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Quotes about hung, page 26

Baby Bell

I

Have you not heard the poets tell
How came the dainty Baby Bell
Into this world of ours?
The gates of heaven were left ajar:
With folded hands and dreamy eyes,
Wandering out of Paradise,
She saw this planet, like a star,
Hung in the glistening depths of even -
Its bridges, running to and fro,
O'er which the white-winged Angels go,
Bearing the holy Dead to heaven.
She touched a bridge of flowers - those feet,
So light they did not bend the bells
Of the celestial asphodels,
They fell like dew upon the flowers:
Then all the air grew strangely sweet.
And thus came dainty Baby Bell
Into this world of ours.

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A Goblin Christmas

The little Man, and tiny Maid,
Who love the Fairies in the glade,
Who see them in the tangled grass
The Gnomes and Brownies, as they pass,
Who hear the Sprites from Elf-land call
Go, frolic with these Brownies small,
And join these merry sporting Elves,
But ever be your own sweet selves.

The big bright Moon hung high and round,
In a densely darkened sky;
The tall pines swayed, and mocked, and groaned;
The mountains grew so high
That the Man-in-the-Moon came out and said,
'Ho! Spooks, for a merry dance.'
The winds blow hard, the caverns roar,
While o'er the earth they prance.

A Witch and a Goblin led the sprites;
Out from the sky they sprung;

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Prometheus Unbound: Act I (excerpt)

SCENE.--A Ravine of Icy Rocks in the Indian Caucasus. Prometheus is discovered bound to the Precipice. Panthea and Ione areseated at his feet. Time, night. During the Scene, morning slowly breaks.
Prometheus.
Monarch of Gods and Dæmons, and all Spirits
But One, who throng those bright and rolling worlds
Which Thou and I alone of living things
Behold with sleepless eyes! regard this Earth
Made multitudinous with thy slaves, whom thou
Requitest for knee-worship, prayer, and praise,
And toil, and hecatombs of broken hearts,
With fear and self-contempt and barren hope.
Whilst me, who am thy foe, eyeless in hate,
Hast thou made reign and triumph, to thy scorn,
O'er mine own misery and thy vain revenge.
Three thousand years of sleep-unsheltered hours,
And moments aye divided by keen pangs
Till they seemed years, torture and solitude,
Scorn and despair,--these are mine empire:--
More glorious far than that which thou surveyest
From thine unenvied throne, O Mighty God!
Almighty, had I deigned to share the shame

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In a City Garden

How strange that here is nothing as it was!
The sward is young and new,
The sod there shapes a different mass,
The random trees stand other than I knew.
No, here the Past has left no residue,
No aftermath!
By a new path
The workmen homeward in the city twilight pass.

Yet was this willow here.
It hung as now its olive skeins aloft
Into the sky, then blue and clear,--
And yonder pair of poplar trees

Rose also, soft
And sibilant in the glory of the breeze.
It's early dark. One scarce distinguishes
Their sullen feathering in the autumn sky.
'Tis warm and still.
Dull o'er the town the vapours lie.

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The Shanty On The Rise

When the caravans of wool-teams climbed the ranges from the West,
On a spur among the mountains stood `The Bullock-drivers' Rest';
It was built of bark and saplings, and was rather rough inside,
But 'twas good enough for bushmen in the careless days that died --
Just a quiet little shanty kept by `Something-in-Disguise',
As the bushmen called the landlord of the Shanty on the Rise.

City swells who `do the Royal' would have called the Shanty low,
But 'twas better far and purer than some toney pubs I know;
For the patrons of the Shanty had the principles of men,
And the spieler, if he struck it, wasn't welcome there again.
You could smoke and drink in quiet, yarn, or else soliloquise,
With a decent lot of fellows in the Shanty on the Rise.

'Twas the bullock-driver's haven when his team was on the road,
And the waggon-wheels were groaning as they ploughed beneath the load;
And I mind how weary teamsters struggled on while it was light,
Just to camp within a cooey of the Shanty for the night;
And I think the very bullocks raised their heads and fixed their eyes
On the candle in the window of the Shanty on the Rise.

