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Quotes about form, page 7

Preface To Ossian

WITHOUT increasing his genius, the author may have improved his language, in the eleven years that the following poems have been in the hands of the public. Errors in diction might have been committed at twenty-four, which the experience of a riper age may remove; and some exuberances in imagery may be restrained with advantage, by a degree of judgment acquired in the progress of time. Impressed with this opinion, he ran over the whole with attention and accuracy; and he hopes he has brought the work to a state of correctness which will preclude all future improvements.

The eagerness with which these poems have been received abroad, is a recompense for the coldness with which a few have affected to treat them at home. All the polite nations of Europe have transferred them into their respective languages; and they speak of him who brought them to light, in terms that might flatter the vanity of one fond of flame. In a convenient indifference for a literary reputation, the author hears praise without being elevated, and ribaldry without being depressed. He has frequently seen the first bestowed too precipitately; and the latter is so faithless to its purpose, that it is often the only index to merit in the present age.

Though the taste which defines genius by the points of the compass, is a subject fit for mirth in itself, it is often a serious matter in the sale of the work. When rivers define the limits of abilities, as well as the boundaries of countries, a writer may measure his success by the latitude under which he was born. It was to avoid a part of this inconvenience, that the author is said by some, who speak without any authority, to nave ascribed his own productions to another name. If this was the case, he was but young in the art of deception. When he placed the poet in antiquity, the translator should have been born on this side of the Tweed.

These observations regard only the frivolous in matters of literature; these, however, form a majority of every age and nation. In this countrymen of genuine taste abound; but their still voice is drowned in the clamors of a multitude, who judge by fashion of poetry, as of dress. The truth is, to judge aright, requires almost as much genius as to write well; and good critics are as rare as great poets. Though two hundred thousand Romans stood up when Virgil came into the theatre, Varius only could correct the Æneid. He that obtains fame must receive it through mere fashion; and gratify his vanity with the applause of men, of whose judgment he cannot approve.

The following poems, it must be confessed, are more calculated to please persons of exquisite feelings of heart, than those who receive all their impressions by the car. The novelty of cadence, in what is called a prose version, thou h not destitute of harmony, will not, to common readers, supply the absence of the frequent returns of rhyme. This was the opinion of the writer himself, though he yielded to the judgment of others, in a mode, which presented freedom and dignity of expression, instead of fetters, which cramp the thought, whilst the harmony of language is preserved. His attention was to publish inverse.--The making of poetry, like any other handicraft, may be learned by industry; and he had served his apprenticeship, though in secret, to the Muses.

It is, however, doubtful, whether the harmony which these poems might derive from rhyme, even in much better hands than those of the translator, could atone for the simplicity and energy which they would lose. The determination of this point shall be left to the readers of this preface. The following is the beginning of a poem, translated from the Norse to the Gaelic language; and, from the latter, transferred into English. The verse took little more time to the writer than the prose; and he himself is doubtful (if he has succeeded in either) which of them is the most literal version.

FRAGMENT OF A NORTHERN TALE.

WHERE Harold, with golden hair, spread o'er Lochlinn his high commands; where, with justice, he ruled the tribes, who sunk, subdued, beneath his sword; abrupt rises Gormal in snow! the tempests roll dark on his sides, but calm, above, his vast forehead appears. White-issuing from the skirt of his storms, the troubled torrents pour down his sides. Joining, as they roar along, they bear the Torno, in foam, to the main.

Gray on the bank, and far from men, half-covered, by ancient pines, from the wind, a lonely pile exalts its head, long shaken by the storms of the north. To this fled Sigurd, fierce in fight, from Harold the leader of armies, when fate had brightened his spear with renown: when he conquered in that rude field, where Lulan's warriors fell in blood, or rose in terror on the waves of the main. Darkly sat the gray-haired chief; yet sorrow dwelt not in his soul. But when the warrior thought on the past, his proud heart heaved against his side: forth flew his sword from its place: he wounded Harold in all the winds.

