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Pompeii

A Poem Which Obtained the Chancellor's Medal at the Cambridge Commencement, July 1819.

Oh! land to Memory and to Freedom dear,
Land of the melting lyre and conquering spear,
Land of the vine-clad hill, the fragrant grove,
Of arts and arms, of Genius and of Love.
Hear, fairest Italy. Though now no more
The glittering eagles awe the Atlantic shore,
Nor at thy feet the gorgeous Orient flings
The blood-bought treasures of her tawny Kings,
Though vanished all that formed thine old renown,
The laurel garland, and the jewelled crown,
The avenging poniard, the victorious sword,
Which reared thine empire, or thy rights restored,
Yet still the constant Muses haunt thy shore,
And love to linger where they dwelt of yore.
If e'er of old they deigned, with favouring smile,
To tread the sea-girt shores of Albion's isle,
To smooth with classic arts our rugged tongue,

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poem by Thomas Babbington Macaulay
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Insomnia

Sleepless himself to give to others sleep.
He giveth His beloved sleep.

I HEARD the sounding of the midnight hour;
The others one by one had left the room,
In calm assurance that the gracious power
Of Sleep's fine alchemy would bless the gloom,
Transmuting all its leaden weight to gold,
To treasures of rich virtues manifold,
New strength, new health, new life;
Just weary enough to nestle softly, sweetly,
Into divine unconsciousness, completely
Delivered from the world of toil and care and strife.

Just weary enough to feel assured of rest,
Of Sleep's divine oblivion and repose,
Renewing heart and brain for richer zest
Of waking life when golden morning glows
As young and pure and glad as if the first
That ever on the void of darkness burst

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poem by James Thomson
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The Colony Of Slippermen

The arrival
Leaving by the same door from which he had come in, he finds some sort of freaks ghetto on the other side. when they catch sight of him, the entire street of distorted figures burst into laughte
E of the colony approaches him.
Rael:
I wandered lonely as a cloud,
Till I came upon this dirty street.
Ive never seen a stranger crowd;
Slubberdegullions on squeaky feet,
Continually pacing,
With nonchalant embracing,
Each orifice disgracing
And one facing me moves to say hellay.
He is grotesque in every feature, a mixture of ugly lumps and stumps. his lips slip across his chin as he smiles in welcome and offers his slippery handshake.
His skins all covered in slimy lumps.
With lips that slide across each chin.
His twisted limbs like rubber stumps
Are waved in welcome say please join in.
My grip must be flipping,
Cos his handshake keeps slipping,
My hopes keep on dipping

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song performed by Genesis
Added by Lucian Velea
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The Harp Of Hoel

It was a high and holy sight,
When Baldwin and his train,
With cross and crosier gleaming bright,
Came chanting slow the solemn rite,
To Gwentland's pleasant plain.

High waved before, in crimson pride,
The banner of the Cross;
The silver rood was then descried,
While deacon youths, from side to side,
The fuming censer toss.

The monks went two and two along,
And winding through the glade,
Sang, as they passed, a holy song,
And harps and citterns, 'mid the throng,
A mingled music made.

They ceased; when lifting high his hand,
The white-robed prelate cried:

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poem by William Lisle Bowles
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The Songs of Selma

ARGUMENTAddress to the evening star:

An apostrophe to Fingal and his times. Minonasings before the king the song of the unfortunate Colma; and the bards exhibit other specimens of their poetical talents; according to an annual custom established by the monarchs of the ancient Caledonians.

STAR of descending night! fair is thy light in the west! thou that liftest thy unshorn head from thy cloud: thy steps are stately on thy hill. What dost thou behold in the plain? The stormy winds are laid. The murmur of the torrent comes from afar. Roaring waves climb the distant rock. The flies of evening are on their feeble wings: the hum of their course is in the field. What dost thou behold, fair light? But thou dost smile and depart. The waves come with joy around thee: they bathe thy lovely hair. Farewell, thou silent beam! Let the light of Ossian's soul arise!

And it does arise in its strength! I behold my departed friends. Their gathering is on Lora, as in the days of other years. Fingal comes like a watery column of mist! his heroes are around: and see the bards of song, gray-haired Ullin! Stately Ryno! Alpin with the tuneful voice! the soft complaint of Minona! How are ye changed, my friends, since the days of Selma's feast! when we contended, like gales of spring, as they fly along the hill, and bend by turns the feebly whistling grass.

Minona came forth in her beauty: with downcast look and tearful eye. Her hair flew slowly on the blast, that rushed unfrequent from the hill. The souls of the heroes were sad when she raised the tuneful voice. Often had they seen the grave of Salgar, the dark dwelling of white-bosomed Colma. Colma left alone on the hill, with all her voice of song! Salgar promised to come: but the night descended around. Hear the voice of Colma, when she sat alone on the hill.

Colma. It is night, I am alone, forlorn on the hill of storms. The wind is heard on the mountain. The torrent pours down the rock. No hut receives me from the rain; forlorn on the hill of winds!

Rise, moon! from behind thy clouds. Stars of the night, arise! Lead me, some light, to the place where my love rests from the chase alone! his bow near him, unstrung: his dogs panting around him. But here I must sit alone, by the rock of the mossy stream. The stream and the wind roar aloud. I hear not the voice of my love! Why delays my Salgar, why the chief of the hill, his promise? here is the rock, and here the tree! here is the roaring stream! Thou didst promise with night to be here. Ah! whither is my Salgar gone? With thee, I would fly from my father; with thee, from my brother of pride. Our race have long been foes; we are not foes, O Salgar!

