Quotes about plank, page 13
Old Mates
I came up to-night to the station, the tramp had been longish and cold,
My swag ain't too heavy to carry, but then I begin to get old.
I came through this way to the diggings -- how long will that be ago now?
Thirty years! how the country has altered, and miles of it under the plough,
And Jack was my mate on the journey -- we both run away from the sea;
He's got on in the world and I haven't, and now he looks sideways on me.
We were mates, and that didn't mean jokers who meets for a year or a day,
We meant to go jogging together the whole of the blooming long way.
We slept with one blanket between us the night that we run from the port,
There was nothing above us but heaven, yet we took it as jolly good sport.
And now he's the boss of a station, and I'm -- well, the bloke that you see;
For he had the luck and I hadn't, and now he looks sideways on me.
We pegged out a claim on the Dunstan, there used to be gold in them days,
There's blokes that still sticks to the digging, but Lord only knows how it pays;
For the country as far as I've seen it's as chock full of holes as a sieve
With the Chinkies amullocking through it, and yet them coves manage to live.
But when Jack took me to the cradle, the place was a wonder to see,
We washed out a fortune between us, and now he looks sideways on me.
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poem by David McKee Wright
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Empty-handed I Come
Empty-handed I come; empty-handed I go.
The road has no name.
The destination doesn't exist yet.
By my side, no one. Little bird, you want to drink
from the dragon's chalice, but faces from now
I will not know you; the mirror
will not breathe. Unlovable, strange, some
warrior mystic under an expanding sky
where the stars move further and further apart
I hammer swords of light out
on the igneous anvil of my heart
folding the metal
like the first edition of a holy book until the edge
draws blood from space
with a slash of lethal intelligence.
The clowns of God are rehearsing for a play like this
and you have your lives, your disgraces to live;
your clock of lies that says
it's always a lonely time to forgive. Now and here, never
anyone or anything, all objects turned to thought;
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poem by Patrick White
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The Fisher's Wife
A long, low waste of yellow sand
Lay shining northward far as eye could reach,
Southward a rocky bluff rose high
Broken in wild, fantastic shapes.
Near by, one jagged rock towered high,
And o'er the waters leaned, like giant grim,
Striving to peer into the mysteries
The ocean whispers of continually,
And covers with her soft, treacherous face.
For the rest, the sun was sinking low
Like a great golden globe, into the sea;
Above the rock a bird was flying
In dizzy circles, with shrill cries,
And on a plank floated from some wreck,
With shreds of musty seaweed
Clinging to it yet, a woman sat
Holding a child within her arms;
A sweet-faced woman--looking out to sea
With dark, patient eyes, and singing to the child,
And this the song she in the sunset sang:
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poem by Marietta Holley
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There Was A Child Went Forth
THERE was a child went forth every day;
And the first object he look'd upon, that object he became;
And that object became part of him for the day, or a certain part of
the day, or for many years, or stretching cycles of years.
The early lilacs became part of this child,
And grass, and white and red morning-glories, and white and red
clover, and the song of the phoebe-bird,
And the Third-month lambs, and the sow's pink-faint litter, and the
mare's foal, and the cow's calf,
And the noisy brood of the barn-yard, or by the mire of the pond-
side,
And the fish suspending themselves so curiously below there--and the
beautiful curious liquid,
And the water-plants with their graceful flat heads--all became part
of him.
The field-sprouts of Fourth-month and Fifth-month became part of
him; 10
Winter-grain sprouts, and those of the light-yellow corn, and the
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poem by Walt Whitman
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The Long Road Home
When I go back from Billy's place I always have to roam
The mazy road, the crazy road that leads the long way home.
Ma always says, "Why don't you come through Mr Donkin's land?
The footbridge track will bring you back." Ma doesn't understand.
I cannot go that way, you know, because of Donkin's dog;
So I set forth and travel north,, and cross the fallen log.
Last week, when I was coming by, that log had lizards in it;
And you can't say I stop to play if I just search a minute.
I look around upon the ground and, if there are no lizards,
I go right on and reach the turn in front of Mrs Blizzard's.
I do not seek to cross the creek, because it's deep and floody,
And Ma would be annoyed with me if I came home all muddy.
Perhaps I throw a stone or so at Mrs Blizzard's tank,
Because it's great when I aim straight to hear the stone go "Plank
Then west I wend from Blizzard's Bend, and not a moment wait,
Except, perhaps, at Mr Knapp's, to swing upon his gate.
So up the hill I go, until I reach the little paddock
That Mr Jones at present owns and rents to Mr Craddock.
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poem by Clarence Michael James Stanislaus Dennis
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A Free jazz poem for Joan Baez
It Feels as If I knew You
In a Past Life,
You Could have Been My Sister,
Enemy, Lover, MOTHER, Girlfriend,
Ruler or Wife!
