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Quotes about hung, page 29

The Lady of Shalott (1832)

PART I
On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
To many-tower'd Camelot;
The yellow-leaved waterlily
The green-sheathed daffodilly
Tremble in the water chilly
Round about Shalott.

Willows whiten, aspens shiver.
The sunbeam showers break and quiver
In the stream that runneth ever
By the island in the river
Flowing down to Camelot.
Four gray walls, and four gray towers
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.

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The Child-World

A Child-World, yet a wondrous world no less,
To those who knew its boundless happiness.
A simple old frame house--eight rooms in all--
Set just one side the center of a small
But very hopeful Indiana town,--
The upper-story looking squarely down
Upon the main street, and the main highway
From East to West,--historic in its day,
Known as The National Road--old-timers, all
Who linger yet, will happily recall
It as the scheme and handiwork, as well
As property, of 'Uncle Sam,' and tell
Of its importance, 'long and long afore
Railroads wuz ever _dreamp_' of!'--Furthermore,
The reminiscent first Inhabitants
Will make that old road blossom with romance
Of snowy caravans, in long parade
Of covered vehicles, of every grade
From ox-cart of most primitive design,
To Conestoga wagons, with their fine

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A Fairy Tale In The Ancient English Style

In Britain's Isle and Arthur's days,
When Midnight Faeries daunc'd the Maze,
Liv'd Edwin of the Green;
Edwin, I wis, a gentle Youth,
Endow'd with Courage, Sense and Truth,
Tho' badly Shap'd he been.
His Mountain Back mote well be said
To measure heigth against his Head,
And lift it self above:
Yet spite of all that Nature did
To make his uncouth Form forbid,
This Creature dar'd to love.
He felt the Charms of Edith's Eyes,
Nor wanted Hope to gain the Prize,
Cou'd Ladies took within;
But one Sir Topaz dress'd with Art,
And, if a Shape cou'd win a Heart,
He had a Shape to win.
Edwin (if right I read my Song)
With slighted Passion pac'd along

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On The Death Of The Queen

Mary of Modena d. 1718 {1}
Dark was the shade where only cou'd be seen
Disasterous Yew that ever balefull green
Distructive in the field of old when strung
Gloomy o'er graves of sleeping warriours hung
Deep was the wild recess that not an ear
Which grudged her praises might the accents hear
Where sad ARDELIA {2} mourn'd URANIA's{3} Death
In sighs which seem'd her own expireing breath
In moving Sylables so often broke
That more then Eloquence the anguish spoke
Urging the tears which cou'd not give relief
But seem'd to propagate renewing grief
Lamira{4} near her sat and caught the sound
Too weak for ecchoing rocks which fixt the bound
For Clifts that overlook't the dangerous wave
Th'unhappy Vessels or the Sailors grave
The pittying Nymph whom sympathy constrain'd
Ask't why her friend thus heavily complain'd
Why she retired to that ill omen'd spot

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The Grave Of Howard

Spirit of Death! whose outstretched pennons dread
Wave o'er the world beneath their shadow spread;
Who darkly speedest on thy destined way,
Midst shrieks and cries, and sounds of dire dismay;
Spirit! behold thy victory! Assume
A form more terrible, an ampler plume;
For he, who wandered o'er the world alone,
Listening to Misery's universal moan;
He who, sustained by Virtue's arm sublime,
Tended the sick and poor from clime to clime,
Low in the dust is laid, thy noblest spoil!
And Mercy ceases from her awful toil!
'Twas where the pestilence at thy command
Arose to desolate the sickening land,
When many a mingled cry and dying prayer
Resounded to the listening midnight air,
When deep dismay heard not the frequent knell,
And the wan carcase festered as it fell:
'Twas there, with holy Virtue's awful mien,
Amid the sad sights of that fearful scene,

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Witchcraft: New Style

The sun drew off at last his piercing fires.
Over the stale warm air, dull as a pond
And moveless in the grey quieted street,
Blue magic of a summer evening glowed.
The sky, that had been dazzling stone all day,
Hollowed in smooth hard brightness, now dissolved
To infinite soft depth, and smoulder'd down
Low as the roofs, dark burning blue, and soared
Clear to that winking drop of liquid silver,
The first exquisite star. Now the half-light
Tidied away the dusty litter parching
Among the cobbles, veiled in the colour of distance
Shabby slates and brickwork mouldering, turn'd
The hunchback houses into patient things
Resting; and golden windows now began.

A little brisk grey slattern of a woman,
Pattering along in her loose-heel'd clogs,
Pushed the brass-barr'd door of a public-house;
The spring went hard against her; hand and knee

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Marmion: Introduction to Canto V.

When dark December glooms the day,
And takes our autumn joys away;
When short and scant the sunbeam throws,
Upon the weary waste of snows,
A cold and profitless regard,
Like patron on a needy bard,
When silvan occupation's done,
And o'er the chimney rests the gun,
And hang, in idle trophy, near,
The game-pouch, fishing-rod, and spear;
When wiry terrier, rough and grim,
And greyhound, with his length of limb,
And pointer, now employed no more,
Cumber our parlour's narrow floor;
When in his stall the impatient steed
Is long condemned to rest and feed;
When from our snow-encircled home,
Scarce cares the hardiest step to roam,
Since path is none, save that to bring
The needful water from the spring;

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Edward Thomas

Lob

At hawthorn-time in Wiltshire travelling
In search of something chance would never bring,
An old man's face, by life and weather cut
And coloured, - rough, brown, sweet as any nut,
A land face, sea-blue-eyed, - hung in my mind
When I had left him many a mile behind.
All he said was: 'Nobody can't stop 'ee. It's
A footpath, right enough. You see those bits
Of mounds - that's where they opened up the barrows
Sixty years since, while I was scaring sparrows.
They thought as there was something to find there,
But couldn't find it, by digging, anywhere.'

To turn back then and seek him, where was the use?
There were three Manningfords, - Abbots, Bohun, and Bruce:
And whether Alton, not Manningford, it was,
My memory could not decide, because
There was both Alton Barnes and Alton Priors.
All had their churches, graveyards, farms, and byres,
Lurking to one side up the paths and lanes,

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The Lady Of La Garaye - Prologue

RUINS! A charm is in the word:
It makes us smile, it makes us sigh,
'Tis like the note of some spring bird
Recalling other Springs gone by,
And other wood-notes which we heard
With some sweet face in some green lane,
And never can so hear again!
Ruins! They were not desolate
To us,--the ruins we remember:
Early we came and lingered late,

Through bright July, or rich September;
With young companions wild with glee,
We feasted 'neath some spreading tree--
And looked into their laughing eyes,
And mocked the echo for replies.
Oh! eyes--and smiles--and days of yore,
Can nothing your delight restore?
Return!
Return? In vain we listen;

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The Truce of Piscataqua

Raze these long blocks of brick and stone,
These huge mill-monsters overgrown;
Blot out the humbler piles as well,
Where, moved like living shuttles, dwell
The weaving genii of the bell;
Tear from the wild Cocheco's track
The dams that hold its torrents back;
And let the loud-rejoicing fall
Plunge, roaring, down its rocky wall;
And let the Indian's paddle play
On the unbridged Piscataqua!
Wide over hill and valley spread
Once more the forest, dusk and dread,
With here and there a clearing cut
From the walled shadows round it shut;
Each with its farm-house builded rude,
By English yeoman squared and hewed,
And the grim, flankered block-house bound
With bristling palisades around.
So, haply shall before thine eyes

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