Cease a little while, O wind! stream, be thou silent awhile! let my voice be heard around. Let my wanderer hear me! Salgar! it is Colma who calls. Here is the tree, and the rock. Salgar, my love! I am here. Why delayest thou thy coming? Lo! the calm moon comes forth. The flood is bright in the vale. The rocks are gray on the steep, I see him not on the brow. His dogs come not before him, with tidings of his near approach. Here I must sit alone!

Who lie on the heath beside me? Are they my love and my brother? Speak to me, O my friends! To Colma they give no reply. Speak to me; I am alone! My soul is tormented with fears! Ah! they are dead! Their swords are red from the fight. O my brother! my brother! why hast thou slain my Salgar? why, O Salgar! hast thou slain my brother? Dear were ye both to me! what shalt I say in your praise? Thou wert fair on the hill among thousands! he was terrible in fight. Speak to me; hear my voice; hear me, song of my love! They are silent; silent for ever! Cold, cold, are their breasts of clay! Oh! from the rock on the hill, from the top of the windy steep, speak, ye ghosts of the dead! speak, I will not be afraid! Whither are ye gone to rest? In what cave of the hill shall I find the departed? No feeble voice is on the gale: no answer half-drowned in the storm!

I sit in my grief; I wait for morning in my tears! Rear the tomb, ye friends of the dead. Close it not till Colma come. My life flies away like a dream: why should I stay behind? Here shall I rest with my friends, by the stream of the sounding rock. When night comes on the hilt; when the loud winds arise; my ghost shall stand in the blast, and mourn the death of my friends. The hunter shall hear from his booth. he shall fear but love my voice! For sweet shall my voice be for my friends: pleasant were her friends to Colma!

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poem by James Macpherson
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From 'Arcades

O'RE the smooth enameld green
   Where no print of step hath been,
   Follow me as I sing,
   And touch the warbled string.
Under the shady roof
Of branching Elm Star-proof,
   Follow me,
I will bring you where she sits
Clad in splendor as befits
   Her deity.
Such a rural Queen
All Arcadia hath not seen.

313. From 'Comus'
i

THE Star that bids the Shepherd fold,
Now the top of Heav'n doth hold,
And the gilded Car of Day,
His glowing Axle doth allay

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poem by John Milton
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The Doom Of A City

I
FROM out the house I crept,
The house which long had caged my homeless life:
The mighty City in vast silence slept,
Dreaming away its tumult, toil, and strife:
But sleep and sleep's rich dreams were not for me,
For me, accurst, whom terror and the pain
Of baffled longings, and starved misery,
And such remorse as sears the breast,
And hopeless doubt which gnaws the brain
Till wildest action blind and vain
Would be more welcome than supine unrest,
Drove forth as one possest
To leave my kind and dare the desert sea;
To drift alone and far,
Dubious of any port or isle to gain,
Ignorant of chart and star,
Upon that infinite and mysterious main
Which wastes in foam against our shore;
Whose moans and murmurs evermore,

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poem by James Thomson
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St. Michael's Mount

INSCRIBED TO THE RIGHT HONOURABLE LORD SOMERS.

While summer airs scarce breathe along the tide,
Oft pausing, up the mountain's craggy side
We climb, how beautiful, how still, how clear,
The scenes that stretch around! The rocks that rear
Their shapes, in rich fantastic colours dressed;
The hill-tops, where the softest shadows rest;
The long-retiring bay, the level sand,
The fading sea-line, and the furthest land,
That seems, as low it lessens from the eye,
To steal away beneath the cloudless sky!
But yesterday, the misty morn was spread
In dreariness on the bleak mountain's head;
No glittering prospect from the upland smiled,
The driving squall came dark, the sea heaved wild,
And, lost and lonely, the wayfarer sighed,
Wet with the hoar spray of the flashing tide.
How changed is now the circling scene! The deep
Stirs not; the glancing roofs and white towers peep

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poem by William Lisle Bowles
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Coombe-Ellen

Call the strange spirit that abides unseen
In wilds, and wastes, and shaggy solitudes,
And bid his dim hand lead thee through these scenes
That burst immense around! By mountains, glens,
And solitary cataracts that dash
Through dark ravines; and trees, whose wreathed roots
O'erhang the torrent's channelled course; and streams,
That far below, along the narrow vale,
Upon their rocky way wind musical.
Stranger! if Nature charm thee, if thou lovest
To trace her awful steps, in glade or glen,
Or under covert of the rocking wood,
That sways its murmuring and mossy boughs
Above thy head; now, when the wind at times
Stirs its deep silence round thee, and the shower
Falls on the sighing foliage, hail her here
In these her haunts; and, rapt in musings high,
Think that thou holdest converse with some Power
Invisible and strange; such as of yore
Greece, in the shades of piney Maenalaus,

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poem by William Lisle Bowles
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The Emigrants: Book I

Scene, on the Cliffs to the Eastward of the Town of
Brighthelmstone in Sussex. Time, a Morning in November, 1792.

Slow in the Wintry Morn, the struggling light
Throws a faint gleam upon the troubled waves;
Their foaming tops, as they approach the shore
And the broad surf that never ceasing breaks
On the innumerous pebbles, catch the beams
Of the pale Sun, that with reluctance gives
To this cold northern Isle, its shorten'd day.
Alas! how few the morning wakes to joy!
How many murmur at oblivious night
For leaving them so soon; for bearing thus
Their fancied bliss (the only bliss they taste!),
On her black wings away!--Changing the dreams
That sooth'd their sorrows, for calamities
(And every day brings its own sad proportion)
For doubts, diseases, abject dread of Death,
And faithless friends, and fame and fortune lost;

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poem by Charlotte Smith
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