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Temora - Book II

ARGUMENT.

This book opens, we may suppose, about midnight, with a soliloquy of Ossian, who had retired from the rest of the army, to mourn for his son Oscar. Upon hearing the noise of Cathmor's army approaching, he went to find out his brother Fillan, who kept the watch on the hill of Mora, in the front of Fingal's army. In the conversation of the brothers, the episode of Conar, the son of Trenmor, who was the first king of Ireland, is introduced, which lays open the origin of the contests between the Gael and the Fir-bolg, the two nations who first possessed themselves of that island. Ossian kindles a fire on Mora: upon which Cathmor desisted from the design he had formed of surprising the army of the Caledonians. He calls a council of his chiefs: reprimands Foldath for advising a night attack, as the Irish were so much superior in number to the enemy. The bard Fonar introduces the story of Crothar, the ancestor of the king, which throws further light on the history of Ireland, and the original pretensions of the family of Atha to the throne of that kingdom. The Irish chiefs lie down to rest, and Cathmor himself undertakes the watch. In his circuit round the army he is met by Ossian. The interview of the two heroes is described. Cathmor obtains a promise from Ossian to order a funeral elegy to be sung over the grave of Cairbar: it being the opinion of the times, that the souls of the dead could not be happy till their elegies were sung by a bard. Morning comes. Cathmor and Ossian part; and the latter, casually meeting with Carril the son of Kinfena, sends that bard, with a funeral song, to the tomb of Cairbar.

FATHER of heroes! O Trenmor! High dweller of eddying winds! where the dark-red thunder marks the troubled clouds! Open thou thy stormy halls. Let the bards of old be near. Let them draw near with songs and their half viewless harps. No dweller of misty valley comes! No hunter unknown at his streams! It is the car-borne Oscar, from the field of war. Sudden is thy change, my son, from what thou wert on dark Moi-lena! The blast folds thee in its skirt, and rustles through the sky! Dost thou not behold thy father, at the stream of night? The chiefs of Morven sleep far distant. They have lost no son! But ye have lost a hero, chiefs of resounding Morven! Who could equal his strength, when battle rolled against his side, like the darkness of crowded waters? Why this cloud on Ossian's soul? It ought to burn in danger. Erin is near with her host. The king of Selma is alone. Alone thou shalt not be, my father, while I can lift the spear!

I rose in all my arms. I rose and listened to the wind. The shield of Fillan is not heard. I tremble for the son of Fingal. "Why should the foe come by night? Why should the dark-haired warrior fall?" Distant, sullen murmurs rise; like the noise of the lake of Lego, when its waters shrink, in the days of frost, and all its bursting ice resounds. The people of Lara look to heaven, and foresee the storm! My steps are forward on the heath. The spear of Oscar is in my hand? Red stars looked from high. I gleamed along the night.

I saw Fillan silent before me, bending forward from Mora's rock. He heard the shout of the foe. The joy of his soul arose. He heard my sounding tread, and turned his lifted spear. "Comest thou, son of night, in peace? Or dost thou meet my wrath? The foes of Fingal are mine. Speak, or fear my steel. I stand not, in vain, the shield of Morven's race." "Never mayest thou stand in vain, son of blue-eyed Clatho! Fingal begins to be alone. Darkness gathers on the last of his days. Yet he has two sons who ought to shine in war. Who ought to be two beams of light, near the steps of his departure."

"Son of Fingal," replied the youth, "it is not long since I raised the spear. Few are the marks of my sword in war. But Fillan's soul is fire! The chiefs of Bolga crowd around the shield of generous Cathmor. Their gathering is on the heath. Shall my steps approach their host? I yielded to Oscar alone in the strife of the race of Cona!"

"Fillan, thou shalt not approach their host; nor fall before thy fame is known. My name is heard in song; when needful, I advance. From the skirts of night I shall view them over all their gleaming tribes. Why, Fillan, didst thou speak of Oscar? Why awake my sigh! I must forget the warrior, till the storm is rolled away. Sadness ought not to dwell in danger, nor the tear in the eye of war. Our fathers forgot their fallen sons, till the noise of arms was past. Then sorrow returned to the tomb, and the song of bards arose. The memory of those who fell quickly followed the departure of war: when the tumult of battle is past, the soul in silence melts away for the dead.

