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Lo And Behold

Lonely by day
Empty and cold
Only to say
Lo and behold
Deep in the night
Down in my dreams
Glorious sight
This soul has seen
There's a well on the hill
You just can't kill for Jesus
There's a well on the hill
Let it be
I don't build no heathen temples
Where the Lord has done laid his hand
There's a well on the hill
Let it be
Everyone's talking 'bout the gospel story
Some shall sink and some shall rise
Everyone's talking 'bout the train to glory
Long, long time 'til it gets here to you, baby

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song performed by James Taylor
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Lo & Behold

Lonely by day
Empty and cold
Only to say
Lo and behold
Deep in the night
Down in my dreams
Glorious sight
This soul has seen
Theres a well on the hill
You just cant kill for jesus
Theres a well on the hill
Let it be
I dont build no heathen temples
Where the lord has done laid his hand
Theres a well on the hill
Let it be
Everyones talking bout the gospel story
Some shall sink and some shall rise
Everyones talking bout the train to glory
Long, long time til it gets here to you, baby

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song performed by James Taylor
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Halfway Over The Hill

BY BARRY MANILOW
--------------------------------------------------------------------------------
I've been workin' all my life
Workin' hard for all my life
Tryin' to find a reason for livin'
Tryin' not to take too much without givin'
Never saw no rainbows in my sky
But don't you see I'm
Halfway over the hill
I'm passin' over the hardest part
I'm halfway over the hill
It's gotta get easier from now on
I've been runnin' all my life
Lord, I've run for all my life
Seein' joy and seein' people grievin'
Seein' towns and don't remember leavin'
Never saw no blue birds in my sky
But don't you see I'm
Halfway over the hill
I'm passin' over the hardest part

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song performed by Barry Manilow
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Rec Room

[inspectah deck]
Oh, killah hill, killah killa hill
Killah hill, killah killah hill
Killah hill, killah killah hill
10304 style, kid, yea
For all my d.m.d. rec posse niggaz
You out there? is you out there?
I throw your brain in the cobra clutch, behold the hold rush
A dazzlin display if you could get close enough
Cold crush like the 4 stinger anaconda
Fierce darts thatll pierce through solid armor
Lounge in the barracks with blue and cappadonna
Spiderman identity peter parker
Crowd pleaser register off the meter
Vocal street sweaper bucks shots through the speaker
Pleasure seekers, 50 thou in the stands
True fans get it hot like jamaica sands
Conquer land, wide like a eagle wingspan
Clansman stabbin the track with both hands
Not a lost soul who falls for fools gold

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song performed by Inspectah Deck
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The War Of Caros

Caros is probably the noted usurper Carausius, by birth a Menapran, who assumed the purple in the year 284; and, seizing on Britain, defeated the emperor Maximinian Herculius in several naval engagements, which gives propriety to his being called in this poem "the king of ships." He repaired Agricola's wall, in order to obstruct the incursions of the Caledonians, and when he was employed in that work, it appears he was attacked by a party under the command of Oscar the son of' Ossian. This battle is the foundation of the present poem, which is addressed to Malvina, the daughter of Toscar.

Bring, daughter of Toscar, bring the harp! the light of the song rises in Ossian's soul! It is like the field, when darkness covers the hills around, and the shadow grows slowly on the plain of the sun. I behold my son, O Malvina! near the mossy rock of Crona. But it is the mist of the desert, tinged with the beam of the west! Lovely is the mist that assumes the form of Oscar! turn from it, ye winds, when ye roar on the side of Ardven!

Who comes towards my son, with the murmur of a song? His staff is in his hand, his gray hair loose on the wind. Surly joy lightens his face. He often looks back to Caros. It is Ryno of songs, he that went to view the foe. "What does Caros, king of ships?" said the son of the now mournful Ossian: "spreads he the wings of his pride, bard of the times of old?" "He spreads them, Oscar," replied the bard," but it is behind his gathered heap. He looks over his stones with fear. He beholds thee terrible, as the ghost of night, that rolls the waves to his ships!"

