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Heart Of Lothian

(derek dick, steve rothery, mark kelly, pete trewavas, ian mosley)
On the outskirts of nowhere
On the ringroad to somewhere
On the verge of indecision
Ill always take the roundabout way
Waiting on the rain
For I was born with a habit
From a sign
The habit of a windswept thumb
And the sign of the rain
Rain on me! {it started to rain}
A) wide boy
Wide boys, wide boys, wide boys
Born with hearts of lothian
Wide boys, wide boys
Born with hearts of lothian
Wide boys, we were wide boys
Born with hearts of lothian
These hearts of lothian
Its six oclock in the tower blocks
The stalagmites of culture shock
And the trippers of the light fantastic, bowdown, hoe-down
Spray their pheremones on this perfume uniform
And anarchy smiles in the royal mile
And theyre waiting on the slyboys, flyboys, wideboys
Rooting, tooting cowboys
Lucky little ladies at the watering holes
Theyll score the friday night goals
I was born with a heart of lothian
I was born with a heart of lothian
I was born with a heart of lothian
I was born with a heart of lothian
I was born with a heart of lothian, with a heart of lothian.

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Now I'm Following You, Part 2

Let's dance, you can do a little two-step
I'll go anywhere that you step to, 'cause I'm following you.
My feet might be falling out of rhythm,
Don't know what I'm doing with them, but I know I'm following you.
Unlikely as it is to me, on the floor with two left feet
Let's boogie woogie till our hearts skip a beat, but who's counting?
Encore, once again around the dance floor
Romance is in the picture too, now I'm following you.
(Spoken:) Take it away, boys.
On the run.
Be the one.
On the run.
Spoken:
Yeah.
[Calling Dick Tracy, calling Dick Tracy]
[Come here Tracy, this is Sam, what are you doing up there?]
I'll tell ya.
[Calling Dick Tracy, calling Dick Tracy]
[Do you read me, Tracy?]
[To tell you the truth Tracy, I don't know.]
Find out.
An unexamined life is not worth living.
(Spoken:) Come over here!
Let's dance, you can do a little two-step
I'll go anywhere that you step to, 'cause I'm following you.
Encore, once again around the dance floor
Romance is in the picture too, now I'm following you.
But who's counting?
Spoken:
[Ten million, twenty million, thirty million]
What about Dick Tracy?
[Forty million]
Dick, that's an interesting name.
[Fifty million]
Dick Dick [Sixty million] Dick
Dick Dick Dick Dick Dick Dick Dick, [Seventy million], Dick,
Dick Dick Dick Dick Dick Dick [Eighty million], Dick Dick Dick
Dick Dick Dick Dick Dick Dick Dick
[Ninety million.]
Dick.
(Spoken:) My bottom hurts just thinking about it.
Unlikely as it is to me, on the floor with two left feet
Let's boogie woogie till our hearts skip a beat, but who's counting?
Encore, once again around the dance floor
Romance is in the picture too, now I'm following you.
(Spoken:) Would you knock it off please? Thank you

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Wonderful (Remix) (Feat. Ja Rule & R

