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Ruth

All is well—in a prison—to-night, and the warders are crying ‘All’s Well!’
I must speak, for the sake of my heart—if it’s but to the walls of my cell.
For what does it matter to me if to-morrow I go where I will?
I’m as free as I ever shall be—there is naught in my life to fulfil.
I am free! I am haunted no more by the question that tortured my brain:
‘Are you sane of a people gone mad? or mad in a world that is sane?’
I have had time to rest—and to pray—and my reason no longer is vext
By the spirit that hangs you one day, and would hail you as martyr the next.

Are the fields of my fancy less fair through a window that’s narrowed and barred?
Are the morning stars dimmed by the glare of the gas-light that flares in the yard?
No! And what does it matter to me if to-morrow I sail from the land?
I am free, as I never was free! I exult in my loneliness grand!

Be a saint and a saviour of men—be a Christ, and they’ll slander and rail!
Only Crime’s understood in the world, and a man is respected—in gaol.
But I find in my raving a balm—in the worst that has come to the worst—
Let me think of it all—I grow calm—let me think it all out from the first.

Beyond the horizon of Self do the walls of my prison retreat,

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poem by Henry Lawson
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The Lady Of La Garaye - Part IV

SILENT old gateway! whose two columns stand
Like simple monuments on either hand;
No trellised iron-work, with pleasant view
Of trim-set flowery gardens shining through;
No bolts to bar unasked intruders out;
No well-oiled hinge whose sound, like one low note
Of music, tells the listening hearts that yearn,
Expectant of dear footsteps, where to turn;
No ponderous bell whose loud vociferous tone
Into the rose-decked lodge hath echoing gone,
Bringing the porter forth with brief delay,
To spread those iron wings that check the way;
Nothing but ivy-leaves, and crumbling stone;
Silent old gateway,--even thy life is gone!

But ere those columns, lost in ivvied shade,
Black on the midnight sky their forms portrayed;
And ere thy gate, by damp weeds overtopped,
Swayed from its rusty fastenings and then dropped,--
When it stood portal to a living home,

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poem by Caroline Elizabeth Sarah Norton
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The Tower of the Dream

Part I
HOW wonderful are dreams! If they but be
As some have said, the thin disjoining shades
Of thoughts or feelings, long foregone or late,
All interweaving, set in ghostly act
And strange procession, fair, grotesque, or grim,
By mimic fancy; wonderful no less
Are they though this be true and wondrous more
Is she, who in the dark, and stript of sense,
Can wield such sovereignty—the Queen of Art!
For what a cunning painter is she then,
Who hurriedly embodying, from the waste
Of things memorial littering life’s dim floor,
The forms and features, manifold and quaint,
That crowd the timeless vistas of a dream,
Fails in no stroke, but breathes Pygmalion-like
A soul of motion into all her work;
And doth full oft in magic mood inspire
Her phantom creatures with more eloquent tones
Than ever broke upon a waking ear.

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poem by Charles Harpur
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The Princess (part 2)

At break of day the College Portress came:
She brought us Academic silks, in hue
The lilac, with a silken hood to each,
And zoned with gold; and now when these were on,
And we as rich as moths from dusk cocoons,
She, curtseying her obeisance, let us know
The Princess Ida waited: out we paced,
I first, and following through the porch that sang
All round with laurel, issued in a court
Compact of lucid marbles, bossed with lengths
Of classic frieze, with ample awnings gay
Betwixt the pillars, and with great urns of flowers.
The Muses and the Graces, grouped in threes,
Enringed a billowing fountain in the midst;
And here and there on lattice edges lay
Or book or lute; but hastily we past,
And up a flight of stairs into the hall.

