
And I wanna know if you can feel the same as me
Cause I wanna make, wanna make, wanna make, wanna make
Love to you
Wanna make, wanna make, wanna make, wanna make
Love to you
Wanna make, wanna make, wanna make, wanna make
Love to you
In the afternoon, in the afternoon
The wind is howling baby outside the shack
Train whistle blowin from across the track
Get on my wavelength, and you set me free
I just wanna be everything you want me to be
Wanna make, wanna make, wanna make, wanna make
Love to you
Wanna make, wanna make, wanna make, wanna make
Love to you
Wanna make, wanna make, wanna make, wanna make
Love to you
In the afternoon, in the afternoon
The moon is sinking way across the trees
I can see my baby but she cant see me
Ive got a longing deep within my soul
I have to take it there and let it roll
Wanna make, wanna make, wanna make, wanna make
Love to you
Wanna make, wanna make, wanna make, wanna make
Love to you
Wanna make, wanna make, wanna make, wanna make
Love to you
In the afternoon, make love in the afternoon
Make love in the afternoon
Let it roll
You got me reelin and a-rockinand rollin again
Let it roll
You got me reelin and a-rockinand rollin and rollin again
Oh, Im rollin and tumblin, and Im rollin and tumblin

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Dinner Bell

Ive been leaving on my things
So in the morning when the morning bird sings
Theres still dinner on my dinner jacket
til the dinner bell rings
Experimental dog*
Salivating dog
Good dog
Waiting for the dinner bell to do the bell thing (waiting for the dinner bell)
Dinner bell dinner bell ring
Ive been leaving on my things
So in the morning when the morning bird sings
Theres still dinner on my dinner jacket
til the dinner bell rings
I dont want a pizza, I dont want a piece of (experimental dog)
Peanut brittle, I dont want a pear.
I dont want a bagel I dont want a bean I wouldnt like (salivating dog)
A bag of beef or a beer or a
Cup of chowder, corn, cake, or creamed cauliflower cause Im (good dog)
Waiting for the dinner bell to do the bell thing (waiting for the dinner bell)
Dinner bell dinner bell ring
Shoulder, bicep, elbow, arm
Forearm, thumb, wrist, knuckle, palm
Middle, pinky, index, ring
Dinner bell dinner bell ding
I dont know whether Id rather be having a bottle of vinegar (experimental dog)
I dont know whether Id rather be having an egg.
I dont know whether Id rather be having an order of bacon (salivating dog)
Or whether Id rather be having a basket of garlic bread.
I dont know whether Id rather be having some pie or (good dog)
Saving my appetite cause im
Waiting for the dinner bell to do the bell thing (waiting for the dinner bell)
Dinner bell dinner bell ring
Ive been leaving on my things (Ive been leaving on)
So in the morning when the morning bird sings (the morning)
Theres still dinner on my dinner jacket (on my)
til the dinner bell does the bell thing
Dinner bell dinner bell do the bell thing
Im waiting for the dinner bell to do the bell thing (waiting for the ding)
Dinner bell dinner bell ding ding ding
Waiting for the dinner bell to do the bell thing (waiting for the ding)
Dinner bell dinner bell ding ding ding
Waiting for the dinner bell to do the bell thing (waiting for the ding)
Dinner bell dinner bell ding

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Blow Your Whistle

PETEY PABLO - Blow Your Whistle
[Intro:]
Hey hey! Everybody come here, I need all y'all to come over here
Come here come here, yeah, I want you to do this, come on
[Chorus:] [2x]
Blow ya whistle! Blow ya whistle!
Blow ya whistles for me y'all!
I said if you wanna bizzle then you can let a nizzle
to blow ya whistle from Petey Pizzle to come on anda...
[Verse 1:]
I can do anything and everything with new flows
Then take this Manny track and tear the game a new asshole
Me and my do-rag half man, with two black hoes
How in the world could it do this, I be so damn cold
I got a rabbit foot in my pocket, uh huh
Come on I needed the other part of the rabbit
To fill up a pocket, I gotta major problem partna
So that means I don't need to be bothered for nada
Um, feel me dogga
My head hot, uh huh, and my body warm
Uh huh, my nose runnin, could you close the door, uh huh
Letting out all granted and goodies sweet G's and deviled eggs
Boiled tater to goat cheese
Y'all don't even remember me
I'm Petey - take ya shirt off Carolina from Greenborough
But what Petey needs to see this evening
You can keep your shirt on - we gon' use these
[Chorus:]
Blow ya whistle! Blow ya whistle!
Blow ya whistles for me y'all!
I said if you wanna bizzle then you can let a nizzle
to blow ya whistle from Petey Pizzle to come on anda...
[Verse 2:]
I tell ya when I come runnin head down, but naw
But naw, y'all ain't hit me
So I guess I had to ahead hit ya with something that could grip yo attention
That make ya yell at ya kids from the kitchen
What put that whistle down! But Petey on tv
Damn it Petey, ya heard what I say
I just love it when I could take a track and have me some fun
Get footloose, and still can put the club on crunk
Make a girl butt bump [ba bum], make a party go crazy, [ba bum]
When the first two bumps come on [ba bum]
I'ma have some, I'm telling ya mayne
I'm the new spokesman for gas grills and propane
When I wrote this I had to wear shades
I had to wear rubber gloves to get this today
Manny Fresh's CD player wasn't even playin
Man we need a fire truck, where my whistle at baby
[Chorus:]

