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Take 'em Out

Wake up with a call, throw my luggage in the hall
Go down to the desk, pay for alcohol
Jump into a car, hope we make the plane in time
Smile for all the ladies as we're passin' through the line
I'll be down in the back, where those engines roar
Gonna make that attack on this town once more
(Well) they say we're runnin' late to make it to the show
But when the lights go down, you can sure bet I'm ready to go
Take 'em out
Kickin' up dust, make 'em jump and shout
Take 'em out, take 'em out
Rock 'n roll's what it's all about
Hit the stage runnin', got our motor's runnin' fast
Crankin' up our guitars, gonna kick some ass
Ain't no use in lyin', that's what we came to do
Give 'em all we got to make our message get through
I'll be down in the back, where those engines roar
Gonna make that attack, gonna start once more
People stand in line, waitin' for the show
But when the lights go down, you can sure bet I'm ready to go

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song performed by 38 Special
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Book VI: Ethandune, the Slaying of the Chiefs

As the sea flooding the flat sands
Flew on the sea-born horde,
The two hosts shocked with dust and din,
Left of the Latian paladin,
Clanged all Prince Harold's howling kin
On Colan and the sword.

Crashed in the midst on Marcus,
Ogier with Guthrum by,
And eastward of such central stir,
Far to the right and faintlier,
The house of Elf the harp-player,
Struck Eldred's with a cry.

The centre swat for weariness,
Stemming the screaming horde,
And wearily went Colan's hands
That swung King Alfred's sword.

But like a cloud of morning

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poem by G.K. Chesterton from The Ballad of the White Horse (1911)
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The Prophecy Of St. Oran: Part III

I.
'A CURSE is on this work!' Columba cried;
And with their dark robes flapping in the gale,
The frightened monks came hurrying to his side,
And looked at one another turning pale;
For every night the work done in the day
Strewn on the ground in wild confusion lay.

II.
'A curse is on this work!' he cried again
As his keen glances swept each face in turn:
'Behold, God smites us in the hurricane,
And in the lightning doth His anger burn.
Brethren, some secret deadly sin there is
Known to the Lord for which we suffer this.

III.
'Why is it that the elements combine

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poem by Mathilde Blind
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Get Your Way

You make demands, youre out of hand and soon enough youre gonna get your way.
You rage and roar, you pace the floor and soon enough youre gonna have your day.
Get your way.
Got no time for temperament.
Bad attitude wont make a dent.
Dont cry baby, dont cry at all.
Got no need to take the fall.
Dont go on strike. you know what I like. you know how to love me, daddy - loose but tight.
Your mood is down, Im losing ground and soon enough youre gonna have your day.
Get your way.
Theres no need to stay at home alone.
No need for slamming the phone.
Got no need to kick the cat or get too high.
No need for that.
The silences when you dont speak - much worse than when you scolding me.
The silences when you wont speak - its not the silence thats golden to me.
Look out!
Im coming!
Im coming!
Im coming!

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song performed by Blondie
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Songs in Absence

Farewell, farewell! Her vans the vessel tries,
His iron might the potent engine plies:
Haste, winged words, and ere ’tis useless, tell,
Farewell, farewell, yet once again, farewell.
The docks, the streets, the houses past us fly,
Without a strain the great ship marches by;
Ye fleeting banks take up the words we tell,
And say for us yet once again, farewell.

The waters widen—on without a strain
The strong ship moves upon the open main;
She knows the seas, she hears the true waves swell,
She seems to say farewell, again farewell.

The billows whiten and the deep seas heave;
Fly once again, sweet words, to her I leave,
With winds that blow return, and seas that swell,
Farewell, farewell, say once again, farewell.

Fresh in my face and rippling to my feet

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poem by Arthur Hugh Clough from Mari Magno or Tales on Board (1853)
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The Songs of Selma

ARGUMENTAddress to the evening star:

An apostrophe to Fingal and his times. Minonasings before the king the song of the unfortunate Colma; and the bards exhibit other specimens of their poetical talents; according to an annual custom established by the monarchs of the ancient Caledonians.

