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Quotes about morgan

Morgan

When Morgan crossed the Murray to Peechelba and doom
A sombre silent shadow rode with him through the gloom.
The wild things of the forest slunk from the outlaw's track,
The boobook croaked a warning, "Go back, go back, go back!"
It woke no answering echo in Morgan's blackened soul,
As onward through the darkness he rode towards his goal.

An evil man was Morgan, a price was on his head;
The simple bush-folk whispered his very name with dread;
Before the fierce Dan Morgan the bravest man might quake-
A cold and callous killer, he killed for killing's sake. .
Past swamp and creek and gully, and settler's lone abode,
Towards the station homestead the grim Dan Morgan rode.

And still that hooded horseman that Morgan could not see,
Watched by the wild bush-creatures, rode close beside his knee.
Before them in a clearing a drover's campfire burned:
The phantom rode with Morgan, and turned when Morgan turned.
And loud the boobook's warning came on the cold night air,
"Go back, go back, Dan Morgan. Beware, beware, beware!"

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Patrick White

Dangerous To Love Things That Perish

for Louise and Morgan

Dangerous to love things that perish
but cowardly not to.
You weren't just a cat.
You were Morgan.
You were
as when I first saw you as a kitten
cupped in Louise's hands
a cloud
a whiff of incense
smoke
a breath
a gust of stars
someone in love had breathed out.
And we loved you.
And now you're dead.
And there are two more people in the world
who can't stop weeping.
Because there is no now

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Patrick White

The Birth Of Rain

Drifting on a drab Sunday in Perth among the ashtrays and leftover sublimities of the church bells. My studio window above the rooftops a smear of willow and wet pine undulating gently in the stillness that followed the rain. Wolves on the easel, waiting to pay the rent. May of the fifth year into the twenty-first century, fifty-six, I sit in a blizzard of tobacco crumbs because I'm too poor to buy tailor-mades, coughing at the computer, wiping small drops of water like pygmy tears from the Cyclopean eye of the screen that glows with the same effulgence as the dirty sheet of the sky. The main migrations are over, but maybe these words are rosaries of late-returning birds. Two anthracite, boat-tailed grackles on a branch just beyond the grimy glass and a gust of sparrows chirrup like squeaky alternator-belts, manically elated in the wake of the storm that has just passed. My freedoms are more sober, my resurgencies probably less profound than the gray roses I give birth to here at my desk, waiting for one of these terminal urgencies of insight to sway me like a bell.

Maybe Louise later today with her Cola and cassettes, and her rough, voluptuous, laughing humanity scorning the random acids of the vulgar world that schools her, a muse who doesn't take requests, a generous longing that's been through a lot. So I sublimate the root-fires of my leafless batons into an auto-de-fe of white canes tired of trying to tap their way through a maze of sexual creeds, blind. The result? A novel and dozens of poems apples above the worms. And I keep her cats, Morgan and Rain, mother and kitten almost fully grown. There are no humans Louise loves more.

The kitten was born beside me on the couch at one-thirty in the morning while Louise was in the hospital and I read La Mettrie, d'Holbach, Diderot, d'Alembert, Voltaire, Rousseau and Helvetius, eighteenth century French les philosophes. Two days ago, remembering, she asked me to write a poem to celebrate the birth. And it's two hundred and fifteen years since the French revolution went into convulsions and mothered daggers out of its wounds, and we are neither free, nor equal, nor brothers, and the birth of Rain, by association, is only the smallest of iota subscripts below the voluminous pretext of that slaughter, hardly, if at all, a mote that matters; but in a way she was born while the peasants stormed the Bastille, and time sent corpses and ideas floating facedown on one of its more famous rivers of blood all the way to the embryonic comma of this tender, contrary event. And there was honour in being a witness when Morgan jumped up beside me

and lay her head upon my right arm as a pillow, the great red text
with ivory pages open to the public like the Vatican before me
as the soft, gray satchel of her body shuddered with the natal lightning
of a different storm, the quickening eruptions of a different riddle
than the one that dropped its answer like a blade
on the necks of the cropped carnations as I kept on reading, thinking
to run for a towel before deciding not to disturb her,
that a little blood on the couch wouldn't hurt anything
compared to the streams of gore that caked the pages of my book.