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Noise

Dads stuck in the factory, machines are banging all around.
Mommas in the kitchen, she got the radio on all the time.
My little sisters screaming, and stamping on the ground.
And the radio keeps pumping out the same old boring sound.
All I hear is noise.
Cant get away from the noise.
Can you hear me above the noise?
Can you, can you, can you, can you, can you, can you hear me?
Can you hear the noise? (noise)
Cant get away from the noise. (noise)
Can you hear me above the noise? (noise)
Can you, can you, can you, can you, can you, can you hear me?
Banging in my ears, in every direction.
Listen to the roar, hear that city[? ], poundin, poundin.
There oughta be a law, hey buddy, turn that radio down.
Sometimes I get used to it and I forget that its around.
But all I hear is noise. (noise)
Cant get away from noise. (noise)
Can you hear me above the noise? (noise)
All of this confusion is ruining my day.
Let the noise be like the sunset, and slowly fade away.
Fading, fade.
Girl, I want to build a better world for me and you.
I wanna pull out all the plugs before I finally blow my fuse.
Wish all the confusion would slowly fade away.
Id tell you that I love you, but you dont hear what I way.
All you hear is noise. (noise)
Cant get away from noise. (noise)
Can you hear me above the noise? (noise)
Can you, can you, can you, can you, can you, can you hear me?
Noise in the street, theyre digging up the pavement.
Noise in the air, those traffic jams are everywhere.
Noise on noise, to cover up the noise.
The pressures building up because theres no way to avoid,
All the noise. (noise)
Cant get away from noise. (noise)
Can you hear me above the noise? (noise)
All of this confusion is ruining my day.
Let the noise be like the sunset, and slowly fade away.
Fading, fading.

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Chimes Of Freedom

Far between sundowns finish an midnights broken toll
We ducked inside the doorway, thunder crashing
As majestic bells of bolts struck shadows in the sounds
Seeming to be the chimes of freedom flashing
Flashing for the warriors whose strength is not to fight
Flashing for the refugees on the unarmed road of flight
An for each an evry underdog soldier in the night
An we gazed upon the chimes of freedom flashing.
In the citys melted furnace, unexpectedly we watched
With faces hidden while the walls were tightening
As the echo of the wedding bells before the blowin rain
Dissolved into the bells of the lightning
Tolling for the rebel, tolling for the rake
Tolling for the luckless, the abandoned an forsaked
Tolling for the outcast, burnin constantly at stake
An we gazed upon the chimes of freedom flashing.
Through the mad mystic hammering of the wild ripping hail
The sky cracked its poems in naked wonder
That the clinging of the church bells blew far into the breeze
Leaving only bells of lightning and its thunder
Striking for the gentle, striking for the kind
Striking for the guardians and protectors of the mind
An the unpawned painter behind beyond his rightful time
An we gazed upon the chimes of freedom flashing.
Through the wild cathedral evening the rain unraveled tales
For the disrobed faceless forms of no position
Tolling for the tongues with no place to bring their thoughts
All down in taken-for-granted situations
Tolling for the deaf an blind, tolling for the mute
Tolling for the mistreated, mateless mother, the mistitled prostitute
For the misdemeanor outlaw, chased an cheated by pursuit
An we gazed upon the chimes of freedom flashing.
Even though a clouds white curtain in a far-off corner flashed
An the hypnotic splattered mist was slowly lifting
Electric light still struck like arrows, fired but for the ones
Condemned to drift or else be kept from drifting
Tolling for the searching ones, on their speechless, seeking trail
For the lonesome-hearted lovers with too personal a tale
An for each unharmful, gentle soul misplaced inside a jail
An we gazed upon the chimes of freedom flashing.
Starry-eyed an laughing as I recall when we were caught
Trapped by no track of hours for they hanged suspended
As we listened one last time an we watched with one last look
Spellbound an swallowed til the tolling ended
Tolling for the aching ones whose wounds cannot be nursed
For the countless confused, accused, misused, strung-out ones an worse
An for every hung-up person in the whole wide universe
An we gazed upon the chimes of freedom flashing.