Wonderful (Remix)?
(Featuring R. Kelly and Ja Rule)
(Intro- Harmony: R. Kelly)
Huuuummmha, ha, ha, huuummm.
Oh, oh, oh, oh, ohhhh!
Oh, oh, oh, oh!
Oh, oh, oh, oh, ohhhh!
Oh, oh, oh, oh!
(Chorus: R. Kelly and Ashanti)
(R. Kelly:) If it wasnt for the money, cars and movies stars and jewels
And all these things I got, I wonder, hey.
Would you still want me (Ashanti: Want you)?
Would you still be calling me (Ashanti: Still calling you)?
You be loving me (Ashanti: Ill be loving you, uhhh-uhhh-uhhh-uhhh)?
(Rap: Ja Rule: Verse 1)
Wanna keep you flawed with no dough?
Pimpin aint easy. Trust me I know.
When gangstas and hos,
Go, go, go, go, go, go together like chinchilla and bad weather,
Im good but been better.
All my bros, chedda and glamorous things, copped a few cars.
A crib with a east and west wing.
Cause this is how Im livin and yall women know the secrets of how to get it and keep it, how to prey on my weakness,
Cause I want the P-U-S-S-Y.
Got a lotta niggaz wonderin it aint just I,
Gotta keep ya cash comin and that's on my life.
If it wasnt for the money and the things I got,
Shit, she probably wouldnt like me.
But I keep her and Irv and Jeffrey quite icy
Sip seraphin.
Who doesnt like me and the Murderous I-N-C?
(Chorus: R. Kelly and Ashanti)
(R. Kelly:) If it wasnt for the money, cars and movies stars and jewels
And all these things I got, I wonder, hey.
Would you still want me (Ashanti: Want you)?
Would you still be calling me (Ashanti: Still calling you)?
You be loving me (Ashanti: Ill be loving you, uhhh-uhhh-uhhh-uhhh)?
(Rap: Ja Rule [and R. Kelly]: Verse 2)
I wonder why love is about money
and why you wanna take it all from me?
Honey,
My life is dark but its lovely.
Crimes, cars, cribs.
Aint that right Kelly
(R. Kelly: Oh, oh, oh, oh, oh, ohhhh!)?
Yall bitches dont know,
Money aint a thang.
Mami need a lil change,
Girl, Im pitchin quarters.
Closest to the arches but live in a fortress.

[...] Read more

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69

Dick meets jane and a fire starts
Jane leaves dick and it breaks his heart
Dick asked jane, whyd you leave me?
Cause youre not dangerous, rough or sleazy
Now dicks dangerous
Now dicks rough
Now dicks sleazy
Nice guy dick dont live here anymore
Dick bought a swanky love pad down by the shore
Chorus
Hes going prime time
Online
69
All the girls come around to get dick
They all adore him now cause he acts like a prick
Each one tries to tie dick down
Dick never falls in love, on the girls start coming round
Dick dont fall for their sweetness
He knows their weakness
Dick knows a secret
Secret is dick leased himself a nice car
Girls like car
Girls like dick
Dick scores
Chorus
Solo
Suddenly jane wants back in dicks life
cause jane hears dicks a popular guy
Jane looks good, dick takes her home
Dick kicks hers out after he gets his bone
Now jane wants him
Now jane needs him
Now jane loves him
Jane loves dick now that she got the heave ho
Jane got what she wanted
Dick aint a nice guy no more
Chorus
Spoken by woman: but I want dick!
Solo

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The Skeleton & The Roundabout

Climb aboard my roundabout
Climb aboard my roundabout
I am the fairground man at heart
I run the roundabout this part
I fill this fair but custom have I none
I turn the handle round so fast it makes my elbow ache
Nobody seems to care
No-one rides upon my roundabout no longer anymore
Oh what a horrid fair!
Climb aboard my roundabout
Climb aboard my roundabout
Climb aboard my roundabout
Climb aboard my roundabout
Money there is none - Im thinner than a skeleton
But wait a minute, Im so thin
That all these aches and pains could be a chance for me
I could be a horror or a ghost in a ghost train
I think Ill go and see
I meet the man who runs the ghost train
He says, youre just great!
Ill pay you top class wages
If youll just hang from this gate
A year is passing lots of food and money come my way
Oh lucky man am i
But whos this telling me, youre fired!
Youre much too fat to be a ghost, be on your way!
So here I am
Climb aboard my roundabout
Climb aboard my roundabout
Climb aboard my roundabout
Climb aboard my roundabout

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Soul Of A Woman

Kelly price feat/shawn smith
I need healing....
1 - I need a healing for my soul
So give me a healing for my soul
Repeat 1
I need healing
[kelly] hello?
[shawn] kelly?
Just for my soul
I need healing
Yeah, yeah
[kelly] hello
[shawn] kelly, please dont hang up
[kelly] look, I dont have time for this, alright?
[shawn] listen, Ive heard everythign you said today
I dont understand what it is you need from me
Just, please....
Let me come by so we can talk?
[kelly] whatever
Just for my soul
Repeat 1 while:
[kelly] I must be crazy
What was I thinkin?
I should have just told him he couldnt come
I wont open the door when he gets here
Thats all
I just wont open the door
He knows Im here though
Oh god
Im just so tired of this
[kelly] alright, alright, alright
[shawn] damn, I thought you wasnt gonna let me in, sweetheart
[kelly] you almost thought right
Howd you get here so fast anyway?
Whatd you do, fly?
[shawn] why you always gotta be so sarcastic towards me, sweetheart?
Listen, I didnt come here to argue
I didnt come here to fuss or fight
I came here to make things right
I want you to know that I understand what I did
And I wanna make things better between me and you
[kelly] how you figure you can do that?
[shawn] well, I can start by saying that I love you
I mean, ah......
[kelly] Ive heard that before
[shawn] I dont know what to say, um, this is....
I know I did so many things wrong, but..
[kelly] I dont believe you
[shawn] i, I love you, I really do
Can you take me back, please?