All I know is That Your Definitely
A Kindred Spirit?
But I can't remember Us & Our Families
Dying From the Plague,
Us Being Crucified upon the Most
Crooked-est of Crosses,
Whoring Ourselves on the Cobblestone
Streets of Mala Strana, Prague,
I can't Remember 0,1,2,3,5,8,13 ~?
or 9,7,1,9,4,9,3 ~!
I don't Remember The LOVE &
Stimulating PAIN,
That We Experienced outside The
Dali Museum in Figueres, Spain!
Witnessing the Tomato & Bullfights
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poem by Stedmond M. Pardy
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To My Old Friend, William Leachman
Fer forty year and better you have been a friend to me,
Through days of sore afflictions and dire adversity,
You allus had a kind word of counsul to impart,
Which was like a healin' 'intment to the sorrow of my hart.
When I burried my first womern, William Leachman, it was you
Had the only consolation that I could listen to--
Fer I knowed you had gone through it and had rallied from the blow,
And when you said I'd do the same, I knowed you'd ort to know.
But that time I'll long remember; how I wundered here and thare--
Through the settin'-room and kitchen, and out in the open air--
And the snowflakes whirlin', whirlin', and the fields a frozen glare,
And the neghbors' sleds and wagons congergatin' ev'rywhare.
I turned my eyes to'rds heaven, but the sun was hid away;
I turned my eyes to'rds earth again, but all was cold and gray;
And the clock, like ice a-crackin', clickt the icy hours in two--
And my eyes'd never thawed out ef it hadn't been fer you!
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poem by James Whitcomb Riley
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The Power Of Prayer
or, The First Steamboat up the Alabama.
You, Dinah! Come and set me whar de ribber-roads does meet.
De Lord, HE made dese black-jack roots to twis' into a seat.
Umph, dar! De Lord have mussy on dis blin' ole nigger's feet.
It 'pear to me dis mornin' I kin smell de fust o' June.
I 'clar', I b'lieve dat mockin'-bird could play de fiddle soon!
Dem yonder town-bells sounds like dey was ringin' in de moon.
Well, ef dis nigger IS been blind for fo'ty year or mo',
Dese ears, DEY sees the world, like, th'u' de cracks dat's in de do'.
For de Lord has built dis body wid de windows 'hind and 'fo'.
I know my front ones IS stopped up, and things is sort o' dim,
But den, th'u' DEM, temptation's rain won't leak in on ole Jim!
De back ones show me earth enough, aldo' dey's mons'ous slim.
And as for Hebben, -- bless de Lord, and praise His holy name --
DAT shines in all de co'ners of dis cabin jes' de same
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poem by Sidney Lanier
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The Old Issue
October 9, 1899 -- Outbreak of Boer War
Here is nothing new nor aught unproven," say the Trumpets,
"Many feet have worn it and the road is old indeed.
"It is the King--the King we schooled aforetime! "
(Trumpets in the marshes-in the eyot at Runnymede!)
"Here is neither haste, nor hate, nor anger," peal the Trumpets,
"Pardon for his penitence or pity for his fall.
"It is the King!"--inexorable Trumpets--
(Trumpets round the scaffold af the dawning by Whitehall!)
. . . . . . .
"He hath veiled the Crown And hid the Scepter," warn (he Trum pets,
"He hath changed the fashion of the lies that cloak his will.
"Hard die the Kings--ah hard--dooms hard!" declare the Trumpets,
Trumpets at the gang-plank where the brawling troop-decks fill!
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poem by Rudyard Kipling
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The Song of a Prison
Now this is the song of a prison—a song of a gaol or jug—
A ballad of quod or of chokey, the ultimate home of the mug.
The yard where the Foolish are drafted; Hell’s school where the harmless are taught;
For the big beast never is captured and the great thief never is caught.
A song of the trollop’s victim, and the dealer in doubtful eggs,
And a song of the man who was ruined by the lie with a thousand legs.
A song of suspected persons and rouge-and-vagabond pals,
And of persons beyond suspicion—the habitual criminals.
’Tis a song of the weary warders, whom prisoners call “the screws”—
A class of men who I fancy would cleave to the “Evening News.”
They look after their treasures sadly. By the screw of their keys they are known,
And they screw them many times daily before they draw their own.
It is written on paper pilfered from the prison printery,
With a stolen stump of a pencil that a felon smuggled for me.
And he’d have got twenty-four hours in the cells if he had been caught,
With bread to eat and water to drink and plenty of food for thought.
And I paid in chews of tobacco from one who is in for life;
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poem by Henry Lawson
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