STAR of descending night! fair is thy light in the west! thou that liftest thy unshorn head from thy cloud: thy steps are stately on thy hill. What dost thou behold in the plain? The stormy winds are laid. The murmur of the torrent comes from afar. Roaring waves climb the distant rock. The flies of evening are on their feeble wings: the hum of their course is in the field. What dost thou behold, fair light? But thou dost smile and depart. The waves come with joy around thee: they bathe thy lovely hair. Farewell, thou silent beam! Let the light of Ossian's soul arise!

And it does arise in its strength! I behold my departed friends. Their gathering is on Lora, as in the days of other years. Fingal comes like a watery column of mist! his heroes are around: and see the bards of song, gray-haired Ullin! Stately Ryno! Alpin with the tuneful voice! the soft complaint of Minona! How are ye changed, my friends, since the days of Selma's feast! when we contended, like gales of spring, as they fly along the hill, and bend by turns the feebly whistling grass.

Minona came forth in her beauty: with downcast look and tearful eye. Her hair flew slowly on the blast, that rushed unfrequent from the hill. The souls of the heroes were sad when she raised the tuneful voice. Often had they seen the grave of Salgar, the dark dwelling of white-bosomed Colma. Colma left alone on the hill, with all her voice of song! Salgar promised to come: but the night descended around. Hear the voice of Colma, when she sat alone on the hill.

Colma. It is night, I am alone, forlorn on the hill of storms. The wind is heard on the mountain. The torrent pours down the rock. No hut receives me from the rain; forlorn on the hill of winds!

Rise, moon! from behind thy clouds. Stars of the night, arise! Lead me, some light, to the place where my love rests from the chase alone! his bow near him, unstrung: his dogs panting around him. But here I must sit alone, by the rock of the mossy stream. The stream and the wind roar aloud. I hear not the voice of my love! Why delays my Salgar, why the chief of the hill, his promise? here is the rock, and here the tree! here is the roaring stream! Thou didst promise with night to be here. Ah! whither is my Salgar gone? With thee, I would fly from my father; with thee, from my brother of pride. Our race have long been foes; we are not foes, O Salgar!

Cease a little while, O wind! stream, be thou silent awhile! let my voice be heard around. Let my wanderer hear me! Salgar! it is Colma who calls. Here is the tree, and the rock. Salgar, my love! I am here. Why delayest thou thy coming? Lo! the calm moon comes forth. The flood is bright in the vale. The rocks are gray on the steep, I see him not on the brow. His dogs come not before him, with tidings of his near approach. Here I must sit alone!

Who lie on the heath beside me? Are they my love and my brother? Speak to me, O my friends! To Colma they give no reply. Speak to me; I am alone! My soul is tormented with fears! Ah! they are dead! Their swords are red from the fight. O my brother! my brother! why hast thou slain my Salgar? why, O Salgar! hast thou slain my brother? Dear were ye both to me! what shalt I say in your praise? Thou wert fair on the hill among thousands! he was terrible in fight. Speak to me; hear my voice; hear me, song of my love! They are silent; silent for ever! Cold, cold, are their breasts of clay! Oh! from the rock on the hill, from the top of the windy steep, speak, ye ghosts of the dead! speak, I will not be afraid! Whither are ye gone to rest? In what cave of the hill shall I find the departed? No feeble voice is on the gale: no answer half-drowned in the storm!

I sit in my grief; I wait for morning in my tears! Rear the tomb, ye friends of the dead. Close it not till Colma come. My life flies away like a dream: why should I stay behind? Here shall I rest with my friends, by the stream of the sounding rock. When night comes on the hilt; when the loud winds arise; my ghost shall stand in the blast, and mourn the death of my friends. The hunter shall hear from his booth. he shall fear but love my voice! For sweet shall my voice be for my friends: pleasant were her friends to Colma!

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poem by James Macpherson
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Temora - Book IV

ARGUMENT

The second night continues. Fingal relates, at the feast, his own first expedition into Ireland, and his marriage with Ros-cranna, the daughter of Cormac, king of that island. The Irish chiefs convene in the presence of Cathmor. The situation of the king described. The story of Sul-malla, the daughter of Conmor, king of Inis-huna, who, in the disguise of a young warrior, hath followed Cathmor to the war. The sullen behavior of Foldath, who had commanded in the battle of the preceding day, renews the difference between him and Malthos: but Cathmor, interposing, ends it. The chiefs feast, and hear the song of Fonar the bard. Cathmor returns to rest, at a distance from the army. The ghost of his brother Cairbar appears to him in a dream; and obscurely foretells the issue of the war. The soliloquy of the king. He discovers Sul-malla. Morning comes. Her soliloquy closes the book.