[...] Read more

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Soul Of A Woman[Interlude]

Kelly price feat/shawn smith
I need healing....
1 - I need a healing for my soul
So give me a healing for my soul
Repeat 1
I need healing
[kelly] hello?
[shawn] kelly?
Just for my soul
I need healing
Yeah, yeah
[kelly] hello
[shawn] kelly, please dont hang up
[kelly] look, I dont have time for this, alright?
[shawn] listen, Ive heard everythign you said today
I dont understand what it is you need from me
Just, please....
Let me come by so we can talk?
[kelly] whatever
Just for my soul
Repeat 1 while:
[kelly] I must be crazy
What was I thinkin?
I should have just told him he couldnt come
I wont open the door when he gets here
Thats all
I just wont open the door
He knows Im here though
Oh god
Im just so tired of this
[kelly] alright, alright, alright
[shawn] damn, I thought you wasnt gonna let me in, sweetheart
[kelly] you almost thought right
Howd you get here so fast anyway?
Whatd you do, fly?
[shawn] why you always gotta be so sarcastic towards me, sweetheart?
Listen, I didnt come here to argue
I didnt come here to fuss or fight
I came here to make things right
I want you to know that I understand what I did
And I wanna make things better between me and you
[kelly] how you figure you can do that?
[shawn] well, I can start by saying that I love you
I mean, ah......
[kelly] Ive heard that before
[shawn] I dont know what to say, um, this is....
I know I did so many things wrong, but..
[kelly] I dont believe you
[shawn] i, I love you, I really do
Can you take me back, please?

[...] Read more

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Kelly Watch The Stars

Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
The stars
The stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
The stars
The stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
The stars
The stars.

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Kelly's Conversion

KELLY the Ranger half opened an eye
To wink at the Army passing by,
While his hot breath, thick with the taint of beer,
Came forth from his lips in a drunken jeer.
Brown and bearded and long of limb
He lay, as the Army confronted him
And, clad in grey, one and all did pray
That his deadly sins might be washed away—
But Kelly stubbornly answered ‘Nay.'
Then the captain left him in mild despair,
But before the music took up its blare
A pale-faced lassie stepped out and spoke—
A little sad girl in a sad grey cloak—
‘Rise up, Kelly! your work's to do:
Kelly, the Saviour's a-calling you!'
He strove to look wise; rubbed at his eyes;
Looked down at the ground, looked up at the skies;
And something that p'r'aps was his conscience stirred:
He seemed perplexed as again he heard
The girl with the garments of saddest hue
Say, ‘Kelly, the Saviour's a-calling you!'
He got on his knees and thence to his feet,
And stumbled away down the dusty street;
Contrived to cadge at the pub a drink,
But still in his ear the glasses chink
And jingle only the one refrain,
Clear as the lassie's voice again:
Kelly, Kelly, come here to me!
Kelly the Rager, I've work for thee!'
He trembled, and dropped the tumbler, and slopped
The beer on the counter: the barman stopped,
With a curious eye on his haggard face.
Kelly, old fellow! you're going the pace.
Don't you fancy it's time to take
A pull on yourself—put your foot on the brake?
You'll have the horrors, without a doubt,
This time next week, if you don't look out.'
But he didn't—he sobered himself that night:
‘That time next week' he was nearly right:
Yet still at the mill, though he'd stopped the grog,
As the saw bit into the green pine log,
The wood shrieked out to him in its pain
A fragment caught of the same refrain,
As the swift teeth cut and the sawdust flew—
Kelly, Kelly, I've work for you!'

