Quotes about midway, page 14
Night Rhapsody
How beautiful it is to wake at night,
When over all there reigns the ultimate spell
Of complete silence, darkness absolute,
To feel the world, tilted on axle-tree,
In slow gyration, with no sensible sound,
Unless to ears of unimagined beings,
Resident incorporeal or stretched
In vigilance of ecstasy among
Ethereal paths and the celestial maze.
The rumour of our onward course now brings
A steady rustle, as of some strange ship
Darkling with soundless sail all set and amply filled
By volume of an ever-constant air,
At fullest night, through seas for ever calm,
Swept lovely and unknown for ever on.
How beautiful it is to wake at night,
Embalmed in darkness watchful, sweet, and still,
As is the brain's mood flattered by the swim
Of currents circumvolvent in the void,
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poem by Robert Nichols
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A Garden Idyl
With sagest craft Arachne worked
Her web, and at a corner lurked,
Awaiting what should plump her soon,
To case it in the death-cocoon.
Sagaciously her home she chose
For visits that would never close;
Inside my chalet-porch her feast
Plucked all the winds but chill North-east.
The finished structure, bar on bar,
Had snatched from light to form a star,
And struck on sight, when quick with dews,
Like music of the very Muse.
Great artists pass our single sense;
We hear in seeing, strung to tense;
Then haply marvel, groan mayhap,
To think such beauty means a trap.
But Nature's genius, even man's
At best, is practical in plans;
Subservient to the needy thought,
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poem by George Meredith
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The Power of Science
“All thoughts, all passions, all delights,
Whatever stirs this mortal frame.”
Are but the legacies of apes,
With interest on the same.
How oft in studious hours do I
Recall those moments, gone too soon,
When midway in the hall I stood,
Beside the Dichobune.
Through the Museum-windows played
The light on fossil, cast, and chart;
And she was there, my Gwendoline,
The mammal of my heart.
She leaned against the Glyptodon,
The monster of the sculptured tooth;
She looked a fossil specimen
Herself, to tell the truth.
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poem by James Brunton Stephens
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Elegy For Poe With The Music Of A Carnival Inside It
There is this sunny place where I imagine him.
A park on a hill whose grass wants to turn
Into dust, & would do so if it weren't
For the rain, & the fact that it is only grass
That keeps the park from flowing downhill past
Its trees & past the slender figures in the statues.
Their stone blends in with the sky when the sky
Is overcast. The stone is a kind of rain,
And half the soldiers trapped inside the stone
Are dead. The others have deserted, & run home.
At this time in the morning, half sun, half mist,
There are usually three or four guys sprawled
Alone on benches facing away from one another.
If they're awake, they look as if they haven't slept.
If they're asleep, they look as if they may not wake....
I only imagine it as a sunny place. If they're
Awake, they gaze off as if onto a distant landscape,
Not at the warehouses & the freeway the hill overlooks,
Not onto Jefferson Avenue where, later, they'll try
To score a little infinity wrapped up in tinfoil,
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poem by Larry Levis
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An Outdoor Reception
On these green banks, where falls too soon
The shade of Autumn's afternoon,
The south wind blowing soft and sweet,
The water gliding at nay feet,
The distant northern range uplit
By the slant sunshine over it,
With changes of the mountain mist
From tender blush to amethyst,
The valley's stretch of shade and gleam
Fair as in Mirza's Bagdad dream,
With glad young faces smiling near
And merry voices in my ear,
I sit, methinks, as Hafiz might
In Iran's Garden of Delight.
For Persian roses blushing red,
Aster and gentian bloom instead;
For Shiraz wine, this mountain air;
For feast, the blueberries which I share
With one who proffers with stained hands
Her gleanings from yon pasture lands,
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poem by John Greenleaf Whittier
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Laus Deo
IN the hall the coffin waits, and the idle armourer stands.
At his belt the coffin nails, and the hammer in his hands.
The bed of state is hung with crape--the grand old bed where she was
wed--
And like an upright corpse she sitteth gazing dumbly at the bed.