"Go, thou first of my bards!" says Oscar, "take the spear of Fingal. Fix a flame on its point. Shake it to the winds of heaven. Bid him in songs, to advance, and leave the rolling of his wave. Tell to Caros that I long for battle; that my bow is weary of the chase of Cona. Tell him the mighty are not here; and that my arm is young."

He went with the murmur of songs. Oscar reared his voice on high. It reached his heroes on Ardven, like the noise of a cave, when the sea of Togorma rolls before it, and its trees meet the roaring winds. They gather round my son like the streams of the hill; when, after rain, they roll in the pride of their course. Ryno came to the mighty Caros. He struck his flaming spear. Come to the battle of Oscar. O thou that sittest on the rolling waves! Fingal is distant far; he hears the songs of bards in Morven: the wind of his hall is in his hair. His terrible spear is at his side; his shield that is like the darkened moon Come to the battle of Oscar; the hero is alone.

He came not over the streamy Carun. The bard returned with his song. Gray night grows dim on Crona. The feast of shells is spread. A hundred oaks burn to the wind; faint light gleams over the heath. The ghosts of Ardven pass through the beam, and show their dim and distant forms. Comala is half unseen on her meteor; Hidallan is sullen and dim, like the darkened moon behind the mist of night.

" Why art thou sad?" said Ryno; for he alone beheld the chief. "Why art thou sad, Hidallan! hast thou not received thy fame? The songs of Ossian have been heard , thy ghost has brightened in wind, when thou didst bend from thy cloud to hear the song of Morven's bard!"—-" And do thine eyes," said Oscar, " behold the chief, like the dim meteor of night? Say, Ryno, say, how fell Hidallan, the renowned in the days of my fathers! His name remains on the rocks of Cona. I have often seen the streams of his hills!"

Fingal, replied the bard, drove Hidallan from his wars. The king's soul was sad for Comala, and his eyes could not behold the chief. Lonely, sad, along the heath he slowly moved, with silent steps. His arms hung disordered on his side. His hair flies loose from his brow. The tear is in his downcast eyes; a sigh half silent in his breast! Three days he strayed unseen, alone, before he came to Lamor's halls: the mossy halls of his fathers, at the stream of Balva. There Lamor sat alone beneath a tree; for he had sent his people with Hidallan to war. The stream ran at his feet; his gray head rested on his staff. Sightless are his aged eyes. He hums the song of other times. The noise of Hidallan's feet came to his ear: he knew the tread of his son.

"Is the son of Lamor returned; or is it the sound of his ghost? Hast thou fallen on the banks of Carun, son of the aged Lamor? Or, if I hear the sound of Hidallan's feet, where are the mighty in the war? where are my people, Hidallan! that were wont to return with their echoing shields? Have they fallen on the banks of Carun?"

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poem by James Macpherson
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Reminiscence

I
The Swallows sang
ALIEN to us are
Your fields, and your cotes, and your glebes;
Secret our nests are
Although they be built in your eaves;
Un-eaten by us are
The grains that grow in your fields.

The Weathercock on the barn answered
Not alien to ye are
The powers of un-earthbound beings:
Their curse ye would bring
On our cotes, and our glebes, and our fields,
If aught should befall
The brood that is bred in the eaves.

The Swallows answered
If aught should befall
Our brood that's not travelled the seas,

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poem by Padraic Colum
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At The Bar-Code Ranch

A stellar job in the bullpen
C.B.S. Baseball

I lie in a converted garage, sun coming up
and the chuck-chuck of unfamiliar birds
from Lake Mizell.
The lamp grows ineffectual
under a skylight; the great world
washes in, humid, composed of small numbered parts.

Sometime after nine, the classical music station stops
for the landing of a space shuttle

a sonic boom
shakes the bungalow
and Vladomir Horowitz
is abruptly terminated.