One daughter, and only one, but bright in form and mild of soul, the last beam of the setting line, remained to Sigurd of all his race. His son, in Lulan's battle slain, beheld not his father's flight from his foes. Nor finished seemed the ancient line! The splendid beauty of bright-eyed Fithon covered still the fallen king with renown. Her arm was white like Gormal's snow; her bosom whiter than the foam of the main, when roll the waves beneath the wrath of the winds. Like two stars were her radiant eyes, like two stars that rise on the deep, when dark tumult embroils the night. Pleasant are their beams aloft, as stately they ascend the skies.

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William Blake

The Book of Ahania

CHAP: 1

1. Fuzon, on a chariot iron-wing’d,
On spiked flames rose; his hot visage
Flam’d furious; sparkles his hair & beard
Shot down his wide bosom and shoulders.
On clouds of smoke rages his chariot,
And his right hand burns red in its cloud,
Moulding into a vast globe his wrath
As the thunder-stone is moulded,
Son of Urizen’s silent burnings.

2. ‘Shall we worship this Demon of smoke,’
Said Fuzon, ‘this abstract non-entity,
This cloudy God seated on waters,
Now seen, now obscur’d, King of Sorrow?’

3. So he spoke, in a fiery flame,
On Urizen frowning indignant,
The Globe of wrath shaking on high.

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An Ode on the Piece

I.
As wand'ring late on Albion's shore
That chains the rude tempestuous deep,
I heard the hollow surges roar
And vainly beat her guardian steep;
I heard the rising sounds of woe
Loud on the storm's wild pinion flow;
And still they vibrate on the mournful lyre,
That tunes to grief its sympathetic wire.

II.
From shores the wide Atlantic laves,
The spirit of the ocean bears
In moans, along his western waves,
Afflicted nature's hopeless cares:
Enchanting scenes of young delight,
How chang'd since first ye rose to sight;
Since first ye rose in infant glories drest
Fresh from the wave, and rear'd your ample breast.

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The Vision Of The Maid Of Orleans - The Third Book

The Maiden, musing on the Warrior's words,
Turn'd from the Hall of Glory. Now they reach'd
A cavern, at whose mouth a Genius stood,
In front a beardless youth, whose smiling eye
Beam'd promise, but behind, withered and old,
And all unlovely. Underneath his feet
Lay records trampled, and the laurel wreath
Now rent and faded: in his hand he held
An hour-glass, and as fall the restless sands,
So pass the lives of men. By him they past
Along the darksome cave, and reach'd a stream,
Still rolling onward its perpetual waves,
Noiseless and undisturbed. Here they ascend
A Bark unpiloted, that down the flood,
Borne by the current, rush'd. The circling stream,
Returning to itself, an island form'd;
Nor had the Maiden's footsteps ever reach'd
The insulated coast, eternally
Rapt round the endless course; but Theodore
Drove with an angel's will the obedient bark.

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The Vision Of The Maid Of Orleans - The Second Book

She spake, and lo! celestial radiance beam'd
Amid the air, such odors wafting now
As erst came blended with the evening gale,
From Eden's bowers of bliss. An angel form
Stood by the Maid; his wings, etherial white,
Flash'd like the diamond in the noon-tide sun,
Dazzling her mortal eye: all else appear'd
Her THEODORE.
Amazed she saw: the Fiend
Was fled, and on her ear the well-known voice
Sounded, tho' now more musically sweet
Than ever yet had thrill'd her charmed soul,
When eloquent Affection fondly told
The day-dreams of delight.
'Beloved Maid!
Lo! I am with thee! still thy Theodore!
Hearts in the holy bands of Love combin'd,
Death has no power to sever. Thou art mine!
A little while and thou shalt dwell with me
In scenes where Sorrow is not. Cheerily

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The Wanderer: A Vision: Canto II

While thus a mind humane, and wise, he shows,
All-eloquent of truth his language flows.
Youth, tho' depress'd, thro' all his form appears;
Thro' all his sentiments the depth of years.
Thus he-Yet farther Industry behold,
Which conscious waits new wonders to unfold.
Enter my chapel next-Lo! here begin
The hallow'd rites, that check the growth of sin.
When first we met, how soon you seem'd to know
My bosom, lab'ring with the throbs of woe!
Such racking throbs!-Soft! when I rouse those cares,
On my chill'd mind pale Recollection glares!
When moping Frenzy strove my thoughts to sway,
Here prudent labours chas'd her pow'r away.
Full, and rough-rising from yon sculptur'd wall,
Bold prophets, nations to repentance call!
Meek martyrs smile in flames! gor'd champions groan!
And muse-like cherubs tune their harps in stone!
Next shadow'd light a rounding force bestows,
Swells into life, and speaking action grows!