Hour by hour her serving-men enter by the curtain'd door,
And with steps of muffled woe pass breathless o'er the silent floor,
And marshal mutely round, and look from each to each with eyelids red;
'Touch him not,' she shriek'd and cried, 'he is but newly dead!'
'O my own dear mistress,' the ancient Nurse did say,
'Seven long days and seven long nights you have watch'd him where he
lay.'
'Seven long days and seven long nights,' the hoary Steward said;
'Seven long days and seven long nights,' groan'd the Warrener gray;
'Seven,' said the old Henchman, and bow'd his aged head;
'On your lives!' she shriek'd and cried, 'he is but newly dead!'
Then a father Priest they sought,
The Priest that taught her all she knew,
And they told him of her loss.
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poem by Sydney Thompson Dobell
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Abram Morrison
'Midst the men and things which will
Haunt an old man's memory still,
Drollest, quaintest of them all,
With a boy's laugh I recall
Good old Abram Morrison.
When the Grist and Rolling Mill
Ground and rumbled by Po Hill,
And the old red school-house stood
Midway in the Powow's flood,
Here dwelt Abram Morrison.
From the Beach to far beyond
Bear-Hill, Lion's Mouth and Pond,
Marvellous to our tough old stock,
Chips o' the Anglo-Saxon block,
Seemed the Celtic Morrison.
Mudknock, Balmawhistle, all
Only knew the Yankee drawl,
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poem by John Greenleaf Whittier
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Sisyphus
Midway his upward unavailing course
Sate Sisyphus, his back against his load,
Halting a moment from that task of doom.
Adown his swollen cheeks ran streams of sweat
Dripping from thick-drenched locks; and watery beads
Gathered and stood on his stupendous limbs.
The sinews of his arm, like gnarled knots
On hollow bark of legendary oak,
Credentials of incalculable years,
Bulged up, and in his horny hands outspread
Upon his wrinkled knees, the arching veins
Glittered like tempered steel. His stertorous breath
Moaned like to bellows in cyclopean forge,
Wherewith in smithy subterranean
Against the Gods rebellious demigods
Fashion their molten ineffectual bolts.
But when, asudden, swift on angry flash,
Rumbled imperious thunder overhead,
At the commanding mandate, Sisyphus,
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poem by Alfred Austin
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And When You Get What You Want, Is It What You Dreamed?
And when you get what you want, is it what you dreamed?
Did the mirage live up to its reputation, did it exceed
your expectations or is there another award beyond this one?
O endlessly hungry one, pleonaxic emptiness, were you born
like a black hole on a midway of blazing radiance,
a blinding light that serves as a guide to star-nosed moles?
Fulfilment or doom, depression, disappointment, as if
some clown had washed his face off like a painted tear
in a green room mirror, and discovered he was still crying?
You grasp it like the garment of a passing ghost,
sand, water, cloud, and it changes shape in your hands
like the nature of a bird when neither of you understands.
We all wake up to spend the wealth we hoarded in our dreams.
We even greet death with money under our tongue.
In Zen they'd say we're all stealing the Buddha's purse
to buy the Buddha's horse one way or another
whether we can ride it or not, and if today you're disappointed
you'll be mesmerized by something else tomorrow,
a junk dealer going through a widow's private treasures.
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poem by Patrick White
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The Harps of Heaven
On a solemn day
I clomb the shining bulwark of the skies:
Not by the beaten way,
But climbing by a prayer,
That like a golden thread hung by the giddy stair
Fleck'd on the immemorial blue,
By the strong step-stroke of the brave and few,
Who, stirr'd by echoes of far harmonies,
Must either lay them down and die of love,
Or dare
Those empyrean walls that mock their starward eyes.
But midway in the dread emprize
The faint and fainter footsteps cease;
And, all my footing gone,
Like one who gathers samphire, I hold on,
And in the swaying air look up and down:
And up and down through answering vasts descry
Nor Earth nor Heaven;
Above,
The sheer eternal precipice; below,
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poem by Sydney Thompson Dobell
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