"BENEATH an oak," said the king, "I sat on Selma's streamy rock, when Connal rose, from the sea, with the broken spear of Duth-caron. Far distant stood the youth. He turned away his eyes. He remembered the steps of his father, on his own green hill. I darkened in my place. Dusky thoughts flew over my soul. The kings of Erin rose before me. I half unsheathed the sword. Slowly approached the chiefs. They lifted up their silent eyes. Like a ridge of clouds, they wait for the bursting forth of my voice. My voice was, to them, a wind from heaven, to roll the mist away.

"I bade my white sails to rise, before the roar of Cona's wind. Three hundred youths looked, from their waves, on Fingal's bossy shield. High on the mast it hung, and marked the dark-blue sea. But when night came down, I struck, at times, the warning boss: I struck, and looked on high, for fiery-haired Ul-erin. Nor absent was the star of heaven. It travelled red between the clouds. I pursued the lovely beam, on the faint-gleaming deep. With morning, Erin rose in mist. We came into the bay of Moi-lena, where its blue waters tumbled, in the bosom of echoing woods. Here Cormac, in his secret halls, avoids the strength of Colc-ulla. Nor he alone, avoids the foe. The blue eye of Ros-cranna is there: Ros-cranna, white-handed maid, the daughter of the king!

"Gray, on his pointless spear, came forth the aged steps of Cormac. He smiled from his waving locks; but grief was in his soul. He saw us few before him, and his sigh arose. 'I see the arms of Trenmor,' he said; 'and these are the steps of the king! Fingal! thou art a beam of light to Cormac's darkened soul! Early is thy fame, my son: but strong are the foes of Erin. They are like the roar of streams in the land, son of car-borne Comhal!' 'Yet they may be rolled away,' I said, in my rising soul. 'We are not of the race of the feeble, king of blue-shielded hosts! Why should fear come amongst us, like a ghost of night? The soul of the valiant grows when foes increase in the field. Roll no darkness, king of Erin, on the young in war!'

"The bursting tears of the king came down. He seized my hand in silence. 'Race of the daring Trenmor!' at length he said, 'I roll no cloud before thee. Thou burnest in the fire of thy fathers. I behold thy fame. It marks thy course in battle, like a stream of light. But wait the coming of Cairbar; my so must join thy sword. He calls the sons of Erin from all their distant streams.'

"We came to the hall of the king, where it rose in the midst of rocks, on whose dark sides were the marks of streams of old. Broad oaks bend around with their moss. The thick birch is waving near. Half hid, in her shadowy grove, Ros-cranna raises the song. Her white hands move on the harp. I beheld her blues rolling eyes. She was like a spirit of heaven half folded in the skirt of a cloud!

Three days we feasted at Moi-lena. She rises bright in my troubled soul. Cormac beheld me dark. He gave the white-bosomed maid. She comes with bending eye, amid the wandering of her heavy locks. She came! Straight the battle roared. Colc-ulla appeared: I took my spear. My sword rose, with my people against the ridgy foe. Alnecma fled. Colc-ulla fell. Fingal returned with fame.

"Renowned is he, O Fillan, who fights in the strength of his host. The bard pursues his steps through the land of the foe. But he who fights alone, few are his deeds to other times! He shines to-day, a mighty light. To-morrow he is low. One song contains his fame. His name is one dark field. He is forgot; but where his tomb sends forth the tufted grass."

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poem by James Macpherson
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Temora - Book VII

ARGUMENT.

This book begins about the middle of the third night from the opening of the poem. The poet describes a kind of mist, which rose by night from the Lake of Lego, and was the usual residence of the souls of the dead, during the interval between their decease and the funeral song. The appearance of the ghost of Fillan above the cave where his body lay. His voice comes to Fingal on the rock of Cormul. The king strikes the shield of Trenmor, which was an infallible sign of his appearing in arms himself. The extraordinary effect of the sound of the shield. Sul-malla, starting from sleep, awakes Cathmor. Their affecting discourse. She insists with him to sue for peace; he resolves to continue the war. He directs her to retire to the neighboring valley of Lona, which was the residence of an old Druid, until the battle of the next day should be over. He awakes his army with the sound of his shield. The shield described. Fonar, the bard, at the desire of Cathmor, relates the first settlement of the Fir-bolg in Ireland, under their leader Larthon. Morning comes. Sul-malla retires to the valley of Lona. A lyric song concludes the book.

