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Tale II

THE PARTING HOUR.

Minutely trace man's life; year after year,
Through all his days let all his deeds appear,
And then though some may in that life be strange,
Yet there appears no vast nor sudden change:
The links that bind those various deeds are seen,
And no mysterious void is left between.
But let these binding links be all destroyed,
All that through years he suffer'd or enjoy'd,
Let that vast gap be made, and then behold -
This was the youth, and he is thus when old;
Then we at once the work of time survey,
And in an instant see a life's decay;
Pain mix'd with pity in our bosoms rise,
And sorrow takes new sadness from surprise.
Beneath yon tree, observe an ancient pair -
A sleeping man; a woman in her chair,
Watching his looks with kind and pensive air;
Nor wife, nor sister she, nor is the name

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poem by George Crabbe
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A Satire, in Imitation of the Third of Juvenal

1Though much concern'd to leave my dear old friend,
2I must however his design commend
3Of fixing in the country: for were I
4As free to choose my residence, as he;
5The Peak, the Fens, the Hundreds, or Land's End,
6I would prefer to Fleet Street, or the Strand.
7What place so desert, and so wild is there
8Whose inconveniences one would not bear,
9Rather than the alarms of midnight fire,
10The falls of houses, knavery of cits,
11The plots of factions, and the noise of wits,
12And thousand other plagues, which up and down
13Each day and hour infest the cursed town?
14 As fate would hav't, on the appointed day
15Of parting hence, I met him on the way,
16Hard by Mile End, the place so fam'd of late,
17In prose, and verse for the great faction's treat;
18Here we stood still, and after compliments
19Of course, and wishing his good journey hence
20I ask'd what sudden causes made him fly

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poem by John Oldham
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Marmion: Canto II. - The Convent

I.

The breeze, which swept away the smoke,
Round Norham Castle rolled,
When all the loud artillery spoke,
With lightning-flash, and thunder-stroke,
As Marmion left the hold.
It curled not Tweed alone, that breeze,
For, far upon Northumbrian seas,
It freshly blew, and strong,
Where, from high Whitby's cloistered pile,
Bound to St. Cuthbert's holy isle,
It bore a barque along.
Upon the gale she stooped her side,
And bounded o'er the swelling tide,
As she were dancing home;
The merry seamen laughed to see
Their gallant ship so lustily
Furrow the green sea-foam.
Much joyed they in their honoured freight;

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poem by Sir Walter Scott
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The Lay of the Last Minstrel: Canto IV.

I
Sweet Teviot! on thy silver tide
The glaring bale-fires blaze no more;
No longer steel-clad warrior ride
Along thy wild and willow'd shore
Where'er thou wind'st, by dale or hill
All, all is peaceful, all is still,
As if thy waves, since Time was born
Since first they roll'd upon the Tweed,
Had only heard the shepherd's reed,
Nor started at the bugle-horn.

II
Unlike the tide of human time,
Which, though it change in ceaseless flow
Retains each grief, retains each crime
Its earliest course was doom'd to know;
And, darker as it downward bears,
Is stain'd with past and present tears
Low as that tide has ebb'd with me,

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poem by Sir Walter Scott
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Cymon And Iphigenia. From Boccace

Old as I am, for lady's love unfit,
The power of beauty I remember yet,
Which once inflamed my soul, and still inspires my wit.
If love be folly, the severe divine;
Has felt that folly, though he censures mine;
Pollutes the pleasures of a chaste embrace,
Acts what I write, and propagates in grace,
With riotous excess, a priestly race.
Suppose him free, and that I forge the offence,
He showed the way, perverting first my sense:
In malice witty, and with venom fraught,
He makes me speak the things I never thought.
Compute the gains of his ungoverned zeal;
Ill suits his cloth the praise of railing well.
The world will think that what we loosely write,
Though now arraigned, he read with some delight;
Because he seems to chew the end again,
When his broad comment makes the text too plain,
And teaches more in one explaining page
Than all the double meanings of the stage.