And there was a humility in the act of watching, and a trust,
as if a great secret were demanding something of her
she was willing to go through hell to give. And my heart
laboured with her like a sympathetic strawberry, convinced of a miracle,

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The Return of Morgan and Fingal

And there we were together again—
Together again, we three:
Morgan, Fingal, fiddle, and all,
They had come for the night with me.

The spirit of joy was in Morgan’s wrist,
There were songs in Fingal’s throat;
And secure outside, for the spray to drench,
Was a tossed and empty boat.

And there were the pipes, and there was the punch,
And somewhere were twelve years;
So it came, in the manner of things unsought,
That a quick knock vexed our ears.

The night wind hovered and shrieked and snarled,
And I heard Fingal swear;
Then I opened the door—but I found no more
Than a chalk-skinned woman there.

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The Gundaroo Bullock

Oh, there's some that breeds the Devon that's as solid as a stone,
And there's some that breeds the brindle which they call the "Goulburn Roan";
But amongst the breeds of cattle there are very, very few
Like the hairy-whiskered bullock that they breed at Gundaroo.
Far away by Grabben Gullen, where the Murrumbidgee flows,
There's a block of broken country-side where no one ever goes;
For the banks have gripped the squatters, and the free selectors too,
And their stock are always stolen by the men of Gundaroo.

There came a low informer to the Grabben Gullen side,
And he said to Smith the squatter, "You must saddle up and ride,
For your bullock's in the harness-cask of Morgan Donahoo --
He's the greatest cattle-stealer in the whole of Gundaroo."

"Oh, ho!" said Smith, the owner of the Grabben Gullen run,
"I'll go and get the troopers by the sinking of the sun,
And down into his homestead tonight we'll take a ride,
With warrants to identify the carcass and the hide."

That night rode down the troopers, the squatter at their head,

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Two Pina Colladas

I was feelin the blues,
I was watchin the news
When this fella came on the tv
He said that Im tellin you,
That science has proven
That heartaches are healed by the sea
And that got me goin without even knowin
And I packed right up and drove down
Now Im on a role, and I sear to my sole
Tonight Im gonna paint this town
(chorus)
So bring me two pina colladas
I want one for each hand
Lets set sail with captain morgan
And never leave dry land
Any troubles Ive forgotten
Ive buried them in the sand.
So bring me two pina colladas
She said goodbye to her good timing man.
Now Ive got to saying, that the wind and the waves

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Essay on Psychiatrists

I. Invocation

It‘s crazy to think one could describe them—
Calling on reason, fantasy, memory, eves and ears—
As though they were all alike any more

Than sweeps, opticians, poets or masseurs.
Moreover, they are for more than one reason
Difficult to speak of seriously and freely,

And I have never (even this is difficult to say
Plainly, without foolishness or irony)
Consulted one for professional help, though it happens

Many or most of my friends have—and that,
Perhaps, is why it seems urgent to try to speak
Sensibly about them, about the psychiatrists.


II. Some Terms

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360

Cast: Rachel Weisz, Jude Law, Anthony Hopkins, Ben Foster, Mark Ivanir, Moritz Bleibtreu, Jamel Debbouze, Peter Morgan, Tereza Srbova, Gabriela Marcinkova

trailer for 360, directed by Fernando Meirelles, screenplay by (2011)Report problemRelated quotes
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I thought I would keep the first name Susan and change the last name but I picked up this book and as I opened it the lead character in it was called Morgan Brittany.

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Houri II

Morgan the parrot stares lovingly
at the yellow sunstream pooling in the bedspread
Will someone please tell him sunlight isn't water
and that his name is not Heraclitus.

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