"Conar was the brother of Trathal, first of mortal men. His battles were on every coast. A thousand streams rolled down the blood of. his foes. His fame filled green Erin, like a pleasant gale. The nations gathered in Ullin, and they blessed the king; the king of the race of their fathers, from the land of Selma.

"The chiefs of the south were gathered, in the darkness of their pride. In the horrid cave of Moma they mixed their secret words. Thither often, they said, the spirits of their fathers came; showing their pale forms from the chinky rocks; reminding them of the honor of Bolga. 'Why should Conar reign,' they said, 'the son of resounding Morven?'

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poem by James Macpherson
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Lohengrin

THE holy bell, untouched by human hands,
Clanged suddenly, and tolled with solemn knell.

Between the massive, blazoned temple-doors,
Thrown wide, to let the summer morning in,
Sir Lohengrin, the youngest of the knights,
Had paused to taste the sweetness of the air.
All sounds came up the mountain-side to him,
Softened to music,— noise of laboring men,
The cheerful cock-crow and the low of kine,
Bleating of sheep, and twittering of the birds,
Commingled into murmurous harmonies—
When harsh, and near, and clamorous tolled the bell.
He started, with his hand upon his sword;
His face, an instant since serene and fair,
And simple with the beauty of a boy,
Heroic, flushed, expectant all at once.
The lovely valley stretching out beneath
Was now a painted picture,— nothing more;
All music of the mountain or the vale

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poem by Emma Lazarus
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Bridegroom Dick

1876

Sunning ourselves in October on a day
Balmy as spring, though the year was in decay,
I lading my pipe, she stirring her tea,
My old woman she says to me,
'Feel ye, old man, how the season mellows?'
And why should I not, blessed heart alive,
Here mellowing myself, past sixty-five,
To think o' the May-time o' pennoned young
fellows
This stripped old hulk here for years may
survive.

Ere yet, long ago, we were spliced, Bonny Blue,
(Silvery it gleams down the moon-glade o' time,
Ah, sugar in the bowl and berries in the prime!)
Coxswain I o' the Commodore's crew,--
Under me the fellows that manned his fine gig,
Spinning him ashore, a king in full fig.

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poem by Herman Melville
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Agnes

PART FIRST

THE KNIGHT
The tale I tell is gospel true,
As all the bookmen know,
And pilgrims who have strayed to view
The wrecks still left to show.

The old, old story,—­fair, and young,
And fond,—­and not too wise,—­
That matrons tell, with sharpened tongue,
To maids with downcast eyes.

Ah! maidens err and matrons warn
Beneath the coldest sky;
Love lurks amid the tasselled corn
As in the bearded rye!

But who would dream our sober sires

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poem by Oliver Wendell Holmes
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Fingal - Book III

ARGUMENT.

Cuthullin, pleased with the story of Carril, insists with that bard for more of his songs. He relates the actions of Fingal in Lochlin, and death of Agandecca, the beautiful sister of Swaran. He had scarce finished, when Calmar, the son of Matha, who had advised the first battle, came wounded from the field, and told them of Swaran's design to surprise the remains of the Irish army. He himself proposes to withstand singly the whole force of the enemy, in a narrow pass, till the Irish should make good their retreat. Cuthullin, touched with the gallant proposal of Calmar, resolves to accompany him and orders Carril to carry off the few that remained of the Irish. Morning comes, Calmar dies of his wounds; and the ships of the Caledonians appearing, Swaran gives over the pursuit of the Irish, and returns to oppose Fingal's landing. Cuthullin, ashamed, after his defeat, to appear before Fingal re tires to the cave of Tura. Fingal engages the enemy, puts them to flight: but the coming on of night makes the victory not decisive. The king, who had observed the gallant behavior of his grandson Oscar, gives him advice concerning his conduct in peace and war. He recommends to him to place the example of his fathers before his eyes, as the best model for his conduct; which introduces the episode concerning Fainasóllis, the daughter of the king of Craca, whom Fingal had taken under his protection in his youth. Fillan and Oscar are despatched to observe the motions of the enemy by night: Gaul, the son of Morni, desires the command of the army in the next battle, which Fingal promises to give him. Some general reflections of the poet close the third day.

