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Quotes about ning, page 11

Robert Burns

The Lass Of Cessnock Banks

On Cessnock banks a lassie dwells,
Could I describe her shape and mien!
Our lasses a' she far excels---
An she has twa sparkling, rogueish een!

She's sweeter than the morning dawn,
When rising Phoebus first is seen,
And dew-drops twinkle o'er the lawn---
An she has twa sparkling, rogueish een!

She's stately like yon youthful ash,
That grows the cowslip braes between,
And drinks the stream with vigour fresh---
An she has twa sparkling, rogueish een!

She's spotless like the flow'ring thorn,
With flow'rs so white and leaves so green,
When purest in the dewy morn---
An she has twa sparkling, rogueish een!

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The Earth Waxeth Old.

When yellow-lock'd and crystal ey'd
I dream'd green woods among;
Where tall trees wav'd from side to side,
And in their green breasts deep and wide,
I saw the building blue jay hide,
O, then the earth was young!

The winds were fresh and brave and bold,
The red sun round and strong;
No prophet voice chill, loud and cold,
Across my woodland dreamings roll'd,
'The green earth waxeth sere and old,
That once was fair and young!'

I saw in scarr'd and knotty bole,
The fresh'ning of the sap;
When timid spring gave first small dole,
Of sunbeams thro' bare boughs that stole,
I saw the bright'ning blossoms roll,
From summer's high pil'd lap.

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The Linnet And The Cat

WHEN fading Autumn's latest hours
Strip the brown wood, and chill the flowers,--
When evening, wint'ry, short, and pale,
Expires in many a hollow gale,--
And only morn herself looks gay,
When first she throws her quiv'ring ray
Where the light frost congeals the dew,
Flushing the turf with purple hue;
Gay bloom, whose transient glow can shed
A charm like Summer when 'tis fled!--
A Linnet among leafless trees
Sung, in the pauses of the breeze,

His farewell note, to fancy dear,
That ends the music of the year.
The short'ning day, the sadd'ning sky,
With frost and famine low'ring nigh;
The Summer's dirge he seem'd to sing,
And droop'd his elegiac wing.
Poor Bird! he read amiss his fate,

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Ode to Della Crusca

ENLIGHTEN'D Patron of the sacred Lyre?
Whose ever-varying, ever-witching song
Revibrates on the heart
With magic thrilling touch,
Till ev'ry nerve with quiv'ring throb divine,
In madd'ning tumults, owns thy wondrous pow'r;
For well thy dulcet notes
Can wind the mazy song,
In labyrinth of wild fantastic form;
Or with empassion'd pathos woo the soul
With sounds more sweetly mild,
Than SAPPHO's plaint forlorn,
When bending o'er the wave she sung her woes,
While pitying ECHO hover'd o'er the deep,
Till in their coral caves,
The tuneful NEREIDES wept.
AH! whither art thou flown? where pours thy song?
The model and the pride of British bards!
Sweet STAR of FANCY's orb,
"O, tell me, tell me, where?"

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The Morning Quatrains

THE cock has crow'd an hour ago,
'Tis time we now dull sleep forego;
Tir'd Nature is by sleep redress'd,
And Labour's overcome by rest.
We have out-done the work of Night,
'Tis time we rise t'attend the Light,
And e'er he shall his beams display,
To plot new bus'ness for the Day.
None but the slothful, or unsound,
Are by the Sun in feathers found,
Nor, without rising with the Sun,
Can the world's bus'ness e'er be done.
Hark! Hark! the watchful Chanticler
Tells us the Day's bright harbinger
Peeps o'er the eastern hills, to awe
And warm night's sov'reign to withdraw.
The morning curtains now are drawn,
And now appears the blushing dawn;
Aurora has her roses shed,
To strew the way Sol's steeds must tread.

