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Quotes about weirdly, page 2

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Dress your legs with nylons
with cat eyes in between
glowing next to huge pylons
never serene, just weirdly obscene

and destroy every patch of green
with shopping malls and every chain store
disrupting how towns and cities had been
and plant power stations by the score

and be a age totally foul
with scores of minibus taxi's asunder
acting as if without a soul
to kill and to plunder

with the monsters bellowing
smoke like gallows, energizing electrical strings.

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Lovebog II

Eels will peer shyly from your skull
carps will nuzzle mosses off your bones.
Over all the pink sands recompose
the stoma closes, neater than a mirror's
the water baits itself with glints and glimmers
Artful, evil, undetected snare!
Quicker, really, than a toad's tongue
the foggy sea has plucked off from its front
spar-clutchers, castaways, men set adrift-
now you see themm, now you don't
and in the briney angle of its arm
clippers ravished like a fuming Dis
now they bloom weirdly in the ooze
or creep before the gently shepherding tides.
But totalled, these are few-none practically
stars discerned with just the naked eye
beside the lone, un-numbered, countless troves
that tumble, dizzy, from the banks of Love.

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Broken Music

I know not in what fashion she was made,
Nor what her voice was, when she used to speak,
Nor if the silken lashes threw a shade
On wan or rosy cheek.

I picture her with sorrowful vague eyes,
Illumed with such strange gleams of inner light
As linger in the drift of London skies
Ere twilight turns to night.

I know not; I conjecture. 'Twas a girl
That with her own most gentle desperate hand
From out God's mystic setting plucked life's pearl--
'Tis hard to understand.

So precious life is! Even to the old
The hours are as a miser's coins, and she--
Within her hands lay youth's unminted gold
And all felicity.

[...] Read more

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The flight of the crows

The autumn afternoon is dying o'er
The quiet western valley where I lie
Beneath the maples on the river shore,
Where tinted leaves, blue waters and fair sky
Environ all; and far above some birds are flying by

To seek their evening haven in the breast
And calm embrace of silence, while they sing
Te Deums to the night, invoking rest
For busy chirping voice and tired wing--
And in the hush of sleeping trees their sleeping cradles swing.

In forest arms the night will soonest creep,
Where sombre pines a lullaby intone,
Where Nature's children curl themselves to sleep,
And all is still at last, save where alone
A band of black, belated crows arrive from lands unknown.

Strange sojourn has been theirs since waking day,
Strange sights and cities in their wanderings blend

[...] Read more

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Ah Ling, The Leper

UP a dark and fetid alley, where the offal and the slime
Of a brave and blusterous city met its misery and crime,
In a hovel reeking pestilence, and noisome as the grave,
Dwelt Ah Ling, the Chinese joiner, and the sweater’s willing slave.

Squatting down amongst the shavings, with his chisel and his plane,
Through the long, hot days of striving, dead to pleasure and to pain,
Like a creature barely human, very yellow, gaunt, and grim,
Ah Ling laboured on, for pleasure spread no lures that tempted him.

And the curious people, watching through the rotten wall at night,
Saw his death’s face weirdly outlined in the candle’s feeble light;
Saw him still intent upon his work, ill-omened and unclean,
Planing, sawing, nailing, hewing—just a skin and bone machine.

Neither kith nor kin the joiner had; perchance he nerved his hand
With the treasured hope of seeing once again his native land
As a Chinaman of fortune, and of finishing his life
At his ease in China Proper, with a painted Chinese wife.

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In the Moonlight

The moon is bright, and the winds are laid, and the river is roaring by;
Orion swings, with his belted lights low down in the western sky;
North and south from the mountain gorge to the heart of the silver plain
There’s many an eye will see no sleep till the east grows bright again;
There’s many a hand will toil to-night, from the centre down to the sea;
And I’m far from the men I used to know—and my love is far from me.

