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Quotes about littler, page 2

Two Dogs Have I

For years we've had a little dog,
Last year we acquired a big dog;
He wasn't big when we got him,
He was littler than the dog we had.
We thought our little dog would love him,
Would help him to become a trig dog,
But the new little dog got bigger,
And the old little dog got mad.

Now the big dog loves the little dog,
But the little dog hates the big dog,
The little dog is eleven years old,
And the big dog only one;
The little dog calls him Schweinhund,
The little dog calls him Pig-dog,
She grumbles broken curses
As she dreams in the August sun.

The big dog's teeth are terrible,
But he wouldn't bite the little dog;

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As The Spring Walks

the spring walks to the trees
to the flowers
to the leaves
the leaves turn to flowers
flowers to whites
slowly and sreadı ly
the restaurants disperse themselves to the streets
even the multi colored gaRDENS
opening to the children
people throw themselves to the pavements
the ugly
yhe good
the best and th dı rty
all together
all of them are walking in the spring
at one moment
hopeful
hopeless
living is drawing from their skirts
as he wishes

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The Happy Little Cripple

I'm thist a little cripple boy, an' never goin' to grow
An' get a great big man at all!--'cause Aunty told me so.
When I was thist a baby onc't, I falled out of the bed
An' got 'The Curv'ture of the Spine'--'at's what the Doctor said.
I never had no Mother nen--fer my Pa runned away
An' dassn't come back here no more--'cause he was drunk one day
An' stobbed a man in thish-ere town, an' couldn't pay his fine!
An' nen my Ma she died--an' I got 'Curv'ture of the Spine!'

I'm nine years old! An' you can't guess how much I weigh, I bet!--
Last birthday I weighed thirty-three!--An' I weigh thirty yet!
I'm awful little fer my size--I'm purt' nigh littler 'nan
Some babies is!--an' neighbers all calls me 'The Little Man!'
An' Doc one time he laughed an' said: 'I 'spect, first thing you know,
You'll have a little spike-tail coat an' travel with a show!'
An' nen I laughed--till I looked round an' Aunty was a-cryin'--
Sometimes she acts like that, 'cause I got 'Curv'ture of the Spine.'

I set--while Aunty's washin'--on my little long-leg stool,
An' watch the little boys an' girls a-skippin' by to school;

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The Lambs on the Boulder

I hear that the Commune di Padova has an exhibition of master-
pieces from Giotto to Mantegna. Giotto is the master of angels, and
Mantegna is the master of the dead Christ, one of the few human
beings who seems to have understood that Christ did indeed come
down from the cross after all, in response to the famous jeering
invitation, and that the Christ who came down was a cadaver. Man-
tegna's dead Christ looks exactly like a skidroad bum fished by the
cops out of the Mississippi in autumn just before daylight and hurried
off in a tarpaulin-shrouded garbage truck and deposited in another
tangle of suicides and befuddled drunkards at the rear entrance to
the University of Minnesota medical school. Eternity is a vast space
of distances as well as a curving infinity of time.
No doubt the exhibition in noble Padova will be a glory to behold.
But there is a littler glory that I love best. It is a story, which so
intensely ought to be real that it is real.
One afternoon the mature medieval master Cimabue was taking
a walk in the countryside and paused in the shade to watch a shep-
herd boy. The child was trying to scratch sketches of his lambs on
a boulder at the edge of the field. He used nothing, for he could
find nothing, but a little sharp pebble.

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A Message to America

You have the grit and the guts, I know;
You are ready to answer blow for blow
You are virile, combative, stubborn, hard,
But your honor ends with your own back-yard;
Each man intent on his private goal,
You have no feeling for the whole;
What singly none would tolerate
You let unpunished hit the state,
Unmindful that each man must share
The stain he lets his country wear,
And (what no traveller ignores)
That her good name is often yours.


You are proud in the pride that feels its might;
From your imaginary height
Men of another race or hue
Are men of a lesser breed to you:
The neighbor at your southern gate
You treat with the scorn that has bred his hate.

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A Gypsy Cab Author Caught In A Texas Milky Way, A Letter Poem To M. Meursault

for Bob. M.

Mark the first page of the book with a red marker.
For, in the beginning, the wound is invisible. - Edmund Jabes

And so it was I entered the broken world to trace the visionary company of love.
- Hart Crane

'A man of many false starts...'
- Opening line from the manuscript spoken about below.


Mon Cher Marcel Meursault, homo viator **,
tumbleweed rumor, post-war roamer,
son of Cain, Biblical stain in from desert storms,


Petrochemical companies flare just cross the highway, multi-lane signals of Mammon Cathedral in the Wasteland, it's neon void promises a Velvet Jesus, a Velvet Elvis to a desert kingdom of the far flung, you being one of them, now home from the war in exile before and after, returning to the beat up but beloved truck that also tells a story and leaves a stain. Black puddles beneath write the names of God:

Jake, his slow breakdown while breaking into those stately mansions of the godly rich; hard lessons of earnest Private Dodge wanting approval and love ill sought from the gold-toothed, refugee Drill Sergeant Tomaso, late of Liberia, a wannabee Jehovah with too much power over America's young game boys shipwrecked onto military shores.

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Jude

When you tell mama
you are going to do something great
she looks at you
as though you were a window
she were trying to see through,
and says she hopes you will be good
instead of great.

When you are five years old
you spend the day in the Gardens.
The grass is greener than cabbages,
and orange lilies
stand up very straight
and will not curtsey to the sun
when the wind tells them.
Only pansies bow down very low.
Pansies make little purple cushions
for queen bees to stand on.

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Sun-Up

(Shadows over a cradle…
fire-light craning….
A hand
throws something in the fire
and a smaller hand
runs into the flame and out again,
singed and empty….
Shadows
settling over a cradle…
two hands
and a fire.)

I

CELIA

Cherry, cherry, glowing on the hearth, bright red cherry…. When you try to pick up cherry Celia's shriek sticks in you like a pin.


When God throws hailstones you cuddle in Celia's shawl and press your feet on her belly high up like a stool. When Celia makes umbrella of her hand. Rain falls through big pink spokes of her fingers. When wind blows Celia's gown up off her legs she runs under pillars of the bank— great round pillars of the bank have on white stockings too.

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