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Quotes about lay-up, page 13

Come on baby no more cry

Now I lay me down to sleep
I pray the lord my soul to keep
My soul unworthy take my heart
That while I sleep my life depart

Now I lay me in my bed
A loaded gun against my head
My soul is barren wasted done
I lay me down a loaded gun

Now I lay me down to sleep
I pray the lord my soul to keep
That should you die before you wake
It is your soul the lord did take

hush-a-bye, hush-a-bye
I'll sing to you a lullaby
And then we'll both lay down to die
Come on baby no more cry
Mama's got a big surprise

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On My Futon

My futon...
Go ahead and lay your head on it.
Go ahead and rest a bit.
You'll get a benefit of this.

My futon...
Go ahead and lay your head on it.
Go ahead and rest a bit.
You'll feel a benefit of this.

Get off your feet,
On my futon.
Get some sleep,
On my futon.
Be at peace,
On my futon...
That peace you need to keep!

Get off your feet,
On my futon.

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Untouched by Grace, but not by Snow

Waking up, noticing the ground
To my surprise I am surround by snow
Every detail in which was lay
With perfect precise wonder
In this most daring betray of beauty
And all is quiet

All is so annoyingly quiet
The dirt that is covered peeks through the ground
Destroying what was once beauty
That was pronounced by the glistened snow
And all I can do is wonder
How this world become simple to lay

When sleep takes us on we lay
And all is deeply quiet
Our dreams become our wonder
Weather we stand on solid ground
An undefined map layer out by snow
Creates to us sleeping beauty

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Maiden in the Mor Lay

Maiden in the mor lay--
in the mor lay--
Seuenyst fulle, seuenist fulle.
Maiden in the mor lay--
in the mor lay--
Seuenistes fulle ant a day.

Welle was hire mete.
wat was hire mete?
�e primerole ant the--
�e primerole ant the--
Welle was hire mete.
Wat was hire mete?
The primerole ant the violet.

Welle [was hire drying.]
wat was hire mete?
�e chelde water of pe--]
�e chelde water of �e welle-spring
Welle was hire drying.]

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Nip It In The Bud

From the time the lights come on,
And from dusk 'til dawn...
You're giving me the lip!

I don't need the clock to ding-a-dong,
Since my peace is gone.
And in my ear you babble lip.

Why can't you nip it in the bud, baybay.
Why can't you handle it?

Nip it in the bud.

Why can't you take a walk as I lay?
Do whatever it takes!

But don't bother me with it!

I don't need the clock to ding-a-dong,
Since my peace is gone.

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0020 A loving sestina to Our Lady

1 In Europe, around the end of the 12th century, women
2 began to be regarded by men as more than a good lay
3 and mother to your children; but that contented sorta love
4 that even men feel afterward, could be seen as quite divine
5 and thus related however distantly to the Creator;
6 this gave rise to a type of poetry called the sestina.

6 a troubadour called Arnaut Daniel invented the sestina,
1 so it’s said, around 1190; and this new respect for women
5 as being, believe it or not, related distantly to their Creator
2 led to this, to us, rather absurd and complicated ‘lay’ -
4 that was the rather double-entendre name for the divine
3 love for mankind related to the act of physical love

3 which, though we make this a common metaphor for love
6 today, was new then, to unreconstructed men; the sestina
4 which plugs the same six end-words throughout, divine
1 and human, was supposed to underline that women,
2 exquisitely praised in the poetry of the troubadour’s lay,
5 were men’s path to loving, through them, his Creator;

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Necronicon

The house behind the trees lay still,
A monster, in its sleep,
The shutters fell in tatters, lay
In shards there, at its feet.
The paint had gone, one hundred years
Since proud, it gleamed on high,
The Keep, the Tower, Necronicon
Had seemed to sweep the sky!

But deep within its weathered gloom
A heart beat, faintly heard,
Some dim and evil echo that
The world outside had purged,
The door swung on a single hinge
And vegetation lay
Across the rotting carpets that
Had served it, yesterday!

While in some dim-lit parlour
Sat an old man in a chair,

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Henry Wadsworth Longfellow

The Song Of Hiawatha VIII: Hiawatha's Fishing

Forth upon the Gitche Gumee,
On the shining Big-Sea-Water,
With his fishing-line of cedar,
Of the twisted bark of cedar,
Forth to catch the sturgeon Nahma,
Mishe-Nahma, King of Fishes,
In his birch canoe exulting
All alone went Hiawatha.
Through the clear, transparent water
He could see the fishes swimming
Far down in the depths below him;
See the yellow perch, the Sahwa,
Like a sunbeam in the water,
See the Shawgashee, the craw-fish,
Like a spider on the bottom,
On the white and sandy bottom.
At the stern sat Hiawatha,
With his fishing-line of cedar;
In his plumes the breeze of morning
Played as in the hemlock branches;

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Henry Wadsworth Longfellow

Hiawatha's Fishing

Forth upon the Gitche Gumee,
On the shining Big-Sea-Water,
With his fishing-line of cedar,
Of the twisted bark of cedar,
Forth to catch the sturgeon Nahma,
Mishe-Nahma, King of Fishes,
In his birch canoe exulting
All alone went Hiawatha.
Through the clear, transparent water
He could see the fishes swimming
Far down in the depths below him;
See the yellow perch, the Sahwa,
Like a sunbeam in the water,
See the Shawgashee, the craw-fish,
Like a spider on the bottom,
On the white and sandy bottom.
At the stern sat Hiawatha,
With his fishing-line of cedar;
In his plumes the breeze of morning
Played as in the hemlock branches;

[...] Read more

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Feel The Girl

[Intro Timbaland (Ms. Jaded)]
Ladies and gentlemen
Ladies and gentlemen
(Ms. Jade) Lay lay lay ladies and gentlemen
(Ms. Jade) Ladies and gentlemen
(Ms. Jade) Ladies and gentlemen
(Ms. Jade) Lay ladies and gentlemen
(Ms. Jade) Skrip skirt skrip lay lay
(Ms. Jade) La la la lay
Earr err err

[Verse 1 Ms. Jade]
Ms. Jade's the name comin' to ruin the game
Bringin' the thunder and rain

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