"PLEASANT are the words of the song! "said Cuthullin, "lovely the tales of other times! They are like the calm dew of the morning on the hill of roes! when the sun is faint on its side, and the lake is settled and blue on the vale. O Carril, raise again thy voice! let me hear the song of Selma: which was sung in my halls of joy, when Fingal, king of shields, was there, and glowed at the deeds of his fathers.

"Fingal! thou dweller of battle," said Carril, "early were thy deeds in arms. Lochlin was consumed in thy wrath, when thy youth strove in the beauty of maids. They smiled at the fair-blooming face of the hero; but death was in his hands. He was strong as the waters of Lora. His followers were the roar of a thousand streams. They took the king of Lochlin in war; they restored him to his ship. His big heart swelled with pride; the death of the youth was dark in his soul. For none ever but Fingal, had overcome the strength of the mighty Starno. He sat in the hall of his shells in Lochlin's woody land. He called the gray-haired Snivan, that often sung round the circle of Loda; when the stone of power heard his voice , and battle turned in the field of the valiant!

"'Go, gray-haired Snivan,' Starno said: 'go to Ardven's sea-surrounded rocks. Tell to the king of Selma; he the fairest among his thousands; tell him I give to him my daughter, the loveliest maid that ever heaved a breast of snow. Her arms are white as the foam of my waves. Her soul is generous and mild. Let him come with his bravest heroes to the daughter of the secret hall!' Snivan came to Selma's hall: fair-haired Fingal attended his steps. His kindled soul flew to the maid, as he bounded on the waves of the north. 'Welcome,' said the dark-brown Starno, 'welcome, king of rocky Morven! welcome his heroes of might, sons of the distant isle! Three days within thy halls shall we feast; three days pursue my boars; that your fame may reach the maid who dwells in the secret hall.'

"Starno designed their death. He gave the feast of shells. Fingal, who doubted the foe, kept on his arms of steel. The sons of death were afraid: they fled from the eyes of the king. The voice of sprightly mirth arose. The trembling harps of joy were strung. Bards sung the battles of heroes; they sung the heaving breast of love. Ullin, Fingal's bard, was there: the sweet voice of resounding Cona. He praised the daughter of Lochlin; and Morven's high-descended chief. The daughter of Lochlin overheard. She left the hall of her secret sigh! She came in all her beauty, like the moon from the cloud of the east. Loveliness was round her as light. Her steps were the music of songs. She saw the youth and loved him. He was the stolen sigh of her soul. Her blue eyes rolled on him in secret: she blessed the chief of resounding Morven.

"The third day, with all its beams, shone bright on the wood of boars. Forth moved the dark-browed Starno; and Fingal, king of shields. Half the day they spent in the chase; the spear of Selma was red in blood. It was then the daughter of Starno, with blue eyes rolling in tears; it was then she came with her voice of love, and spoke to the king of Morven. 'Fingal, high-descended chief, trust not Starno's heart of pride. Within that wood he has placed his chiefs. Beware of the wood of death. But remember, son of the isle, remember Agandecca; save me from the wrath of my father, king of the windy Morven!'

"The youth with unconcern went on; his heroes by his side. The sons of death fell by his hand; and Germal echoed around! Before the halls of Starno the sons of the chase convened. The king's dark brows were like clouds; his eyes like meteors of night. 'Bring hither,' he said, 'Agandecca to her lovely king of Morven! His hand is stained with the blood of my people; her words have not been in vain!' She came with the red eye of tears. She came with loosely flowing locks. Her white breast heaved with broken sighs, like the foam of the streamy Lubar. Starno pierced her side with steel. She fell, like a wreath of snow, which slides from the rocks of Ronan, when the woods are still, and echo deepens in the vale! Then Fingal eyed his valiant chiefs: his valiant chiefs took arms! The gloom of battle roared: Lochlin fled or died. Pale in his bounding ship he closed the maid of the softest soul. Her tomb ascends on Ardven; the sea roars round her narrow dwelling."