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The Abencerrage : Canto II.

Fair land! of chivalry the old domain,
Land of the vine and olive, lovely Spain!
Though not for thee with classic shores to vie
In charms that fix the enthusiast's pensive eye;
Yet hast thou scenes of beauty, richly fraught
With all that wakes the glow of lofty thought;
Fountains, and vales, and rocks, whose ancient name
High deeds have raised to mingle with their fame.
Those scenes are peaceful now: the citron blows,
Wild spreads the myrtle, where the brave repose.
No sound of battle swells on Douro's shore,
And banners wave on Ebro's banks no more.
But who, unmoved, unawed, shall coldly tread
Thy fields that sepulchre the mighty dead?
Blest be that soil! where England's heroes share
The grave of chiefs, for ages slumbering there;
Whose names are glorious in romantic lays,
The wild, sweet chronicles of elder days -
By goathered lone, and rude serrano sung,
Thy cypress dells, and vine-clad rocks among:

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The Judgement of Hercules

While blooming Spring descends from genial skies,
By whose mild influence instant wonders rise;
From whose soft breath Elysian beauties flow;
The sweets of Hagley, or the pride of Stowe;
Will Lyttleton the rural landscape range,
Leave noisy fame, and not regret the change?
Pleased will he tread the garden's early scenes,
And learn a moral from the rising greens?
There, warm'd alike by Sol's enlivening power,
The weed, aspiring, emulates the flower;
The drooping flower, its fairer charms display'd,
Invites, from grateful hands, their generous aid:
Soon, if none check'd the invasive foe's designs,
The lively lustre of these scenes declines!

'Tis thus the spring of youth, the morn of life,
Rears in our minds the rival seeds of strife:
Then passion riots, reason then contends,
And on the conquest every bliss depends:
Life from the nice decision takes its hue,

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The Columbiad: Book IV

The Argument


Destruction of Peru foretold. Grief of Columbus. He is comforte the promise of a vision of future ages. All Europe appears in vision. Effect of the discovery of America upon the affairs of Europe. Improvement in commerce; government. Revival of letters. Order of the Jesuits. Religious persecution. Inquisition. Rise and progress of more liberal principles. Character of Raleigh; who plans the settlement of North America. Formation of the coast by the gulph stream. Nature of the colonial establishments, the first great asylum and infant empire of Liberty. Liberty the necessary foundation of morals. Delaware arrives with a reinforcement of new settlers, to consolidate the colony of Virginia. Night scene, as contemplated by these patriarchs, while they are sailing up the Chesapeak, and are saluted by the river gods. Prophetic speech of Potowmak. Fleets of settlers from seyeral parts of Europe steering for America.


In one dark age, beneath a single hand,
Thus rose an empire in the savage land.
Its wealth and power with following years increase,
Its growing nations spread the walks of peace;
Religion here, that universal name,
Man's proudest passion, most ungovern'd flame,
Erects her altars on the same bright base,
That dazzled erst, and still deludes the race;
Sun, moon, all powers that forceful strike his eyes,
Earth-shaking storms and constellated skies.

Yet all the pomp his labors here unfold,
The vales of verdure and the towers of gold,
Those infant arts and sovereign seats of state,

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William Cowper

Table Talk

A. You told me, I remember, glory, built
On selfish principles, is shame and guilt;
The deeds that men admire as half divine,
Stark naught, because corrupt in their design.
Strange doctrine this! that without scruple tears
The laurel that the very lightning spares;
Brings down the warrior’s trophy to the dust,
And eats into his bloody sword like rust.
B. I grant that, men continuing what they are,
Fierce, avaricious, proud, there must be war,
And never meant the rule should be applied
To him that fights with justice on his side.
Let laurels drench’d in pure Parnassian dews
Reward his memory, dear to every muse,
Who, with a courage of unshaken root,
In honour’s field advancing his firm foot,
Plants it upon the line that Justice draws,
And will prevail or perish in her cause.
‘Tis to the virtues of such men man owes
His portion in the good that Heaven bestows.

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