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Quotes about concert, page 36

The History of Jazz

I

The leaves of blue came drifting down.
In the corner Madeleine Reierbacher was reading Lorna Doone.
The bay’s water helped to implement the structuring of the garden hose.
The envelope fell. Was it pink or was it red? Consult Lorna Doone.
There, voyager, you will find your answer. The savant grapeade stands
Remember Madeleine Reierbacher. Madeleine Reierbacher says,
“If you are happy, there is no one to keep you from being happy;
Don’t let them!” Madeleine Reierbacher went into the racing car.
The racing car was orange and red. Madeleine Reierbacher drove to Beale Street.
There Maddy doffed her garments to get into some more comfortable clothes.
Jazz was already playing in Beale Street when Madeleine Reierbacher arrived there.
Madeleine Reierbacher picked up the yellow horn and began to play.
No one had ever heard anything comparable to the playing of Madeleine Reierbacher.
What a jazz musician! The pianist missed his beats because he was so excited.
The drummer stared out the window in ecstasy at the yellow wooden trees.
The orchestra played “September in the Rain,” “Mugging,” and “I’m Full of Love.”
Madeleine Reierbacher rolled up her sleeves; she picked up her horn; she played “Blues in the Rain.”
It was the best jazz anyone had ever heard. It was mentioned in the newspapers. St. Louis!

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Each Morning At The Breakfast Table

Who’ll stone you when you feel unable,
eating at the breakfast table,
to answer who’s the great composer,
implying that you are a loser?
Not my wife, though she’s most brainy;
on my creations never rainy,
she doesn’t let me feel alone,
rolling like a lonely stone.
Less than I a fan of Bob
on no occasions will she rob
me of my confidence. Sure, Dylan
to her appears to be a villain,
because of his association
with other forms of inspiration.
but she won’t stone me ever, that’s
why I won’t settle for ersatz.
She sees through masks, including mine,
but never stones the wearer, she
is morning coffee, evening wine,
and midnight she is ecstasy.

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Lewis Carroll

Hiawatha's Photographing

From his shoulder Hiawatha
Took the camera of rosewood,
Made of sliding, folding rosewood;
Neatly put it all together.
In its case it lay compactly,
Folded into nearly nothing;

But he opened out the hinges,
Pushed and pulled the joints and hinges,
Till it looked all squares and oblongs,
Like a complicated figure
In the Second Book of Euclid.

This he perched upon a tripod -
Crouched beneath its dusky cover -
Stretched his hand, enforcing silence -
Said, "Be motionless, I beg you!"
Mystic, awful was the process.

All the family in order

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In Utrumque Paratus

'Then hey for boot and horse, lad !
And round the world away !
Young blood will have its course, lad !
And every dog his day !'—C. Kingsley.

There's a formula which the west country clowns
Once used, ere their blows fell thick,
At the fairs on the Devon and Cornwall downs,
In their bouts with the single-stick.
You may read a moral, not far amiss,
If you care to moralize,
In the crossing guard, where the ash-plants kiss,
To the words 'God spare our eyes.'

No game was ever yet worth a rap
For a rational man to play,
Into which no accident, no mishap,
Could possibly find its way.
If you hold the willow, a shooter from Wills
May transform you into a hopper,

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Lewis Carroll

Hiawatga's Photographing

FROM his shoulder Hiawatha
Took the camera of rosewood,
Made of sliding, folding rosewood;
Neatly put it all together.
In its case it lay compactly,
Folded into nearly nothing;

But he opened out the hinges,
Pushed and pulled the joints and hinges,
Till it looked all squares and oblongs,
Like a complicated figure
In the Second Book of Euclid.

This he perched upon a tripod -
Crouched beneath its dusky cover -
Stretched his hand, enforcing silence -
Said, "Be motionless, I beg you!"
Mystic, awful was the process.