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On the Innate Drive For What is Right

As life bled, martyrdom flared its buds.
Repression, red from irritation,
Rendered chinks and cracks; but thuds of
Armament - in cowardice - accomplice of the
Dictatorial blight thro' countless years -
Wreaked its retribution:
Yet hope began to bloom a coloured carapace
Enshrining their allegiance ‘gainst the
Terror in their tears.

And on! Splits yawned - breaches in the junta:
Flesh fought fanatical minds -
Bullets welcomed into open hands
And blessed with yearnings for morality:
Chiselled man-toys of death and mutilation
Couldn't repel the might of freedom
Surging at the bright horizon.

Crepuscular rays of purpose, body,
Flooded pandemonium with
Overwhelming clarity, direction -
Burdened clouds drifting wayward as the
Light channelled out a vision,
Intensifying focus on tomorrow -
Deepen their stride
As they home in to
What is theirs,
Rightfully theirs!


Copyright © Mark R Slaughter 2011


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The Undying One- Canto III

'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?

If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!

'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!

'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst

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Henry Wadsworth Longfellow

Evangeline: A Tale of Acadie

This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.

This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.

Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.

PART THE FIRST

I

In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors

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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

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Roan Stallion

The dog barked; then the woman stood in the doorway, and hearing
iron strike stone down the steep road
Covered her head with a black shawl and entered the light rain;
she stood at the turn of the road.
A nobly formed woman; erect and strong as a new tower; the
features stolid and dark
But sculptured into a strong grace; straight nose with a high bridge,
firm and wide eyes, full chin,
Red lips; she was only a fourth part Indian; a Scottish sailor had
planted her in young native earth,
Spanish and Indian, twenty-one years before. He had named her
California when she was born;
That was her name; and had gone north.
She heard the hooves and
wheels come nearer, up the steep road.
The buckskin mare, leaning against the breastpiece, plodded into
sight round the wet bank.
The pale face of the driver followed; the burnt-out eyes; they had
fortune in them. He sat twisted
On the seat of the old buggy, leading a second horse by a long
halter, a roan, a big one,
That stepped daintily; by the swell of the neck, a stallion. 'What
have you got, Johnny?' 'Maskerel's stallion.
Mine now. I won him last night, I had very good luck.' He was
quite drunk, 'They bring their mares up here now.
I keep this fellow. I got money besides, but I'll not show you.'
'Did you buy something, Johnny,
For our Christine? Christmas comes in two days, Johnny.' 'By
God, forgot,' he answered laughing.
'Don't tell Christine it's Christmas; after while I get her something,
maybe.' But California:
'I shared your luck when you lost: you lost me once, Johnny, remember?
Tom Dell had me two nights
Here in the house: other times we've gone hungry: now that
you've won, Christine will have her Christmas.
We share your luck, Johnny. You give me money, I go down to
Monterey to-morrow,
Buy presents for Christine, come back in the evening. Next day
Christmas.' 'You have wet ride,' he answered
Giggling. 'Here money. Five dollar; ten; twelve dollar. You
buy two bottles of rye whiskey for Johnny.'
A11 right. I go to-morrow.'
He was an outcast Hollander; not
old, but shriveled with bad living.
The child Christine inherited from his race blue eyes, from his
life a wizened forehead; she watched
From the house-door her father lurch out of the buggy and lead
with due respect the stallion
To the new corral, the strong one; leaving the wearily breathing
buckskin mare to his wife to unharness.

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TV Radio

You incomplete me
You tune me into
Whitewash
Spoon fed
Brain dead
Sloth
I'd watch the paint dry before giving in
Black out
Stupor
Inferior
Insignifigant
False stars above keep us sedated
Satellite
Astronaut
Spaceship
The Government
I'm overdosing on reality
Don't stop the feed
No don't touch the feed
I don't wanna wanna be
Wanna wanna be
I don't want to be here
Wanna wanna be here so let's go
Turn off the radio
Turn off the TV
I don't wanna be
Wanna wanna be
I don't want to be here so let's go
Turn off the radio
Turn off the TV
Eliminate me you turn me into
Lifeless
Cliche'
Thoughtless
Unbelievable
So bored with my life
Entertained me with normal
Usual
Average
It's so typical
Artists traded in for the talentless
Spoiled kid
Wife swap
Tycoon
The has-beens
So entertaining it makes me sick
Don't stop the feed
Don't
No don't touch the feed
I don't wanna wanna be

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