Then the seasons fell and the floods came down
And laid the dust in the frightened town.
No more the beat of hoofs and feet
Was heard the length of the crooked street;

[...] Read more

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On The Beat Pete

Up I rush off to work
Hello fred you look half dead and
Are you coming are you going
I could never do a double shift
(allo fred get some bed fred)
Hello steve long time no see
I like the stones still on the thieve
Bet you aint half seen some time
In your short-lived life of crime
(by the way, have you got the time ? )
On the beat pete
Wiv me size ten feet
I wander up and down the town
For me thats a treat
The beauties of the city and
Everythings sweet
For me thats a treat
cos Im on the beat pete
Swing my truncheon merrily
Try to teach the blind to see
Move a lady for a seat
Tourist find a sight to see
Mingle with the crowd
I wonder if theyre proud
Yes, that would be a treat
cos Im on the beat pete... beat pete
Hello snowball, you still drunk ?
Here have a smoke, anyone for lunch ?
A printed person of last weeks times
Seen a lot of stars and moonshine
(spare you a dime ? )
On the beat pete
Wiv me size ten feet
I wander up and down the town
For me thats a treat
The beauties of the city and
Everythings sweet
For me thats a treat
cos Im on the beat pete
Swing my truncheon merrily
Try to teach the blind to see
Move a lady for a seat
Tourist find a sight to see
Mingle with the crowd
I wonder if theyre proud
Yes, that would be a treat
cos Im on the beat pete... beat pete
Hello bun been down the oven ?
Whats the rate for a single person ?
Is it good, is it sad ?

[...] Read more

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Box Car Harry

The railroad dick looked straight at him, eyes unwavering, beady-eyed, menacing, and Harry counted his change to see if there was enough for a bribe; searched his thoughts for an escape route, but he was not as young as he used to be and the dick was young, legs like a deer.

He tussled Barney’s hair and said:

“Go there in that thar car and wait for me, got to dump the dick. Wait for my whistle.”
Barney looked up him hesitantly and Harry stammered hoarsely

“Go! ”

Barney scrambled on all fours the way Harry had taught him and quickly disappeared under cover of the dark Chicago night.

Always, the dick against the Bos, the rich against the poor was Harry’s thought, been that way since her was born, the wanders, the lose, the lose people on the road trying to find an odd job and a meal, against the railroad fat cats trying to exterminate the railroad people, who what was just trying to get by.

Harry held his breath and told himself to concentrate and finally turned back to the dick and showed himself, full on so as the dick could get a good look at him. The dick wide-eyed and incredulous stared hard at Harry surprised by the brazenness of the tramp and stood stock still for a moment, prey in the eyes of the predator.

Harry swayed a little left and then a little right like a running back taunting the linebacker, which way boy, am I going to bolt, which way is the question. Harry feinted a dash to the right and the dick crouched right ready for the chase, Harry smiled and then feinted to the left, testing the dick’s reflexes. The dick danced to the left enjoying the thrilling moment before the chase.

Harry guessed Barney had had time to secure himself in the car and then dashed straight toward the dick, who was thoroughly surprised and steeled himself for what he thought would be a crash between the two men. But Harry at the last minute slanted right allowing the dick to remain close behind but not enough to lay hand on him.

He headed for track 13 for the Great Northern line car.
The dick was breathing behind him; Harry could hear his labored breaths, close enough but not close enough to grab, what was what Harry wanted.

He hit the Northern line yard and saw number 13 looming. The dick was laughing behind him yelping with the sheer joy of it all, feeling he had Harry cornered because the Northern lot was a closed in one, a big wall in the back, a closed station and of course cars, most closed.

But Harry was aiming toward 13 and left up into the car and waited for the dick to catch up and see him. Harry looked down at the man’s heaving chest smiling his best Harry smile.