All the family in order

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Richard Brautigan

Part 8 of Trout Fishing in America

A RETURN TO THE COVER OF

THIS BOOK

Dear Trout Fishing in America:

I met your friend Fritz in Washington Square. He told me

to tell you that his case went to a jury and that he was acquit-

ted by the jury.

He said that it was important for me to say that his case

went to a jury and that he was acquitted by the jury,

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To Eliza On Her Marriage

You're now, Eliza, fix'd for life;
In other words, you're now - a wife;
And let me whisper in your ear,
A wife, though fix'd, has cause to fear;
For much she risks, and much she loses
If an improper road she choses.
Yet think not that I mean to fright you,
My plan, au contraire's to delight you;
To draw the lines where comfort reaches;
Where folly flies; where prudence teaches.
In short, Eliza, to prevent you
From nameless ills that may torment you:
And ere bright Hymen's torch burns faintly,
From nuptial glare conduct you gently,
Where (cur'd of wounds from Cupid's quiver)
A milder lustre beams for ever!

First, then, Eliza, change your carriage,
Courtship's a different thing from marriage,
And much I fear (by passion blinded)

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The Circus

I remember when I wrote The Circus
I was living in Paris, or rather we were living in Paris
Janice, Frank was alive, the Whitney Museum
Was still on 8th Street, or was it still something else?
Fernand Léger lived in our building
Well it wasn’t really our building it was the building we lived in
Next to a Grand Guignol troupe who made a lot of noise
So that one day I yelled through a hole in the wall
Of our apartment I don’t know why there was a hole there
Shut up! And the voice came back to me saying something
I don’t know what. Once I saw Léger walk out of the building
I think. Stanley Kunitz came to dinner. I wrote The Circus
In two tries, the first getting most of the first stanza;
That fall I also wrote an opera libretto called Louisa or Matilda.
Jean-Claude came to dinner. He said (about “cocktail sauce”)
It should be good on something but not on these (oysters).
By that time I think I had already written The Circus
When I came back, having been annoyed to have to go
I forget what I went there about
You were back in the apartment what a dump actually we liked it

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Born Before his Time

Brown was weeping; likewise cursing; and with amplitude of reason;
For a letter had been handed him that very afternoon
Which proved he had been cruelly begotten out of season,
That, in fact, he had been born a hundred centuries too soon.

From the day a friendly hint had told of coal on his selection,
In the house, the street, the office Brown had revelled in a dream,
Wherein himself and family and all the Brown connection
Figured floating in a golden barge adown a silver stream.

Now he wept; and little wonder; all his gorgeous hopes had faded
With the letter of the expert, lying crumpled at his feet,
Which reported, with a wealth of scientific terms paraded,
That the “coal” was hardly lignite, though a little more than peat.

“But some day,” so ran the missive, “it is bound to prove a treasure.”
(Here a moment's re-awakened hope had cheered the reader's soul)
“What with gas elimination and accumulated pressure,
“In ten thousand years or so it will be marketable coal.”

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William Cowper

Elegy V. Anno Aet. 20. On The Approach Of Spring (Translated From Milton)

Time, never wand'ring from his annual round,
Bids Zephyr breathe the Spring, and thaw the ground;
Bleak Winter flies, new verdure clothes the plain,
And earth assumes her transient youth again.
Dream I, or also to the Spring belong
Increase of Genius, and new pow'rs of song?
Spring gives them, and, how strange soere it seem,
Impels me now to some harmonious theme.
Castalia's fountain and the forked hill
By day, by night, my raptur'd fancy fill,
My bosom burns and heaves, I hear within
A sacred sound that prompts me to begin,
Lo! Phoebus comes, with his bright hair he blends
The radiant laurel wreath; Phoebus descends;
I mount, and, undepress'd by cumb'rous clay,
Through cloudy regions win my easy way;
Rapt through poetic shadowy haunts I fly:
The shrines all open to my dauntless eye,
My spirit searches all the realms of light,
And no Tartarean gulphs elude my sight.

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