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With French to Kimberley

The Boers were down on Kimberley with siege and Maxim gun;
The Boers were down on Kimberley, their numbers ten to one!
Faint were the hopes the British had to make the struggle good,
Defenceless in an open plain the Diamond City stood.
They built them forts from bags of sand, they fought from roof and wall,
They flashed a message to the south 'Help! or the town must fall!'
And down our ranks the order ran to march at dawn of day,
For French was off to Kimberley to drive the Boers away.

He made no march along the line; he made no front attack
Upon those Magersfontein heights that drove the Scotchmen back;
But eastward over pathless plains by open veldt and vley,
Across the front of Cronje's force his troopers held their way.
The springbuck, feeding on the flats where Modder River runs,
Were startled by his horses' hoofs, the rumble of his guns.
The Dutchman's spies that watched his march from every rocky wall
Rode back in haste: 'He marches east! He threatens Jacobsdal!'
Then north he wheeled as wheels the hawk and showed to their dismay,
That French was off to Kimberley to drive the Boers away.

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On A View Of Pasadena From The Hills

From the high terrace porch I watch the dawn.
No light appears, though dark has mostly gone,
Sunk from the cold and monstrous stone. The hills
Lie naked but not light. The darkness spills
Down the remoter gulleys; pooled, will stay
Too low to melt, not yet alive with day.
Below the windows, the lawn, matted deep
Under its close-cropped tips with dewy sleep,
Gives off a faint hush, all its plushy swarm
Alive with coolness reaching to be warm.
Gray windows at my back, the massy frame
Dull with the blackness that has not a name;
But down below, the garden is still young,
Of five years’ growth, perhaps, and terrace-hung,
Drop by slow drop of seeping concrete walls.
Such are the bastions of our pastorals!


Here are no palms! They once lined country ways,
Where old white houses glared down dusty days,

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Journey to Paradise

She was a queen of the old Levant,
Of a country, lost in shame,
Each page, blood-drenched of its history
Was burnt, to bury its name,
The King had gone on the last Crusade
With his knights to the Holy Land,
But locked her into a chastity belt
Forged by a blacksmith's hand.

But Queen Fatima, known as ‘The Bitch'
Was a testy-tempered whore,
She raged and ranted at everyone
And chafed at the chains she bore,
She sent in search of the blacksmith to
Disable the King's device,
But word came back that the man was hung
So he'd never work it twice.

The King was away for three long years,
Fatima's tongue was a lash,

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The Horn Of Egremont Castle

ERE the Brothers through the gateway
Issued forth with old and young,
To the Horn Sir Eustace pointed
Which for ages there had hung.
Horn it was which none could sound,
No one upon living ground,
Save He who came as rightful Heir
To Egremont's Domains and Castle fair.

Heirs from times of earliest record
Had the House of Lucie born,
Who of right had held the Lordship
Claimed by proof upon the Horn:
Each at the appointed hour
Tried the Horn,--it owned his power;
He was acknowledged: and the blast,
Which good Sir Eustace sounded, was the last.

With his lance Sir Eustace pointed,
And to Hubert thus said he,

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Robert Louis Stevenson

Air Of Diabelli's

CALL it to mind, O my love.
Dear were your eyes as the day,
Bright as the day and the sky;
Like the stream of gold and the sky above,
Dear were your eyes in the grey.
We have lived, my love, O, we have lived, my love!
Now along the silent river, azure
Through the sky's inverted image,
Softly swam the boat that bore our love,
Swiftly ran the shallow of our love
Through the heaven's inverted image,
In the reedy mazes round the river.
See along the silent river,

See of old the lover's shallop steer.
Berried brake and reedy island,
Heaven below and only heaven above.
Through the sky's inverted image
Swiftly swam the boat that bore our love.
Berried brake and reedy island,

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