Where the broad flood eddies the dredge is moored to the beach of shingle white,
And the straining cable whips the stream in a spray of silver light;
The groaning buckets bear their load, and the engine throbs away,
And the wash pours red on the turning screen that knows not night or day;
For there’s many an ounce of gold to save, from the gorge to the shining sea—
And there’s many a league of the bare brown hills between my love and me.

Where the lines of gorse are parched and dry, and the sheaves are small and thin,
The engine beats and the combine sings to the drays that are leading in,
For they’re thrashing out of the stook to-night, and the plain is as bright as day,
And the fork-tines flash as the sheaves are turned on the frame of the one-horse dray;
For many a hand will toil to-night, from the mountains down to the sea;—
But I’m far from the lips of the girl I love, and the heart that beats for me.

[...] Read more

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The Perfect Poem

Fledgling poets often make a wide variety of mistakes,
And it’s nice to have these brought to your attention.
People enjoy writing poetry, as at the end of the day,
They end up, with a product of their own invention.

If you’re writing a poem to enter into a competition,
Don’t be tempted to use coloured ink or fancy fonts;
Along with the use of images, they detract from the poem,
And this is not what any reader, especially a judge, wants.

The title of your masterpiece is very important indeed;
It needs to really grab the reader’s eye and attention.
People don’t always realise how important a catchy title is,
But, it is a valid point which really is worth a mention.

The body of text, needs to be broken into bite size verses,
So as it’s attractive to the reader’s roving and selective eye.
If a poem looks forbidding, and uninviting on the printed page,
Many a reader is likely to just gloss over it, and pass it on by.

[...] Read more

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The Sea-Seekers

ALL four of us were inland born
And inland reared from birth were we,
And — though the tale be food for scorn —
We four had never seen the Sea.
We saw the sun by day; by night
The stars threw down their radiance keen;
These things were held a goodly sight,
But still the Sea remained unseen.
The sunlit plains about us spread
Mile after mile on every side;
But still, the sea-wise people said,
The blue salt waste was wondrous wide.
On lonely rides and desert tramps,
And when we searched in rain and dew
The breathing dark of cattle-camps,
A longing came and thrilled us through.
We dreamt of waters spreading far,
Of winding bay and shining reach,
Of shouting reef and growling bar
And breakers crashing down a beach.

[...] Read more

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Charles Baudelaire

Une Gravure Fantastique (A Fantastic Engraving)

Ce spectre singulier n'a pour toute toilette,
Grotesquement campé sur son front de squelette,
Qu'un diadème affreux sentant le carnaval.
Sans éperons, sans fouet, il essouffle un cheval,
Fantôme comme lui, rosse apocalyptique,
Qui bave des naseaux comme un épileptique.
Au travers de l'espace ils s'enfoncent tous deux,
Et foulent l'infini d'un sabot hasardeux.
Le cavalier promène un sabre qui flamboie
Sur les foules sans nom que sa monture broie,
Et parcourt, comme un prince inspectant sa maison,
Le cimetière immense et froid, sans horizon,
Où gisent, aux lueurs d'un soleil blanc et terne,
Les peuples de l'histoire ancienne et moderne.

A Fantastic Print

That strange specter wears nothing more
Than a diadem, atrocious and tawdry,
Grotesquely fixed on his skeleton brow.

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The Philistine And The Bohemian

She was a Philistine spick and span,
He was a bold Bohemian.
She had the mode, and the last at that;
He had a cape and a brigand hat.
She was so riant and chic and trim;
He was so shaggy, unkempt and grim.
On the rue de la Paix she was wont to shine;
The rue de la Gaîté was more his line.
She doted on Barclay and Dell and Caine;
He quoted Mallarmé and Paul Verlaine.
She was a triumph at Tango teas;
At Vorticist's suppers he sought to please.
She thought that Franz Lehar was utterly great;
Of Strauss and Stravinsky he'd piously prate.
She loved elegance, he loved art;
They were as wide as the poles apart:
Yet -- Cupid and Caprice are hand and glove --
They met at a dinner, they fell in love.

Home he went to his garret bare,

[...] Read more

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