To be Continued

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Bitter Suite

(fish / marillion)
A) brief encounter
A spider wanders aimlessly within the warmth of a shadow
Not the regal creature of border caves
But the poor, misguided, directionless familiar of some obscure scottish poet
The mist crawls from the canal
Like some primordial phantom of romance
To curl, under a cascade of neon pollen
While I sit tied to the phone like an expectant father
Your carnation will rot in a vase
B) lost weekend
A train sleeps in a siding
The driver guzzles another can of lager, lager
To wash away the memories of a friday night down at the club
She was a wallflower at sixteen, shell be a wallflower at thirty four
Her mother called her beautiful
Her daddy said, a whore
C) blue angel
The sky was Bible black in lyon, when I met the magdalene
She was paralyzed in a streetlight
She refused to give her name
And a ring of violet bruises
They were pinned upon her arm
Two hundred francs for sanctuary and she led me by the hand
To a room of dancing shadows where all the heartache disappears
And from glowing tongues of candles I heard her whisper in my ear
jentend ton coeur, jentend ton coeur
I can hear your heart, I can hear your heart, I can hear your heart
Hear your heart
I hear your heart
D) misplaced rendezvous
Its getting late, for scribbling and scratching on the paper
Somethings gonna give under this pressure, and the cracks are already beginning to show
Its too late
The weekend career girl never boarded the plane
They said this could never happen again
Oh, so wrong, so wrong
This time it seems to be another misplaced rendezvous
This time, its looking like another misplaced rendezvous
With you
The parallel of you, you
E) windswept thumb
On the outskirts of nowhere
On the ringroad to somewhere
On the verge of indecision
Ill always take the roundabout way
Waiting on the rain
For I was born with a habit, from a sign
The habit of a windswept thumb, and the sign of the rain
Rain on me, rain

[...] Read more

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Nonsuited

“Dear Richard, come at once;”—so ran her letter;
The letter of a married female friend:
“She likes you both, and really knows no better
Than I myself do, how her choice will end.
Be sure of this, the first who pops will get her.
He's here for Chris——” Whatever else was penned
Dick never knew: nor knows he to this day
How he got drest, and mounted—and away!

Like arrow from the bow, like lightning-streak,
Including thunder following fierce and quick,
By ridge and flat, through scrub and foaming creek
Dick galloped like a very lunatic;
Whipped, jerked, and spurred, but never word did speak,
Although his thoughts rushed furious and thick,
Headed by one he strove in vain to wipe out,
The fear that this same “he” might put his pipe out.

And faster yet, and ever faster grew
The maddening music of the pace, until
The station-roofs gleamed suddenly in view,
Quivering in noon-heat on the vine-clad hill:
When all at once his bridle-rein he drew,
But not from craven fear or flagging will,—
Though, truth to tell, his heart a moment sank
To see the river nearly “bank and bank.”

For Bowstring was the choice of all his stud,
And he at least had no fair bride to win;
And wherefore should he risk him in the flood?—
A question Bowstring also asked within:
For though he was a squatter's horse by blood,
And held the grazing interest more than kin,
He eyed the huge logs wheeling, bobbing, bowling,
As if his soul objected to “log-rolling.”
And by that curious telegraphic force,
Outspeaking half-a-dozen formal speeches,
That works its quick inexplicable course
Through saddle-cloth, pigskin, and buckskin breeches,
Until the dumb opinion of a horse
Its sympathetic rider's spirit reaches—
Dick, feeling under him the strong flanks quiver,
Knew that his thoroughbred would funk the river

A moment more, Dick from his seat had leapt,
Ungirthed, uncurbed, unreined his trembling steed;
Who straightway vanished from his sight, nor kept
The high tradition of a loyal breed,
But quickened by no stimulus except
His own unbridled (and unsaddled) greed,