Yesterday, at New Smyrna, north of Canaveral:
knotted shoreline

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poem by Laurence James Duggan
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The Battle Of Lora

ARGUMENT

Fingal, at his return from Ireland, after he had expelled Swaran from that kingdom, made a feast to all his heroes: he forgot to invite Ma-Ronnan and Aldo, two chiefs, who had not been along with him in his expedition. They resented his neglect; and went over to Erragon, king of Sora, a country of Scandinavia, the declared enemy of Fingal. The valor of Aldo soon gained him a great reputation in Sora; and Lorma, the beautiful wife of Erragon, fell in love with him. He found means to escape with her, and to come to Fingal, who resided then in Selma, on the western coast. Erragon invaded Scotland, and was slain in battle by Gaul the son of Morni, after he had rejected terms of peace offered him by Fingal. In this war Aldo fell, in a single combat, by the hands of his rival Erragon, and the unfortunate Lorma afterward died of grief.

SON of the distant land, who dwellest in the secret cell; do I hear the sound of thy grove? or is it thy voice of songs? The torrent was loud in my ear; but I heard a tuneful voice. Dost thou praise the chiefs of thy land: or the spirits of the wind? But, lonely dweller of rocks! look thou on that heathy plain. Thou seest green tombs, with their rank, whistling grass, with their stones of mossy heads. Thou seest them, son of the rock, but Ossian's eyes have failed!

A mountain-stream comes roaring down, and sends its waters round a green hill. Four mossy stones, in the midst of withered grass, rear their heads on the top. Two trees which the storms have bent, spread their whistling branches around. This is thy dwelling, Erragon; this thy narrow house; the sound of thy shells has been long forgot in Sora. Thy shield is become dark in thy hall. Erragon, king of ships, chief of distant Sora! how hast thou fallen on our mountains? How is the mighty low? Son of the secret cell! dost thou delight in songs? Hear the battle of Lora. The sound of its steel is long since past. So thunder on the darkened hill roars and is no more. The sun returns with his silent beams. The glittering rocks, and the green heads of the mountains, smile.

The bay of Cona received our ships from Erin's rolling waves. Our white sheets hung loose to the masts. The boisterous winds roared behind the groves of Morven. The horn of the king is sounded; the deer start from their rocks. Our arrows flew in the woods. The feast of the hill is spread. Our joy was great on our rocks, for the fall of the terrible Swaran. Two heroes were forgot at our feast. The rage of their bosoms burned. They rolled their red eyes in secret. The sigh bursts from their breasts. They were seen to talk together, and to throw their spears on earth. They were two dark clouds in the midst of our joy; like pillars of mist on the settled sea: they glitter to the sun, but the mariners fear a storm.

"Raise my white sails," said Ma-Ronnan, "raise them to the winds of the west. Let us rush, O Aldo! through the foam of the northern wave. We are forgot at the feast: but our arms have been red in blood. Let us leave the hills of Fingal, and serve the king of Sora. His countenance is fierce. War darkens around his spear. Let us be renowned, O Aldo, in the battles of other lands!"

They took their swords, their shields of thongs. They rushed to Lumar's resounding bay. They came to Sora's haughty king, the chief of bounding steeds. Erragon had returned from the chase. His spear was red in blood. He bent his dark face to the ground; and whistled as he went. He took the strangers to his feast: they fought and conquered in his wars.

Aldo returned with his fame towards Sora's lofty walls. From her tower looked the spouse of Erragon, the humid, rolling eyes of Lorma. Her yellow hair flies on the wind of ocean. Her white breast heaves, like snow on heath; when the gentle winds arise, and slowly move it in the light. She saw young Aldo, like the beam of Sora's setting sun. Her soft heart sighed. Tears filled her eyes. Her white arm supported her head. Three days she sat within the hall, and covered her grief with joy. On the fourth she fled with the hero, along the troubled sea. They came to Cona's mossy towers, to Fingal king of spears.

"Aldo of the heart of pride!" said Fingal, rising in wrath; "shall I defend thee from the rage of Sora's injured king? Who will now receive my people into their halls? Who will give the feast of strangers, since Aldo of the little soul has dishonored my name in Sora? Go to thy hills, thou feeble hand! Go: hide thee in thy caves. Mournful is the battle we must fight with Sora's gloomy king. Spirit of the noble Trenmor! when will Fingal cease to fight? I was born in the midst of battles, and my steps must move in blood to the tomb. But my hand did not injure the weak, my steel did not touch the feeble in arms. I behold thy tempests, O Morven! which will overturn my halls! when my children are dead in battle, and none remains to dwell in Selma. Then will the feeble come, but they will not know my tomb. My renown is only in song. My deeds shall be as a dream to future times!"