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poem by John Dryden
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Orlando Furioso Canto 3

ARGUMENT
Restored to sense, the beauteous Bradamant
Finds sage Melissa in the vaulted tomb,
And hears from her of many a famous plant
And warrior, who shall issue from her womb.
Next, to release Rogero from the haunt
Of old Atlantes, learns how from the groom,
Brunello hight, his virtuous ring to take;
And thus the knight's and others' fetters break.

I
Who will vouchsafe me voice that shall ascend
As high as I would raise my noble theme?
Who will afford befitting words, and lend
Wings to my verse, to soar the pitch I scheme?
Since fiercer fire for such illustrious end,
Than what was wont, may well my song beseem.
For this fair portion to my lord is due
Which sings the sires from whom his lineage grew.

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poem by Ludovico Ariosto
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The King's Tragedy James I. Of Scots.—20th February 1437

I Catherine am a Douglas born,
A name to all Scots dear;
And Kate Barlass they've called me now
Through many a waning year.
This old arm's withered now. 'Twas once
Most deft 'mong maidens all
To rein the steed, to wing the shaft,
To smite the palm-play ball.
In hall adown the close-linked dance
It has shone most white and fair;
It has been the rest for a true lord's head,
And many a sweet babe's nursing-bed,
And the bar to a King's chambère.
Aye, lasses, draw round Kate Barlass,
And hark with bated breath
How good King James, King Robert's son,
Was foully done to death.
Through all the days of his gallant youth
The princely James was pent,
By his friends at first and then by his foes,

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poem by Dante Gabriel Rossetti
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The Pleasures of Imagination: Book The Second

When shall the laurel and the vocal string
Resume their honours? When shall we behold
The tuneful tongue, the Promethéan hand
Aspire to ancient praise? Alas! how faint,
How slow the dawn of beauty and of truth
Breaks the reluctant shades of Gothic night
Which yet involve the nations! Long they groan'd
Beneath the furies of rapacious force;
Oft as the gloomy north, with iron-swarms
Tempestuous pouring from her frozen caves,
Blasted the Italian shore, and swept the works
Of liberty and wisdom down the gulph
Of all-devouring night. As long immur'd
In noon-tide darkness by the glimmering lamp,
Each muse and each fair science pin'd away
The sordid hours: while foul, barbarian hands
Their mysteries profan'd, unstrung the lyre,
And chain'd the soaring pinion down to earth.
At last the muses rose, and spurn'd their bonds,
And wildly warbling, scatter'd, as they flew,

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poem by Mark Akenside
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Don Juan: Canto The Fifteenth

Ah!--What should follow slips from my reflection;
Whatever follows ne'ertheless may be
As à-propos of hope or retrospection,
As though the lurking thought had follow'd free.
All present life is but an interjection,
An 'Oh!' or 'Ah!' of joy or misery,
Or a 'Ha! ha!' or 'Bah!'-- a yawn, or 'Pooh!'
Of which perhaps the latter is most true.

But, more or less, the whole's a syncope
Or a singultus - emblems of emotion,
The grand antithesis to great ennui,
Wherewith we break our bubbles on the ocean,--
That watery outline of eternity,
Or miniature at least, as is my notion,
Which ministers unto the soul's delight,
In seeing matters which are out of sight.

But all are better than the sigh supprest,
Corroding in the cavern of the heart,

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poem by Byron
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Henry And Emma. A Poem.

Upon the Model of The Nut-Brown Maid. To Cloe.

Thou, to whose eyes I bend, at whose command
(Though low my voice, though artless be my hand.
I take the sprightly reed, and sing and play,
Careless of what the censuring world may say;
Bright Cloe! object of my constant vow,
Wilt thou a while unbend thy serious brow?
Wilt thou with pleasure hear thy lover's strains,
And with one heavenly smile o'erpay his pains?
No longer shall the Nut-brown Maid be old,
Though since her youth three hundred years have roll'd:
At thy desire she shall again be raised,
And her reviving charms in lasting verse be praised.

No longer man of woman shall complain,
That he may love and not be loved again;
That we in vain the fickle sex pursue,
Who change the constant lover for the new.

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poem by Matthew Prior
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