[...] Read more

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Margaret

(traditional, arrangement by steve rothery, mark kelly, pete trawavas, michael pointer & fish)
For me and my true-love will never walk again on the bonnie, bonnie banks of loch lomond.
Moira anderson, eat your heart out!
You-ou--
Youll take the high road an Ill take the low road, an Ill be in scotland before you
For me and my true-love well never walk again on the bonnie, bonnie banks of loch lomond
Youll take the acid an Ill take the dope, an Ill be stoned before you
For me an my true-love, the drink waters well on the bonnie, bonnie banks of loch lomond
Step we gaily on we go, heel for heel and toe for toe
Arm in arm
An row an row all for mhairis wedding
Step we gaily on we go, heel for heel and toe for toe
Arm in arm an row an row all for mhairis wedding
I said you, you, you, youll take the high road
I said ill, ill, ill, Ill take the low road
On the lead guitar, from yorkshire mr. stephen rothery!
I said you, you, you, you take the high road
I said ill, ill, ill, Ill take the low road
On the bass guitar, the backing vocal, from aylesbury mr. peter trawavas!
I said you, you, you, you take the high road
I said ill, ill, ill, Ill take the low road
On the keyboards, from dublin mr. mark kelly!
I said you, you--, youll take the high road
I said ill, ill--, Ill take the low road
On drums, per-cus-si-on, mr. michael e.t. pointer!
And a very big round of applause, for yourself, one audience tonight
It takes two!
On vocals, and percussion fish! ...
A dream fulfilled!
Sweet ma- ma- ma- ma- margaret
I said you take the high road
An Ill take the low road
An Ill be in scotland before you
For me and my true-love well never meet again
On the bonnie, bonnie banks of loch lomond
Sweet ma- ma- ma- ma- margaret
The balcony: sweet ma- ma- ma- ma margaret
Say yer scottish: sweet ma- ma- ma- ma- margaret
I said youll take the high road
An Ill take the low road
An Ill be in scotland before you
For me and my true-love well never meet again
On the bonnie, bonnie, bonnie, bonnie, bonnie banks of loch lomond!
Banks of loch lomond!
Sweet margaret
Sweet margaret
Sweet ma- ma- ma- ma- margaret!
Thank you edinburgh, good night, we shall de-fi-nite-ly return

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Contract In Love

written by Lamont Dozier, Janie Bradford, & Brian Holland
(c) 1962 Jobete Music Co., Inc. (ASCAP)
Baby, baby, sign my contract on love
Baby, baby, sign my contract on love
Baby, baby, sign my contract on love
Baby, baby, sign it
Sign it
Sign it
Sign it
You say you love me
And I believe it's true
But before I let myself go
Here's what you've got to do
(Sign it)
(Sign it)
(Sign it)
(Sign it)
You've got to sign
(You, you, you'd better sign it)
My contract on love
(You, you, you'd better sign it)
Write it in your heart
(You, you, you'd better sign it)
That you'll never do anything
To ever make us part
(Sign it)
(Sign it)
(Sign it)
(Sign it)
Yeah, I know it may seem strange to you
Yeah, but I've lost a love so many times before
Yeah, and now that I know the score
No one's gonna hurt me no more
And I'm takin' all my chances with romances
Yeah
(Sign it)
(Sign it)
(Sign it)
(Sign it)
So just sign
(You, you, you'd better sign it)
Right here on this dotted line
(You, you, you'd better sign it)
Where it says you'll be mine, all mine
(You, you, you'd better sign it)
Until the end of time
(Sign it)
(Sign it)
(Sign it)
(Sign it)

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Contract On Love

Baby, baby, sign my contract on love
Baby, baby, sign my contract on love
Baby, baby, sign my contract on love
Baby, baby, sign it
Sign it
Sign it
Sign it
You say you love me
And I believe its true
But before I let myself go
Heres what youve got to do
(sign it)
(sign it)
(sign it)
(sign it)
Youve got to sign
(you, you, youd better sign it)
My contract on love
(you, you, youd better sign it)
Write it in your heart
(you, you, youd better sign it)
That youll never do anything
To ever make us part
(sign it)
(sign it)
(sign it)
(sign it)
Yeah, I know it may seem strange to you
Yeah, but Ive lost a love so many times before
Yeah, and now that I know the score
No ones gonna hurt me no more
And Im takin all my chances with romances
Yeah
(sign it)
(sign it)
(sign it)
(sign it)
So just sign
(you, you, youd better sign it)
Right here on this dotted line
(you, you, youd better sign it)
Where it says youll be mine, all mine
(you, you, youd better sign it)
Until the end of time
(sign it)
(sign it)
(sign it)
(sign it)
So come on, come on, come on, and
Sign, yeah

[...] Read more

song performed by Stevie WonderReport problemRelated quotes
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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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Kiss Test