There at a board by tome and paper sat,
With two tame leopards couched beside her throne,

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poem by Alfred Lord Tennyson
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A Faith On Trial

On the morning of May,
Ere the children had entered my gate
With their wreaths and mechanical lay,
A metal ding-dong of the date!
I mounted our hill, bearing heart
That had little of life save its weight:
The crowned Shadow poising dart
Hung over her: she, my own,
My good companion, mate,
Pulse of me: she who had shown
Fortitude quiet as Earth's
At the shedding of leaves. And around
The sky was in garlands of cloud,
Winning scents from unnumbered new births,
Pointed buds, where the woods were browned
By a mouldered beechen shroud;
Or over our meads of the vale,
Such an answer to sun as he,
Brave in his gold; to a sound,
None sweeter, of woods flapping sail,

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poem by George Meredith
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Ruins of Rome, by Bellay

1

Ye heavenly spirits, whose ashy cinders lie
Under deep ruins, with huge walls opprest,
But not your praise, the which shall never die
Through your fair verses, ne in ashes rest;
If so be shrilling voice of wight alive
May reach from hence to depth of darkest hell,
Then let those deep Abysses open rive,
That ye may understand my shreiking yell.
Thrice having seen under the heavens' vail
Your tomb's devoted compass over all,
Thrice unto you with loud voice I appeal,
And for your antique fury here do call,
The whiles that I with sacred horror sing,
Your glory, fairest of all earthly thing.

2

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poem by Edmund Spenser
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The Destiny Of Nations. A Vision.

Auspicious Reverence! Hush all meaner song,
Ere we the deep preluding strain have poured
To the Great Father, only Rightful King,
Eternal Father! King Omnipotent!
To the Will Absolute, the One, the Good!
The I AM, the Word, the Life, the Living God!

Such symphony requires best instrument.
Seize, then, my soul! from Freedom's trophied dome
The harp which hangeth high between the shields
Of Brutus and Leonidas! With that
Strong music, that soliciting spell, force back
Man's free and stirring spirit that lies entranced.

For what is freedom, but the unfettered use
Of all the powers which God for use had given?
But chiefly this, him first, him last to view
Through meaner powers and secondary things
Effulgent, as through clouds that veil his blaze.
For all that meets the bodily sense I deem

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poem by Samuel Taylor Coleridge
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Tamerton Church-Tower, Or, First Love

I.
We left the Church at Tamerton
In gloomy western air;
To greet the day we gallop'd on,
A merry-minded pair.
The hazy East hot noon did bode;
Our horses sniff'd the dawn;
We made ten Cornish miles of road
Before the dew was gone.
We clomb the hill where Lanson's Keep
Fronts Dartmoor's distant ridge;
Thence trotted South; walk'd down the steep
That slants to Gresson Bridge;
And paused awhile, where Tamar waits,
In many a shining coil,
And teeming Devon separates
From Cornwall's sorry soil.

II.

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poem by Coventry Patmore
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Marmion: Canto III. - The Inn

I.

The livelong day Lord Marmion rode:
The mountain path the Palmer showed,
By glen and streamlet winded still,
Where stunted birches hid the rill.
They might not choose the lowland road,
For the Merse forayers were abroad,
Who, fired with hate and thirst of prey,
Had scarcely failed to bar their way.
Oft on the trampling band, from crown
Of some tall cliff, the deer looked down;
On wing of jet, from his repose
In the deep heath, the blackcock rose;
Sprung from the gorse the timid roe,
Nor waited for the bending bow;
And when the stony path began,
By which the naked peak they wan,
Up flew the snowy ptarmigan.
The noon had long been passed before

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poem by Sir Walter Scott
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Marmion: Canto II. - The Convent

I.

The breeze, which swept away the smoke,
Round Norham Castle rolled,
When all the loud artillery spoke,
With lightning-flash, and thunder-stroke,
As Marmion left the hold.
It curled not Tweed alone, that breeze,
For, far upon Northumbrian seas,
It freshly blew, and strong,
Where, from high Whitby's cloistered pile,
Bound to St. Cuthbert's holy isle,
It bore a barque along.
Upon the gale she stooped her side,
And bounded o'er the swelling tide,
As she were dancing home;
The merry seamen laughed to see
Their gallant ship so lustily
Furrow the green sea-foam.
Much joyed they in their honoured freight;

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poem by Sir Walter Scott
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