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Odyssey

ODYSSEY
Glowing like a precious nugget
Straight, taut and his bust thrusted out
Head held high and eyes glittering
As if gazing at a burning wick
Looking like a possessed maverick
He is carrying on his ceaseless walk

The path is rugged and briary
From distance the access road
In a misty mirage shroud
Looks like a blind alley
But when he reached the invious end
The thickets are clearing away
As if he said ‘open sesame’

A jewel-hooded ophidian
Following the steadfast pedestrian
Like a crawling lightning
Though not to his sentience

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poem by Sathya Narayana
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Brigalow Mick

A dandy old horsernan is Brigalow Mick-
Which his name, sir, is Michael O'Dowd -
Whatever he's riding, when timber is thick,
He is always in front of the crowd.

A few tangled locks that are fast turning white
Crown a physog. the colour of brick,
But as keen as a kestrel's-as bold and as bright -
Is the blue eye of Brigalow Mick.

He is Martin's head-stockman, on Black-Cattle Creek -
All the boys there are rare ones to ride -
But Mick is the 'daddy'; and far you may seek
Ere you find such an artist in hide.

He'll turn out a halter, or stockwhip can make,
As you've seldom cast eyes on before;

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poem by Harry 'Breaker' Harbord Morant
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The Digger's Song

Scrape the bottom of the hole: gather up the stuff,
Fossick in the crannies, lest you leave a grain
behind,
Just another shovelful and that'll be enough,-
Now we'll take it to the bank and see what we can
find,
Give the dish a twirl around,
Let the water swirl around,
Gently let it circulate, there's music in the swish,
And the tinkle of the gravel,
As the pebbles quickly travel
Around in merry circles on the bottom of the dish.

Ah, if man could only wash his life, if he only could,
Panning off the evil deeds, keeping but the
good,
What a mighty lot of digger's dishes would be sold,
Though I fear the heap of tailings would be greater

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poem by Barcroft Henry Thomas Boake
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Wallabi Joe

The saddle was hung on the stockyard rail,
And the poor old horse stood whisking his tail,
For there never was seen such a regular screw
As Wallabi Joe, of Bunnagaroo;
Whilst the shearers all said, as they say, of course,
That Wallabi Joe's a fine lump of a horse;
But the stockmen said, as they laughed aside,
He'd barely do for a Sunday's ride.

O—oh! poor Wallabi Joe.
"I'm weary of galloping now," he cried,
"I wish I were killed for my hide, my hide;
For my eyes are dim, and my back is sore,
And I feel that my legs won't stand much more."

Now stockman Bill, who took care of his nag,
Put under the saddle a soojee bag,
And off he rode with a whip in his hand
To look for a mob of the R.J. brand.

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poem by Andrew Barton Paterson
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Because You Do Not Know How To Say Yes....

do not make a conclusion that you are wrong
or that you are inferior

you know best who you are, keep thinking,

when you were rejected
by whose standards?
and under what circumstances?
yes, theirs, and their
network of evil influences
this company incorporated
a root system of cajolery
and mediocrity

keep that dignity, do not expect, do not demand,
stay what you are, you know best who you are

your nights have been days, your craft well honed by sacrifices,
you have been an expert listener and talker to yourself

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poem by Ric S. Bastasa
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The Farewell Sestina

It was Walter Cronkite, wasn't it, who said,
'And that's the way it is, ' at the end of the show,
safe in the knowledge he had done his job well
and standing by for all the other things
that needed to be done at close of day-
how utterly unlike the way I am.

The time has come to wonder who I am;
it is time to say what has not yet been said.
When the skulking shade of graduation day
comes to end this last picture show,
I will relfect on all the many things
I've done; I hope I'll find I did them well.

There were times I overslept and felt unwell
(blame the reckless partier I am) .
And I remember saying all those hateful things
which now I wish that I had never said;
and my utter inability to show
some inner sunshine through my cloudy day.

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poem by Christopher Parcels
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Faceless This Time Of Night

Faceless this time of night, my skin evaporates like dry ice
into a deepening sense of containment
by a dark space with distant cities of light
trying to colonize the Pythagorean fireflies of Cretona,
or the shimmering mirage of Port Angeles
dancing like a seance at the foot of the mountains
across a hundred miles of the Georgia Strait at night,
the immensity of the freedom that dwarfs the stars
with the sheer magnitude of the labour before them.

The fragility of a spinal cord traversing the abyss
of a one-stringed box guitar made of cardboard
when you were a kid, the mere filament
of an anachronistic light bulb with the lifespan
of the wick of an apostate candle at a black mass,
disappointed it wasn't born a flower,
but a weed more at home among the stars
that uprooted it from its intimacy with the earth
like a kindred spirit of light
that must wander through its own solitude

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poem by Patrick White
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There, You See, I Let You Go

There, you see, I let you go, just like that, open my hand
like milkweed, like dandelion, a grave full of ghosts
and let space take the parachutes and parasols,
chimney-sparks and fireflies in a gust of wind by a dark lake,
and I wonder if the stars, too, are a way of saying good-bye,
if the blood drapes its lanterns in black
after the light has fled
and latches the gate with a question, if
the sun dies in the apricot after it falls,
if the branch is sadder by the weight of one bird
or if the fruit it bears like tears is enough
to go on conducting the requiem of your absence,
because we are just an eye of water at the end of a leaf,
a match plummeting down a well,
a tiny fury of seeing that scalds the watershed
with the hiss of a cat, a feather of flame, and dies,
the dreary slag of a dwarf moon, a black, pitted skull.
And who would believe such a desolate thing,
was once a red bud on a paper stem, dreaming of flowers,
imagining the dawns that would come of its flaring,

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poem by Patrick White
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Sometimes The Heart Buries Its Sorrow

Sometimes the heart buries its sorrow
like a bell or an hourglass beside the road
as if it came upon a dead bird it couldn't name
and returned it to the earth like unread mail.
There's no gate where I'm going, the air
will tremble a bit and that'll be it. Maybe
a firefly or two, to liven things up,
but no sign of lightning tearing its hair out.

I shall evaporate like a dream someone
couldn't remember having, and what seems
so crucially significant now shall disappear,
disperse, dissipate like smoke from of a fire
and all that will remain of this passionate burning
will be an odd fragrance among the stars
that doesn't arrest the attention of the bees.

And these things of my mother that she gave to me,
Blood, flesh, bone, breath and my love of poetry
and compassion for the world you need to write it,

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poem by Patrick White
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When I Get To The Root Of What I Really Want

When I get to the root of what I really want
it all comes down to the nothing that I've got.
If a mirror were to publish me the way I really look,
I'd look like a rootless tree, scattering all its leaves
and dropping its fruit like tears that got too heavy to bear.
I look at a beautiful woman now as if she were art,
a Caravaggio in a gallery, as my eyes are
just as happy to see, as my hands once were to touch.
Noli me tangere. Because I don't love anyone,
not even myself. Love is a double-edged sword
that can't dance solo, and my longing's been
a wandering troubadour for so long now, I can
mark the eras of my life by the number of windows
I've stood under singing to the waxing moon as it opens up.

I've always been a foolish dream weaver
trying to make a waterbed out of a snakepit for two
knowing how long it takes for the flying carpets to wear through.
I'm Pictish enough to live with a blue body
covered in lunar tattoos, or play the sacred clown

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poem by Patrick White
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