Lp version
[intro]
This is a test
This is only a test
Boy, do you know
What Im feeling
Im overwhelmed by your lovin
I cant deny
That I want you all the time
But I gotta know
What youre thinkin
Hit it and run, real affection
Whatever it is
I wont let you waste my time
So how will I know
1 - baby with just a kiss
Boy when you touch my lips
Honey, Ill know for sure
Boy, when my eyes meet yours
And if your love is true
Ill give to you my very best
Just pass the test
Boy, when I love
Its completely
Youll do the same
If you want me
Cant be a fool
And just throw my heart away
But how will I know
How will I know
What youre feelin is real
When you say you love me
And how will I know
If its real
What you feel when you say you care
(oh, well put it to the test)
Repeat 1
Repeat 1
Ive got a kiss on my lips
And its wearing your name
So hold on, oh, here it comes
I really wanna know
Its really gonna show
The way you feel inside
No where to hide
Repeat 1 until fade
--------------------------------------------------
Remix
Feat/missy elliott
[dj kay slay]

[...] Read more

song performed by Kelly PriceReport problemRelated quotes
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The Life And Death Of Tom Thumb

In Arthur's court Tom Thumb did live,
A man of mickle might ;
The best of all the table round,
And eke a doughty knight.
His stature but an inch in height,
Or quarter of a span :
Then think you not this little knight
Was proved a valiant man ?

His father was a ploughman plain,
His mother milk'd the cow,
Yet how that they might have a son
They knew not what to do :
Until such time this good old man
To learned Merlin goes,
And there to him his deep desires
In secret manner shows.

How in his heart he wish'd to have
A child, in time to come,
To be his heir, though it might be
No bigger than his thumb.

Of which old Merlin thus foretold,
That he his wish should have,
And so this son of statue small
The charmer to him gave.

No blood nor bones in him should be,
In shape, and being such
That men should hear him speak, but not
His wandering shadow touch.

But so unseen to go or come,—
Whereas it pleas'd him still ;
Begot and born in half and hour,
To fit his father's will.

And in four minutes grew so fast
That he became so tall
As was the ploughman's thumb in height,
And so they did him call—
TOM THUMB, the which the fairy queen
There gave him to his name,
Who, with her train of goblins grim,
Unto his christening came.

Whereas she cloth'd him richly brave,
In garments fine and fair,
Which lasted him for many years

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Hotel Hobbies

(derek dick, steve rothery, mark kelly, pete trewavas, ian mosley)
Hotel hobbies padding dawns hollow corridors
Bell boys checking out the hookers in the bar
Slug-like fingers trace the star-spangled clouds of cocaine on the mirror
The short straw took its bow
The tell tale tocking of the last cigarette
Marking time in the packet as the whisky sweat
Lies like discarded armour on an unmade bed
And a familiar craving is crawling in his head
And the only sign of life is the ticking of the pen
Introducing characters to memories like old friends
Frantic as a cardiograph scratching out the lines
A fever of confession a catalogue of crime in happy hour
Do you cry in happy hour
Do you hide in happy hour
The pilgrimage to happy hour
New shadows tugging at the corner of his eye
Jostling for attention
As the sunlight flares
Through a curtains tear
Shuffling its beams as if in nervous anticipation of another day

song performed by MarillionReport problemRelated quotes
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That Time Of The Night

(derek dick, steve rothery, mark kelly, pete trewavas, ian mosley)
At that time of the night
When streetlights throw crosses through window frames
Paranoia roams where the shadows reign
Oh, at that time of the night
At that time of the night
Your senses tangled in some new perfume
Criticism triggers of a loaded room
Oh, at that time of the night
So if you ask me
How do I fell inside
I could honestly tell you
Weve been taken on a very long ride
And if my owners let me
Have some free time some day
With all good intention
I would probably run away
Clutching the short straw
At that time of the night
When questions rally in an open mind
Summon all your answers with an ice cube chime
At that time of the night
At that time of the night
Pretend youre off the hook with the telephone
Your confidence wounded in a free fire zone
Oh, at that time of the night
So if you ask me
Where do I go from here
My next destination
Even isnt really that clear
So if you join me
And get on your knees and prey
Ill show you salvation
Well take the alternative way
Clutching the short straw
If I had enough money
Id buy a round for that boy over-there
A companion in my madness in the mirror
The one with the silvery hair
And if some kind soul
Could please pick up my tab
And while theyre at it
If they could pick up my broken heart
Warm wet circles...

song performed by MarillionReport problemRelated quotes
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