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Ode on the Poetical Character

As once, if not with light regard,
I read aright that gifted bard,
(Him whose school above the rest
His loveliest Elfin Queen has blest,)
One, only one, unrival'd fair,
Might hope the magic girdle wear,
At solemn tourney hung on high,
The wish of each love-darting eye;

Lo! to each other nymph in turn applied,
As if, in air unseen, some hov'ring hand,
Some chaste and angel-friend to virgin-fame,
With whisper'd spell had burst the starting band,
It left unblest her loath'd dishonour'd side;
Happier, hopeless fair, if never
Her baffled hand with vain endeavour
Had touch'd that fatal zone to her denied!
Young Fancy thus, to me divinest name,
To whom, prepar'd and bath'd in Heav'n,
The cest of amplest pow'r is giv'n:

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PARADOX. That it is best for a Young Maid to marry an Old Man

Fair one, why cannot you an old man love?
He may as useful, and more constant prove.
Experience shews you that maturer years
Are a security against those fears
Youth will expose you to; whose wild desire
As it is hot, so 'tis as rash as fire.
Mark how the blaze extinct in ashes lies,
Leaving no brand nor embers when it dies
Which might the flame renew: thus soon consumes
Youths wandring heat, and vanishes in fumes.
When ages riper love unapt to stray
Through loose and giddy change of objects, may
In your warm bosom like a cynder lie,
Quickned and kindled by your sparkling eie.
Tis not deni'd, there are extremes in both
Which may the fancie move to like or loath:
Yet of the two you better shall endure
To marry with the Cramp then Calenture.
Who would in wisdom choose the Torrid Zone
Therein to settle a Plantation?

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February

Begin, my muse, the imitative lay,
Aonian doxies sound the thrumming string;
Attempt no number of the plaintive Gay,
Let me like midnight cats, or Collins sing.
If in the trammels of the doleful line
The bounding hail, or drilling rain descend;
Come, brooding Melancholy, pow'r divine,
And ev'ry unform'd mass of words amend.

Now the rough goat withdraws his curling horns,
And the cold wat'rer twirls his circling mop:
Swift sudden anguish darts thro' alt'ring corns,
And the spruce mercer trembles in his shop.

Now infant authors, madd'ning for renown,
Extend the plume, and him about the stage,
Procure a benefit, amuse the town,
And proudly glitter in a title page.

Now, wrapt in ninefold fur, his squeamish grace

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AN ELEGY Upon the immature loss of the most vertuous Lady Anne Rich

I envy not thy mortal triumphs, Death,
(Thou enemy to Vertue as to Breath)
Nor do I wonder much, nor yet complain
The weekly numbers by thy arrow slain.
The whole world is thy Factory, and we
Like traffick driven and retail'd by Thee:
And where the springs of life fill up so fast,
Some of the waters needs must run to waste.
It is confest, yet must our griefs dispute
That which thine own conclusion doth refute
Ere we begin. Hearken! for if thy ear
Be to thy throat proportion'd, thou canst hear.
Is there no order in the work of Fate?
Nor rule, but blindly to anticipate
Our growing seasons? or think'st thou 'tis just,
To sprinkle our fresh blossomes with thy dust,
Till by abortive funerals, thou bring
That to an Autumn Nature meant a Spring?
Is't not enough for thee that wither'd age
Lies the unpiti'd subject of thy rage;

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To Mr. Bleecker, on his passage to New York

Shall Fancy still pursue th' expanding sails,
Calm Neptune's brow, or raise impelling gales?
Or with her Bleecker, ply the lab'ring oar,
When pleasing scenes invite him to the shore,
There with him thro' the fading vallies rove,
Blest in idea with the man I love?
Methinks I see the broad majestic sheet
Swell to the wind; the flying shores retreat:
I see the banks, with varied foliage gay,
Inhale the misty sun's reluctant ray;
The lofty groves, stript of their verdure, rise
To the inclemence of autumnal skies.

Rough mountains now appear, while pendant woods
Hang o'er the gloomy steep and shade the floods;
Slow moves the vessel, while each distant sound
The cavern'd echoes doubly loud rebound:
A placid stream meanders on the steep,
'Till tumbling from the cliff, divides the frowning deep.

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