From the wood-skirted waters of Lego ascend, at times, gray-bosomed mists; when the gates of the west are closed, on the sun's eagle eye. Wide, over Lara's stream, is poured the vapor dark and deep: the moon, like a dim shield, lay swimming through its folds. With this, clothe the spirits of old their sudden gestures on the wind, when they stride, from blast to blast, along the dusky night. Often, blended with the gale, to some warrior's grave, they roll the mist a gray dwelling to his ghost, until the songs arise.

A sound came from the desert; it was Conar, king of Inis-fail. He poured his mist on the grave of Fillan, at blue-winding Lubar. Dark and mournful sat the ghost, in his gray ridge of smoke. The blast, at times, rolled him together; but the form returned again. It returned with bending eyes, and dark winding of locks of mist.

It was dark. The sleeping host were still in the skirts of night. The flame decayed, on the hill of Fingal; the king lay lonely on his shield. His eyes were half clothed in sleep: the voice of Fillan came. "Sleeps the husband of Clatho? Dwells the father of the fallen in rest? Am I forgot in the folds of darkness; lonely in the season of night?"

"Why dost thou mix," said the king, "with the dreams of my father? Can I forget thee, my son, or thy path of fire in the field? Not such come the deeds of the valiant on the soul of Fingal. They are not a beam of lightning, which is seen and is then no more. I remember thee, O Fillan! and my wrath begins to rise."

The king took his deathful spear, and struck the deeply-sounding shield: his shield, that hung high in night, the dismal sign of war. Ghosts fled on every side, and rolled their gathered forms on the wind. Thrice from the winding vales arose the voice of deaths. The harps of the bards, untouched, sound mournful over the hill.

He struck again the shield; battles rose in the dreams of his host. The wide-tumbling strife is gleaming over their souls. Blue-shielded kings descended to war. Backward-looking armies fly; and mighty deeds are half hid in the bright gleams of steel.

But when the third sound arose, deer started from the clefts of their rocks. The screams of fowl are heard in the desert, as each flew frightened on his blast. The sons of Selma half rose and half assumed their spears. But silence rolled back on the host: they knew the shield of the king. Sleep returned to their eyes; the field was dark and still.

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poem by James Macpherson
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Hyperion. Book II

Just at the self-same beat of Time's wide wings
Hyperion slid into the rustled air,
And Saturn gain'd with Thea that sad place
Where Cybele and the bruised Titans mourn'd.
It was a den where no insulting light
Could glimmer on their tears; where their own groans
They felt, but heard not, for the solid roar
Of thunderous waterfalls and torrents hoarse,
Pouring a constant bulk, uncertain where.
Crag jutting forth to crag, and rocks that seem'd
Ever as if just rising from a sleep,
Forehead to forehead held their monstrous horns;
And thus in thousand hugest phantasies
Made a fit roofing to this nest of woe.
Instead of thrones, hard flint they sat upon,
Couches of rugged stone, and slaty ridge
Stubborn'd with iron. All were not assembled:
Some chain'd in torture, and some wandering.
Caus, and Gyges, and Briareus,
Typhon, and Dolor, and Porphyrion,

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poem by John Keats
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The Lady Of La Garaye - Part I

ON Dinan's walls the morning sunlight plays,
Gilds the stern fortress with a crown of rays,
Shines on the children's heads that troop to school,
Turns into beryl-brown the forest pool,
Sends diamond sparkles over gushing springs,
And showers down glory on the simplest things.
And many a young seigneur and damsel bold
See with delight those beams of reddening gold,
For they are bid to join the hunt to-day
By Claud Marot, the lord of La Garaye;
And merry is it in his spacious halls;
Cheerful the host, whatever sport befalls,
Cheerful and courteous, full of manly grace,
His heart's frank welcome written in his face;
So eager, that his pleasure never cloys,
But glad to share whatever he enjoys;
Rich, liberal, gaily dressed, of noble mien,
Clear eyes,--full curving mouth,--and brow serene;
Master of speech in many a foreign tongue,
And famed for feats of arms, although so young;

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poem by Caroline Elizabeth Sarah Norton
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