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poem by James Macpherson
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Temora - Book VII

ARGUMENT.

This book begins about the middle of the third night from the opening of the poem. The poet describes a kind of mist, which rose by night from the Lake of Lego, and was the usual residence of the souls of the dead, during the interval between their decease and the funeral song. The appearance of the ghost of Fillan above the cave where his body lay. His voice comes to Fingal on the rock of Cormul. The king strikes the shield of Trenmor, which was an infallible sign of his appearing in arms himself. The extraordinary effect of the sound of the shield. Sul-malla, starting from sleep, awakes Cathmor. Their affecting discourse. She insists with him to sue for peace; he resolves to continue the war. He directs her to retire to the neighboring valley of Lona, which was the residence of an old Druid, until the battle of the next day should be over. He awakes his army with the sound of his shield. The shield described. Fonar, the bard, at the desire of Cathmor, relates the first settlement of the Fir-bolg in Ireland, under their leader Larthon. Morning comes. Sul-malla retires to the valley of Lona. A lyric song concludes the book.

From the wood-skirted waters of Lego ascend, at times, gray-bosomed mists; when the gates of the west are closed, on the sun's eagle eye. Wide, over Lara's stream, is poured the vapor dark and deep: the moon, like a dim shield, lay swimming through its folds. With this, clothe the spirits of old their sudden gestures on the wind, when they stride, from blast to blast, along the dusky night. Often, blended with the gale, to some warrior's grave, they roll the mist a gray dwelling to his ghost, until the songs arise.

A sound came from the desert; it was Conar, king of Inis-fail. He poured his mist on the grave of Fillan, at blue-winding Lubar. Dark and mournful sat the ghost, in his gray ridge of smoke. The blast, at times, rolled him together; but the form returned again. It returned with bending eyes, and dark winding of locks of mist.

It was dark. The sleeping host were still in the skirts of night. The flame decayed, on the hill of Fingal; the king lay lonely on his shield. His eyes were half clothed in sleep: the voice of Fillan came. "Sleeps the husband of Clatho? Dwells the father of the fallen in rest? Am I forgot in the folds of darkness; lonely in the season of night?"

"Why dost thou mix," said the king, "with the dreams of my father? Can I forget thee, my son, or thy path of fire in the field? Not such come the deeds of the valiant on the soul of Fingal. They are not a beam of lightning, which is seen and is then no more. I remember thee, O Fillan! and my wrath begins to rise."

The king took his deathful spear, and struck the deeply-sounding shield: his shield, that hung high in night, the dismal sign of war. Ghosts fled on every side, and rolled their gathered forms on the wind. Thrice from the winding vales arose the voice of deaths. The harps of the bards, untouched, sound mournful over the hill.

He struck again the shield; battles rose in the dreams of his host. The wide-tumbling strife is gleaming over their souls. Blue-shielded kings descended to war. Backward-looking armies fly; and mighty deeds are half hid in the bright gleams of steel.

But when the third sound arose, deer started from the clefts of their rocks. The screams of fowl are heard in the desert, as each flew frightened on his blast. The sons of Selma half rose and half assumed their spears. But silence rolled back on the host: they knew the shield of the king. Sleep returned to their eyes; the field was dark and still.

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poem by James Macpherson
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Temora - Book III

ARGUMENT.