"Blessed be her soul," said Cuthullin; "blessed be the mouth of the song! Strong was the youth of Fingal; strong is his arm of age. Lochlin shall fall again before the king of echoing Morven. Show thy face from a cloud, O moon! light his white sails on the wave: and if any strong spirit of heaven sits on that low-hung cloud; turn his dark ships from the rock, thou rider of the storm!"

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poem by James Macpherson
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The Marriage Of Tirzah And Ahirad

IT is the dead of night:
Yet more than noonday light
Beams far and wide from many a gorgeous hall.
Unnumbered harps are tinkling,
Unnumbered lamps are twinkling,
In the great city of the fourfold wall.
By the brazen castle's moat,
The sentry hums a livelier note.
The ship-boy chaunts a shriller lay
From the galleys in the bay.
Shout, and laugh, and hurrying feet
Sound from mart and square and street,
From the breezy laurel shades,
From the granite colonnades,
From the golden statue's base,
From the stately market-place,
Where, upreared by captive hands,
The great Tower of Triumph stands,
All its pillars in a blaze
With the many-coloured rays,

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poem by Thomas Babbington Macaulay
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Hero and Leander: The First Sestiad

On Hellespont, guilty of true-love's blood,
In view and opposite two cities stood,
Sea-borderers, disjoined by Neptune's might;
The one Abydos, the other Sestos hight.
At Sestos Hero dwelt; Hero the fair,
Whom young Apollo courted for her hair,
And offered as a dower his burning throne,
Where she should sit for men to gaze upon.
The outside of her garments were of lawn,
The lining purple silk, with gilt stars drawn;
Her wide sleeves green, and bordered with a grove,
Where Venus in her naked glory strove
To please the careless and disdainful eyes
Of proud Adonis, that before her lies.
Her kirtle blue, whereon was many a stain,
Made with the blood of wretched lovers slain.
Upon her head she ware a myrtle wreath,
From whence her veil reached to the ground beneath.
Her veil was artificial flowers and leaves
Whose workmanship both man and beast deceives.

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poem by Christopher Marlowe
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A Faith On Trial

On the morning of May,
Ere the children had entered my gate
With their wreaths and mechanical lay,
A metal ding-dong of the date!
I mounted our hill, bearing heart
That had little of life save its weight:
The crowned Shadow poising dart
Hung over her: she, my own,
My good companion, mate,
Pulse of me: she who had shown
Fortitude quiet as Earth's
At the shedding of leaves. And around
The sky was in garlands of cloud,
Winning scents from unnumbered new births,
Pointed buds, where the woods were browned
By a mouldered beechen shroud;
Or over our meads of the vale,
Such an answer to sun as he,
Brave in his gold; to a sound,
None sweeter, of woods flapping sail,

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poem by George Meredith
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Tamerton Church-Tower, Or, First Love

I.
We left the Church at Tamerton
In gloomy western air;
To greet the day we gallop'd on,
A merry-minded pair.
The hazy East hot noon did bode;
Our horses sniff'd the dawn;
We made ten Cornish miles of road
Before the dew was gone.
We clomb the hill where Lanson's Keep
Fronts Dartmoor's distant ridge;
Thence trotted South; walk'd down the steep
That slants to Gresson Bridge;
And paused awhile, where Tamar waits,
In many a shining coil,
And teeming Devon separates
From Cornwall's sorry soil.

II.

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poem by Coventry Patmore
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The Lady Of La Garaye - Part II

A FIRST walk after sickness: the sweet breeze
That murmurs welcome in the bending trees,
When the cold shadowy foe of life departs,
And the warm blood flows freely through our hearts:
The smell of roses,--sound of trickling streams,
The elastic turf cross-barred with golden gleams,
That seems to lift, and meet our faltering tread;
The happy birds, loud singing overhead;
The glorious range of distant shade and light,
In blue perspective, rapturous to our sight,
Weary of draperied curtains folding round,
And the monotonous chamber's narrow bound;
With,--best of all,--the consciousness at length,
In every nerve of sure returning strength:--

Long the dream stayed to cheer that darkened room,
That this should be the end of all that gloom!

Long, as the vacant life trained idly by,
She pressed her pillow with a restless sigh,--

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poem by Caroline Elizabeth Sarah Norton
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