Morning coming on, Fingal, after a speech to his people, devolved the command on Gaul, the son of Morni; it being the custom of the times, that the king should not engage, till the necessity of affairs required his superior valor and conduct. The king and Ossian retire to the hill of Cormul, which overlooked the field of battle. The bards sing the war-song. The general conflict is described. Gaul, the son of Morni, distinguishes himself; kills Tur-lathon, chief of Moruth, and other chiefs of lesser name. On the other hand, Foldath, who commanded the Irish army (for Cathmor, after the example of Fingal, kept himself from battle,) fights gallantly; kills Connal, chief of Dun-lora, and advances to engage Gaul himself. Gaul, in the mean time, being wounded in the hand, by a random arrow, is covered by Fillan the son of Fingal, who performs prodigies of valor. Night comes on. The horn of Fingal recalls his army. The bards meet them with a congratulatory song, in which the praises of Gaul and Fillan are particularly celebrated. The chiefs sit down at a feast; Fingal misses Connal. The episode of Connal and Duth-caron is introduced; which throws further light on the ancient history of Ireland. Carril is despatched to raise the tomb of Connal. The action of this book takes up the second day from the opening of the poem.

"Who is that at blue-streaming Lubar? Who, by the bending hill of roes? Tall he leans on an oak torn from high, by nightly winds. Who but Comhal's son, brightening in the last of his fields? His gray hair is on the breeze. He half unsheathes the sword of Luno. His eyes are turned to Moi-lena, to the dark moving of foes. Dost thou hear the voice of the king? it is like the bursting of a stream in the desert, when it comes, between its echoing rocks, to the blasted field of the sun!

Wide-skirted comes down the foe! Sons of woody Selma, arise! Be ye like the rocks of our land, in whose brown sides are the rolling of streams. A beam of joy comes on my soul. I see the foe mighty before me. It is when he is feeble, that the sighs of Fingal are heard: lest death should come without renown, and darkness dwell on his tomb. Who shall lead the war, against the host of Alnecma? It is only when danger grows, that my sword shalt shine. Such was the custom, heretofore, of Trenmor the ruler of winds! and thus descended to battle the blue-shielded Trathal!"

The chiefs bend towards the king. Each darkly seems to claim the war. They tell, by halves, their mighty deeds. They turn their eyes on Erin. But far before the rest the son of Morni stands. Silent he stands, for who had not heard of the battles of Gaul They rose within his soul. His hand, in secret, seized the sword. The sword which he brought from Strumon, when the strength of Morni failed. On his spear leans Fillan of Selma, in the wandering of his locks. Thrice he raises his eyes to Fingal: his voice thrice fails him as he speaks. My brother could not boast of battles: at once he strides away. Bent over a distant stream he stands: the tear hangs in his eye. He strikes, at times, the thistle's head, with his inverted spear. Nor is he unseen of Fingal. Sidelong he beholds his son. He beholds him with bursting joy; and turns, amid his crowded soul. In silence turns the king towards Mora of woods. He hides the big tear with his locks. At length his voice is heard.

"First of the sons of Morni! Thou rock that defiest the storm! Lead thou my battle for the race of low-laid Cormac. No boy's staff is thy spear: no harmless beam of light thy sword. Son of Morni of steeds, behold the foe! Destroy! Fillan, observe the chief! He is not calm in strife: nor burns he, heedless in battle. My son, observe the chief! He is strong as Lubar's stream, but never foams and roars. High on cloudy Mora, Fingal shall behold the war. Stand, Ossian, near thy father, by the falling stream. Raise the voice, O bards! Selma, move beneath the sound. It is my latter field. Clothe it over with light."

As the sudden rising of winds; or distant rolling of troubled seas, when some dark ghost in wrath heaves the billows over an isle: an isle the seat of mist on the deep, for many dark-brown years! So terrible is the sound of the host, wide moving over the field. Gaul is tall before them. The streams glitter within his strides. The bards raise the song by his side. He strikes his shield between. On the skirts of the blast the tuneful voices rise.

"On Crona," said the bards, "there bursts a stream by night. It swells in its own dark course, till morning's early beam. Then comes it white from the hill, with the rocks and their hundred groves. Far be my steps from Crona. Death is tumbling there. Be ye a stream from Mora, sons of cloudy Morven!

"Who rises, from his car, on Clutha? The hills are troubled before the king! The dark woods echo round, and lighten at his steel. See him amidst the foe, like Colgach's sportful ghost: when he scatters the clouds and rides the eddying winds! It is Morni of bounding steeds! Be like thy father, O Gaul!

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poem by James Macpherson
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